John Steinbeck: Likeness

John Steinbeck was American writer. Explore interesting quotes on likeness.
John Steinbeck: 732 quotes33 likes

“A man with a beard was always a little suspect anyway. You couldn't say you wore a beard because you liked a beard. People didn't like you for telling the truth. You had to say you had a scar so you couldn't shave.”

John Steinbeck book Cannery Row

Source: Cannery Row

“Well, I never seen one guy take so much trouble for another guy. I just like to know what your interest is.”

John Steinbeck Of Mice and Men

Source: Of Mice and Men

“Lord, how the day passes! It's like a life - so quickly when we don't watch it and so slowly when we do.”

John Steinbeck book East of Eden

Source: East of Eden

“My dreams are the problems of the day stepped up to absurdity, a little like men dancing, wearing the horns and masks of animals.”

John Steinbeck book The Winter of Our Discontent

The Winter of Our Discontent (1961), unplaced by chapter

“We all have that heritage, no matter what old land our fathers left. All colors and blends of Americans have somewhat the same tendencies. It's a breed — selected out by accident. And so we're overbrave and overfearful — we're kind and cruel as children. We're overfriendly and at the same time frightened of strangers. We boast and are impressed. We're oversentimental and realistic. We are mundane and materialistic — and do you know of any other nation that acts for ideals? We eat too much. We have no taste, no sense of proportion. We throw our energy about like waste. In the old lands they say of us that we go from barbarism to decadence without an intervening culture. Can it be that our critics have not the key or the language of our culture? That's what we are, Cal — all of us. You aren't very different.”

John Steinbeck book East of Eden

East of Eden (1952)

“Sometimes it's great fun to be silly, like children playing statues and dying of laughter. And sometimes being silly breaks the even pace and lets you get a new start.”

John Steinbeck book The Winter of Our Discontent

The Winter of Our Discontent (1961), unplaced by chapter

“Mr. Pritchard was a businessman, president of a medium-sized corporation. He was never alone. His business was conducted by groups of men like himself who joined together in clubs so that no foreign element or idea could enter. His religious life was again his lodge and his church, both of which were screened and protected. One night a week he played poker with men so exactly like himself that the game was fairly even, and from this fact his group was convinced that they were very fine poker players. Wherever he went he was not one man but a unit in a corporation, a unit in a club, in a lodge, in a church, in a political party. His thoughts and ideas were never subjected to criticism since he willingly associated only with people like himself. He read a newspaper written by and for his group. The books that came into his house were chosen by a committee which deleted material that might irritate him. He hated foreign countries and foreigners because it was difficult to find his counterpart in them. He did not want to stand out from his group. He would like to have risen to the top of it and be admired by it; but it would not occur to him to leave it. At occasional stags where naked girls danced on the tables and sat in great glasses of wine, Mr. Pritchard howled with laughter and drank the wine, but five hundred Mr. Pritchards were there with him.”

John Steinbeck book The Wayward Bus

Source: The Wayward Bus (1947), Ch. 3

“Such is the prestige of the Nobel award and of this place where I stand that I am impelled, not to squeak like a grateful and apologetic mouse, but to roar like a lion out of pride in my profession and in the great and good men who have practiced it through the ages.”

John Steinbeck

Nobel Prize acceptance speech (1962)

“Does anyone ever know even the outer fringe of another? What are you like in there? Mary — do you hear? Who are you in there?”

John Steinbeck book The Winter of Our Discontent

Source: The Winter of Our Discontent (1961), Part One, Chapter III

“He wondered why he stayed with her. Just pure laziness, he guessed. He didn't want to go through the emotional turmoil of leaving her. In spite of himself he'd worry about her and it was too much trouble. He'd need another woman right away and that took a lot of talking and arguing and persuading. It was different just to lay a girl but he would need a woman around, and that was the difference. You got used to one and it was less trouble. […]
But there was another reason too. She loved him. She really did. And he knew it. And you can't leave a thing like that. It's a structure and it has an architecture, and you can't leave it without tearing off a piece of yourself. So if you want to remain whole you stay no matter how much you may dislike staying. Juan was not a man who fooled himself very much.”

John Steinbeck book The Wayward Bus

Source: The Wayward Bus (1947), Ch. 8

“The profession of book-writing makes horse-racing seem like a solid, stable business.”

John Steinbeck book The Acts of King Arthur and His Noble Knights

The Acts of King Arthur and His Noble Knights (1976), but a statement he is first quoted as having made in Newsweek (24 December 1962)

“Mordeen said: "I used to wonder why this love seemed sweeter than I had ever known, better than many people ever know. And then one day the reason came to me. There are very few great Anythings in the world. In work and art and emotion—the great is very rare. And I have one of the great and beautiful. Now say your yah, yah, Victor, like a child unanswerably answering Wisdom. You will have to do that, I think."”

John Steinbeck book Burning Bright

Mordeen on her love for Joe Saul in Act One: The Circus
Burning Bright (1950)

“No one knows how greatness comes to a man. It may lie in his blackness, sleeping, or it may lance into him like those driven fiery particles from outer space. These things, however, are known about greatness: need gives it life and puts it in action; it never comes without pain; it leaves a man changed, chastened, and exalted at the same time — he can never return to simplicity.”

John Steinbeck book Sweet Thursday

Source: Sweet Thursday (1954), Ch. 36

“The new American finds his challenge and his love in the traffic-choked streets, skies nested in smog, choking with the acids of industry, the screech of rubber and houses leashed in against one another while the townlets wither a time and die. This is not offered in criticism but only as observation. And I am sure that, as all pendulums reverse their swing, so eventually will the swollen cities rupture like dehiscent wombs and disperse their children back to the countryside.”

John Steinbeck

Pt. 2
Travels With Charley: In Search of America (1962)

“The things everyone knows are most likely to be wrong.”

John Steinbeck book The Winter of Our Discontent

Source: The Winter of Our Discontent (1961), Part Two, Chapter XIX

“One of the greatest errors in the reconstruction of another era lies in our tendency to think of them as being like ourselves in feeling and attitudes. Actually, without considerable study on the part of a present-day man — if he were confronted by a fifteenth-century man — there would be no possible communication. I think it is possible through knowledge and discipline for a modern man to understand, and, to a certain extent, live into a fifteenth-century mind, but the reverse would be completely impossible.”

John Steinbeck book The Acts of King Arthur and His Noble Knights

Appendix, letter to Elizabeth Otis and Chase Horton (14 March 1958)
The Acts of King Arthur and His Noble Knights (1976)

“A book is like a man — clever and dull, brave and cowardly, beautiful and ugly. For every flowering thought there will be a page like a wet and mangy mongrel, and for every looping flight a tap on the wing and a reminder that wax cannot hold the feathers firm too near the sun.”

John Steinbeck book Journal of a Novel

From a letter to Pascal Covici (1952)
Journal of a Novel (1969)

“I like a chapter to have design of tone, as well as of form. A chapter should be a perfect cell in the whole book and should be almost able to stand alone. If this is done then the breaks we call chapters are not arbitrary but rather articulations which allow the free movement of the story.”

John Steinbeck book Journal of a Novel

March 7, 1951
Journal of a Novel (1969)