Samuel R. Delany Quotes

Samuel Ray Delany Jr. , Chip Delany to his friends, is an American author, professor and literary critic. His work includes fiction , memoir, criticism, and essays on sexuality and society.

His science fiction novels include Babel-17, The Einstein Intersection , Nova, Dhalgren, and the Return to Nevèrÿon series. After winning four Nebula awards and two Hugo awards over the course of his career, Delany was inducted by the Science Fiction and Fantasy Hall of Fame in 2002. From January 2001 until his retirement in May 2015, he was a professor of English and Creative Writing at Temple University in Philadelphia. In 2010 he won the third J. Lloyd Eaton Lifetime Achievement Award in Science Fiction from the academic Eaton Science Fiction Conference at UCR Libraries. The Science Fiction Writers of America named him its 30th SFWA Grand Master in 2013.

✵ 1. April 1942
Samuel R. Delany photo

Works

Neveryóna
Neveryóna
Samuel R. Delany
Tales of Nevèrÿon
Tales of Nevèrÿon
Samuel R. Delany
Flight from Nevèrÿon
Flight from Nevèrÿon
Samuel R. Delany
The Einstein Intersection
The Einstein Intersection
Samuel R. Delany
Nova
Nova
Samuel R. Delany
Triton
Triton
Samuel R. Delany
The Jewels of Aptor
The Jewels of Aptor
Samuel R. Delany
Dhalgren
Dhalgren
Samuel R. Delany
The Mad Man
The Mad Man
Samuel R. Delany
Equinox
Samuel R. Delany
They Fly at Çiron
They Fly at Çiron
Samuel R. Delany
Babel-17
Babel-17
Samuel R. Delany
Empire Star
Empire Star
Samuel R. Delany
The Ballad of Beta-2
The Ballad of Beta-2
Samuel R. Delany
Samuel R. Delany: 131   quotes 4   likes

Famous Samuel R. Delany Quotes

“Only a man afraid of freedom would want this power, who could conceive of wielding it. And that fear of freedom will turn him into a slave of this power.”

Source: The Jewels of Aptor (1962), Chapter X (p. 133)
Context: A lesson which history should have taught us thousands of years ago was finally driven home. No man can wield absolute power over other men and still retain his own mind. For no matter how good his intentions are when he takes up the power, his alternate reason is that freedom, the freedom of other people and ultimately his own, terrifies him. Only a man afraid of freedom would want this power, who could conceive of wielding it. And that fear of freedom will turn him into a slave of this power.

“All right. I’m not opposed to reality imitating art if it doesn’t get in the way.”

Source: Lines of Power (1968), p. 26

Samuel R. Delany Quotes about the trip

Samuel R. Delany Quotes about people

“Dictators during the entire history of this planet have used similar techniques. By not letting the people of their country know what conditions existed outside their boundaries, they could get the people to fight to stay in those conditions.”

Source: The Jewels of Aptor (1962), Chapter X (p. 133)
Context: Dictators during the entire history of this planet have used similar techniques. By not letting the people of their country know what conditions existed outside their boundaries, they could get the people to fight to stay in those conditions. It was the old adage: Convince a slave that he’s free, and he will fight to maintain his slavery.

Samuel R. Delany: Trending quotes

“That is the basis of all magic.”

Equinox (1973)
Context: Always remember the objects you are working with. When you make a bridge, remember you are putting steel on stone and dirt. … Some day you will write poems to a little girl: marks with ink on paper. … When you are making love, you are moving flesh against flesh. That is the basis of all magic. (p. 30)

“It is a magic book. Words mean things. When you put them together they speak.”

Equinox (1973)
Context: It is a magic book. Words mean things. When you put them together they speak. Yes, sometimes they flatten out and nothing they say is real, and that is one kind of magic. But sometimes a vision will rip up from them and shriek and clank wings clear as the sweat smudge on the paper under your thumb. And that is another kind. (p. 163)

Samuel R. Delany Quotes

“Always remember the objects you are working with.”

Equinox (1973)
Context: Always remember the objects you are working with. When you make a bridge, remember you are putting steel on stone and dirt. … Some day you will write poems to a little girl: marks with ink on paper. … When you are making love, you are moving flesh against flesh. That is the basis of all magic. (p. 30)

“Once I was as ignorant as you; I swear, though, I can’t remember when.”

Section 9
The Einstein Intersection (1967)
Context: I must remember my own origins. Once I was as ignorant as you; I swear, though, I can’t remember when.

“A lesson which history should have taught us thousands of years ago was finally driven home. No man can wield absolute power over other men and still retain his own mind.”

Source: The Jewels of Aptor (1962), Chapter X (p. 133)
Context: A lesson which history should have taught us thousands of years ago was finally driven home. No man can wield absolute power over other men and still retain his own mind. For no matter how good his intentions are when he takes up the power, his alternate reason is that freedom, the freedom of other people and ultimately his own, terrifies him. Only a man afraid of freedom would want this power, who could conceive of wielding it. And that fear of freedom will turn him into a slave of this power.

“The science of probability gives mathematical expression to our ignorance, not to our wisdom.”

Time Considered as a Helix of Semi-Precious Stones (1968)
Context: If everything, everything were known, statistical estimates would be unnecessary. The science of probability gives mathematical expression to our ignorance, not to our wisdom.

“As morning branded the sea, darkness fell away at the far side of the beach. I turned to follow it.”

Section 13 (closing words)
The Einstein Intersection (1967)

“Honesty is the best policy; a policy is, after all, a strategy for living in the polis — in the city …”

Source: The Mad Man (1994), p. 67; ellipses in the original

“You mean I’ve come all this way to kill a man, and you tell me he’s gone?”

Section 3 (p. 183)
Tales of Nevèrÿon (1979)

“She simply has no concept of what’s real and what’s fantasy—did I say? She’s in the theater.”

Source: Triton (1976), Chapter 7 “Tiresias Descending, or Trouble on Triton” (p. 322)

“You're not looking for me, you know. I'm looking for you.”

Section 5
The Einstein Intersection (1967)

“Don’t go chattering to the stars if you’re going to do it with your eyes closed.”

Source: Nova (1968), Chapter 7 (p. 197)

“For better or for worse, she found herself putting aside fear in favor of curiosity.”

Source: Neveryóna (1983), Chapter 7, “Of Commerce, Capital, Myths, and Missions” (p. 163)

“And who’s to say where life ceases and theater begins”

Source: Triton (1976), Chapter 3 “Avoiding Kangaroos” (p. 113)

“The inevitable is that unprepared for.”

Source: Nova (1968), Chapter 7 (p. 204)

“To write for others,’ she thought, ‘it seems one must be a spy—or a teller of tales.”

Source: Neveryóna (1983), Chapter 11, “Of Family Gatherings, Grammatology, More Models, and More Mysteries” (p. 313)

“You can be bored with anything if you try hard enough.”

Source: Nova (1968), Chapter 3 (p. 36)

“Everyone in a position of authority is hysterical, and everyone else is pretending to be asleep.”

Source: Triton (1976), Chapter 3 “Avoiding Kangaroos” (p. 54)

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