James Baldwin Quotes
Source: The Fire Next Time
"The Black Boy Looks at the White Boy" in Esquire (May 1961); republished in Nobody Knows My Name: More Notes of a Native Son (1961)
As quoted in "Doom and glory of knowing who you are" by Jane Howard, in LIFE magazine, Vol. 54, No. 21 (24 May 1963), p. 89 https://books.google.com/books?id=mEkEAAAAMBAJ; a part of this statement has often been quoted as it was paraphrased in The New York Times (1 June 1964):
Context: You think your pain and your heartbreak are unprecedented in the history of the world, but then you read. It was Dostoevsky and Dickens who taught me that the things that tormented me most were the very things that connected me with all the people who were alive, or who ever had been alive. Only if we face these open wounds in ourselves can we understand them in other people. An artist is a sort of emotional or spiritual historian. His role is to make you realize the doom and glory of knowing who you are and what you are. He has to tell, because nobody else can tell, what it is like to be alive.
“I often wonder what I'd do if there weren't any books in the world.”
Source: Giovanni's Room
for the lack of it.' Pt. 1, Ch. 3 - p.51
Source: Giovanni's Room (1956)
Source: "Faulkner and Desegregation" in Partisan Review (Fall 1956); republished in Nobody Knows My Name: More Notes of a Native Son (1961)
Context: Any real change implies the breakup of the world as one has always known it, the loss of all that gave one an identity, the end of safety. And at such a moment, unable to see and not daring to imagine what the future will now bring forth, one clings to what one knew, or dreamed that one possessed. Yet, it is only when a man is able, without bitterness or self-pity, to surrender a dream he has long cherished or a privilege he has long possessed that he is set free — he has set himself free — for higher dreams, for greater privileges.
“Do I really want to be integrated into a burning house?”
Source: The Fire Next Time
Source: This Morning, This Evening, So Soon
Source: Just Above My Head
Source: The Fire Next Time
Source: The Price of the Ticket: Collected Nonfiction, 1948-1985
“For nothing is more unbearable, once one has it, than freedom.”
Source: Giovanni's Room
Source: Nobody Knows My Name
“Yr crown has been bought and paid for. All you have to do is put it on yr head”
Variant: Our crown has already been bought and paid for. All we have to do is wear it
Source: Go Tell It on the Mountain
which attitude certainly has a great deal to support it. On the other hand, it is only because the world looks on his talent with such a frightening indifference that the artist is compelled to make his talent important. So that any writer, looking back over even so short a span of time as I am here forced to assess, finds that the things which hurt him and the things which helped him cannot be divorced from each other; he could be helped in a certain way only because he was hurt in a certain way; and his help is simply to be enabled to move from one conundrum to the next — one is tempted to say that he moves from one disaster to the next.
Autobiographical Notes (1952)
Source: The Price of the Ticket: Collected Nonfiction, 1948-1985
“People are too various to be treated so lightly. I am too various to be trusted.”
Source: Giovanni's Room