Quotes about genre (146 quotes, page 2)

“With an a natural affinity for the epigram genre, I am, so to speak, a short breathed man and have an almost unthoughtout preference for brief definitive statements.”

J. V. Cunningham (1911–1985) American writer

Interview quoted in Timothy Steele 'Introduction & Commentary-Poetry of J V Cunningham'
General

Nature

“I understand that people refer to me as an icon and that sort of thing because there are certain guys who play a certain role. And horror fans are very passionate people. They love their genre. And they love the Saw films. So the fact that I played a central role in those films, that puts you in a position where people… You know, the screen is sixty feet across, and people sometimes forget that you’re an actor and you play… Because you become established as a certain kind of character. But in fact, we continue to try and occupy the skins of different human beings. That’s what you get involved in being an actor for in the first place.”

Tobin Bell (1942) American actor

Interview: Tobin Bell Discusses His Career and His New Horror Film Dark House https://editorial.rottentomatoes.com/article/interview-tobin-bell-discusses-his-career-and-his-new-horror-film-dark-house/ (March 14, 2014)

Love , People , Guy , Understanding

“Mendelssohn is the inventor of religious kitsch in music. His first essay in this genre is a masterpiece, the Fugue in E Minor, published in 1837 but written ten years earlier, when the composer was eighteen …”

Charles Rosen (1927–2012) American pianist and writer on music

Source: The Romantic Generation (1995), Ch. 10 : Mendelssohn and the Invention of Religious Kitsch

Music

“What is Bresson's genre? He doesn't have one. Bresson is Bresson. He is a genre in himself. Antonioni, Fellini, Bergman, Kurosawa, Dovzhenko, Vigo, Mizoguchi, Bunuel — each is identified with himself. The very concept of genre is as cold as the tomb. And is Chaplin — comedy? No: he is Chaplin, pure and simple; a unique phenomenon, never to be repeated.”

Andrei Tarkovsky book Sculpting in Time

Source: Sculpting in Time (1986), p. 150

“My background in music came from me playing drums and piano as a young child. My grandmother was a pianist and I was influenced by her and my parents were playing rock records which influenced my drumming. I was a fan of film scores, rock, classical, jazz, and hip-hop in my early years and tried to learn as much about each of those genres as possible. I began writing music in a serious way in my teen years while I was playing in various bands and orchestras.”

Brian Tyler (1972) American composer, producer, conductor, and film producer

Interview with Brian Tyler https://8dio.com/2012/12/05/interview-with-brian-tyler/ (December 5, 2012)

Music , Way , Parent , Learning

“Various editors, senior editors at major houses who wanted the book said that they didn't quite know what genre it was.”

Vanna Bonta (1958–2014) Italian-American writer, poet, inventor, actress, voice artist (1958-2014)

Vanna Bonta Talks About Quantum fiction: Author Interview (2007)

Books , Housing

“I was fortunate enough to be trained in the theater. Coming from the theater background, you’re schooled to play diverse roles in preparation for the repertory environment, or the repertory type of lifestyle. So, to me, going back and forth from genre to genre is only keeping true to the way I was trained in the theater. And I’m really an action fan. I’m a movie fan in general, but I’m definitely an action fan, as well.”

Wesley Snipes (1962) film actor, Martial artist, film producer

Wesley Snipes, Snipes in 2014 An Interview with Wesley Snipes: ‘The Expendables 3’ Interview http://www.theaquarian.com/2014/08/27/an-interview-with-wesley-snipes-the-expendables-3-interview/, The Aquarian Weekly, 27 August 2014

School , Way , Training

“Jazz, often called America's classical music, so influenced our culture that Americans named a decade after it. Like the country of its birth, jazz blends many traditions, such as African-American folk, rhythm and blues, French Creole classical form, and gospel. Through the creation and performance of music like jazz, black Americans were better able to exchange ideas freely across racial and cultural barriers. Before our Nation made significant strides in truly promoting equal justice and opportunity for all, black and white musicians in the genres of jazz, blues, and country played together in jam sessions, recording studios, and small bands. In many ways, their art preceded social change, allowing black and white musicians to meet as equals and to be judged on their musical ability, rather than the color of their skin. Their music also provided an outlet for African Americans to speak passionately and brilliantly to the rest of the Nation and the world.”

George W. Bush (1946) 43rd President of the United States

2000s, 2001, Black Music (June 2001)

World , Justice , Art , Music

“Alfred E. van Vogt, since the appearance of his first two stories — "Black Destroyer" and "Discord in Scarlet" (Astounding Science Fiction, July and December 1939) the most memorable debut in the long history of the genre — has been a giant.”

Harlan Ellison (1934–2018) American writer

In his introduction "Van is Here, But Van is Gone" to Futures Past: The Best Short Fiction of A. E. van Vogt (July 1999) http://www.sfrevu.com/ISSUES/2000/ARTICLES/20000128-03.htm
Context: Alfred E. van Vogt, since the appearance of his first two stories — "Black Destroyer" and "Discord in Scarlet" (Astounding Science Fiction, July and December 1939) the most memorable debut in the long history of the genre — has been a giant. The words seminal and germinal leap to mind. Sadly, at this juncture. the words tragedy and farewell also insinuate themselves. … Van is still with us, as I write this, in June of 1999, slightly less than fifty years since I first encountered van Vogt prose in a January 1950 issue of Startling Stories, but Van is gone. He is no longer with us. … Because the great and fecund mind of A. E. van Vogt has fallen into the clutches of that pulp thriller demon, Alzheimer's. Van is gone. … Anyone's demise or vanishment is in some small way tragic but the word "tragedy" requires greater measure for its use. … Van' s great mind now gone. Tragedy.
The ultimate tragic impropriety visited on as good a man as ever lived. A gentle. soft spoken man who was filled with ideas and humor and courtesy and kindness. Not even those who were not aficionados of Van's writing could muster a harsh word about him as a human being. He was as he remains now, quietly and purposefully, a gentleman.
But make no mistake about this: the last few decades for him were marred by the perfidious and even mean spirited and sometimes criminal acts of poltroons and self-aggrandizing mountebanks and piss-ants into whose clutches he fell just before the thug Alzheimer got him. … I came late to the friendship with Van and Lydia. Perhaps only twenty-five or so years. But the friendship continues, and at least I was able to make enough noise to get Van the Science Fiction Writers of America Grand Master Award, which was presented to him in full ceremony during one of the last moments when he was cogent and clearheaded enough understand that finally, as last, dragged kicking and screaming to honor him, the generation that learned from what he did and what he had created had, at last, fessed up to his importance.
Naturally, others took credit for his getting the award. They postured and spewed all the right platitudes. Some of them were the same ones who had said to me — during the five years it took to get them to act honorably — "we'd have given it to him sooner if you hadn't made such a fuss." Yeah. Sure. And pandas'll fly out of my ass.

History , Appearance , Science

“I refute that—I think that those are inevitable components, but it’s the surrendering to the impossible, the weird, that characterizes genre.”

China Miéville (1972) English writer

Interview with Joan Gordon
Context: There’s simultaneously something rigorous and something playful in genre. It’s about the positing of something impossible—whether not-yet-possible or never-possible—and then taking that impossibility and granting it its own terms and systematicity. It’s carnivalesque in its impossibility and overturning of reality, but it’s rationalist in that it pretends it is real. And it’s that second element which I think those who dip their toes in the SF pond so often forget. They think sf is “about” analogies, and metaphors, and so on. I refute that—I think that those are inevitable components, but it’s the surrendering to the impossible, the weird, that characterizes genre. Those flirting with SF don’t surrender to it; they distance themselves from it, and have a neon sub-text saying, “It’s okay, this isn’t really about spaceships or aliens, it’s about real life,” not understanding that it can be both, and would do the latter better if it was serious about the former.

Thinking

“Genres are mostly useful as a marketing tool, and to help booksellers known where to shelve a book.”

Elizabeth Hand (1957) American writer

"Elizabeth Hand on Mortal Love at HarperCollins (2004)
Context: I never think about genre when I work. I've written fantasy, science fiction, supernatural fiction, and am now working on a suspense novel. Genres are mostly useful as a marketing tool, and to help booksellers known where to shelve a book.

Books , Help

“It’s almost like Picasso in that he mastered so many different genres.”

Gary Ross (1956) American film director

Response after being asked if he had a favorite director in "Director Gary Ross Talks The Hunger Games, Catching Fire, Deleted Scenes, and a Lot More" by Steve 'Frosty' Weintraub at Collider (22 March 2012) http://collider.com/gary-ross-hunger-games-interview/
Context: I love almost all of Stanley Kubrick, there’s almost no Stanley Kubrick I don’t love. I love Lolita, I love Dr. Strangelove. I love A Clockwork Orange, obviously. I even like a lot of Barry Lyndon (laughs). And early stuff, like The Killing and Paths of Glory. … It’s ridiculous. Look, he made the best comedy ever, he may have made one of the best science fiction movies ever, he made the best horror movie ever. I couldn’t watch the end of The Shining. I went through half The Shining for years before I could finish, because I’m a writer and as soon as he starts writing “All work and no play makes Jack a dull boy,” I had to turn it off. It’s almost like Picasso in that he mastered so many different genres. … he took his time and patience and he had a crew of like 18 people. They were very handmade movies these were not large behemoths that he did; they were very thoughtful and his editing process was long. He’s kind of without peer really. If I was gonna settle on a director, probably Kubrick.

“I never think about genre when I work. I've written fantasy, science fiction, supernatural fiction, and am now working on a suspense novel. Genres are mostly useful as a marketing tool, and to help booksellers known where to shelve a book.”

Elizabeth Hand (1957) American writer

"Elizabeth Hand on Mortal Love at HarperCollins (2004)

Thinking , Motivational

“I think that the successful genres of a particular period are reflections of the needs and thoughts and social struggles of that time. When you see a bunch of similar projects meeting with success, you’ve found a place in the social landscape where a particular story (or moral or scenario) speaks to readers. You’ve found a place where the things that stories offer are most needed.”

Daniel Abraham (1969) speculative fiction writer from the United States

On his blog, talking about genre http://www.danielabraham.com/?p=160
Context: I think that the successful genres of a particular period are reflections of the needs and thoughts and social struggles of that time. When you see a bunch of similar projects meeting with success, you’ve found a place in the social landscape where a particular story (or moral or scenario) speaks to readers. You’ve found a place where the things that stories offer are most needed.
And since the thing that stories most often offer is comfort, you’ve found someplace rich with anxiety and uncertainty. (That’s what I meant when I said to Melinda Snodgrass that genre is where fears pool.)

Thinking , Time , Success

“Van Vogt was the pinnacle, the source of power and ideas; the writer to beat. Because he embodied in his astonishing novels and assorted stories what we always say is of prime importance to us in this genre-the much vaunted Sense of Wonder.
Van Vogt was the wellspring of wonder.”

Harlan Ellison (1934–2018) American writer

In recognition of van Vogt receiving the Grand Master designation in 1996, in The Nebula Awards Vol. 31, as quoted in SF Authors Remember A.E. van Vogt (2000) http://www.sfrevu.com/ISSUES/2000/ARTICLES/20000128-03.htm#SF%20Authors%20Remeber%20A.E.%20van%20Vogt
Context: Even the brightest star shines dimly when observed-from too far away. And human memory is notoriously unreliable. And we live in ugly times when all respect for that which has gone before suffers crib death beneath the weight of youthful arrogance and ignorance. But a great nobility has at last, been recognized and lauded. Someone less charitable than I might suggest the honor could have been better appreciated had it not been so tardy, naming its race with a foe that blots joy and destroys short-term memory. But I sing the Talent Electric, and like aft the dark smudges of history, everything but the honor and die achievement remains for the myth-makers.
Alfred E. van Vogt has been awarded the Grand Master trophy of the Science Fiction and Fantasy Writers of America. He is not the to first person to receive this singular accolade…given only to those whose right to possess it is beyond argument or mitigation.
Were we in 1946 or even 1956, van Vogt would have already been able to hold the award aloft. Had SFWA existed then and had the greatest living sf authors been polled as to who was the most fecund, the most intriguing, the mast innovative the most influential of their number, Isaac and Arthur and Cyril and Hank Kuttner and Ron Hubbard would all have pointed to the same man, and Bob Heinlein would've given him a thumbs-up. Van Vogt was the pinnacle, the source of power and ideas; the writer to beat. Because he embodied in his astonishing novels and assorted stories what we always say is of prime importance to us in this genre-the much vaunted Sense of Wonder.
Van Vogt was the wellspring of wonder. … That's how important he was. … And then came the dark years during which the man was shamefully agented and overlooked; and even the brightest star loses its piercing light if observed through the thickening mists of time and flawed memory.
Now it is lifetimes later, and the great award has, at last, been presented. To some, less charitable than I, something could be said about a day late and a dollar short, but not I. I am here to sing the Talent Electric, and it is better now than never. He is the Grand Master, A. E. can Vogt, weaver of a thousand ideas per plot-line, creator of alien thoughts and impossible dreams that rival the best ever built by our kind.
This dear, gentlemanly writer whose stories can still kill you with a concept or warm you with a character, now joins the special pantheon.

Idea , Sense

“I was like you once, Tim. Blonde hair, scraggly beard, child-like ears. Full of beans and spunk. I once punched a bloke in the face for saying Hawk the Slayer was rubbish… but that's not the point, Tim. The point is, I was defending the fantasy genre with terminal intensity when what I should have said is "Dad, you're right. But let's give Krull a try, and we'll discuss it later."”

Bill Bailey (1965) English comedian, musician, actor, TV and radio presenter and author

Lyrics, Misc.

“That's the difference between the two genres — and it's an almighty difference! And the truth is science fiction, because we all live in a world that's changed forever. It's never going to go back to what it was in the '60s or the '70s or the '30s, or whatever. It's changed.”

Brian W. Aldiss (1925–2017) British science fiction author

Locus interview (2000)
Context: Why do so many people dislike science fiction? The answer goes like this: You have to think of science fiction in contrast to its nearest competitor, heroic fantasy. In heroic fantasy, by and large, things are pretty stable, and then some terrible evil comes along that's going to take over the world. People have to fight it. In the end they win, of course, so the earth is restored to what it was. The status quo comes back. Science fiction's quite different. With science fiction, the world's in some sort of a state, and something awful happens. It may not be evil, it may be good or neutral, just an accident. Whatever they do in the novel, at the end the world is changed forever. That's the difference between the two genres — and it's an almighty difference! And the truth is science fiction, because we all live in a world that's changed forever. It's never going to go back to what it was in the '60s or the '70s or the '30s, or whatever. It's changed.

Truth , World , Science , Change

“There are many proven explanations for natural phenomena now; and there are new questions of being arising out of some of the answers. For this reason, the genre of myth has never been entirely abandoned, although we are inclined to think of it as archaic.”

Nadine Gordimer (1923–2014) South african Nobel-winning writer

Writing and Being (1991)
Context: There are many proven explanations for natural phenomena now; and there are new questions of being arising out of some of the answers. For this reason, the genre of myth has never been entirely abandoned, although we are inclined to think of it as archaic. If it dwindled to the children's bedtime tale in some societies, in parts of the world protected by forests or deserts from international megaculture it has continued, alive, to offer art as a system of mediation between the individual and being. And it has made a whirling comeback out of Space, an Icarus in the avatar of Batman and his kind, who never fall into the ocean of failure to deal with the gravity forces of life.

Question , Nature , Thinking

“All genres are good,
Except the boring one.”

Gioachino Rossini (1792–1868) Italian composer

“The romance genre was all around us. There was love story pulps, and there was love story sections in the newspapers. There was love stories in the movies. Wherever you went there was love stories! That’s how we got our new material, and it suddenly struck me that that’s what we haven’t done. We haven’t done any romance stories!”

Jack Kirby (1917–1994) American comic book artist, writer and editor

1990, Gary Groth interview

Love , Making love

“When it comes to bodies, there is violence done every day. I did not think of body horror as a sub-genre when writing it, but I think the body is a source of great anxiety to each of us. So you shave (legs, armpits, or chin), taking a blade to yourself; perhaps you exercise, causing yourself pain; perhaps you fast or diet, denying yourself; perhaps your job means you have to stay awake. If you think about it, life itself consists of low-levels of body horror all the time. To write fiction, we just exaggerate some of what happens naturally…”

Tade Thompson British science fiction writer

On body horror in “Interview: Tade Thompson” http://www.lightspeedmagazine.com/nonfiction/interview-tade-thompson/ in Lightspeed Magazine (October 2017)

Pain , Time , Nature , Thinking

“I think the genre decides for me—which sounds like a way of avoiding the question unless I explain first that this chameleon-like border crossing, this shifting of genre identities is, I realize, parallel to, or anticipates, or recollects my own life. I’m probably fluctuating across genres perhaps because my identity itself is always in flux…”

Ariel Dorfman (1942) Chilean writer

On his decision of what genre to write in in “Interview with Ariel Dorfman” https://www.dalkeyarchive.com/interview-with-ariel-dorfman/ (Dalkey Archive Press)

Way , Life , Thinking , Question

“I want to take poetry to walk other genres. I want poetry to walk through other genres. When I started writing, this was my main concern: get out of poetry. Let poetry walk the streets of New York. Make her cosmopolitan. See the world. Not in these estrofas, not in these stanzas, which are camisas de fuerza. I have to get out of poetry. I have to do what James Joyce did to the novel: he took the novel out of the novel…”

Giannina Braschi (1953) Puerto Rican writer

On how she hopes to change poetry by bringing it towards visual art in “A Graphic Revolution Talking Poetry & Politics with Giannina Braschi” https://www.academia.edu/36916781/A_Graphic_Revolution_Talking_Poetry_and_Politics_with_Giannina_Braschi in Chiricú Journal (2018)

World , Making love

“In the early twenty-first century, perhaps the most important artistic genre is science fiction. Very few people read the latest articles in the fields of machine learning or genetic engineering. Instead, movies such as The Matrix and Her and TV series such as Westworld and Black Mirror shape how people understand the most important technological, social and economic developments of our time.”

Yuval Noah Harari book 21 Lessons for the 21st Century

21 Lessons for the 21st Century

Time , Reading , Understanding , People

“The reader is struck by Witzel’s repeated disparaging remarks against the Puranas and their utility in the derivation of Indian history. Scholars who have read Witzel’s publications in detail inform me that there is nothing in them that betrays even a faint understanding and first-hand knowledge of this genre of literature on his part. Thus, Witzel’s repeated attempts to downgrade Puranas as a valid source of history (which, albeit should be used with caution) merely reflect his attempt to hide his own ignorance.”

Shrikant Talageri (1958) Indian author

Michael Witzel – An Examination of his Review of my Book (2001)

Reading , History , Understanding , Knowledge

“There were limits to what art—composed of such genres as portraiture, landscape, still life, and historical painting (the latter of which, in royal academies, enjoyed the highest esteem)—could do to show movement.”

Arthur Danto (1924–2013) American art critic and philosopher

What Art Is (2013), Chap. 1 : Wakeful Dreams

Life , Painting , Art

“Professor Lal was already a veteran whose major book, History of the Khaljis, was compulsory reading for students of medieval Indian history from the undergraduate class onwards. I still find it very useful when I teach any course on the Delhi sultanate. … Historiographically the book fell entirely and conspicuously in the genre of nationalist historiography whose hallmark was its challenge· to the portrayal of medieval Indian history as a story of unrelenting conflict between the medieval Muslim rulers and their Hindu subjects. History of the Khaljis is one of the best works in this genre: empirically sound, objective in its assessment of events and persons, non-judgemental in its evaluation of the motives of rulers or their opponents. The remarkable quality gave the book a long life in the discipline, even when newer problematiques of socio-economic history began to displace the ones of dynastic history that had remained the preoccupation of the earlier generation.”

K. S. Lal (1920–2002) Indian historian

Harbans Mukhia, Obituary, The Indian Historical Review http://journals.sagepub.com/doi/abs/10.1177/037698360102800245

Reading , History , Personality , Books

“Gangubai included in her performances such lighter genres as Marathi bhajans, and thumris.”

Gangubai Hangal (1913–2009) Indian singer

Bonnie C. Wade, in }Khyāl: Creativity Within North India's Classical Music".

“… his work gradually became identifiably Simakian — constrained, intensely emotional beneath a calmly competent Genre SF surface; tales deeply Pastoral in the sense that his idylls, his Edens, were almost inevitably supported by some superior civilization, sometimes urban… <…”

Clifford D. Simak (1904–1988) American writer, journalist

Sense , Support

“Many of the novels read in isolation can seem like lumber-rooms of ideas, cluttered and over-complex, as if attempting too much at once. Perhaps the fault lies in market circumstances and the terse Ace format for which Dick wrote. One could also argue that Dick's novels were a quarter the length they ought to have been to contain such complexity and richness. Even so, the marvellous, multi— levelled web of themes and concerns which emerges from this process of condensation gives Dick's work its specific feel, the very thing that makes it unique. Unrevised, eccentric and extravagant — even so, it's not too much to claim that Dick is perhaps the first real genius to have worked in the science-fictional mode since the days of Stapledon, a hybrid of Dickens and Dostoevsky, possessed of the comic delights and tragic depths of both, yet choosing work where his eccentricities were cherished. In any case, like so many SF writers, he learned to love the genre through the magazines long before his literary tastes were formed. He never quite recovered from that first infatuation with the forbidden van Vogtian delights.”

Philip K. Dick (1928–1982) American author

Брайан Олдисс, «Кутёж на триллион лет»

Science , Reading , Learning , Idea

“'Females of all description' is not a music genre. It's sexist. [There would] never be a 'males of all description' section because the rest of the shop and all other music genres are considered male. Female is not a genre. Don't categorise my sex.”

Kate Nash (1987) English pop singer and actor

Source: Kate Nash calls out 'sexist' record shop for 'females of all description' category, 1 September 2016, The Independent, Jess, Denham https://www.independent.co.uk/arts-entertainment/music/news/kate-nash-calls-out-record-shop-for-sexist-labelling-after-spotting-females-of-all-description-a7219586.html,

Music , Sex

“What few songs I wrote during my brief career, there ain’t a genre that somebody didn’t record them in. I’m not a virtuoso, but I was able to write songs that people could identify with. I don’t think I’ve done bad for a guy from Slab Fork, West Virginia.”

Bill Withers (1938–2020) American singer-songwriter and musician

Rollingstone interview (2015)

Bad luck , Thinking , People , Guy

“It could have been extremely boring to write musical scores for only westerns of horror films. It was really exciting for me to work in all these various genres.”

Ennio Morricone (1928–2020) Italian composer, orchestrator and conductor

Music

“When I’m creating music, I don’t have an agenda for a sound or a genre or a message, I just want it to be truthful and representative of the lyrical content that means something to me, and the music that I love.”

Chris Carmack (1980) American actor and model

‘Nashville’ Star Chris Carmack on Introspective New EP: Ram Report https://www.rollingstone.com/music/music-country/nashville-star-chris-carmack-on-introspective-new-ep-ram-report-188637/ (December 11, 2015)

Music , Truth , Love , Making love

“There was such a dearth of films like that…And the high-school teen movie is a genre that I love. Everything at that age is so heightened and dramatic, and high-school movies capture that so perfectly. But those films are all white, too; there’s no black teen movie genre that exists in the same way.”

Issa Rae (1985) American actress and writer

On how she didn’t see herself represented in the teen film genre in “Issa Rae: ‘I’ve not started writing season four of Insecure yet. We needed a break’” https://www.theguardian.com/film/2019/apr/13/issa-rae-interview-insecure-little in The Guardian (2019 Apr 13)

School , Age , Way , Love

“I believe that when you leave one genre and become a performer of another, things change. I have been part of the relatively new movement where you come out with a salsa record, for instance, and the anticipated hit comes with a ballad version and another pop version. I like that because this way I can reach many more people who may otherwise be limited by the genre.”

Carolina la O (1975) Colombian musician

Interview with American Salsa http://www.americasalsa.com/usa/interviews/carolina_la_o.html (May 2009)

Way , People , Parting , Change

“I do think that our perception of reality is fragmentary, and in 20th-century literature, it's totally normal to not describe reality as something whole and completely transportable and explicable. That's been accepted in novels. But genre films always pretend that reality is transportable, which means that it is explicable.”

Michael Haneke (1942) Austrian film director and screenwriter

Lawrence, Chua. "Michael Haneke" http://bombsite.com/issues/80/articles/2489, BOMB Magazine, Summer, 2002. Retrieved 29 July 2011.

Reality , Thinking , Literature

“We have found that it's a good idea to read as many authors and as many different genres as possible. That way, we can learn more about writing and it gives us ideas to try different things.”

Marcia Jones (writer) (1958) American author

Marcia Thornton Jones Interview https://web.archive.org/web/20121024121117/http://www.scholastic.com/teachers/article/marcia-thornton-jones-interview-transcript (1997)

Way , Idea , Learning , Reading

“It doesn’t matter if radio thinks it’s a dying genre, or if there are people who thinks it sounds like ‘this or this or that’. If you write a good song, and it’s pop-punk, people will like it; because pop-punk doesn’t really mean a whole lot: it just means that it’s got that pop catchiness to it, but it’s got that punk energy and speed, and stuff that makes you want to jump up and down or drive a car real fast; and that’s something that will never get old.”

Pierre Bouvier (1979) Canadian musician

Simple Plan: The 13th Floor Interview https://www.13thfloor.co.nz/simple-plan-the-13th-floor-interview/ (February 7, 2018)

Thinking , Cars , Making love , People

“Every genre has its challenges. Sometimes it's harder to play a supportive role than to take center stage.”

Joby Talbot (1971) British composer

Joby Talbot: a composer's journey through Wonderland to the foothills of Everest https://bachtrack.com/interview-joby-talbot-contemporary-focus-2014 (15 October 2014)

Support

“I love a lot of different genres of music, but, to me, the most exciting genre right now, and probably for the past two decades, is hip hop. That’s where the most innovation is, although electronic music now is starting to produce some real interesting stuff, and I’m really digging on that a lot.”

Richard Wolf American music producer

Composer Spotlight: Richard Wolf https://www.mixonline.com/sfp/composer-spotlight-richard-wolf-369033 (January 1, 2002)

Past , Music , Love

“There was no intention of differentiating genres or fields. I was always involved in a variety of projects—depending on timing and circumstance. I’d like to continue challenging myself in various ways, such as movies, dramas and plays.”

Park So-dam (1991) South Korean actress

As quoted in "Parasite Star Park So-dam on Life Since the Oscars and New Korean Drama Record of Youth" in Time Magazine (16 September 2020) https://time.com/5889002/park-sodam-parasite-record-of-youth-interview/

Dependency , Time , Way

“The horror genre—which I define as perfectly horrible things happen to perfectly nice people for no reason at all.”

Marion Zimmer Bradley (1930–1999) Novelist, editor

Source: Introduction to The Cloud of Evil in Marion Zimmer Bradley (ed.), Sword and Sorceress 7 (1990), p. 27

People

“I read often but, the genre I go to is mystery. I like to write my own stories but as you know, people often die in mysteries, so someone often dies in my stories. Also, I like to go to art galleries on my day offs.”

Noa Tsurushima (2001) Japanese actress

Reading , People , Art

“When you’re working with a genre like romance, which is about something fundamental which connects all humans, it’s so important that we can allow everyone to see themselves in that story, and that wasn't necessarily there for me growing up.”

Jonathan Bailey (1988) British actor

"Jonathan Bailey: Jonathan Bailey is Redefining the Hollywood Heartthrob" on TIMEs Youtube Channel https://www.youtube.com/watch?v=oitewpYmQdY&ab_channel=TIME (13 May 2022)

“Nowadays, if what really matters in a production is its promotion, regardless of the musical genre, unfortunately the quality and its beauty no longer make much sense.”

Prevale (1983) Italian DJ and producer

Original: Al giorno d'oggi, se ciò che conta davvero in una produzione è la sua promozione, indipendentemente dal genere musicale, purtroppo la qualità e la sua bellezza non hanno più molto senso.
Source: prevale.net

Beauty , Music , Sense

Quotes about genre page 2

Quotes about genre
page 2