Quotes from book
The Emperor of Ocean Park

The Emperor of Ocean Park

The Emperor of Ocean Park is a 2002 novel by American author and law professor Stephen L. Carter. It is the first part of Carter's Elm Harbor series; two more novels in the series were published in 2007 and 2008. The book was Carter's first work of fiction, and spent 11 weeks on The New York Times best-seller list following its publication. Described as a murder mystery, the novel tells the story of Talcott Garland, a law professor who uncovers a mystery surrounding his father, the titular 'Emperor of Ocean Park'. Written from Tal's first person perspective, the book explores themes of privileged black identity, politics, and law, and contains many allusions to chess.Because a number of publishing houses were interested in obtaining the rights to the book, Carter received an exceptionally large advance of $4.2 million. The size of the advance, for a debut novel from an African-American writer, contributed to an important shift for African-American literature, with the book marketed and received as a mainstream work of fiction, rather than one aimed at a specialized audience. The novel was well-reviewed by most critics, with attention being drawn to its then-unusual setting for a murder mystery story, featuring an African-American protagonist and with most of the story taking place in wealthy, predominately African-American neighborhoods in Washington, D.C. and Martha's Vineyard. It won the 2003 Anisfield-Wolf Book Award and BCALA Literary Award, and was nominated for several more, including the NAACP Image Award for Outstanding Literary Work, Fiction and the New Blood Dagger from the Crime Writer's Association.


Stephen L. Carter photo

“Rumor is rarely more interesting than fact, but it is always more readily available.”

Source: The Emperor of Ocean Park (2002), Ch. 46, Resting Places, I

Stephen L. Carter photo
Stephen L. Carter photo
Stephen L. Carter photo
Stephen L. Carter photo
Stephen L. Carter photo
Stephen L. Carter photo
Stephen L. Carter photo

“A cemetery is an affront to the rational mind. One reason is its eerily wasted space, this tribute to the dead that inevitably degenerates into ancestor worship as, on birthdays and anniversaries, humans of every faith and no faith at all brave whatever weather may that day threaten, in order to stand before these rows of silent stone markers, praying, yes, and remembering, of course, but very often actually speaking to the deceased, an oddly pagan ritual in which we engage, this shared pretense that the rotted corpses in warped wooden boxes are able to hear and understand us if we stand before their graves.The other reason a cemetery appeals to the irrational side is its obtrusive, irresistible habit of sneaking past the civilized veneer with which we cover the primitive planks of our childhood fears. When we are children, we know that what our parents insist is merely a tree branch blowing in the wind is really the gnarled fingertip of some horrific creature of the night, waiting outside the window, tapping, tapping, tapping, to let us know that, as soon as our parents close the door and sentence us to the gloom which they insist builds character, he will lift the sash and dart inside and…And there childhood imagination usually runs out, unable to give shape to the precise fears that have kept us awake and that will, in a few months, be forgotten entirely. Until we next visit a cemetery, that is, when, suddenly, the possibility of some terrifying creature of the night seems remarkably real.”

Source: The Emperor of Ocean Park (2002), Ch. 50, Again Old Town, I

Stephen L. Carter photo
Stephen L. Carter photo
Stephen L. Carter photo
Stephen L. Carter photo

“But that is the way of the place: down our many twisting corridors, one encounters story after story, some heroic, some villainous, some true, some false, some funny, some tragic, and all of them combining to form the mystical, undefinable entity we call the school.”

Not exactly the building, not exactly the faculty or the students or the alumni — more than all those things but also less, a paradox, an order, a mystery, a monster, an utter joy.
Source: The Emperor of Ocean Park (2002), Ch. 9, A Pedagogical Disagreement, II

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