Source: posthumous, Jean Dubuffet, Works, writings Interviews, 2006, p. 81; Comment of Dubuffet on the occasion of his 1984 exhibition at the Venice Biennale
Works
Prospectus et tous écrits suivants
Jean DubuffetFamous Jean Dubuffet Quotes
Dubuffet once explained to Jacques Berne; as cited in 'Dubuffet, Lévi-Strauss, and the Idea of Art Brut', Kent Minturn, from RES: Anthropology and Aesthetics, No. 46, Polemical Objects (Autumn, 2004), pp. 247-258 http://www.columbia.edu/cu/arthistory/faculty/Minturn/Dubuffet-Levi-Strauss.pdf, p. 256
undated
on his series 'Corps de Dame'
As quoted in Jean Dubuffet, Works, writings Interviews, ed. Valerie da Costa and Fabrice Hergott; Ediciones Polígrafa, Barcelona 2006
1960-70's, Prospectus et tous écrits suivants, 1967
Quote in Dubuffet's 1947 Entry on an anonymous sculptor, associated with the Swiss collector O.J. Müller; from: Jean Dubuffet, Les Barbus Müller et Autres Pièces de la Statuaire Provinciale(1947), in Prospectus I, pp. 498-49 (transl. Kent Minturn)
remark about the publication of biographically based texts on individual art brut artists; according to Dubuffet: veritable history of art without 'names,' 'dates,' or 'histories'.
1940's
Source: 1960-70's, Prospectus et tous écrits suivants, 1967, p. 105
Source: 1960-70's, Prospectus et tous écrits suivants, 1967, p. 116
Jean Dubuffet Quotes about art
As quoted in Jean Dubuffet, Works, writings Interviews, ed. Valerie da Costa and Fabrice Hergott; Ediciones Polígrafa, Barcelona 2006, p. 14
1960-70's, Prospectus et tous écrits suivants, 1967
Quoted by Alan Magee, in Paintings, Sculpture, Graphics., Forum Gallery, New York, 2004
posthumous
In an interview with John M. MacGregor, later published in 'Raw Vision 7' (Summer 1993)
posthumous
Source: posthumous, Jean Dubuffet, Works, writings Interviews, 2006, pp. 23,28: quote in Dubuffet's letter to Jean Paulhan (letter 108)
Source: 1960-70's, Prospectus et tous écrits suivants, 1967, pp. 203-204
Source: posthumous, Batons rompus, 1986, pp. 7-8
Jean Dubuffet Quotes about painting
Source: 1960-70's, Prospectus et tous écrits suivants, 1967, p. 430
Source: 1960-70's, Prospectus et tous écrits suivants, 1967, p. 75
Source: posthumous, Batons rompus, 1986, pp. 17, 18
Quote in a letter to Max Loreau, 29 June, 1963, reprinted in Prospectus II, Jean Dubuffet; Gallimard, Paris, 1967, pp. 374–375
1960-70's
quote by Dubuffet on his technique, he used in his series Hautes Pâtes, exhibited in 1946
Source: 1960-70's, Prospectus et tous écrits suivants, 1967, p. 428
Quote of Dubuffet, in Peter Selz and Jean Dubuffet: The work of Jean Dubuffet, The Museum of Modern art, New York, 1962
1960-70's
Jean Dubuffet Quotes
Source: 1960-70's, Prospectus et tous écrits suivants, 1967, p. 97
Note of 7 mai 1968, as quoted in the catalogue of the exhibition La Fiast invita all'incontro con Jean Dubuffet, Turin 1978
posthumous
Source: 1960-70's, Prospectus et tous écrits suivants, 1967, p. 63-73
Source: 1960-70's, Prospectus et tous écrits suivants, 1967, p. 206
“.. the wind of 'art brut' blows on writing as well as on other avenues of artistic creation.”
Quote in the text of Jean Dubuffet, 'Project pour un petit texte liminaire introduisant les publications de 'L'art brut dans l'écrire', 1969 (1969), published in Le Langage de la rupture', Paris: Presses Universitaires de France, 1978
1960-70's
Quote of Jean Dubuffet, from 'L'auteur répond à quelques objections', (1946); as cited in Prospectus aux amateurs de tout genre, Jean Dubuffet; Paris: Gallimard, 1946, p. 115
1940's
Two quotes, Jean Dubuffet placed on the poster announcing his painting-show 'Les gens sont plus beaux qu'ils croient, in Galerie René Drouin, Paris (October 7–31, 1947)
1940's
critical quote in Dubuffet's letter to Jacques Berne, 22October 1970, p. 190; as cited in 'Dubuffet, Lévi-Strauss, and the Idea of Art Brut', Kent Minturn http://www.columbia.edu/cu/arthistory/faculty/Minturn/Dubuffet-Levi-Strauss.pdf, from RES: Anthropology and Aesthetics, No. 46, Polemical Objects (Autumn, 2004), p. 256
Dubuffet complains that Levi-Strauss had become too theoretical
1960-70's
Jean Dubuffet, letter to Raymond Queneau, 30 October 1950; as cited in Prospectus Vol. I, Jean Dubuffet; Gallimard, Paris, 1967, pp. 481-483
1950's
Source: posthumous, Batons rompus, 1986, pp. 34-35
Source: 1960-70's, Prospectus et tous écrits suivants, 1967, p. 94
Quote in Dubuffet's letter to American art-promoter Gould, dated 4 August 1946; as cited in Physiognomic Illegibility, by Kent Mitchell Minturn - JEAN DUBUFFET'S POSTWAR PORTRAITS https://www.nyu.edu/gsas/dept/fineart/people/faculty/minturnPDFs/Minturn%20Final%20(low%20res).pdf
1940's
“Art should be born from the materials.”
Source: posthumous, Jean Dubuffet, Works, writings Interviews, 2006, p. 68; in Notes pour les finslettrés
Source: posthumous, Jean Dubuffet, Works, writings Interviews, 2006, p. 44; quote in Dubuffet's letter to Jean Paulhan (letter 123)
Quote of Dubuffet, in a letter to Jacques Berne mailed from Algeria, late 1940's; (Lettres à J.B., p. 35.); as cited in 'Dubuffet, Lévi-Strauss, and the Idea of Art Brut', Kent Minturn http://www.columbia.edu/cu/arthistory/faculty/Minturn/Dubuffet-Levi-Strauss.pdf, from RES: Anthropology and Aesthetics, No. 46, Polemical Objects (Autumn, 2004), pp. 247-258, p. 250
1940's
Quotes in his letter to Jaque Berne, 29 April, 1949 (the day after his return to Paris); as cited in ; as cited in 'Dubuffet, Lévi-Strauss, and the Idea of Art Brut', Kent Minturn http://www.columbia.edu/cu/arthistory/faculty/Minturn/Dubuffet-Levi-Strauss.pdf, p. 250
1940's
Source: posthumous, Jean Dubuffet, Works, writings Interviews, 2006, p. 9
Quote of Dubuffet on 'Art brut', in 'Art Brut Preferred to the Cultural Arts' (1949); (trans. Joachim Neugroschel), in Mildred Glimcher, Jean Dubuffet: Towards an Alternative Reality, New York: Abbeville Press, 1987, p. 104
1940's
Quote in a letter to Max Loreau, 29 June, 1963, reprinted in Prospectus II, Jean Dubuffet; Gallimard, Paris, 1967, pp. 374–375
1960-70's
Source: 1960-70's, Prospectus et tous écrits suivants, 1967, p. 483
Quote in Biographie au pas de course, in Prospectus et tous écrits suivants, Vol. IV, Jean Dubuffet, Gallimard, Paris 1995, p. 510
posthumous
Source: posthumous, Batons rompus, 1986, p. 19
Source: 1960-70's, Prospectus et tous écrits suivants, 1967, p. 103
Quote of Jean Dubuffet, in Indications descriptives, in Michel Tapie, Mirobolus, Macadam & Cie. (Paris, 1946). Dubuffet, 'More Modest, (1946) trans. Joachim Neugroschel in Tracks: A Journal of Artist's Writings 1:2 (Spring 1975), p 26-29
1940's
Quote in a letter of Dubuffet to Arnold Glimcher, as cited by Valery Oisteanu, Jean Dubuffet: The Last Two Years http://brooklynrail.org/2012/03/artseen/jean-dubuffet-the-last-two-years. The Brooklyn Rail, March 2012.
posthumous
Quote of Dubuffet in Catalogue, p. 47; as cited by Hubert Damisch, in 'Dubuffet or the Reading of the World', in 'Art de France 2' (1962), p. 337–346 (translated by Kent Minturn and Priya Wadhera)
1960-70's
Quote from Prospectus aux amateurs de tout genre, Jean Dubuffet; Paris: Gallimard, 1946; translated in: Mildred Glimcher, ed., Jean Dubuffet: Towards an Alternative Reality; New York: Abbeville Press 1987; as cited in 'Dubuffet, Lévi-Strauss, and the Idea of Art Brut', Kent Minturn http://www.columbia.edu/cu/arthistory/faculty/Minturn/Dubuffet-Levi-Strauss.pdf, from RES: Anthropology and Aesthetics, No. 46, Polemical Objects (Autumn, 2004), p. 250
Dubuffet is describing the (contemporary) for him of the footprints of the Bedouins.
1940's