George Bernard Shaw Quotes
The Devil's Disciple, Act II
1900s
1900s, Love Among the Artists (1900)
“No man can be a pure specialist without being in the strict sense an idiot.”
#41
1900s, Maxims for Revolutionists (1903)
“I aint such a mug as to put up my children to all I know myself.”
Act II
1910s, Pygmalion (1912)
“You must not suppose, because I am a man of letters, that I never tried to earn an honest living.”
The Irrational Knot, Preface (1905)
1900s
Plays: Pleasant and Unpleasant, Vol. I, preface http://books.google.com/books?id=MiJaAAAAMAAJ&q=%22I+had+not+achieved+a+success+but+I+had+provoked+an+uproar+and+the+sensation+was+so+agreeable+that+I+resolved+to+try+again%22&pg=PR13#v=onepage (1898)
1890s
The Serpent, in Pt. I, Act I
1920s, Back to Methuselah (1921)
“The English have no respect for their language, and will not teach their children to speak it.”
Preface
1910s, Pygmalion (1912)
As quoted in George Bernard Shaw, his life and works: a critical biography (authorised), Archibald Henderson, Stewart & Kidd (1911), Chapter VII (The Art Critic), pp. 201-202
1910s
The She-Ancient, in Pt. V
1920s, Back to Methuselah (1921)
“Well, of course, they notice you. You always hide just in the middle of the limelight.”
Reply to T. E. Lawrence who complained of press attention.
Quoted by Harry Kessler in his diary, 14 November 1929 http://books.google.com/books?id=y_BJt918BHoC
1920s
“Home life as we understand it is no more natural to us than a cage is natural to a cockatoo.”
Preface
1900s, Getting Married (1908)
“You in America should trust to that volcanic political instinct which I have divined in you.”
Speech at New York (11 April 1933)
1930s
#39
1900s, Maxims for Revolutionists (1903)
#179
1900s, Maxims for Revolutionists (1903)
“God is on the side of the big battalions.”
Saint Joan : A Chronicle Play In Six Scenes And An Epilogue (1923)
1920s
“George Bernard Shaw reopens capital punishment controversy”, Paramount British Pictures (March 5, 1931)
1930s
“I heard your prayers Thank God it's all over!”
Act IV
1910s, Pygmalion (1912)
The Intelligent Woman's Guide: To Socialism and Capitalism, New York: NY, Brentano (1928) p. 670.
1920s
1910s, A Treatise on Parents and Children (1910)
1910s, Pygmalion (1912)
“Where equality is undisputed, so also is subordination.”
#28
1900s, Maxims for Revolutionists (1903)
Hotchkiss
1900s, Getting Married (1908)
“Political necessities sometimes turn out to be political mistakes.”
Saint Joan : A Chronicle Play In Six Scenes And An Epilogue (1923) - Full text online http://gutenberg.net.au/ebooks02/0200811h.html
1920s
What is the New Element in the Norwegian School?
1890s, Quintessence Of Ibsenism (1891; 1913)
“Time enough to think of the future when you haven't any future to think of.”
1910s, Pygmalion (1912)
“A perpetual holiday is a good working definition of Hell.”
1910s, Misalliance (1910)
1900s, Love Among the Artists (1900)
“The test of a man or woman's breeding is how they behave in a quarrel.”
Act IV
1890s, The Philanderer (1893)
Preface
1900s, Major Barbara (1905)
“Obedience simulates subordination as fear of the police simulates honesty.”
#88
1900s, Maxims for Revolutionists (1903)
Franklyn, in Pt. II : The Gospel of the Brothers Barnabas
1920s, Back to Methuselah (1921)
“To understand a saint, you must hear the devil's advocate; and the same is true of the artist.”
The Sanity of Art: An Exposure of the Current Nonsense about Artists being Degenerate (1908)
1900s
Lilith, in Pt. V
1920s, Back to Methuselah (1921)
Preface, Paul
1910s, Androcles and the Lion (1913)
“Your father is a fool skin deep; but you are a fool to your very marrow.”
Eve to Cain, in Pt. I, Act II
1920s, Back to Methuselah (1921)
“Happiness and Beauty are by-products.”
#102
1900s, Maxims for Revolutionists (1903)
#89
1900s, Maxims for Revolutionists (1903)
“Consistency is the enemy of enterprise, just as symmetry is the enemy of art.”
As quoted in Bernard Shaw : The Lure of Fantasy (1991) by Michael Holroyd
1940s and later