“I put the words down and push them a bit.”
As quoted in his obituary in The New York Times (11 April 1966)
Arthur Evelyn St. John Waugh was an English writer of novels, biographies, and travel books; he was also a prolific journalist and book reviewer. His most famous works include the early satires Decline and Fall and A Handful of Dust , the novel Brideshead Revisited , and the Second World War trilogy Sword of Honour . He is recognised as one of the great prose stylists of the English language in the 20th century.Waugh was the son of a publisher, educated at Lancing College and then at Hertford College, Oxford. He worked briefly as a schoolmaster before he became a full-time writer. As a young man, he acquired many fashionable and aristocratic friends and developed a taste for country house society. He travelled extensively in the 1930s, often as a special newspaper correspondent; he reported from Abyssinia at the time of the 1935 Italian invasion. He served in the British armed forces throughout the Second World War, first in the Royal Marines and then in the Royal Horse Guards. He was a perceptive writer who used the experiences and the wide range of people whom he encountered in his works of fiction, generally to humorous effect. Waugh's detachment was such that he fictionalised his own mental breakdown which occurred in the early 1950s.
Waugh converted to Catholicism in 1930 after his first marriage failed. His traditionalist stance led him to strongly oppose all attempts to reform the Church, and the changes by the Second Vatican Council greatly disturbed his sensibilities, especially the introduction of the vernacular Mass. That blow to his religious traditionalism, his dislike for the welfare state culture of the postwar world, and the decline of his health all darkened his final years, but he continued to write. He displayed to the world a mask of indifference, but he was capable of great kindness to those whom he considered his friends. After his death in 1966, he acquired a following of new readers through the film and television versions of his works, such as the television serial Brideshead Revisited .
Wikipedia
“I put the words down and push them a bit.”
As quoted in his obituary in The New York Times (11 April 1966)
Brideshead Revisited (1945)
“Please bear in mind throughout that IT IS MEANT TO BE FUNNY.”
Author's note
Decline and Fall (1928)
“Aesthetic value is often the by-product of the artist striving to do something else.”
Diaries of Evelyn Waugh (1976)
Letter to Nancy Mitford, May 5, 1954, cited from Mark Amory (ed.) The Letters of Evelyn Waugh (Harmondsworth: Penguin, 1982) p. 423
"The pleasure is momentary, the position ridiculous, and the expense damnable" is sometimes attributed to Lord Chesterfield (British statesman, diplomat and wit, 1694-1773), but has not been found in his works.
“We possess nothing certainly except the past.”
Part 3, start of chapter 1
Brideshead Revisited (1945)
“Feather-footed through the plashy fen passes the questing vole.”
An oft-quoted example of William Boot's style. When first mentioned in the novel it is "splashy" and not "plashy", but this is a remembrance of another journalist; when Boot himself quotes it, he has "plashy".
Scoop (1938)
Source: The Ordeal of Gilbert Pinfold (1957), Chapter 1
“Creative Endeavour lost her wings, Mrs. Ape.”
Source: Vile Bodies (1930), Chapter 1
"Is Oxford Worth the Money?", Sunday Dispatch, 10 July 1938, page 12. Quoted in "The Sayings of Evelyn Waugh", edited by Donat Gallagher, Duckworth Sayings Series
First lines
The Loved One (1948)
Reviewing World within World, the autobiography of Stephen Spender, in The Tablet (5 May 1951)
“Chokey thinks religion is just divine.”
Decline and Fall (1928)
Source: Put Out More Flags (1942), Ch. 1 : Autumn, § 7
Part 1, Chapter 2
Brideshead Revisited (1945)
First lines
A Little Learning (1964)
Part One, Chapter One
Decline and Fall (1928)
“Instead of this absurd division into sexes they ought to class people as static and dynamic.”
Decline and Fall (1928)
“Your action, and your action alone, determines your worth.”
Johann Gottlieb Fichte in The Vocation of Man [Die Bestimmung des Menschen] (1800), p. 94 : "You are here, not for idle contemplation of yourself, not for brooding over devout sensations — no, for action you are here; action, and action alone, determines your worth." [Nicht zum müßigen Beschauen und Betrachten deiner selbst, oder zum Brüten über andächtigen Empfindungen, — nein, zum Handeln bist du da; dein Handeln und allein dein Handeln bestimmt deinen Werth.]
Misattributed
A quote from Lord Copper.
Scoop (1938)
First lines of Prologue
Brideshead Revisited (1945)
“O God, if there is a God, forgive him his sins, if there is such a thing as sin.”
Brideshead Revisited (1945)
Source: Diary entry (March 1964), after hearing that doctors had removed a benign tumor from Randolph Churchill, quoted in The Diaries of Evelyn Waugh, ed. Michael Davie (1976), p. 792
“Quomodo sedet sola civitas. Vanity of vanities, all is vanity.”
Epilogue
Brideshead Revisited (1945)
Brideshead Revisited (1945)
“My theme is memory, that winged host that soared about me one grey morning of war-time.”
Brideshead Revisited (1945)
Part 3, chapter 5, Lord Marchmain's dying soliloquy.
Brideshead Revisited (1945)
Lord Copper, proprietor of the Daily Beast is a man to whom one never says 'No' directly. This is what one says instead.
Scoop (1938)
Source: Put Out More Flags (1942), Ch. 3 : Spring
Part One, Chapter XII
Decline and Fall (1928)
Seth paused in his dictation and gazed out across the harbour where in the fresh breeze of early morning the last dhow was setting sail for the open sea. "Rats," he said; "stinking curs. They are all running away."
First lines
Black Mischief (1932)
Letter to Lady Mosley (9 March 1966), quoted in The Letters of Evelyn Waugh, ed. Mark Amory (1980), p. 638
Letter to Monsignor McReavy (15 April 1965), quoted in The Letters of Evelyn Waugh, ed. Mark Amory (1980), p. 631
Letter to Lady Diana Cooper (7 February 1965), quoted in A Bitter Trial: Evelyn Waugh and John Carmel Cardinal Heenan on the Liturgical Changes: Expanded Edition, ed. Alcuin Reid (2001), p. 68