Quotes about gymnastics

A collection of quotes on the topic of gymnast, gymnastics, likeness, use.

Quotes about gymnastics

Emil Zátopek photo

“It is not gymnastics or ice skating, you know.”

Emil Zátopek (1922–2000) Czech Olympic long-distance runner

Attributed by Tom Knight, "Zatopek: 'human locomotive' who made Olympic history", Telegraph, 23 November 2000 (Telegraph Media Group) http://www.telegraph.co.uk/sport/othersports/athletics/2993266/Athletics-Zatopek-human-locomotive-who-made-Olympic-history.html
regarding his lack of finesse

Jenny Han photo
Sarah Chang photo

“I'm not an athlete, more a gymnast and golfer, soldered together.”

David Bryant (bowls) (1931) bowls champion

Quoted in Colin Jarman's The Guinness Dictionary of Sports Quotations (1990)

Bhakti Tirtha Swami photo
Antonio Negri photo
AnnaSophia Robb photo
Daniel Handler photo
Mike McCormack photo
Robin Lane Fox photo

“The occasion was not lost on Alexander: at Susa, he sacrificed to Greek gods and held Greek gymnastic games…”

Robin Lane Fox (1946) Historian, educator, writer, gardener

Source: Alexander the Great, 1973, p.253

James Clerk Maxwell photo

“We may find illustrations of the highest doctrines of science in games and gymnastics, in travelling by land and by water, in storms of the air and of the sea, and wherever there is matter in motion.”

James Clerk Maxwell (1831–1879) Scottish physicist

Introductory Lecture on Experimental Physics held at Cambridge in October 1871, re-edited by W. D. Niven (2003) in Volume 2 of The Scientific Papers of James Clerk Maxwell, Courier Dover Publications, p. 243.

Gene Kelly photo

“I really don't know why I clicked. I didn't want to be a dancer, I just did it to work my way through college. But I was always an athlete and gymnast, so it came naturally.”

Gene Kelly (1912–1996) American dancer, actor, singer, director, producer and choreographer

Quoted in "Gene Kelly's Musical Memories" by Rex Reed, in The Chicago Tribune (November 29, 1970)

Filippo Tommaso Marinetti photo

“11. We shall sing the great masses shaken with work, pleasure, or rebellion: we shall sing the multicolored and polyphonic tidal waves of revolution in the modern metropolis; shall sing the vibrating nocturnal fervor of factories and shipyards burning under violent electrical moons; bloated railroad stations that devour smoking serpents; factories hanging from the sky by the twisting threads of spiraling smoke; bridges like gigantic gymnasts who span rivers, flashing at the sun with the gleam of a knife; adventurous steamships that scent the horizon, locomotives with their swollen chest, pawing the tracks like massive steel horses bridled with pipes, and the oscillating flight of airplanes, whose propeller flaps at the wind like a flag and seems to applaud like a delirious crowd.”

Filippo Tommaso Marinetti (1876–1944) Italian poet and editor, founder of the Futurist movement

Original Italian text:
Noi canteremo le grandi folle agitate dal lavoro, dal piacere o dalla sommossa: canteremo le maree multicolori e polifoniche delle rivoluzioni nelle capitali moderne; canteremo il vibrante fervore notturno degli arsenali e dei cantieri incendiati da violente lune elettriche; le stazioni ingorde, divoratrici di serpi che fumano; le officine appese alle nuvole pei contorti fili dei loro fumi; i ponti simili a ginnasti giganti che scavalcano i fiumi, balenanti al sole con un luccichio di coltelli; i piroscafi avventurosi che fiutano l'orizzonte, le locomotive dall'ampio petto, che scalpitano sulle rotaie, come enormi cavalli d'acciaio imbrigliati di tubi, e il volo scivolante degli aereoplani, la cui elica garrisce al vento come una bandiera e sembra applaudire come una folla entusiasta.
Source: 1900's, The Founding and Manifesto of Futurism' 1909, p. 52 : Last bullet-item in THE MANIFESTO OF FUTURISM

“Using the scanty means at my disposal I attempted to paint the room together with several objects that I had gathered together, white on white. The white room is an interior to be made devoid of any specific sensualism emanated by objects. Ultimately it is a classic white canvas expanded into three-dimensional space. It was in these surroundings that I rolled across the room, my body wrapped up in pieces of white cloth like a pile of parcels. The pieces of cloth unwound themselves from my tense body, which for a long time remained in a catatonic position, with the soles of both my feet stuck as it were to the wall. […] I had planned to do some bodypainting for the second part of the performance. […] At first I poured black paint over the white objects, I painted Anni with the aim of making a “living painting”. But gradually a certain uncertainty crept in. This was caused by jealous fight between two photographers, which ended by one of them leaving the room in a rage. […] My unease increased, as I became aware of the defects in my “score”-and should this not have any, the mistakes in the way I was translating it into actions. Recognising this, I succumbed to a fit of painting which was like an instinct breaking through. I jammed myself into a step-ladder that had fallen over and on which I had previously done the most dreadful gymnastic exercises, and daubed the walls in frantic despair-until I was exhausted. The very last hour of “informel.””

Günter Brus (1938) Austrian artist

Mühl angrily ridiculed my relapse into a “technique” that had to be overcome.
Source: Nervous Stillness on the Horizon (2006), P. 120 (1985)

Franz Bardon photo
Simone Biles photo

“But at the end of the day it’s like, we want to walk out of here, not be dragged out here on a stretcher. I just don’t trust myself as much as I used to. And I don’t know if it’s age—I’m a little bit more nervous when I do gymnastics. I feel like I’m also not having as much fun, and I know that.”

Simone Biles (1997) American gymnast

"Simone Biles Explains Withdrawal: “I Just Don’t Trust Myself As Much As I Used To” " in Slate (27 July 2021) https://slate.com/culture/2021/07/simone-biles-olympics-gymnastics-statement.html

Simone Biles photo

“Over the years, obviously since I’ve been so dominant, everybody supported the gymnastics and praised me for what I’ve done in the gym — and not really outside”

Simone Biles (1997) American gymnast

of the gym
"'First time I felt human': Simone Biles gets honest about what happened at the Olympics" in Today (30 August 2021) https://www.today.com/news/simone-biles-gets-candid-about-what-happened-olympics-t229382

Simone Biles photo

“I feel like I realized that power after I came out, after the #MeToo movement, and that was kind of scary. But it’s like, wow, my presence is very big in gymnastics but also online, just in the world in general. So I have to be a bit careful about what I say.”

Simone Biles (1997) American gymnast

"Simone Biles and the Weight of Perfection" in The New York Times (24 July 2021) https://www.nytimes.com/2021/07/24/sports/olympics/simone-biles-gymnastics.html

Simone Biles photo

“I’m going to go out there and represent the U.S.A., represent World Champions Centre, and represent Black and brown girls over the world. At the end of the day, I’m not representing U.S.A. Gymnastics.”

Simone Biles (1997) American gymnast

"Simone Biles and the Weight of Perfection" in The New York Times (24 July 2021) https://www.nytimes.com/2021/07/24/sports/olympics/simone-biles-gymnastics.html