Quotes about microphone

A collection of quotes on the topic of microphone, making, use, doing.

Quotes about microphone

“I showered the slang, simple as ABC's / Skip over the D's and rock the microphone with ease”

Eminem (1972) American rapper and actor

E's
"313"
1990s, Infinite (1996)

“I am paying for this microphone!”

Ronald Reagan (1911–2004) American politician, 40th president of the United States (in office from 1981 to 1989)

At a Republican primary debate in Nashua, New Hampshire (23 February 1980). The moderator had ordered the soundman to turn off Reagan's microphone, as Reagan was about to explain that as his campaign was paying for the debate which had originally been arranged by the Nashua Telegraph and that he had invited Bob Dole, Howard Baker, John B. Anderson, and Phil Crane, to be in it as well. Video footage http://www.youtube.com/watch?v=OO2_49TycdE 1980s

“The state would rather give me an uzi than a microphone.”

Mumia Abu-Jamal (1954) Prisoner, Journalist, Broadcaster, Author, Activist

All Things Censored (2001, Seven Stories Press), p. 21

“Busy day, lots going on and for the last interview I decided, you know, to flirt with the microphone.”

Ben Kowalewicz (1975) musician

From "The Diary of Billy Talent":

Business

“It's just like when you've got some coffee that's too black, which means it's too strong. What you do? You integrate it with cream; you make it weak. If you pour too much cream in, you won't even know you ever had coffee. It used to be hot, it becomes cool. It used to be strong, it becomes weak. It used to wake you up, now it'll put you to sleep. This is what they did with the march on Washington. They joined it. They didn't integrate it; they infiltrated it. They joined it, became a part of it, took it over. And as they took it over, it lost its militancy. They ceased to be angry. They ceased to be hot. They ceased to be uncompromising. Why, it even ceased to be a march. It became a picnic, a circus. Nothing but a circus, with clowns and all. You had one right here in Detroit — I saw it on television — with clowns leading it, white clowns and black clowns. I know you don’t like what I'm saying, but I’m going to tell you anyway. 'Cause I can prove what I'm saying. If you think I'm telling you wrong, you bring me Martin Luther King and A. Philip Randolph and James Farmer and those other three, and see if they'll deny it over a microphone.”

Malcolm X (1925–1965) American human rights activist

Message to the Grass Roots (10 November 1963)

Coffee, Thinking, Sleep, Strong

“The microphone is mightier than the pen.”

Eric Edmeades (1970) Canadian businessman

The Stage Effect ASIN: B0787CQDYW - March 2018 https://www.amazon.com/Stage-Effect-Influence-Incredible-Opportunities-ebook/dp/B0787CQDYW

“And throughout this process, Michelle and I, we just have been your frontmen and women. We have been the face, sometimes the voice, out front on the TV screen or in front of the microphone, but this has never been about us. It has always been about you. And all the amazing things that happened over these last 10 years are really just a testament to you. In the same way that when we talk about our amazing military and our men and women in uniform, the military is not a thing. It's a group of committed patriots willing to sacrifice everything on our behalf. It works only because of the people in it. As cool as the hardware is, and we have cool hardware, as cool as the machines and weapons and satellites are, ultimately it comes down to remarkable people.”

Barack Obama (1961) 44th President of the United States of America

2017, Farewell to Staff Members (January 2017)

Women, Men, People, Way

“Don't start an argument with somebody who has a microphone when you don't. They'll make you look like chopped liver.”

Harlan Ellison (1934–2018) American writer

IguanaCon Guest of Honor speech, Phoenix, Arizona, (1978)

“Make sure of two things. Be careful — microphones are always hot, and understand that in Washington, D. C., a gaffe is when you tell the truth. So, be careful.”

Joe Biden (1942) 47th Vice President of the United States (in office from 2009 to 2017)

Speech to national conference http://www.politico.com/politico44/2012/06/biden-a-gaffe-is-when-you-tell-the-truth-126866.html of the National Association of Black Journalists, Washington, D.C. (June 20, 2012) 2010s

Truth, Understanding

“A whole bunch of people towards the back of the room were now getting up to leave. But these teachers were not going to intimidate me. I wasn’t my father’s and mother’s son for nada-nothing. I wasn’t my two indigenous grandmothers’ grandson for nada-nothing either. I came from a long line of people…who’d lived through starvation, revolutions, and massacre. “AND YOU!” I yelled into the microphone. “Over there in the back…who are getting up to leave…I’M GLAD THAT YOU’RE LEAVING!”

Victor Villaseñor (1940) American writer

Burro Genius: A Memoir (2004)

People, Teachers

“If you turn up the volume to your computer, and set the the little microphone inside to maximum level it will feed back, just like any other type of microphone. I just put it through some filters and add some white noise or pink noise. For me, the thing was to use elements that were marginal in other types of music, take something of no real value and use it.”

Mattin (1977) Spanish musician

Interview by Dan Warburton (July 2009)

Music

“I miss it enormously. I miss the buzz. I miss the adrenalin and I miss shouting into the microphone. I miss the atmosphere, I miss the camaraderie. But I don't miss it as much as I might have done, because I haven't had a total withdrawal.”

Murray Walker (1923) Motorsport commentator and journalist

Oliver Owen (July 1, 2007) "The Observer: Silverstone British Grand Prix 2007: Murray Walker Interview: Mint Condition", The Observer.
Interviews

“Imagine a day when this yard will be crowded with hundreds of leaders of the country. They will compete with each other, argue with each other, insult each other, throw shoes, leather bags, teacups, microphones and chairs at each other, break each other’s neck and determination, and then, at the end of the day, shamelessly compromise with each other for the sake of the party, and on the order of the leader.”

Neamat Imam book The Black Coat

The Black Coat (2013)

Shoe, Imagination, Country

“People do what they do by choice, so I don’t really know it’s a matter of people being comfortable in front of the camera. I think it’s a matter of doing the work that’s available to you and then striving in it. If you realized how hard it is to get a job in the entertainment industry, and you were working prolifically in voice over and you can work doing on camera stuff here and there, it has nothing to do with being worried about how you look on camera. It’s about the work and you do the work that is available to you. These actors are that good that they’re able to do the voiceover stuff. It’s hard. A lot of people think that it’s easy to just go and talk in front of a microphone and that’s not the case. You’re not just talking, you’re acting. You’re acting in front of a microphone as opposed to a camera. It’s a lot more specific of a technique than most people think. It’s not, “Oh, do a silly voice!” Try doing a silly voice for four hours, then take a lunch break, and then do another silly voice for four hours. It’s not easy, especially because it’s about the acting. So I think that mindset is a little off.”

John DiMaggio (1968) American voice actor and comedian

Exclusive Interview: John DiMaggio & Lawrence Shapiro https://diaboliquemagazine.com/exclusive-interview-john-dimaggio-lawrence-shapiro/ (September 6, 2013)

People, Thinking

“It takes a little more time to get into the role, but not very much more. In making a record you don't have the sense of projection over a distance as in an opera house. We have this microphone and this magnifies all details of a performance, all exaggerations. In the theater, you can get away with a very large, very grand phrase. For the microphone, you have to tone it down. It's the same as making a film, your gestures will be seen in close-up, so they cannot be exaggerated as they would be in a theater.”

Maria Callas (1923–1977) American-born Greek operatic soprano

On making studio recordings
Callas : The Art and the Life (1974)

Sense, Time, Housing

“I was not a great match to be the little boy of the very British Basil Rathbone's character, I'm born and raised in San Antonio, Texas, and I had this southern accent. We were on these huge wide-open castle sets and they kept telling me how the microphones were 'way up there' and how I had to talk extra loud.”

Donnie Dunagan (1934) actor and United States Marine

Child star Donnie Dunagan, aka voice of 'Bambi,' wasn't afraid to face Frankenstein http://www.nwitimes.com/entertainment/columnists/offbeat/offbeat-child-star-donnie-dunagan-aka-voice-of-bambi-wasn/article_f81013d1-e67c-587b-aecb-da893dab25c2.html (Marh 2, 2011)

Way, Boy

“Men have a lot less to write about, unless you're somebody like Tom Waits or John Lennon. And the female voice is much more suited to melody. Men have this barky thing-we're domesticated apes with a microphone.”

Brandon Boyd (1976) American rock singer, writer and visual artist

More on why his favorite singers are mostly women

Men, Waiting

“The molasses voice pours into the sponge ear of the microphone and is transformed into silent, pulsing waves that radiate over a hundred miles.”

Katherine Dunn book Geek Love

Geek Love (1989)

“Oh I don't need an education
Just a microphone's intoxication
And I can't deal with concentration
Give me tongues and stimulation”

Katy Rose (1987) American singer

Vacation
Because I Can

Education

“The types of collection in the book -– microphones and video cameras, TVs that watch us –- are nothing compared to what we have available today. We have sensors in our pockets that track us everywhere we go. Think about what this means for the privacy of the average person.”

Edward Snowden (1983) American whistleblower and former National Security Agency contractor

Source: http://www.washingtonpost.com/world/national-security/edward-snowden-after-months-of-nsa-revelations-says-his-missions-accomplished/2013/12/23/49fc36de-6c1c-11e3-a523-fe73f0ff6b8d_story.html 2013 Christmas Message

26 December 2013

Books, Thinking, Personality

“Shocking, absolutely shocking – they [the German w:Fluxus artists] pissed in the tub, snag the German national anthem, covered the audience with paper, poured laundry detergent into the piano, attached microphones to fountain pens.... it was all very cynical and destructive; it was a signal for us and we (the German artists Lueg and Polke and Gerhard Richter himself] became [also] cynical and cocky.”

Gerhard Richter (1932) German visual artist, born 1932

Source: after 2000, Doubt and belief in painting' (2003), p. 47

“When I was ten I was a hip-hop a shorty wop
known for rockin' microphones and twistin' of a forty top”

Nas (1973) American rapper, record producer and entrepreneur

One Time 4 Your Mind
On Albums, Illmatic (1994)

“My responsibility as an artist is to turn up at the page or the piano or the microphone. The rest is up to God.”

Nick Cave (1957) Australian musician

The Daily Telegraph (Novevember 20, 1997)
God and religion

God

“Punk: I can't help but feel a little resp… hell, who am I kidding? I feel like I started this whole thing. This is all my fault. I've been at the epicenter of everything controversial ever since you took over—actually, since before that, I'm sure you remember, John-Boy.
Cena: I was there.
Punk: You were there. I'm the guy that made walking out look cool. The thing about is I think everybody in the parking lot having a picnic right now have completely misunderstood what I was trying to do. See, I didn't break my contract, I didn't break my word. My contract expired, and I was trying to prove a point to an entire company, not just one man. If anybody has any reason to walk out of the WWE, well you can probably put me at the top of that list. I mean, my microphone constantly cuts out, your friend Kevin Nash runs through the… well, slowly, briskly runs through the crowd, jumps me and screws me not once, but twice. Somebody here doesn't want me to be the WWE Champion. The thing about it is this entire industry is based on men solving their problems in between these ropes. This is the company that gives you Hell in a Cell, this is the company that gives you the Elimination Chamber. I don't wanna sound like a broken record, but "unsafe working environment"? I thrive on that! Hell, this is professional wrestling, this ain't ballet! If you believe in something, you stand and you fight, and you fight on the front line; you don't have a hippie sit-in and grill tofu dogs in the parking lot like a bunch of hippies. [To Triple H] When I had a problem with you and your authority, I dealt with you personally. [To Cena] And you, you big boy scout, when I had a problem with you being the poster boy for this company, I dealt with you personally. Shea-Mo, I'm sure sooner or later, you're gonna step on my toes, I will deal with you personally. Now, I know you three smiley good guys look across the ring from me, and I'm the last guy you expect to see here, [to Triple H] and I know I'm the last guy you expect to see in the foxhole with you. But you know what? Here I am. So… so I got a question—what do we do now?
Triple H: "What do we do now?" That's a big question, "what do we do now?" I say we do what we do on Monday Night Raw—we shut up and fight! How about this? As long as you guys are in agreement, Sheamus, you got yourself a match, fella. Tonight, right here, right now, you will go one-on-one with… [Punk raises his hand] one John Cena. And since I'm the only guy kinda wearing stripes out here, I'll referee. And, foxhole buddy, I got a whole table over there lined up with headphones and pipe bombs just waiting for you with your name on it. And if you want, you can go over there and say anything you feel like.
Punk: You want me to do commentary?!
Triple H: I want you to do commentary.
Punk: Can I wear your blazer?!
Triple H: You can even wear my blazer!
Punk: I'm in!”

Phil Brooks (1978) American professional wrestler and mixed martial artist

October 10, 2011
WWE Raw

Men, Dogs, Guy, Feeling

“You know, I'm just gonna take your microphone, and stick in the microwave, and turn it on.”

Tré Cool (1972) Drummer, punk rock musician

Idiot Club video

“Eisenhower climbed down from his jeep. Two unsmiling dogfaces with Tommy guns escorted him to a lectern in front of the church's steps. The sun glinted from the microphones on the lectern… and from the pentagon of stars on each of Ike's shoulder straps. "General of the Army" was a clumsy title, but it let him deal with field marshals on equal terms. He tapped a mike. Noise boomed out of speakers to either side of the lectern. Had some bright young American tech sergeant checked to make sure the fanatics didn't try to wire explosives to the microphone circuitry? Evidently, because nothing went kaboom. "Today it is our sad duty to pay our final respects to one of the great soldiers of the 20th century. General George Smith Patton was admired by his colleagues, revered by his troops, and feared by his foes," Ike said. If there were a medal for hypocrisy, he would have won it then. But you were supposed tp only speak well of the dead. Lou groped for the Latin phrase, but couldn't come up with it. "The fear our foes felt for General Patton is shown by the cowardly way they murdered him: from behind, with a weapon intended to take out tanks. They judged, and rightly, that George Patton was worth more to the U. S. Army than a Stuart or a Sherman or a Pershing," Eisenhower said. "Damn straight, muttered the man standing next to Lou. He wore a tanker's coveralls, so his opinion of tanks carried weight. Tears glinted in his eyes, which told all that needed telling if his opinion of Patton.”

Harry Turtledove (1949) American novelist, short story author, essayist, historian

Source: The Man With the Iron Heart (2008), p. 61-62

Sadness, Fear, Way, Star

“Punk: [after hearing John Laurinaitis propose a WWE Championship match at Survivor Series against Alberto Del Rio] Okay, pardon me for not being all smiles, that's exactly what I want, but… what's the catch? You gonna make it a handicap match, or is Ricardo Rodriguez the special guest referee? No, are you gonna be the special guest ring announcer with your majestic voice?
Laurinaitis: Punk, there's only one thing you have to do.
Punk: There's one thing I have to do… for you. I have to do something for you to get a title shot? Let me guess—I gotta re-grip your skateboard, you need new ball bearings?
Laurinaitis: You know what, Punk? I know you don't like me, okay? And that's okay. I'm not playing the part of Executive Vice President of Talent Relations, I am the Executive Vice President of Talent Relations and the General Manager of Raw. So in order for me to make it official, you need to tell me in front of the WWE Universe that you respect me. Tell me that you respect me.
Punk: Are you Aretha Franklin? You want me to tell these people I respect you when I know clearly that you don't respect me 'cause I don't wear a bourgeois suit and I don't tow the company line? You wanna talk about respect? Respect, Johnny, is earned, it isn't just given. And you're gonna come out here and say that when you're in charge, this place… this place is just oh so run like a tight ship. Have you watched the product? We've got rings collapsing, you got Kevin Nash interfering in every other match of mine; this place isn't any better with you in charge. How's that for respect?
Laurinaitis: Punk, you're about to make a big mistake. Okay, swallow your pride, stand up like a man, and tell me that you respect me.
Punk: Okay. All right. Don't get hot. [Imitating Laurinaitis] I respect you, Funk-man. That all right? Was that good enough?
Laurinaitis: I tell you what, Punk. You've got one more chance to show me and tell me you respect me, and I mean it.
Punk: Okay, Mr. Laurinaitis, sir, Executive Vice President of Talent Relations and interim Raw General Manager. I respect you. I respect the fact that each week, you come out here in front of the millions of fans in the WWE Universe, live on the USA Network, with this awesome, completely lost deer-in-the-headlights look on your face; I respect the fact that you don't know how close to hold the microphone to your mouth when you speak; I respect the fact that you used to compete in this ring with your awesome Kentucky waterfall mullet, and you were never any good, but you somehow still ascended to the top of the WWE corporate structure, showing the world new-found levels of brown-nosery; but above all, I respect the fact that never before in this business has somebody with so little done so much! I respect you! How's that sound?! Does that sound good enough for you?!”

Phil Brooks (1978) American professional wrestler and mixed martial artist

October 24, 2011
WWE Raw

People, World, Smile, Business

“All my life to pretend this world of theirs is mine
And to know such pretending is disgraceful.
But what can I do? Suppose I suddenly screamed
And started to prophesy. No one would hear me.
Their screens and microphones are not for that.”

Czeslaw Milosz (1911–2004) Polish, poet, diplomat, prosaist, writer, and translator

"Not Mine"

Life, World

“To be able to key one sheet of a million before an operator in a second or two, with the possibility of then adding notes thereto, is suggestive in many ways. It might even be of use in libraries, but that is another story. At any rate, there are now some interesting combinations possible. One might, for example, speak to a microphone, in the manner described in connection with the speech-controlled typewriter, and thus make his selections. It would certainly beat the usual file clerk.”

Vannevar Bush book As We May Think

As We May Think (1945)

Way

“David Cameron there, just a short walking distance away from our microphone.”

Eddie Mair (1965) Scottish broadcaster

After a tedious but far-away-sounding statement by David Cameron on the environment[citation needed]
From PM and Broadcasting House

“Isn't this the prettiest little thing you've ever seen? It was over a year ago I held this belt high in the air after I fought for it for the first time in Dayton, Ohio against Samoa Joe and I proclaimed this belt the most important thing to me. Right now, in my hands, as of this day 6/18/05, THIS becomes the most important belt in the world! This belt in the hands of any other man is just a belt, but in my hands it becomes power. Just like this microphone in the hands of any of the boys in the back is just a microphone, but in the hands of a dangerous man like myself it becomes a pipe-bomb. These words that I speak spoken by anybody else are just words strung loosely together to form sentences. What I say I mean, and what I mean I say, and they become anthems! You see, if I could be afforded the time here a little bit of a story. There was once an old man, walking home from work. He was walking in the snow, and he stumbled upon a snake frozen in the ice. He took that snake, and he brought it home, and he took care of it, and he thawed it out, and he nursed it back to health. And as soon as that snake was well enough, it bit the old man. And as the old man lay there dying he asked the snake, 'Why? I took care of you. I loved you. I saved your life.' And that snake looked that man right in the eye and said, 'You stupid old man. I'm a snake.' The greatest thing the devil ever did was make you people believe he didn't exist… and you're looking at him right now! I AM THE DEVIL HIMSELF! And all of you stupid, mindless people fell for it! You all believed in the same make-believe superhero that the legendary Ricky 'The Dragon' Steamboat saw some year ago today. No, you see, you don't know anything. You followed me hook-line and sinker, all of you did, and I'm not mad at you… I just feel sorry for you. This belongs to me! Everything you see here belongs to me, and I did what I had to do to get my hands on this. Now I am the GREATEST PRO WRESTLER walkin' the Earth today! This is my stage, this is my theater, you are my puppets! When I pulled those marionette strings, and I moved your emotions, and I played with them, and honestly it's 'cause I get off on it. I hate each and every single one of you with a thousand burns and I will not stop… I will not stop until I prove that I am better than you, that I am better than Low Ki, that I am better than AJ Styles! I'm better than Samoa Joe. Ladies and gentlemen, the champ is here! You don't have to love it, but you better learn to accept it. 'Cause I'm taking this with me, and there's not a single person in that locker room that can stop me!”

Phil Brooks (1978) American professional wrestler and mixed martial artist

Ring of Honor, Death Before Dishonor III. June 18th, 2005. This promo took place directly after Punk defeated Austin Aries for the ROH World Championship proceeding to turn the, at the time face, Punk heel. Directly after this promo Christopher Daniels made his first appearance in ROH in over a year to challenge for the belt. This promo also made reference to an old parable http://www.snopes.com/critters/malice/scorpion.htm about an animal doing an act of kindness to another creature that is venomous and being surprised when the animal injects the venom to the creature after the act of kindness who then proceeds to explain it is their nature to perform the act. Ring of Honor

Love, Life, Hate, People

“I know what the power of silence is. When I used to play in clubs, everybody was loud; there was a lot of noise. So I would take my mute off the microphone, and I would play something so soft that you could hardly hear it… and you talk about listening. Roy Eldridge did that. He's one of my favorites.”

Miles Davis (1926–1991) American jazz musician

As quoted in Jazz-Rock Fusion: The People, The Music, p. 40
1970s

Silence

“Contrary to several conflicting stories, I got the name "Count" right in Kansas City in 1936 while at the Reno Club. I was known as Bill Basie at that time. One night, while we were broadcasting, the announcer called me to the microphone for those usual few words of introduction. He commented that Bill Basie was a rather ordinary name, and further that there were a couple of well-known bandleaders named Earl Hines and Duke Ellington. Then he said, "Bill, I think I'll call you Count Basie from now on. Is that all right with you?" I thought he was kidding, shrugged my shoulders and replied, "OK." Well that was the last time I was ever introduced as Bill Basie. From then on, it was Count Basie, and I never did lose that nickname. It's funny the way those things will stick.”

Count Basie (1904–1984) American jazz musician, bandleader, and composer

As quoted in Hear Me Talkin' to Ya : The Story of Jazz as Told by the Men who Made It (1966) by Nat Shapiro and Nat Hentoff, p. 301

Way, Thinking, Time, Night

“I don't have a social life right now. I try to -- it's something that I miss -- but David Foster told me: 'The golden microphone is in front of your mouth. You have to sing into it or it will get passed onto someone else.' It's very lonely, what I'm doing. Even though you have a lot of people around you, they're not experiencing it first-hand. It's hard to name more than five close friends. As much as people want to understand, it's hard when you don't see someone for five months at a time, and they're like, 'C'mon, make time.' But I don't have time. My days are gone. There are a lot of firsts for me. And I'm not going to toss it off. It would be silly to say, 'No, I'd rather go see a movie.”

Josh Groban (1981) American musician and actor

I know there will be time for that later.
UK Sunday Times, 5/9/04

Life, People, Understanding, Singing

“The microphone-amplifier-loudspeaker combination is having an enormous effect on our civilization. Not all of it is good! Consider to what heights of impudence and tyranny, and to what depths of moral depravity, has radio broadcasting and the loudspeaker attained in that recent monstrosity, Transit Radio, Inc. Almost incredible is the loathsome fact that already in 21 cities bus riders must listen to never-ending, blatant advertising and unwelcome jitterbug and bop music.”

Lee De Forest (1873–1961) American inventor

"Dawn of the Electronic Age" http://blog.modernmechanix.com/2006/03/20/dawn-of-the-electronic-age/, Popular Mechanics, January 1952

Music

“My religion is no way of knowing me. Mine is a way of knowing me. When I pray I feel I'm doing something clean. But why pray so the whole neighbourhood hears your prayers? Why use microphones?”

Jeet Thayil book Narcopolis

Source: Narcopolis, p. 174

Religion, Way, Feeling

“The reason we'd stopped was that the buffet car was on fire, that was the reason we stopped. One of the giant biscuits spontaneously combusted out of boredom. Whoever was charged with making the announcement momentarily lost all sense of procedure and we got this tantalizing glimpse into the chaos on the trains, and all we could hear was (bangs on microphone) "Gary, it's burning, what we gonna do?!" And everyone on the carriage just cheered, "Hooray! We're rubbish!"”

Bill Bailey (1965) English comedian, musician, actor, TV and radio presenter and author

Part Troll (2004)

Cars, Sense, Training

“While it is easy to take the microphone away from a journalist, especially in Bulgaria, many questions will eventually catch up with the new commission president. For instance: what is the price of the rule of law in the EU?; how does her team gather country information?; how much does she value transparency?; is she worried about the misuse of EU funds?; is prosperity a new EU synonym for poverty in Brussels?”

Radosveta Vassileva (1985) legal scholar

Why did von der Leyen endorse bad politics?," https://euobserver.com/opinion/145798", the EUobserver (September 2, 2019)

Question, Law, Country

“Ideology, legitimacy, authority: Such topics used to interest academics no end. The mania for quantifying the social sciences and the attendant decline in foreign-language acquisition have changed things. I remember Sovietologists lamenting this trend when I was at school in the 1980s. It’s gone much, much further since. What cannot be researched with the proper statistical-numerical methodology is thought beneath serious analysis. On the rare occasions when a non-quantifier takes the microphone at a conference, the Gradgrinds lean back with an indulgent smile: Time for some light relief.”

Brian Reynolds Myers (1963) American professor of international studies

2010s, League Confederation Goes Outer-Track (September 2018)

School, Time, Light, Smile

“I can't jump in front of the microphone and push him down. OK, he said it. Let's try and get it corrected for the next time.”

Anthony Fauci (1940) American immunologist and head of the U.S. National Institute of Allergy and Infectious Diseases

On his response to misstatements by Donald Trump during COVID-19 press briefings, in Jon Cohen, " ‘I’m going to keep pushing.’ Anthony Fauci tries to make the White House listen to facts of the pandemic https://www.sciencemag.org/news/2020/03/i-m-going-keep-pushing-anthony-fauci-tries-make-white-house-listen-facts-pandemic", Science (March 22, 2020).

Time

“I wanna grab the microphone and shout it to the world
Shout it to the world, world
I'm your freaking girl
Anytime you need me, you just have to say the word
Have to say the word, word
I'm your freaking girl”

Erika Jayne (1969) American singer, actress and television personality

"United"
Song lyrics, Other songs

World, Girl

“You don’t tear up the room because there’s a sweet spot for the microphones, and you can’t deviate very far from that or else the engineer gets mad. You have to act with your whole body, but keep it right in the zone.”

Dee Bradley Baker (1962) American voice actor

Denver’s “Clone Wars,” “Phineas and Ferb” voice actor on working (from home) through a pandemic https://theknow.denverpost.com/2020/08/21/dee-bradley-baker-interview/243747/ (August 21, 2020)

Madness, Tear

“Throw your stones (Wo-oh-oh-ohhh)
We can hold our own (Wo-oh-oh-ohhh)
I don't need no microphone”

Example (musician) (1982) English rapper and singer

"Microphone" (song) ("Microphone" on YouTube (with lyrics)) https://www.youtube.com/watch?v=zTeGbn0CDh4 Studio albums, Playing in the Shadows (2011)