Philip Roth: Writing

Philip Roth was American novelist. Explore interesting quotes on writing.

Philip Roth: 190 quotes7 likes

“I turn sentences around. That's my life. I write a sentence and then I turn it around. Then I look at it and turn it around again…”

Source: Ghost Writer

“Writing turns you into somebody who's always wrong. the illusion that you may get it right someday is the perversity that draws you on. What else could? As pathological phenomena go, it doesn't completely wreck your life.”

“Writing turns you into somebody who's always wrong. The illusion that you may get it right someday is the perversity that draws you on.”

Philip Roth book American Pastoral

Source: American Pastoral

“I'm exactly the opposite of religious, I'm anti-religious. I find religious people hideous. I hate the religious lies. It's all a big lie. … I have such a huge dislike. It's not a neurotic thing, but the miserable record of religion. I don't even want to talk about it, it's not interesting to talk about the sheep referred to as believers. When I write, I'm alone. It's filled with fear and loneliness and anxiety - and I never needed religion to save me.”

Interview for Martin Krasnik of the Guardian, (14 December 2005) http://www.theguardian.com/books/2005/dec/14/fiction.philiproth

“I write fiction and I’m told it’s autobiography, I write autobiography and I’m told it’s fiction, so since I’m so dim and they’re so smart, let them decide what it is or it isn’t.”

Philip Roth book Deception

Deception: A Novel (1990)

“Beginning a book is unpleasant. I’m entirely uncertain about the character and the predicament, and a character in his predicament is what I have to begin with. Worse than not knowing your subject is not knowing how to treat it, because that’s finally everything. I type out beginnings and they’re awful, more of an unconscious parody of my previous book than the breakaway from it that I want. I need something driving down the center of a book, a magnet to draw everything to it—that’s what I look for during the first months of writing something new. I often have to write a hundred pages or more before there’s a paragraph that’s alive. Okay, I say to myself, that’s your beginning, start there; that’s the first paragraph of the book. I’ll go over the first six months of work and underline in red a paragraph, a sentence, sometimes no more than a phrase, that has some life in it, and then I’ll type all these out on one page. Usually it doesn’t come to more than one page, but if I’m lucky, that’s the start of page one. I look for the liveliness to set the tone. After the awful beginning come the months of freewheeling play, and after the play come the crises, turning against your material and hating the book.”

Paris Review Interview (1986)

“Should he ever write an autobiography, he'd call it The Life and Death of a Male Body.”

Philip Roth book Everyman

Everyman (2006)

“I was trying to solve the problem of this book. (My Life as a Man) When it seemed I never would, I stopped and wrote Our Gang; when I tried again and still couldn't write it, I stopped and wrote the baseball book; then while finishing the baseball book, I stopped to write The Breast. It was as though I were blasting my way through a tunnel to reach the novel I couldn't write. Each of one's books is a blast, clearing the way for what's next.”

Paris Review Interview (1986)

“Any satirist writing a futuristic novel who had imagined a President Reagan during the Eisenhower years would have been accused of perpetrating a piece of crude, contemptible, adolescent, anti-American wickedness, when, in fact, he would have succeeded, as prophetic sentry, where Orwell failed.”

Paris Review Interview (1986)

“I do not write a story to make evident whatever disapproval I may feel for adulterous men. I write a story of a man who is adulterous to reveal the condition of such a man. If the adulterous man is a Jew, then I am revealing the condition of an adulterous man who is a Jew. Why tell that story? Because I seem to be interested in how — and why and when — a man acts counter to what he considers to be his "best self," or what others assume it to be, or would like for it to be. The subject is hardly "mine"; it interested readers and writers for a long time before it became my turn to be engaged by it, too.”

Writing About Jews (1963)