Quotes about trove (9 quotes) | Quotes of famous people

“A vegetarian diet, by reason of its low content of saturated fatty acids, cholesterol, and animal proteins, and its high concentrations of folic acids, antioxidants, and phytoestrogens—shown to be effective in inhibiting the growth or in promoting the regression of serious coronary pathologies—constitutes a barrier against a number of chronic degenerative diseases, cancer among them. And that is not all. Fruits and vegetables—besides contaminating us much less than some other foods—are troves of precious substances that enable the neutralization of carcinogenic agents and that 'dilute' the concentration of diseased cells and reduce their proliferation. All of these advantages, as well as many others, emerged from studies on populations in the last century.”

Umberto Veronesi (1925–2016) Italian oncologist and politician

The First Day Without Cancer (2013)

Disease , Food , Study , Animals

“A novelist carries with him constantly what most women carry in large purses: much that is useless, a few absolutely essential items, and then, for good measure, a great number of things that fall in between. But the novelist does not transport them physically because his trove of possessions is mental. Now and then he adds a new and entirely useless idea; now and then he reluctantly cleans out the trash -- the obviously worthless ideas -- and with a few sentimental tears sheds them. Once in a great while, however, he happens by chance onto a thoroughly stunning idea new to him that he hopes will turn out to be new to everyone else. It is this final category that dignifies his existence. But such truly priceless ideas… perhaps during his entire lifetime he may, at best, acquire only a meager few. But that is enough; he has, through them, justified his existence to himself and to his God.”

Philip K. Dick (1928–1982) American author

"If You Find This World Bad, You Should See Some of the Others" (1977)

Women , God , Hope , Idea

“Peat preserves timber, animals, and such unexpected treasure-troves as hoards of acorns and firkins of beech butter from the forests which preceded the bogs. A whole archaeology may very well lie in peat, and the pollen record may reveal past history. At the base of Irish bogs the Fir Bolg (the little people), their axes, bridges, butter, and forest life are well preserved. They and their forests were banished, as if by magic, by the Tuatha de Danan (the Children of Diana) who now dig the peat. Diana was displaced in turn by Mary, mother of God. But all are mixed in the peat and the tongue of Ireland.”

Bill Mollison (1928–2016) Australian permaculturist

Source: Permaculture: A Designers' Manual (1988), chapter 9.9

Life , God , Children , People

“What actually happened was that Rolling Stone paid me fifteen hundred dollars for the use of all the drawings - about twenty four of them - and then offered to buy the originals from me, which my agent urged 'was a good move!'. He sold the whole damn treasure trove to Jann Wenner for the princely sum of sixty dollars per drawing. I rue the day I let him convince me.”

Ralph Steadman book The Joke's Over

Fear And Loathing, p. 76
The Joke's Over (2006)

Drawing

“Convince yourself. Kovno is a treasure-trove for artists. It is gloomy, the lamps don't make it lighter and the streets are getting darker. Their violet windows hover threateningly in the darkness. The elusive lines of low houses, on them - the glimmer of green and red flames - illuminating rows of shops. Bright green bright red stripes [all] fall on the violet sidewalk. And all those shadows are full of people who only speak about one thing, about love, in the dialect, Polish or broken Russian. Whispers and loud words touch the silence, like the green and red bands of light - the darkness of the night. Something terrible, terrible lies over everything, I feel a shudder, it seems I am in another world, far away from real life.”

Marianne von Werefkin (1860–1938) expressionist painter

Quote from Werefkin's letter to Alexej von Jawlensky, between December 1909 and Spring 1910; as cited in 'Ambiguity of Home: Identity and Reminiscence in Marianne Werefkin's Return Home, c. 1909', Adrienne Kochman http://www.19thc-artworldwide.org/spring06/52-spring06/spring06article/171-ambiguity-of-home-identity-and-reminiscence-in-marianne-werefkins-return-home-c-1909
1906 - 1911

Love , Life , People , World

“I never thought of that, really, when I was younger, but when I started doing some of the autobiographical picture books, I realized that my family was a great treasure trove. We were pretty ordinary — we weren't really exceptional. I don't think my life growing up was really too much different from the average kid in Meriden, Connecticut at that time. But it's very different from young people today, so I like it that older people my age feel that it's helping them to remember their childhood. Little kids think it's like life on a different planet.”

Tomie dePaola (1934) American children's illustrator and writer

An Interview with Tomie dePaola http://katybeebe.com/wp-content/uploads/2013/11/car-2000-05-12-b-013.pdf (May 2000)

Life , People , Books , Age

“I am grateful that children have included my books in their treasure trove.”

P. L. Travers (1899–1996) Australian-British novelist, actress and journalist

The Paris Review interview (1982)
Context: I never wrote my books especially for children. … When I sat down to write Mary Poppins or any of the other books, I did not know children would read them. I’m sure there must be a field of “children’s literature” — I hear about it so often — but sometimes I wonder if it isn’t a label created by publishers and booksellers who also have the impossible presumption to put on books such notes as “from five to seven” or “from nine to twelve.” How can they know when a book will appeal to such and such an age?
If you look at other so-called children’s authors, you’ll see they never wrote directly for children. Though Lewis Carroll dedicated his book to Alice, I feel it was an afterthought once the whole was already committed to paper. Beatrix Potter declared, “I write to please myself!” And I think the same can be said of Milne or Tolkien or Laura Ingalls Wilder.
I certainly had no specific child in mind when I wrote Mary Poppins. How could I? If I were writing for the Japanese child who reads it in a land without staircases, how could I have written of a nanny who slides up the banister? If I were writing for the African child who reads the book in Swahili, how could I have written of umbrellas for a child who has never seen or used one?
But I suppose if there is something in my books that appeals to children, it is the result of my not having to go back to my childhood; I can, as it were, turn aside and consult it (James Joyce once wrote, “My childhood bends beside me”). If we’re completely honest, not sentimental or nostalgic, we have no idea where childhood ends and maturity begins. It is one unending thread, not a life chopped up into sections out of touch with one another.
Once, when Maurice Sendak was being interviewed on television a little after the success of Where the Wild Things Are, he was asked the usual questions: Do you have children? Do you like children? After a pause, he said with simple dignity: “I was a child.” That says it all.<!--
But don’t let me leave you with the impression that I am ungrateful to children. They have stolen much of the world’s treasure and magic in the literature they have appropriated for themselves. Think, for example, of the myths or Grimm’s fairy tales — none of which were written especially for them — this ancestral literature handed down by the folk. And so despite publishers’ labels and my own protestations about not writing especially for them, I am grateful that children have included my books in their treasure trove.

Children , Books

“A new jewel in the crown of Goddess Earth,
You are a trove of sandalwood, beauty and gold.
Victory to you Mother Karnataka, the daughter of Mother India,
where Rama and Krishna had their incarnations.”

Kuvempu (1904–1994) Kannada novelist, poet, playwright, critic, and thinker

Jaya Bharata Jananiya Tanujate (1930)

Beauty , Victory , Daughters

“There is an invaluable treasure trove of useful historical data that has only just begun to be used to inform our actions. The lessons of 1918 (Spanish flu), if well heeded, might help us to avoid repeating the same history today (COVID-19).”

Stephen S. Morse (1951) American virologist and epidemiologist

Source: Stephen S. Morse (2020) cited in " How some cities ‘flattened the curve’ during the 1918 flu pandemic https://www.nationalgeographic.com/history/2020/03/how-cities-flattened-curve-1918-spanish-flu-pandemic-coronavirus/" on National Geographic, 27 March 2020.

Help , History