Northrop Frye Quotes
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Herman Northrop Frye was a Canadian literary critic and literary theorist, considered one of the most influential of the 20th century.

Frye gained international fame with his first book, Fearful Symmetry , which led to the reinterpretation of the poetry of William Blake. His lasting reputation rests principally on the theory of literary criticism that he developed in Anatomy of Criticism , one of the most important works of literary theory published in the twentieth century. The American critic Harold Bloom commented at the time of its publication that Anatomy established Frye as "the foremost living student of Western literature." Frye's contributions to cultural and social criticism spanned a long career during which he earned widespread recognition and received many honours. Wikipedia  

✵ 14. July 1912 – 23. January 1991   •   Other names Нортроп Фрай, Нортроп Фрај, ਨੋਰਥਰੋਪ ਫ੍ਰਾਈ
Northrop Frye: 137   quotes 3   likes

Northrop Frye Quotes

“The primary and literal meaning of the Bible, then, is its centripetal or poetic meaning.”

Source: "Quotes", The Great Code: The Bible and Literature (1982), Chapter Three, p. 61

“The real Bible is a sealed book, an apocryphon, a book not to be opened (mentally) until its time has come.”

2:568
"Quotes", Late Notebooks, 1982–1990: Architecture of the Spiritual World (2002)

“We have revolutionary thought whenever the feeling "life is a dream" becomes geared to an impulse to awaken from it.”

Source: "Quotes", The Great Code: The Bible and Literature (1982), Chapter Four, p. 83

“One person by himself is not a complete human being.”

"Quotes", The Educated Imagination (1963), Talk 1: The Motive For Metaphor http://northropfrye-theeducatedimagination.blogspot.ca/2009/08/1-motive-for-metaphor.html

“We are always in the place of beginning; there is no advance in infinity.”

1:281
"Quotes", Late Notebooks, 1982–1990: Architecture of the Spiritual World (2002)

“A community`s art is its spiritual vision.”

Source: "Quotes", Notebooks and Lectures on the Bible and Other Religious Texts (2003), p. 206

“This story of loss and regaining of identity is, I think, the framework of all literature.(pg.18)”

"Quotes", The Educated Imagination (1963), Talk 2: The Singing School

“Genius is a power of the soul and that powers of the soul can be developed by everyone.”

Source: "Quotes", Notebooks and Lectures on the Bible and Other Religious Texts (2003), p. 8

“The mark of a great writer: who sees his own time, but with a detachment that makes him communicable to other ages.”

2:579
"Quotes", Late Notebooks, 1982–1990: Architecture of the Spiritual World (2002)

“Metaphors of unity and integration take us only so far, because they are derived from the finiteness of the human mind.”

Source: "Quotes", The Great Code: The Bible and Literature (1982), Chapter Six, p. 168

“The supremacy of the verbal over the monumental has something about it of the supremacy of life over death.”

Source: "Quotes", The Great Code: The Bible and Literature (1982), Chapter 8, p. 200

“I give the impression of elusiveness sometimes, and rightly, because I really do have an inner chamber in my temple I'm not mature enough to open.”

2:618
"Quotes", Late Notebooks, 1982–1990: Architecture of the Spiritual World (2002)

“The pursuit of beauty is much more dangerous nonsense than the pursuit of truth or goodness, because it affords a stronger temptation to the ego.”

"Quotes", Anatomy of Criticism: Four Essays (1957), Mythical Phase: Symbol as Archetype

“We notice as the Bible goes on, the area of scared space shrinks.”

Source: "Quotes", The Great Code: The Bible and Literature (1982), Chapter Six, p. 158

“Yesterday's kook book becomes tomorrow's standard text.”

2:495
"Quotes", Late Notebooks, 1982–1990: Architecture of the Spiritual World (2002)

“Man creates what he calls history as a screen to conceal the workings of the apocalypse from himself.”

Source: "Quotes", The Great Code: The Bible and Literature (1982), Chapter Five, p. 136

“My greater simplicity came from a deeper level than the labyrinth of the brain.”

1:61-2
"Quotes", Late Notebooks, 1982–1990: Architecture of the Spiritual World (2002)

“Man is constantly building anxiety-structures, like geodesic domes, around his social and religious institutions.”

Source: "Quotes", The Great Code: The Bible and Literature (1982), Chapter 8, p. 232

“One of the major activities of art consists in sharpening the edge of platitudes to make them enter the soul as realities.”

Source: "Quotes", Notebooks and Lectures on the Bible and Other Religious Texts (2003), p. 7

“Give me a place to stand, and I will include the world.”

19.333
"Quotes", Notebooks

“A person who knows nothing about literature may be an ignoramus, but many people don't mind being that.”

"Quotes", The Educated Imagination (1963), Talk 1: The Motive For Metaphor http://northropfrye-theeducatedimagination.blogspot.ca/2009/08/1-motive-for-metaphor.html

“Literature is not a subject of study, but an object of study.”

"Quotes", Anatomy of Criticism: Four Essays (1957), Polemical Introduction

“Writers don't seem to benefit much by the advance of science, although they thrive on superstitions of all kinds.”

"Quotes", The Educated Imagination (1963), Talk 1: The Motive For Metaphor http://northropfrye-theeducatedimagination.blogspot.ca/2009/08/1-motive-for-metaphor.html

“If you haven't got an excremental vision you have no business setting up as a major satirist.”

2:578-9
"Quotes", Late Notebooks, 1982–1990: Architecture of the Spiritual World (2002)

“Belief has nothing to do with knowledge, & credo ut intelligam [I believe in order that I might understand] is horseshit.”

Source: "Quotes", Notebooks and Lectures on the Bible and Other Religious Texts (2003), p. 209