Alain de Botton Quotes
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Alain de Botton, FRSL is a Swiss-born British philosopher and author. His books discuss various contemporary subjects and themes, emphasizing philosophy's relevance to everyday life. He published Essays in Love , which went on to sell two million copies. Other bestsellers include How Proust Can Change Your Life , Status Anxiety and The Architecture of Happiness .

He co-founded The School of Life in 2008 and Living Architecture in 2009. In 2015, he was awarded "The Fellowship of Schopenhauer", an annual writers' award from the Melbourne Writers Festival, for this work. Wikipedia  

✵ 20. December 1969   •   Other names آلن دو باتن, Alan de Botton
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Alain de Botton: 146   quotes 62   likes

Alain de Botton Quotes

“He was marked out by his relentless ability to find fault with others' mediocrity--suggesting that a certain type of intelligence may be at heart nothing more or less than a superior capacity for dissatisfaction.”

Source: The Pleasures and Sorrows of Work (2009), p. 284.
Context: It appeared that the one area in which Sir Bob excelled was anxiety. He was marked out by his relentless ability to find fault with others’ mediocrity—suggesting that a certain kind of intelligence may at heart be nothing more or less than a superior capacity for dissatisfaction.

“at the heart of every frustration lies a basic structure: the collision of a wish with an unyielding reality.”

Source: The Consolations of Philosophy (2000), Chapter III, Consolation For Frustration, p. 80.
Context: Though the terrain of frustration may be vast — from a stubbed toe to an untimely death — at the heart of every frustration lies a basic structure: the collision of a wish with an unyielding reality.

“In their different ways, art and philosophy help us, in Schopenhauer's words, to turn pain into knowledge.”

Source: The Consolations of Philosophy (2000), Chapter V, Consolation For A Broken Heart, p. 199.

“It is striking how much more seriously we are likely to be taken after we have been dead a few centuries.”

Source: The Consolations of Philosophy (2000), Chapter IV, Consolation For Inadequacy, p. 163.

“It would scarcely be acceptable, for example, to ask in the course of an ordinary conversation what our society holds to be the purpose of work.”

Source: The Consolations of Philosophy (2000), Chapter I, Consolations For Unpopularity, p. 9.

“Our greatest furies spring from events which violate our sense of the ground of our existence.”

Source: The Consolations of Philosophy (2000), Chapter III, Consolation For Frustration, p. 83.

“The greatest works of art speak to us without knowing us.”

Source: The Consolations of Philosophy (2000), Chapter V, Consolation For A Broken Heart, p. 200.

“To look at the paper is to raise a seashell to one’s ear and to be overwhelmed by the roar of humanity.”

Source: The Pleasures and Sorrows of Work (2009), p. 237.

“He was reminded of a Dutch book whose moral he often returned to: De Schoonheid van hoogspanningslijnen in het Hollandse landschap, written by a couple of academics in Rotterdam University, Anne Kieke Backer and Arij de Boode. The Beauty of Electricity Pylons in the Dutch Landscape was a defence of the contribution of transmission engineering to the visual appeal of Holland, referencing the often ignored grandeur of the towers on their march from power stations to cities. Its particular interest for Ian, however, lay in its thesis about the history of the Dutch relationship to windmills, for it emphasised that these early industrial objects had originally been felt to have all the pylons’ threateningly alien qualities, rather than the air of enchantment and playfulness now routinely associated with them. They had been denounced from pulpits and occasionally burnt to the ground by suspicious villagers. The re-evaluation of the windmills had in large part been the work of the great painters of the Dutch Golden Age, who, moved by their country’s dependence on the rotating utilitarian objects, gave them pride of place in their canvases, taking care to throw their finest aspect into relief, like their resilience during storms and the glint of their sails in the late afternoon sun. … It would perhaps be left to artists of our own day to teach us to discern the virtues of the furniture of contemporary technology.”

Source: The Pleasures and Sorrows of Work (2009), p. 212.

“It is by finding out what something is not that one comes closest to understanding what it is.”

Source: The Consolations of Philosophy (2000), Chapter I, Consolations For Unpopularity, p. 25.

“Happiness may be difficult to obtain. The obstacles are not primarily financial.”

Source: The Consolations of Philosophy (2000), Chapter II, Consolation For Not having Enough Money, p. 72.