James Thurber Quotes

James Grover Thurber was an American cartoonist, author, humorist, journalist, playwright, children's book author, and celebrated wit. He was best known for his cartoons and short stories published mainly in The New Yorker magazine, such as "The Catbird Seat", and collected in his numerous books. He was one of the most popular humorists of his time, as he celebrated the comic frustrations and eccentricities of ordinary people. He wrote the Broadway comedy The Male Animal in collaboration with his college friend Elliott Nugent; it was later adapted into a film starring Henry Fonda and Olivia de Havilland. His short story "The Secret Life of Walter Mitty" has been adapted for film twice, once in 1947 and again in 2013. Wikipedia  

✵ 8. December 1894 – 2. November 1961   •   Other names James Grover Thurber
James Thurber photo

Works

A Thurber Carnival
A Thurber Carnival
James Thurber
James Thurber: 90   quotes 8   likes

Famous James Thurber Quotes

“All men should strive to learn before they die what they are running from, and to, and why.”

"The Shore and the Sea", Further Fables for Our Time (first publication, 1956)
From Fables for Our Time and Further Fables for Our Time

“Beautiful things don't ask for attention.”

Source: The Secret Life of Walter Mitty

“Don't get it right, just get it written.”

"The Sheep in Wolf's Clothing", The New Yorker (29 April 1939); Fables for Our Time & Famous Poems Illustrated (1940). The moral is ironic with respect to the fable, in which sheep do insufficient research before writing about wolves, resulting in the sheep being easy prey.
From Fables for Our Time and Further Fables for Our Time
Variant: Don't get it right, just get it written.

James Thurber Quotes about men

“Nowadays most men lead lives of noisy desperation.”

"The Grizzly and the Gadgets", The New Yorker (date unknown); Further Fables for Our Time (1956); This statement is derived from one of Henry David Thoreau: "The mass of men lead lives of quiet desperation."
From Fables for Our Time and Further Fables for Our Time

“All men kill the thing they hate, too, unless, of course, it kills them first.”

"The Crow and the Scarecrow", The New Yorker (date unknown); Further Fables for Our Time (1956). This is derived from Oscar Wilde's statement "All men kill the thing they love..."
From Fables for Our Time and Further Fables for Our Time

“He picked out this sentence in a New Yorker casual of mine: "After dinner, the men moved into the living room," and he wanted to know why I, or the editors, had put in the comma. I could explain that one all night. I wrote back that this particular comma was Ross's way of giving the men time to push back their chairs and stand up.”

The Years with Ross (Little Brown & Co, 1957, pg.267)

Variant: From one casual of mine he picked this sentence. “After dinner, the men moved into the living room.” I explained to the professor that this was Ross’s way of giving the men time to push back their chairs and stand up. There must, as we know, be a comma after every move, made by men, on this earth.

Memo to The New Yorker (1959); reprinted in New York Times Book Review (4 December 1988); Harold Ross was the editor of The New Yorker from its inception until 1951, and well-known for the overuse of commas
From other writings

“Women are wiser than men, because they know less and understand more.”

Quoted in: Kabir, Hajara Muhammad (2010). Northern women development. [Nigeria]. ISBN 978-978-906-469-4. OCLC 890820657.
https://allauthor.com/quotes/42366/
From other writings

James Thurber Quotes about thinking

“From now on, I think it is safe to predict, neither the Democratic nor the Republican Party will ever nominate for President a candidate without good looks, stage presence, theatrical delivery, and a sense of timing.”

said of the Kennedy-Nixon TV debates in an unpublished manuscript, (dated 20 March 1961); Collecting Himself (1989).
From other writings

“It's a naïve domestic Burgundy without any breeding, but I think you'll be amused by its presumption.”

Cartoon caption (1944), in which a dinner host is speaking to his guests about the wine, reproduced in The Thurber Carnival (1945).
Cartoon captions

James Thurber: Trending quotes

“Humor is emotional chaos remembered in tranquility.”

Quoted in New York Post (29 February 1960)
Letters and interviews

James Thurber Quotes

“It is better to ask some of the questions than to know all the answers.”

"The Scotty Who Knew Too Much", The New Yorker (18 February 1939)
From Fables for Our Time and Further Fables for Our Time

“There are two kinds of light — the glow that illumines, and the glare that obscures.”

Lanterns and Lances‎ (1961), p. 146; also misquoted as "There are two kinds of light — the glow that illuminates, and the glare that obscures."
From Lanterns and Lances‎

“Boys are perhaps beyond the range of anybody's sure understanding, at least when they are between the ages of eighteen months and ninety years.”

"The Darlings at the Top of the Stairs", Lanterns & Lances (1961); previously appeared in The Queen and in Harper's Magazine.
From Lanterns and Lances‎

“The dog has seldom been successful in pulling Man up to its level of sagacity, but Man has frequently dragged the dog down to his.”

"An Introduction", The Fireside Book of Dog Stories (Simon and Schuster, 1943); reprinted in Thurber's Dogs (1955)
From other writings

“I do not have a psychiatrist and I do not want one, for the simple reason that if he listened to me long enough, he might become disturbed.”

"Carpe Noctem, If You Can", Credos and Curios (1962)
From other writings

“Well, if I called the wrong number, why did you answer the phone?”

Cartoon caption, The New Yorker (5 June 1937); "Word Dance--Part One", A Thurber Carnival (1960)
Cartoon captions
Source: Collecting Himself: James Thurber On Writing And Writers, Humor And Himself

“One (martini) is all right, two is too many, three is not enough.”

Quoted in Time Magazine (New York, 15 August 1960) from an an interview with Glenna Syse of the Chicago Sun-Times
Letters and interviews

“You can fool too many of the people too much of the time.”

"The Owl who was God", The New Yorker (29 April 1939); Fables for Our Time & Famous Poems Illustrated (1940). Parody of "You can fool all the people some of the time and some of the people all of the time, but you cannot fool all the people all the time."
From Fables for Our Time and Further Fables for Our Time

“Now I am not a cat man, but a dog man, and all felines can tell this at a glance — a sharp, vindictive glance.”

"My Senegalese Birds and Siamese Cats", Holiday Magazine; reprinted in Lanterns & Lances (1961).
From Lanterns and Lances‎

“Early to rise and early to bed makes a male healthy and wealthy and dead.”

"The Shrike and the Chipmunks", The New Yorker (18 February 1939); Fables for Our Time & Famous Poems Illustrated (1940). Because it is derived from Benjamin Franklin's famous saying this is often misquoted as: Early to rise and early to bed makes a man healthy, wealthy, and dead.
From Fables for Our Time and Further Fables for Our Time

“There is no safety in numbers, or in anything else.”

"The Fairly Intelligent Fly", The New Yorker (4 February 1939), a tale of a fly who avoided getting caught in an empty spider web, but then disregarding a warning by a bee, settled down among other flies he believed to be "dancing", and "became stuck to the flypaper with all the other flies."; Fables for Our Time & Famous Poems Illustrated (1940); Quote Investigator notes that this statement was referred to as "Thurber’s Law", in 1,001 Logical Laws (1979) https://quoteinvestigator.com/2019/07/21/safety/

Ref: en.wikiquote.org - James Thurber / Quotes / Fables for Our Time and Further Fables for Our Time
From Fables for Our Time and Further Fables for Our Time

“Man has gone long enough, or even too long, without being man enough to face the simple truth that the trouble with Man is Man.”

"The Trouble with Man is Man", The New Yorker; reprinted in Lanterns & Lances (1961).
From Lanterns and Lances‎

“You might as well fall flat on your face as lean over too far backward.”

"The Bear Who Let It Alone", The New Yorker (29 April 1939); Fables for Our Time & Famous Poems Illustrated (1940)
From Fables for Our Time and Further Fables for Our Time

“If I have sometimes seemed to make fun of Woman, I assure you it has only been for the purpose of egging her on.”

"The Duchess and the Bugs", 'Lanterns & Lances (1961).
From Lanterns and Lances‎

“I always begin at the left with the opening word of the sentence and read toward the right and I recommend this method.”

Memo to The New Yorker (1959); reprinted in New York Times Book Review (4 December 1988)
Letters and interviews

“A burden in the bush is worth two on your hands.”

"The Hunter and the Elephant", The New Yorker (18 February 1939)
From Fables for Our Time and Further Fables for Our Time

“All right, have it your way — you heard a seal bark!”

Cartoon caption, The New Yorker (30 January 1932); "Women and Men", The Seal in the Bedroom and Other Predicaments (1932); also used in "The Lady on the Bookcase", Alarms and Diversions (1957).
Cartoon captions

“When all things are equal, translucence in writing is more effective than transparency, just as glow is more revealing than glare.”

Memo to The New Yorker (1959); reprinted in New York Times Book Review (4 December 1988)
Letters and interviews

“The difference between our decadence and the Russians is that while theirs is brutal, ours is apathetic.”

Quoted in The Observer (London, 5 February 1961).
Letters and interviews

“Don't count your boobies until they are hatched.”

"The Unicorn in the Garden", The New Yorker (31 October 1939); Fables for Our Time & Famous Poems Illustrated (1940)
From Fables for Our Time and Further Fables for Our Time

“Humor and pathos, tears and laughter are, in the highest expression of human character and achievement, inseparable.”

"The Case for Comedy", Lanterns & Lances http://books.google.com/books?id=m0RZAAAAYAAJ&q=%22humor+and+pathos+tears+and+laughter+are+in+the+highest+expression+of+human+character+and+achievement+inseparable%22&pg=PA143#v=onepage (1961); previously appeared in The Atlantic Monthly November 1960 http://books.google.com/books?id=6q8GAQAAIAAJ&q=%22and+pathos+tears+and+laughter+are+in+the+highest+expression+of+human+character+and+achievement+inseparable%22&pg=PA98#v=onepage
From Lanterns and Lances‎

“A word to the wise is not sufficient if it doesn't make any sense.”

"The Weaver and the Worm", The New Yorker ( 11 August 1956 http://www.newyorker.com/archive/1956/08/11/1956_08_11_019_TNY_CARDS_000252308); Further Fables for Our Time (1956)
From Fables for Our Time and Further Fables for Our Time

“It is better to have loafed and lost, than never to have loafed at all.”

"The Courtship of Arthur and Al", The New Yorker (26 August 1939); Fables for Our Time & Famous Poems Illustrated (1940). Parody of Alfred Lord Tennyson's "Better to have loved and lost/than never to have loved at all."
From Fables for Our Time and Further Fables for Our Time

“Discussion in America means dissent.”

"The Duchess and the Bugs", 'Lanterns & Lances (1961).
From Lanterns and Lances‎

“Once upon a sunny morning a man who sat in a breakfast nook looked up from his scrambled eggs to see a white unicorn with a golden horn quietly cropping the roses in the garden. The man went up to the bedroom where his wife was still asleep and woke her. "There's a unicorn in the garden," he said. "Eating roses." She opened one unfriendly eye and looked at him. "The unicorn is a mythical beast," she said, and turned her back on him. The man walked slowly downstairs and out into the garden. The unicorn was still there; he was now browsing among the tulips.”

"The Unicorn in the Garden", The New Yorker (31 October 1939); Fables for Our Time & Famous Poems Illustrated (1940). This is a fable where a man sees a Unicorn in his garden, and his wife reports the matter to have him taken away, to the "booby-hatch". Online text with illustration by Thurber http://english.glendale.cc.ca.us/unicorn1.html
From Fables for Our Time and Further Fables for Our Time

“A drawing is always dragged down to the level of its caption.”

The New Yorker (2 August 1930)
From other writings

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