Quotes about shanty

A collection of quotes on the topic of shanty, man, thought, use.

Quotes about shanty

“Weren't you wearing a purity ring when we got here? Aren't you supposed to be saving yourself?" Shanti asked.

"Yeah," Mary Lou answered. "And then I thought, for what? You save leftovers. My sex is not a leftover, and it is not a Christmas present.”

Libba Bray (1964) American teen writer

Source: Beauty Queens

“Sy Safransky: “Didn’t taking the name “Adyashanti” reinforce a certain sense that you are an enlightened holy man?”
Adyashanti: “Oh, absolutely it did. It’s sort of a ridiculous-sounding Eastern name. (…) I always tell people to call me “Adya,” and leave the “shanti” part off.””

Adyashanti (1962) Spiritual teacher

Interview for The Sun Magazine (2007)

People, Sense, Parting

“With a long slow stride, limping a little from his blistered feet, Bud walked down Broadway, past empty lots where tin cans glittered among grass and sumach bushes and ragweed, between ranks of billboards and Bull Durham signs, past shanties and abandoned squatters’ shacks, past gulches heaped with wheelscarred rubbishpiles where dumpcarts were dumping ashes and clinkers, past knobs of gray outcrop where steamdrills continually tapped and nibbled, past excavations out of which wagons full of rock and clay toiled up plank roads to the street, until he was walking on new sidewalks along a row of yellow brick apartment houses, looking in the windows of grocery stores, Chinese laundries, lunchrooms, flower and vegetable shops, tailors’, delicatessens. (pp. 23-24)”

John Dos Passos book Manhattan Transfer

Manhattan Transfer (1925)

Flowers, Grass, Past, Housing

“She thought of the multitude.
Trillions of human beings, wrappend like a fog about their home star. The mind collapsed at the scale and the numbers. But if ethics meant anything at all, it meant not letting the largeness of the human population overwhelm our moral knowledge that life is lived individually, and that even when agglomerated into billions and trillions individual human beings deserve better han being used as tools. That the overwhelming majority of this vast mass of humanity was poor, living precariously and subsistence lives in leaky shanty bubbles, eating ghunk and drinking recycled water—this made this more, not less, true. These were the people least able to help themselves. Thery should be helped, not exploited.”

Adam Roberts book Jack Glass: The Story of a Murderer

Part 2, Chapter 13, “Of Multitudes” (p. 239).
Jack Glass (2012)

Life, People, Home, Star

“The clean clear colours [of a Shanty farm] were in my head. But one day as I looked at the brown burned wood of the Shanty, I thought 'I can paint one of those dismal-coloured paintings like the men. I think just for fun I will try — all low-toned and dreary with the tree besides the door.' In my next show [c. 1923], 'The Shanty' went up. The men seemed to approve of it. They seemed to think that maybe I was beginning to paint…. that was my only low-toned dismal-coloured painting.”

Georgia O'Keeffe (1887–1986) American artist

1970 - 1986, Some Memories of Drawings (1976)

Men, Thinking, Tree, Painting

“It had been the winter of 1835-6 that the ship, Alert, in her voyage for hides on the remote and almost unknown coast of California, floated into the vast solitude of the bay of San Francisco. All around was the stillness of nature. One vessel, a Russian, lay at anchor there, but during our whole stay not a sail came or went. Our trade was with remote missions, which sent hides to us in launches manned by their Indians… Over a region far beyond our sight there was no other human habitations, expect that an enterprising Yankee, years in advance of his time, had put up, on the rising ground above the landing, a shanty of rough boards, where he carried on a very small retail trade between the hide ships and the Indians. On the evening of Saturday, the thirteenth of August, 1859 (I again sailed into) the entrance to San Francisco, (now) the great center of worldwide commerce.”

Richard Henry Dana Jr. (1815–1882) United States author and lawyer

Twenty-Four Years After (1869)

Nature, Solitude, Winter, Time

“The comprehensive picture drawn here of Vyasa in the MBh includes his functions as seer, priest, ascetic, and spiritual preceptor. Of all the epic’s, Vyasa is the one who most closely corresponds to the idea of brahminhood promulgated by the dharma literature and the MBh’s Shanti Parvan- The section of the epic having the greater similarity to the dharma literature.”

Vyasa central and revered figure in most Hindu traditions

In pp.50-51.
Sources, Seer of the Fifth Veda: Kr̥ṣṇa Dvaipāyana Vyāsa in the Mahābhārata

Literature, Idea

“In order to qualify for Government grants, Shanti Niketan, the famous institution found by the great Rabindra Nath Tagore, the poet of the soul's Godward aspiration and a great representative of undying India, had to give up its Upanishadic motto: satyam, Sivam, sundaram. These figures represent the deepest and loftiest that spirituality has conceived about man, his aspirations and destiny, his hopes and possibilities. But to the modern secular ears of the present-day rulers, these terms sound communal and antiquated.”

Ram Swarup (1920–1998) Indian historian

On Hinduism (2000)

Hope, Soul, Communication

“You can't appreciate home till you've left it, money till it's spent, your wife till she's joined a women's club, nor Old Glory till you see it hanging on a broomstick on the shanty of a consul in a foreign town.”

O. Henry book Roads of Destiny

"The Fourth in Salvador"
Roads of Destiny (1909)

Women, Money, Home

“Jai jaigarvi Gujarat mantra jeevant karne ke liye hame shanti ka marg hi chahiye. [In order to give life to the mantra of Jai Garvi Gujarat, we need to follow the path of peace. ]”

Narendra Modi (1950) Prime Minister of India

2002, "When select phrases are lifted and distorted out of context", 2002

“Let us serve Gujarat by maintaining shanti and sanyam. Let us strengthen the arms of law.”

Narendra Modi (1950) Prime Minister of India

2002, "When select phrases are lifted and distorted out of context", 2002