Quotes about cardboard

A collection of quotes on the topic of cardboard, box, people, doing.

Quotes about cardboard

“If one leaves a wooden or cardboard box containing a small glass ampulla with several centigrams of a radium salt in one’s pocket for a few hours, one will feel absolutely nothing. But 15 days afterwards a redness will appear on the epidermis, and then a sore which will be very difficult to heal. A more prolonged action could lead to paralysis and death. Radium must be transported in a thick box of lead.
It can even be thought that radium could become very dangerous in criminal hands, and here the question can be raised whether mankind benefits from knowing the secrets of Nature, whether it is ready to profit from it or whether this knowledge will not be harmful for it. The example of the discoveries of Nobel is characteristic, as powerful explosives have enabled man to do wonderful work. They are also a terrible means of destruction in the hands of great criminals who are leading the peoples towards war. I am one of those who believe with Nobel that mankind will derive more good than harm from the new discoveries.”

Pierre Curie (1859–1906) French physicist

Nobel lecture (1905)

Death, War, People, Secret

“It's Annie and me they're all sitting around here like cardboard people judging; It's Annie and me. And what we did that they think is wrong, when you pare it all down, was fall in love.”

Nancy Garden book Annie on My Mind

Source: Annie on My Mind

Love, People, Thinking

“Thanks to my mother, not a single cardboard box has found its way back into society. We receive gifts in boxes from stores that went out of business twenty years ago.”

Erma Bombeck (1927–1996) When I stand before God at the end of my life, I would hope that I would not have a single bit of talent le…

Way, Business, Box

“I don't care if we have our house, or a cliff ledge, or a cardboard box. Home is wherever we all are, together”

James Patterson (1947) American author

Home, Housing, Box

“Nudge threw her arms around my neck. 'I love you Max! I love all of us too!'
Yeah, me too,' Said the Gasman. 'I don't care if we have our house, or a cliff ledge, or a cardboard box. Home is wherever we all are, together.”

James Patterson (1947) American author

Love, Home, Housing, Box

“Max Bialystock: I'm wearing a cardboard belt!”

Mel Brooks (1926) American director, writer, actor, and producer

The Producers

“You’re like a priest who awakens one day and realizes that his god has been replaced by a cardboard cut-out, and he’s no longer able to ignore his own disbelief. And, like the priest, you’ve sacrificed all hope of a normal life on the altar of something you no longer believe in.”

Charles Stross book Rule 34

Source: Rule 34 (2011), Chapter 20, “Liz: Bereavement Counselling” (p. 229)

Life, God, Hope

“After a ten minute prayer, the gist of which was, "Oh Lord, just sing through Mark tonight and keep him out of the picture altogether," I considered the prospect of lining up a great number of such concerts, then staying at home and sending a cardboard likeness of myself for God to sing through.”

Mark Heard (1951–1992) American musician and record producer

Life in the Industry: A Musician's Diary

God, Home, Singing

“Towards the end of 1958, I greatly increased.... the works done with what is called poor material. I felt the need to persist and go deeper with the entire message of what is insignificant, worn or dramatised by time... In fact, it was the most conscious resumption of subjects that had often attracted me. In my research, I had discovered this material, one I find loaded with strange suggestions, which is cardboard. A grey, anonymous material that won't be easily manipulated, for which very reason the slightest mark of the hand torments it and destroys it. But the piece of cardboard, the box, the lid, the tray.... dirty clothes (socks, T-shirt, underpants…), old furniture, everyday objects; not used as a representation or theme in the picture but as real bodies, objects.”

Antoni Tàpies (1923–2012) Catalan painter, sculptor and art theorist

as quoted in 'Tàpies: From Within', June/November 2013 - Presse Release text, Museu Nacional d'Art de Catalunya (MNAC), pp. 7-8
1971 - 1980, Memòria Personal', 1977

Time, Clothes, Box

“Once there was a megalomaniac in the Sugamo hospital who called himself "Ashiwara Shōgun." He hung a cardboard medal around his neck and bestowed dignified words to those he met to take with them on their way. Now that the war is over, we can see clearly that what the military did wasn’t at all different. And now they want to reintroduce medals yet again… After winning the Russo-Japanese war, we thought we’d won colonies. But what really came of it? After losing the Second World War, we realized that we had only earned the hatred of the Russians… Everyone is talking about loyalty to the fatherland. The question is simply where this loyalty will take us. I too was completely convinced when I went to war against the Russians, but after our defeat, I realized that we had done something that we shouldn’t have. In any case, it’s better not to make war in the first place.”

Kodo Sawaki (1880–1965) Japanese zen Buddhist monk

Zen ni kike (To you) (Tokyo: Daihorinkaku, 1987)

War, World, Way, Question

“And the music came back with the carnival, the music you've heard as far back as you can remember, ever since you were little, that's always playing somewhere, in some corner of the city, in little country towns, wherever poor people go and sit at the end of the week to figure out what's become of them, sometimes here, sometimes there, from season to season, it tinkles and grinds out the tunes that rich people danced to the year before. It's the mechanical music that floats down from the wooden horses, from the cars that aren't cars anymore, from the railways that aren't at all scenic, from the platform under the wrestler who hasn't any muscles and doesn't come from Marseille, from the beardless lady, the magician who's a butter-fingered jerk, the organ that's not made of gold, the shooting gallery with the empty eggs. It's the carnival made to delude the weekend crowd. We go in and drink the beer with no head on it. But under the cardboard trees the stink of the waiter's breath is real. And the change he gives you has several peculiar coins in it, so peculiar that you go on examining them for weeks and weeks and finally, with considerable difficulty, palm them off on some beggar. What do you expect at the carnival? Gotta have what fun you can between hunger and jail, and take things as they come. No sense complaining, we're sitting down aren't we? Which ain't to be sneezed at. I saw the same old Gallery of the Nations, the one Lola caught sight of years and years ago on that avenue in the park of Saint-Cloud. You always see things again at carnivals, they revive the joy of past carnivals. Over the years the crowds must have come back time and again to stroll on the main avenue of the park of Saint-Cloud…taking it easy. The war had been over long ago. And say I wonder if that shooting gallery still belonged to the same owner? Had he come back alive from the war? I take an interest in everything. Those are the same targets, but in addition, they're shooting at airplanes now. Novelty. Progress. Fashion. The wedding was still there, the soldier too, and the town hall with its flag. Plus a few more things to shoot at than before.”

Louis-ferdinand Céline book Journey to the End of the Night

27
Journey to the End of the Night (1932)

Hunger, War, People, Music

“[to Rupert Grint] Look at the great city of LA stretched out in front of you, son: there's dangerous people living in that cardboard backdrop.”

Craig Ferguson (1962) Scottish-born American television host, stand-up comedian, writer, actor, director, author, producer and voice a…

The Late Late Show with Craig Ferguson (2005–2014)

People

“[W]e need to develop a new racial sense that we are so intermarried and assimilated that cardboard racial cutouts are irrelevant. Our new racialism must be seen as a reactionary and dangerous return to 19th-century norm of judging our appearance on the outside as more valuable than who we are on the inside.”

Victor Davis Hanson (1953) American military historian, essayist, university professor

2010s, The Origins of Our Second Civil War (2018)

Sense, Appearance

“I regard this novel as a work without redeeming social value, unless it can be recycled as a cardboard box.”

Ellen Goodman (1941) American journalist and writer

Attributed

Box

“There is a correlation between crude yuppies buying Porsches in the City and the number of people sleeping on the street. The tax rip-offs that are used to buy second homes, swimming pools and extended holidays mean an increase in the number of people sleeping on the street because there is insufficient public expenditure to provide housing for them. The Tories have always supported the creed which blames poverty on the poor. We believe that the poor are the victims of the society created by the Conservatives and the Government whom they so avidly support…There would indeed be no need for anyone to be homeless if a large number of previously privately rented houses were not deliberately kept empty by property speculators as a result of Government policies. It is sheer hypocrisy for Tory Members to blame the poor unfortunate people who have to sleep in cardboard boxes when they themselves put those people on the street, splash them every night as they drive past in their Porsches and kick dirt in the faces of the poor. They are the people to blame for the situation faced by so many people in London, and it is a matter of grave concern.”

Jeremy Corbyn (1949) British Labour Party politician

Speech http://hansard.millbanksystems.com/commons/1988/jun/24/policing-london in the House of Commons (24 June 1988). <br class="br">1980s

People, Home, Support, Sleep

“For geniuses, they are really dumb,” she said. “Some of them are really pampered: They can’t even put together a cardboard box. They don’t think you do something. They think you call somebody.”

Michael Lewis book Flash Boys

Source: Flash Boys (2014), p. 188, quoting Tara McKee

Thinking, Box

“I've done more films than these people. Why aren't I getting those scripts?' Because my films never get released. So OK, I do Sorted, because it's going to get released, and hate every minute of it. You know, I am ambitious, in the sense of, I will eat as much cardboard as I have to swallow, in order to get to a place where I can make a great script.”

Sienna Guillory (1975) British actress

FILM: Beauty and the Beasts Article http://findarticles.com/p/articles/mi_qn4158/is_20040312/ai_n12769890/pg_1. The London Independent. March 12, 2004.

Hate, People, Sense

“I do not want to heap coals of fire on anyone's head, but I would like to advise those who keep the living thought of the dead hidden away in cardboard boxes, to pass on as quickly as possibly such explosive material, whose only legitimate heir is the whole world, that is to say, my neighbor.”

Pierre Schaeffer (1910–1995) French musicologist

The Old Man and His Movements (Times Press, 1964)
Literary works

World, Dead, Box

“Hitherto he has found in Western music, in Bach above all, everything he needs. Now he encounters something that is not in Bach, though there are intimations of it: a joyous yielding of the reasoning, comprehending mind to the dance of the fingers. He hunts through record shops, and in one of them finds an LP of a sitar player named Ustad Vilayat Khan, with his brother — a younger brother, to judge from the picture — on a veena, and an unnamed tabla player. He does not have a gramophone of this own, but he is able to listen to the first ten minutes in the shop. It is all there: the hovering exploration of tone-sequences, the quivering emotion, the ecstatic rushes. He cannot believe his good fortune. A new continent and all for a mere nine shillings! He takes the record back to his room, packs it away between sleeves of cardboard till the day he will able to listen to it again.”

J.M. Coetzee (1940) South African writer

Youth (2002)

Music, Dance

“Say, its only a paper moon
Sailing over a cardboard sea
But it wouldn't be make-believe
If you believed in me.”

Yip Harburg (1896–1981) American song lyricist

"It's Only a Paper Moon" (1933) (co-written with Billy Rose) - Nat King Cole version http://www.youtube.com/watch?v=-DotEKKX0ww

Sea

“In sculpture the projection of the fasciculi must be accentuated, the foreshortening forced, the hollows deepened; sculpture is the art of the hole and the lump, not of clear, well-smoothed, unmodelled figures. Ignorant people, when they see close-knitted true surfaces, say that 'it is not finished.' No notion is falser than that of finish unless it be that of elegance; by means of these two ideas people would kill our art. The way to obtain solidity and life is by work carried out to the fullest, not in the direction of achievement and of copying détails, but in that of truth in the successive schemes. The public, perverted by académie préjudices, confounds art with neatness. The simplicity of the 'École' is a painted cardboard ideal, A cast from life is a copy, the exactest possible copy, and yet it has neither motion nor eloquence. Art intervenes to exaggerate certain surfaces, and also to fine down others. In sculpture everything depends upon the way in which the modelling is carried out with a constant thought of the main line of the scheme, upon the rendering of the hollows, of the projections and of their connections; thus it is that one may get fine lights, and especially fine shadows that are not opaque. Everything should be emphasised according to the accent that it is desired to render, and the degree of amplification is personal, according to the tact and the temperament of each sculptor; and for this reason there is no transmissible process, no studio recipe, but only a true law. I see it in the antique and in Michael Angelo. To work by the profiles, in depth not by surfaces, always thinking of the few geometrical forms from which all nature proceeds, and to make these eternal forms perceptible in the individual case of the object studied, that is my criterion. That is not idealism, it is a part of the handicraft. My ideas have nothing to do with it but for that method; my Danaids and my Dante figures would be weak, bad things. From the large design that I get your mind deduces ideas.”

Auguste Rodin (1840–1917) French sculptor

Source: Auguste Rodin: The Man, His Ideas, His Works, 1905, p. 61-63

Life, People, Truth, Law

“I don't believe Bond is superman, a cardboard cut out or two-dimensional. He's got to be a human being. He’s got to be identifiable, and that's what I'm trying to be… It's not a spoof, it's not light, it's not jokey.”

Timothy Dalton (1944) British actor of stage, film and television

On his version of James Bond, reported in Edward Gross, His Name was Bond, James Bond: Timothy Dalton on the World of 007 http://web.archive.org/20000304095759/www.geocities.com/Hollywood/Film/7518/Bond_Eng/Bond_Eng.htm.

Light

“I remember a picture I saw in a paper not long before the wall came down. There was a man standing holding a very young daughter, my guess was that she was only about one or two years old. She had on a rather plain dress, he had on a coat and a tie and he was carrying probably a cardboard suitcase. And my guess is that everything he owned in the world was in that suitcase. And he was weeping. He wasn't weeping because he left his car and the rest of his family back on the other side of that Iron Curtain; he was weeping because he was free. He was weeping because now he had opportunity, he had the chance to choose for the first time in his life, and his daughter whom he was holding in his hands had a future, whereas before she would not have had one. That struck me as a very, very vivid picture of what this all meant.”

Leighton W. Smith, Jr. (1939) United States Navy admiral

On the end of the Cold War, in part 7: The End of the Cold War http://globetrotter.berkeley.edu/conversations/LWSmith/lwsmith-con02.html <br class="br">Interview at USC Berkeley (1997)

Life, World, Family, Cars

“Somewhere in my closet
There's a cardboard box just sittin' on a shelf.
It's full of faded memories
And it's been there ever since the night you left.Oh, just forgotten photographs
To remind me of the past.
Oh, but I can still see everything just fine.
Who needs pictures with a memory like mine?
Yeah, who needs pictures with a memory like mine?”

Brad Paisley (1972) American country music singer

Who Needs Pictures, written by Brad Paisley, Chris DuBois and Frank Rogers.
Song lyrics, Who Needs Pictures (1999)

Memory, Past, Night, Box

“[Downs Syndrome Winnie the Pooh] The minute I saw this in a catalogue I just fell about. It's so brave of Disney to introduce stuffed toys that represent serious illnesses in order to educate the little kiddies. Me, I just want this so I can make my very own 'Victorian Sanitarium' playset. Downs Syndrome Pooh will be kept perpetually in a bleak little cardboard cell, bullied by Doctor Action Man and Nurse Princess Leia, occasionally brought out to be brutally hosed down with cold water every week. I'm thinking of sending it to Hasbro.”

Ben Croshaw (1983) English video game journalist

Yahtzee's Christmas Wishlist http://www.fullyramblomatic.com/essays/wishlist.htm <br class="br">Fully Ramblomatic, Essays

Education, Thinking, Water, Princess

“So then Mom decided my father ought to do a vegan diet, too. Well, my father grew up on a cattle ranch, but the nice thing is, my dad’s been sitting at the same dinner table for fifty-one years, and he can’t find his way around the kitchen! He’s been relying my Mom for fifty-one years to put the plate in front of him. So Mom went to the local health food store and bought hot dogs that are called “Not Dogs” and veggie burgers – which used to taste like cardboard, but now they’re really good. She can get Canadian bacon made of a wheat derivative. It’s all vegetarian. Instead of cow’s milk, it’s soy milk, rice milk, fake eggs – all that stuff! Dad just keeps cleaning his plate. Now I’ve got two vegetarian parents, and only one of them know it!”

Neal D. Barnard (1953) American physician, author, and clinical researcher

Wramc Us Too, Inc Newsletter (2003).

Health, Food, Dogs, Way

“This is the morning that we burnt a cardboard hat”

Adrian Henri (1932–2000) British poet

"The Blazing Hat, Part Two", from The Mersey Sound (1967).

“The world is not a box, there’s no lid, no doors, no cardboard flaps or locks, and everything in nature from the clouds to the rocks is a piece of the puzzle of the purpose of mankind, it's a piece of the peace that we’ll find.”

Dawud Wharnsby (1972) Canadian musician

"The People of The Boxes"
The Prophet's Hands (2003)

World, Peace, Nature, Box

“We do not always act the way economists think we should, mainly because we're both less selfish and less rational than economists think we are. Economists are being indoctrinated into a cardboard version of human nature, which they hold true to such a degree that their own behavior has begun to resemble it.”

Frans de Waal (1948) Dutch primatologist and ethologist

"Our Inner Ape: A Leading Primatologist Explains Why We Are Who We Are" (2005), p. 243
Context: In 1879, American economist Francis Walker tried to explain why members of his profession were in such "bad odor amongst real people". He blamed it on their inability to understand why human behavior fails to comply with economic theory. We do not always act the way economists think we should, mainly because we're both less selfish and less rational than economists think we are. Economists are being indoctrinated into a cardboard version of human nature, which they hold true to such a degree that their own behavior has begun to resemble it. Psychological tests have shown that economics majors are more egoistic than the average college student. Exposure in class after class to the capitalist self-interest model apparently kills off whatever prosocial tendencies these students have to begin with. They give up trusting others, and conversely others give up trusting them. Hence the bad odor.

Way, Behavior, Nature, Thinking

“The real slums are another matter. The bad parts of Tondo are as bad as any place I've seen, ancient, filthy houses swarmed with the poor and stinking of sewage and trash. But there are worse parts— squatter areas where people live under cardboard, in shipping crates, behind tacked-up newspapers. Dad would march you straight to the basement with a hairbrush in his hand if he caught you keeping your hamster cage like this.”

P. J. O'Rourke book Republican Party Reptile

Republican Party Reptile (1987)

People, Parting, Housing

“Secure web servers are the equivalent of heavy armored cars. The problem is, they are being used to transfer rolls of coins and checks written in crayon by people on park benches to merchants doing business in cardboard boxes from beneath highway bridges.”

Gene Spafford (1956) American computer scientist

Web Security & Commerce (O'Reilly, 1997, S. Garfinkel & G. Spafford), pp 9.
Context: Secure web servers are the equivalent of heavy armored cars. The problem is, they are being used to transfer rolls of coins and checks written in crayon by people on park benches to merchants doing business in cardboard boxes from beneath highway bridges. Further, the roads are subject to random detours, anyone with a screwdriver can control the traffic lights, and there are no police.

People, Cars, Business, Problem