“Oh Patimkin! Fruit grew in their refrigerator and sporting goods dropped from their trees!”
Philip Roth book Goodbye, Columbus
Goodbye, Columbus (1959)
Philip Milton Roth is an American novelist.
He first gained attention with the 1959 novella Goodbye, Columbus, an irreverent and humorous portrait of American Jewish life for which he received the U.S. National Book Award for Fiction. Roth's fiction, regularly set in his birthplace of Newark, New Jersey, is known for its intensely autobiographical character, for philosophically and formally blurring the distinction between reality and fiction, for its "supple, ingenious style" and for its provocative explorations of Jewish and American identity. His profile rose significantly in 1969 after the publication of Portnoy's Complaint, the humorous and sexually explicit psychoanalytical monologue of "a lust-ridden, mother-addicted young Jewish bachelor," filled with "intimate, shameful detail, and coarse, abusive language."
Roth is one of the most awarded American writers of his generation. His books have twice received the National Book Award and the National Book Critics Circle award, and three times the PEN/Faulkner Award. He received a Pulitzer Prize for his 1997 novel American Pastoral, which featured one of his best-known characters, Nathan Zuckerman, a character in many of Roth's novels. The Human Stain , another Zuckerman novel, was awarded the United Kingdom's WH Smith Literary Award for the best book of the year. In 2001, in Prague, Roth received the inaugural Franz Kafka Prize.

“Oh Patimkin! Fruit grew in their refrigerator and sporting goods dropped from their trees!”
Philip Roth book Goodbye, Columbus
Goodbye, Columbus (1959)
Philip Roth book The Counterlife
Source: The Counterlife (1986), Ch. 5
Philip Roth book The Facts: A Novelist's Autobiography
Opening letter to Nathan Zuckerman.
Referring to the life of a fiction writer
The Facts: A Novelist's Autobiography (1988)
Philip Roth book Portnoy's Complaint
Part 5: "Cunt Crazy"
Portnoy's Complaint (1969)
Philip Roth book The Facts: A Novelist's Autobiography
Opening letter to Nathan Zuckerman
The Facts: A Novelist's Autobiography (1988)
Philip Roth book The Dying Animal
Well, that "sir" is transformed into "young lady" when I see them in class.
The Dying Animal (2001)
Philip Roth book The Dying Animal
The Dying Animal (2001)
On criticism of his writing, as quoted in "The Unbounded Spirit of Philip Roth" http://www.nytimes.com/books/98/10/11/specials/roth-unbounded.html?_r=1&oref=slogin, interview with Mervyn Rothstein, The New York Times (1 August 1985), Late City Final Edition, section C, page 13, column 1
Paris Review Interview (1986)
Philip Roth book Portnoy's Complaint
Source: Portnoy's Complaint (1969), Ch. 4: "The Most Prevalent Form of Degradation in Erotic Life"
Philip Roth book The Facts: A Novelist's Autobiography
Nathan Zuckerman to Philip Roth
The Facts: A Novelist's Autobiography (1988)
Paris Review Interview (1986)
"The Ghosts of Roth," interview with Alan Finkielkraut, Esquire (September 1981)
Philip Roth book Portnoy's Complaint
Portnoy's Complaint (1969)
As quoted in "Roth on Trump" by Judith Thurman, in The New Yorker (30 January 2017), p. 17
Paris Review Interview (1986)
Philip Roth book Exit Ghost
Exit Ghost (2007)
I don't need that question answered.
Paris Review Interview (1986)
Philip Roth book Everyman
Everyman (2006)
Philip Roth book Sabbath's Theater
Was it taking place elsewhere? But how then can looking out of this window be so gigantically real? Well, that is the difference between the true and the real. We don't get to live in the truth. That's why Nikki ran away. She was an idealist, an innocent, touching, talented illusionist who wanted to live in the truth. Well, if you found it, kid, you're the first. In my experience the direction of life is toward incoherence — precisely what you would never confront. Maybe that was the only coherent thing you could think to do: die to deny incoherence.
Sabbath's Theater (1995)
Writing About Jews (1963)
Writing About Jews (1963)
Writing About Jews (1963)
Writing About Jews (1963)
But is it "hostile," really, to take a look at the ferocity of the emotion they call "hostility"?
Paris Review Interview (1986)