Quotes about top-hat (12 quotes) | Quotes of famous people

“It looks rather ordinary," said the Snork. "Unless you consider that a top hat is always somewhat extraordinary, of course.”

Tove Jansson book Finn Family Moomintroll

Source: Finn Family Moomintroll

“For example, I never cheat or steal. Also, I never wear a top-hat with a sack coat or munch bananas in public on the streets, because a gentleman does not do those things either.”

H.P. Lovecraft (1890–1937) American author

Letter to Woodburn Harris (25 February-1 March 1929), in Selected Letters II, 1925-1929 edited by August Derleth and Donald Wandrei, pp. 288-289
Non-Fiction, Letters
Context: About my own attitude toward ethics—I thought I made it plain that I object only to (a) grotesquely disproportionate indignations and enthusiasms, (b) illogical extremes involving a reductio ad absurdum, and (c) the nonsensical notion that "right" and "wrong" involve any principles more mystical and universal than those of immediate expedience (with the individual's own comfort as a criterion) on the other hand. I believe I was careful to specify that I do not advocate vice and crime, but that on the other hand I have a marked distaste for immoral and unlawful acts which contravene the harmonious traditions and standards of beautiful living developed by a culture during its long history. This, however, is not ethics but aesthetics—a distinction which you are almost alone in considering negligible. … So far as I am concerned—I am an aesthete devoted to harmony, and to the extraction of the maximum possible pleasure from life. I find by experience that my chief pleasure is in symbolic identification with the landscape and tradition-stream to which I belong—hence I follow the ancient, simple New England ways of living, and observe the principles of honour expected of a descendant of English gentlemen. It is pride and beauty-sense, plus the automatic instincts of generations trained in certain conduct-patterns, which determine my conduct from day to day. But this is not ethics, because the same compulsions and preferences apply, with me, to things wholly outside the ethical zone. For example, I never cheat or steal. Also, I never wear a top-hat with a sack coat or munch bananas in public on the streets, because a gentleman does not do those things either. I would as soon do the one as the other sort of thing—it is all a matter of harmony and good taste—whereas the ethical or "righteous" man would be horrified by dishonesty yet tolerant of course personal ways. If I were farming in your district I certainly would assist my neighbours—both as a means of promoting my standing in the community, and because it is good taste to be generous and accommodating. Likewise with the matter of treating the pupils in a school class. But this would not be through any sense of inner compulsion based on principles dissociated from my personal welfare and from the principle of beauty. It would be for the same reason that I would not dress eccentrically or use vulgar language. Pure aesthetics, aside from the personal-benefit element; and concerned with emotions of pleasure versus disgust rather than of approval versus indignation.

Cheating

“… she studied his clothes, his top hat. “And you’ve just come from Parliament? How are you finding that?”

“It’s much like piracy. You tell your enemies that if they don’t fall in line, you’ll leave them to die.”

Meljean Brook (1977)

Source: The Iron Duke

Study , Clothes

“You’re playing the creepy vibe a little hard,” I said. “Might as well go for broke, put on a black top hat and pipe in some organ music.”

Jim Butcher Small Favor

Source: Small Favor

Music

“Behind the top hats, a little lady wearing lila-coloured tights was balancing on a tightrope in the middle of all that blue-grey tobacco-laden air. I sauntered in among the standing clientele. I was on the lookout for an attractive girl. Yes – that one wasn’t bad. When she became aware of my gaze her facial expression changed to that of a frozen mask and she stared emptily into space. I found a stair – and collapsed into it – tired and listless. Everyone clapped. The Lila-clad tightrope-walker curtsied, smiled and disappeared. A group of Romanian singers took her place. There was love and hate – and longing and reunion – and lovely dreams – and that soft music melting together with the colours. The melted notes became green palm trees and steely blue water floating in the blue haze of the room. An artwork is a crystal. A crystal has a soul and a mind, and the artwork must also have these.”

Edvard Munch (1863–1944) Norwegian painter and printmaker

a note of Munch, written in Ekely, 1929; Munch Museum
1896 - 1930

Love , Hate , Smile , Dreams

“In the 1930s, when I started, Martha Graham was the only dancer doing anything modern, but she did it all to classical music. I couldn't see myself doing Swan Lake every night, and I wanted to develop a truly American style. The only dancer in the movies at that time with any success was Fred Astaire, but he did very small, elegant steps in a top hat, white tie, and tails.”

Gene Kelly (1912–1996) American dancer, actor, singer, director, producer and choreographer

Quoted in "Gene Kelly's Musical Memories"

Music , Time , Success , Night

“Oh, there's no such thing as my favorite performance. I can't sit here today and look back, and say, Top Hat was better than Easter Parade or any of the others. I just don't look back, period. When I finish with a project, I say 'all right, that's that. What's next?”

Fred Astaire (1899–1987) American dancer, singer, actor, choreographer and television presenter

Fred Astaire, interviewed by Dan Navarro for American Classic Screen Magazine, September/October 1978.

“The idea for this picture came to me one winter's night as I was leaving La Scala. In the foreground there is a snow sweeper with a few couples, men in top hats and elegant ladies. I think that this canvas, which is totally unknown in Italy, is one of the paintings where I best represented the concept that I had the time about my art.”

Carlo Carrà (1881–1966) Italian painter

Source: 1940's, La mia Vita (1945), Carlo Carrà; as quoted in Futurism, ed. Didier Ottinger (2008), p. 154 - Carrà is refering in this quote to his painting 'Uscita dal teatro' ('Leaving the theater'), he made in 1909

Men , Art , Idea , Thinking

“I emerged from the womb, right, I was wearing a top hat and I had a cane and said: 'Mother, that was an awkward and embarrassing birth. You should be ashamed of yourself dear. Now pull your nightie down; that doctor looks salacious.' Then I trotted off outside, met up with Kenneth Williams and we both had tea, and we looked down at our dinkles with disgust.”

Russell Brand (1975) British comedian, actor, and author

Radio One Interview, July 5th 2007

Birth , Tea

“Without a hint of shyness, and standing totally in the nude except for a large silver top hat, he took out his "brush" and began sketching portraits of those brave enough to be his subjects.”

Pricasso (1949) Australian painter

[Lee Rondganger, Artist with unusual technique a Sexpo hit, The Star, South Africa, 28 September 2007, 2, Independent Online]
About

“Astaire really sweat - he toiled. He was a humorless Teutonic man, the opposite of his debonair image in top hat and tails. I liked him because he was an entertainer and an artist. There's a distinction between them. An artist is concerned only with what is acceptable to himself, where an entertainer strives to please the public. Astaire did both. Louis Armstrong was another one.”

Fred Astaire (1899–1987) American dancer, singer, actor, choreographer and television presenter

Artie Shaw on his collaboration with Astaire in Second Chorus (1940) as interviewed in Fantle, Dave and Johnson, Tom. Reel to Real. Badger Books LLC, 2004, p. 304. ISBN 1932542043.

“A happy coincidence brought together [in Die Brücke ]the really talented men whose characters and gifts, even in human terms, left them with no other choice than the profession of artist. This form of living, of dwelling and working, though peculiar for a regular human being, was not a deliberate 'epater le bourgeois', but simply a very naive and pure necessity to harmonize art and life. And it was precisely this more than anything else that so tremendously influenced the forms of present-day art. Of course, it was mostly misunderstood and totally distorted, for there [the will] fashioned the form and gave it meaning, whereas here the unfamiliar form is affixed to habit, like a top hat on a cow.”

Ernst Ludwig Kirchner (1880–1938) German painter, sculptor, engraver and printmaker

from Kirchner's Diary, 1923; as quoted in Expressionism, a German intuition, 1905-1920, Neugroschel, Joachim; Vogt, Paul; Keller, Horst; Urban, Martin; Dube, Wolf Dieter; (transl. Joachim Neugroschel); publisher: Solomon R. Guggenheim Foundation, New York, 1980, p. 93
1920's

Life , Men , Art , Fashion