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James Baldwin Quotes
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James Arthur "Jimmy" Baldwin was an American writer and social critic. His essays, as collected in Notes of a Native Son , explore palpable yet unspoken intricacies of racial, sexual, and class distinctions in Western societies, most notably in mid-20th-century America. Some of Baldwin's essays are book-length, for instance The Fire Next Time , No Name in the Street , and The Devil Finds Work . An unfinished manuscript, Remember This House, was expanded upon and adapted for cinema as the Academy Award-nominated documentary film I Am Not Your Negro.

Baldwin's novels and plays fictionalize fundamental personal questions and dilemmas amid complex social and psychological pressures thwarting the equitable integration not only of African Americans, but also of gay and bisexual men, while depicting some internalized obstacles to such individuals' quests for acceptance. Such dynamics are prominent in Baldwin's second novel, Giovanni's Room, written in 1956, well before the gay liberation movement.

✵ 2. August 1924 – 1. December 1987  •  Other names Џејмс Болдвин, Джеймс Болдуїн
James Baldwin photo
James Baldwin: 163 quotes84 likes

James Baldwin Quotes

“To accept one's past - one's history - is not the same things as drowning in it. An invented past can never be used; it cracks and crumbles under the pressures of life like clay in a season of drought.”

James Baldwin book The Fire Next Time

Variant: To accept one’s past – one’s history – is not the same thing as drowning in it; it is learning how to use it. An invented past can never be used; it cracks and crumbles under the pressures of life like clay in a season of drought.
Source: The Fire Next Time

“Artists are here to disturb the peace.”

James Baldwin

“The sea rises, the light fails, lovers cling to each other, and children cling to us. The moment we cease to hold each other, the moment we break faith with one another, the sea engulfs us and the light goes out.”

James Baldwin

“Nobody is more dangerous than he who imagines himself pure in heart; for his purity, by definition, is unassailable.”

James Baldwin book Nobody Knows My Name

"The Black Boy Looks at the White Boy" in Esquire (May 1961)
Variant: Nobody is more dangerous than he who imagines himself pure in heart; for his purity, by definition, is unassailable.
Source: Nobody Knows My Name

“I want to be an honest man and a good writer.”

James Baldwin

“Americans should never come to Europe,' she said, and tried to laugh and began to cry, 'it means they never can be happy again. What's the good of an American who isn't happy? Happiness was all we had.”

James Baldwin book Giovanni's Room

Source: Giovanni's Room

“We cannot discuss the state of our minorities until we first have a sense of what we are, who we are, what our goals are, and what we take life to be.”

James Baldwin

“There are few things under heaven more unnerving than the silent, accumulating contempt and hatred of a people.”

James Baldwin book Nobody Knows My Name

Source: Nobody Knows My Name

“After departure, only invisible things are left, perhaps the life of the world is held together by invisible chains of memory and loss and love. So many things, so many people, depart! And we can only repossess them in our minds.”

James Baldwin book Going to Meet the Man

Source: Going to Meet the Man

“It demands great spiritual resilience not to hate the hater whose foot is on your neck, and an even greater miracle of perception and charity not to teach your child to hate.”

James Baldwin book The Fire Next Time

Source: The Fire Next Time

“In order for this to happen, your entire frame of reference will have to change, and you will be forced to surrender many things that you now scarcely know you have.”

James Baldwin book The Fire Next Time

Source: The Fire Next Time

“Whose little boy are you?”

James Baldwin book The Fire Next Time

Source: The Fire Next Time

“I am what time, circumstance, history, have made of me, certainly, but I am, also, much more than that. So are we all.”

James Baldwin book Notes of a Native Son

Variant: I am what time, circumstance, history, have made of me, certainly, but I am also so much more than that. So are we all.
Source: Notes of a Native Son

“We do not trust educated people and rarely, alas, produce them, for we do not trust the independence of mind which alone makes a genuine education possible.”

James Baldwin book Nobody Knows My Name

Source: Nobody Knows My Name

“Not everything that is faced can be changed. But nothing can be changed until it is faced.”

James Baldwin book Small Great Things

Also appears in Jodi Picoult book Small Great Things
Source: In 1962 James Baldwin penned an essay titled “As Much Truth As One Can Bear” in “The New York Times Book Review”.
Context: We are the generation that must throw everything into the endeavor to remake America into what we say we want it to be. Without this endeavor, we will perish. ... Not everything that is faced can be changed; but nothing can be changed until it is faced.

“You took the best, so why not take the rest?”

James Baldwin book Another Country

Source: Another Country

“This is the charged, the dangerous moment, when everything must be re-examined, must be made new, when nothing at all can be taken for granted.”

James Baldwin

“Freedom lurked around us and I understood, at last, that he could help us be free if we would listen, that he would never be free until we did.”

James Baldwin book Sonny's Blues

Source: Sonny's Blues

“You don't realize that you're intelligent until it gets you into trouble.”

James Baldwin

Interview with Julius Lester, "James Baldwin: Reflections of a Maverick" in The New York Times (27 May 1984)
Variant: You don't realize that you're intelligent until it gets you into trouble.

“All over Harlem, Negro boys and girls are growing into stunted maturity, trying desperately to find a place to stand; and the wonder is not that so many are ruined but that so many survive.”

James Baldwin

"The Harlem Ghetto" in Commentary (February 1948); republished in Notes of a Native Son (1955)

“When one begins looking for influences one finds them by the score. I haven't thought much about my own, not enough anyway; I hazard that the King James Bible, the rhetoric of the store-front church, something ironic and violent and perpetually understated in Negro speech — and something of Dickens' love for bravura — have something to do with me today; but I wouldn't stake my life on it. Likewise, innumerable people have helped me in many ways; but finally, I suppose, the most difficult (and most rewarding) thing in my life has been the fact that I was born a Negro and was forced, therefore, to effect some kind of truce with this reality.”

James Baldwin

Truce, by the way, is the best one can hope for.
Autobiographical Notes (1952)

“One writes out of one thing only — one's own experience. Everything depends on how relentlessly one forces from this experience the last drop, sweet or bitter, it can possibly give. This is the only real concern of the artist, to recreate out of the disorder of life that order which is art.”

James Baldwin

Autobiographical Notes (1952)

“Confronted with the impossibility of remaining faithful to one’s beliefs, and the equal impossibility of becoming free of them, one can be driven to the most inhuman excesses.”

James Baldwin

"Stranger in the Village," Harper's (October 1953); republished in Notes of a Native Son (1955)

“I have not written about being a Negro at such length because I do not expect that to be my only subject, but only because it was the gate I had to unlock before I could hope to write about anything else.”

James Baldwin

"The Hard Kind of Courage" in Harper's (October 1958) republished as "A Fly in Buttermilk" in Nobody Knows My Name: More Notes of a Native Son (1961)

“Now, leaving aside all the physical factors one can quote — leaving aside the rape or murder, leaving aside the bloody catalogue of oppression which we are too familiar with any way — what the system does to the subjugated is to destroy his sense of reality. It destroys his father's authority over him. His father can no longer tell him anything because his past has disappeared.”

James Baldwin

"The American Dream and the American Negro" http://www.nytimes.com/books/98/03/29/specials/baldwin-dream.html in The New York Times (7 March 1965)

“The betrayal of a belief is not the same thing as ceasing to believe. If this were not so there would be no moral standards in the world at all.”

James Baldwin book Notes of a Native Son

Stranger in the Village http://harpers.org/archive/1953/10/stranger-in-the-village/ Harper's Magazine (October 1953); republished in Notes of a Native Son http://books.google.com/books?id=B0N2AAAAMAAJ&q=%22The+betrayal+of+a+belief+is+not+the+same+thing+as+ceasing+to+believe+If+this+were+not+so+there+would+be+no+moral+standards+in+the+world+at+all%22&pg=PA171#v=onepage (1955)

“Christianity has operated with an unmitigated arrogance and cruelty — necessarily, since a religion ordinarily imposes on those who have discovered the true faith the spiritual duty of liberating the infidels.”

James Baldwin

"Letter from a Region of My Mind" in The New Yorker (17 November 1962); republished as "Down at the Cross: Letter from a Region in My Mind" in The Fire Next Time (1963)

“If the word integration means anything, this is what it means: that we, with love, shall force our brothers to see themselves as they are, to cease fleeing from reality and begin to change it.”

James Baldwin book The Fire Next Time

The Fire Next Time http://books.google.com/books?id=0S9TgXJ-aD0C&q=%22If+the+word+integration+means+anything+this+is+what+it+means+that+we+with+love+shall+force+our+brothers+to+see+themselves+as+they+are+to+cease+fleeing+from+reality+and+begin%22&pg=PA21#v=onepage (1963)

“At the rate things are going here, all of Africa will be free before we can get a lousy cup of coffee.”

James Baldwin

"A Negro Assays on the Negro Mood," The New York Times, 12 March 1961, published in book form as "East River, Downtown: Postscript to a Letter from Harlem" in Nobody Knows My Name: More Notes of a Native Son (1961)

“I conceive of God, in fact, as a means of liberation and not a means to control others.”

James Baldwin

"In Search of a Majority" address delivered at Kalamazoo College (February 1960); republished in Nobody Knows My Name: More Notes of a Native Son (1961)

“When the South has trouble with its Negroes — when the Negroes refuse to remain in their "place" — it blames "outside agitators" and "Northern interference." When the nation has trouble with the Northern Negro, it blames the Kremlin.”

James Baldwin

As quoted in "Trapped Inside James Baldwin" by Michael Anderson http://www.nytimes.com/books/98/03/29/reviews/980329.29anderst.html, a review of Baldwin's Collected Essays in The New York Times (29 March 1998)

“Most of us, no matter what we say, are walking in the dark, whistling in the dark. Nobody knows what is going to happen to him from one moment to the next, or how one will bear it. This is irreducible. And it's true of everybody. Now, it is true that the nature of society is to create, among its citizens, an illusion of safety; but it is also absolutely true that the safety is always necessarily an illusion. Artists are here to disturb the peace.”

James Baldwin

"An interview with James Baldwin" (1961), in Conversations with James Baldwin, p. 21

“Words like "freedom," "justice," "democracy" are not common concepts; on the contrary, they are rare. People are not born knowing what these are. It takes enormous and, above all, individual effort to arrive at the respect for other people that these words imply.”

James Baldwin

"The Crusade of Indignation," The Nation (New York, 7 July 1956), published in book form in The Price of the Ticket (1985)

“The celebrity never sees himself. I have some idea what I'm doing on that stage; above all, I have some idea what sustains me on that stage. But the celebrity is not exactly Jimmy, though he comes out of Jimmy and Jimmy nourishes that, too. I can see now, with hindsight, that I would've had to become a celebrity in order to survive. A boy like me with all his handicaps, real and fancied, could not have survived in obscurity. I can say that it would have had to happen this way, though I could not see it coming.”

James Baldwin

Interview with Julius Lester, "James Baldwin: Reflections of a Maverick" in The New York Times (27 May 1984)

“Much has been written of love turning to hatred, of the heart growing cold with the death of love. It is a remarkable process. It is far more terrible than anything I have ever read about it, more terrible than anything I will ever be able to say.”

James Baldwin book Giovanni's Room

Pt. 2, Ch. 5 - p.139
Giovanni's Room (1956)

“He was silent for a long while. Then: 'You do, sometimes, remind me of the kind of man who is tempted to put himself in prison in order to avoid being hit by a car.'”

James Baldwin book Giovanni's Room

Pt. 2, Ch. 3 - p.104
Giovanni's Room (1956)

“Maybe everything bad that happens to you makes you weaker, and so you can stand less and less.”

James Baldwin book Giovanni's Room

Pt. 2, Ch. 3 - p.97
Giovanni's Room (1956)

“One must say Yes to life, and embrace it wherever it is found — and it is found in terrible places. … For nothing is fixed, forever and forever, it is not fixed; the earth is always shifting, the light is always changing, the sea does not cease to grind down rock. Generations do not cease to be born, and we are responsible to them because we are the only witnesses they have. The sea rises, the light fails, lovers cling to each other and children cling to us. The moment we cease to hold each other, the moment we break faith with one another, the sea engulfs us and the light goes out.”

James Baldwin

From Nothing Personal, a collaboration with the photographer Richard Avedon (1964). Baldwin's text for the volume can be found " here https://scholarworks.umass.edu/cgi/viewcontent.cgi?article=1042&context=cibs".