Quotes about grasshopper

A collection of quotes on the topic of grasshopper, likeness, thing, love.

Quotes about grasshopper

“Patience, grasshopper," said Maia. "Good things come to those who wait."
"I always thought that was 'Good things come to those who do the wave,'" said Simon. "No wonder I've been so confused all my life.”

Cassandra Clare book City of Glass

Source: City of Glass

Life, Waiting, Patience

“You need to learn patience, you grasshopper”

Nicholas Sparks book The Last Song

Source: The Last Song

Learning, Patience

“My dear young fellow,' the Old-Green-Grasshopper said gently, 'there are a whole lot of things in this world of ours you haven't started wondering about yet.”

Roald Dahl James and the Giant Peach

Source: James and the Giant Peach

World

“If a grasshopper tries to fight a lawnmower, one may admire his courage but not his judgement.”

Robert A. Heinlein book Farnham's Freehold

Source: Farnham's Freehold (1964), Chapter 16 (p. 235)

Courage, Fight

“Now climb, young grasshopper, so your Kung Fu won't be weak.”

Ilona Andrews American husband-and-wife novelist duo

Source: Magic Burns

“I have looked attentively at chickens raised in this [battery] fashion, and to me they seem to be unhappy and in poor health. Their combs are dull and lifeless except for glaring and unnatural patches of color that appear occasionally … The battery chickens I have observed seem to lose their minds about the time they would normally be weaned by their mothers and off in the weeds chasing grasshoppers on their own account. Yes, literally, actually, the battery becomes a gallinaceous madhouse. The eyes of these chickens through the bars gleam like those of maniacs. Let your hand get within reach and it receives a dozen vicious peeks—not the love peck or the tentative peek of idle curiosity bestowed by the normal chicken, but a peck that means business, a peck for flesh and blood, for which in their madness they are thirsting.”

Roy Bedichek (1878–1959) American writer and naturalist

Adventures with a Texas Naturalist (Austin: University of Texas Press, 2010. Orig. pub. 1947), pp. 101 https://books.google.it/books?id=4WuzlD0hkSgC&pg=PA101-102.

Love, Health, Color, Fashion

“Horsed upon hippogriffs, the hags of night
Shall come to visit me; and once an age
Some desperate wight, or wizard, gaunt and grey,
Shall seek this spot by help of hidden lore,
To ask of things forgotten or to come.
But who, beholding me, shall dare defy
The wrath of Jove? Since vain is wisdom's boast,
And impotent the knowledge that o'erleaps
The dusky bourne of time. Twere better far
That gods should quaff their nectar merrily,
And men sing out the day like grasshoppers,
So may they haply lull the watchful thunder.”

Hartley Coleridge (1796–1849) British poet, biographer, essayist, and teacher

Prometheus
Poems (1851), Prometheus

Wisdom, Men, God, Age

“"The water in music the oar forsakes." The air in music the wing forsakes. All things move in music and write it. The mouse, lizard, and grasshopper sing together on the Turlock sands, sing with the morning stars.”

John Muir (1838–1914) Scottish-born American naturalist and author

letter to Mrs. Ezra S. Carr, from Yosemite Valley (September 1874); published in William Federic Badè, The Life and Letters of John Muir http://www.sierraclub.org/john_muir_exhibit/life/life_and_letters/default.aspx (1924), chapter 11: On Widening Currents <br>(Presumably paraphrasing from the poem Woodnotes by Ralph Waldo Emerson: "Come learn with me the fatal song / Which knits the world in music strong / … / and the ripples in rhymes the oar forsake / The wood is wiser far than thou".)<br>(Turlock: Town where Muir changed from railroad to foot travel in this particular journey from Oakland, California, to Yosemite Valley.) <br class="br">1870s

Music, Star, Water, Singing

“I suspect it is this Camelot view that leads Miss Croce to be rather unfair to Gene Kelly…I should say the difference starts with their bodies. If you compare Kelly to Astaire, accepting Astaire's debonair style as perfection then, of course, Kelly looks bad. But in popular dance forms, in which movement is not rigidly codified, as it is in ballet, perfection is a romantic myth or a figure of speech, nothing more. Kelly isn't a winged dancer; he's a hoofer and more earthbound. But he has warmth and range as an actor…Astaire's grasshopper lightness was his limitation as an actor - confining him to perennial gosh-oh-gee adolescence;; he was always and only a light comedian and could function only in fairytale vehicles.”

Fred Astaire (1899–1987) American dancer, singer, actor, choreographer and television presenter

Pauline Kael, responding to Croce in her review of Croce's The Fred Astaire and Ginger Rogers Book, writing in The New Yorker, November 25, 1972, as reproduced in Kael, Pauline. Reeling: Film Writings 1972-1975, Marion Boyars, London - New York, pp. 58-59. ISBN 0-7145-2582-0.

Fairytale, Light, Dance, Perfection

“A grasshopper shrilled in a tuft at her feet and was answered by other shrillings among the gorse bushes; a solitary rook flapped heavily overhead, and a pair of goldfinches twittered among the thistle-down; there was no other sound except the scarcely perceptible never-ceasing sighing of the wind in the pines and its rustling of acres of heath-bells.”

Flora Thompson (1876–1947) English author and poet

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