Quotes about cardboard

A collection of quotes on the topic of cardboard, box, people, doing.

Quotes about cardboard

Pierre Curie photo
James Patterson photo
James Patterson photo
Mel Brooks photo

“Max Bialystock: I'm wearing a cardboard belt!”

Mel Brooks (1926) American director, writer, actor, and producer

The Producers

Charles Stross photo
Mark Heard photo
Antoni Tàpies photo
Kodo Sawaki photo
Louis-ferdinand Céline photo

“And the music came back with the carnival, the music you've heard as far back as you can remember, ever since you were little, that's always playing somewhere, in some corner of the city, in little country towns, wherever poor people go and sit at the end of the week to figure out what's become of them, sometimes here, sometimes there, from season to season, it tinkles and grinds out the tunes that rich people danced to the year before. It's the mechanical music that floats down from the wooden horses, from the cars that aren't cars anymore, from the railways that aren't at all scenic, from the platform under the wrestler who hasn't any muscles and doesn't come from Marseille, from the beardless lady, the magician who's a butter-fingered jerk, the organ that's not made of gold, the shooting gallery with the empty eggs. It's the carnival made to delude the weekend crowd. We go in and drink the beer with no head on it. But under the cardboard trees the stink of the waiter's breath is real. And the change he gives you has several peculiar coins in it, so peculiar that you go on examining them for weeks and weeks and finally, with considerable difficulty, palm them off on some beggar. What do you expect at the carnival? Gotta have what fun you can between hunger and jail, and take things as they come. No sense complaining, we're sitting down aren't we? Which ain't to be sneezed at. I saw the same old Gallery of the Nations, the one Lola caught sight of years and years ago on that avenue in the park of Saint-Cloud. You always see things again at carnivals, they revive the joy of past carnivals. Over the years the crowds must have come back time and again to stroll on the main avenue of the park of Saint-Cloud…taking it easy. The war had been over long ago. And say I wonder if that shooting gallery still belonged to the same owner? Had he come back alive from the war? I take an interest in everything. Those are the same targets, but in addition, they're shooting at airplanes now. Novelty. Progress. Fashion. The wedding was still there, the soldier too, and the town hall with its flag. Plus a few more things to shoot at than before.”

27
Journey to the End of the Night (1932)

Craig Ferguson photo

“[to Rupert Grint] Look at the great city of LA stretched out in front of you, son: there's dangerous people living in that cardboard backdrop.”

Craig Ferguson (1962) Scottish-born American television host, stand-up comedian, writer, actor, director, author, producer and voice a…

The Late Late Show with Craig Ferguson (2005–2014)

Victor Davis Hanson photo
Jeremy Corbyn photo
Michael Lewis photo
Sienna Guillory photo
Pierre Schaeffer photo
J.M. Coetzee photo

“Say, its only a paper moon
Sailing over a cardboard sea
But it wouldn't be make-believe
If you believed in me.”

Yip Harburg (1896–1981) American song lyricist

"It's Only a Paper Moon" (1933) (co-written with Billy Rose) - Nat King Cole version http://www.youtube.com/watch?v=-DotEKKX0ww

Auguste Rodin photo

“In sculpture the projection of the fasciculi must be accentuated, the foreshortening forced, the hollows deepened; sculpture is the art of the hole and the lump, not of clear, well-smoothed, unmodelled figures. Ignorant people, when they see close-knitted true surfaces, say that 'it is not finished.' No notion is falser than that of finish unless it be that of elegance; by means of these two ideas people would kill our art. The way to obtain solidity and life is by work carried out to the fullest, not in the direction of achievement and of copying détails, but in that of truth in the successive schemes. The public, perverted by académie préjudices, confounds art with neatness. The simplicity of the 'École' is a painted cardboard ideal, A cast from life is a copy, the exactest possible copy, and yet it has neither motion nor eloquence. Art intervenes to exaggerate certain surfaces, and also to fine down others. In sculpture everything depends upon the way in which the modelling is carried out with a constant thought of the main line of the scheme, upon the rendering of the hollows, of the projections and of their connections; thus it is that one may get fine lights, and especially fine shadows that are not opaque. Everything should be emphasised according to the accent that it is desired to render, and the degree of amplification is personal, according to the tact and the temperament of each sculptor; and for this reason there is no transmissible process, no studio recipe, but only a true law. I see it in the antique and in Michael Angelo. To work by the profiles, in depth not by surfaces, always thinking of the few geometrical forms from which all nature proceeds, and to make these eternal forms perceptible in the individual case of the object studied, that is my criterion. That is not idealism, it is a part of the handicraft. My ideas have nothing to do with it but for that method; my Danaids and my Dante figures would be weak, bad things. From the large design that I get your mind deduces ideas.”

Auguste Rodin (1840–1917) French sculptor

Source: Auguste Rodin: The Man, His Ideas, His Works, 1905, p. 61-63

Timothy Dalton photo

“I don't believe Bond is superman, a cardboard cut out or two-dimensional. He's got to be a human being. He’s got to be identifiable, and that's what I'm trying to be… It's not a spoof, it's not light, it's not jokey.”

Timothy Dalton (1944) British actor of stage, film and television

On his version of James Bond, reported in Edward Gross, His Name was Bond, James Bond: Timothy Dalton on the World of 007 http://web.archive.org/20000304095759/www.geocities.com/Hollywood/Film/7518/Bond_Eng/Bond_Eng.htm.

Leighton W. Smith, Jr. photo
Brad Paisley photo
Ben Croshaw photo
Neal D. Barnard photo

“This is the morning that we burnt a cardboard hat”

Adrian Henri (1932–2000) British poet

"The Blazing Hat, Part Two", from The Mersey Sound (1967).

Frans de Waal photo

“We do not always act the way economists think we should, mainly because we're both less selfish and less rational than economists think we are. Economists are being indoctrinated into a cardboard version of human nature, which they hold true to such a degree that their own behavior has begun to resemble it.”

Frans de Waal (1948) Dutch primatologist and ethologist

"Our Inner Ape: A Leading Primatologist Explains Why We Are Who We Are" (2005), p. 243
Context: In 1879, American economist Francis Walker tried to explain why members of his profession were in such "bad odor amongst real people". He blamed it on their inability to understand why human behavior fails to comply with economic theory. We do not always act the way economists think we should, mainly because we're both less selfish and less rational than economists think we are. Economists are being indoctrinated into a cardboard version of human nature, which they hold true to such a degree that their own behavior has begun to resemble it. Psychological tests have shown that economics majors are more egoistic than the average college student. Exposure in class after class to the capitalist self-interest model apparently kills off whatever prosocial tendencies these students have to begin with. They give up trusting others, and conversely others give up trusting them. Hence the bad odor.

P. J. O'Rourke photo
Gene Spafford photo

“Secure web servers are the equivalent of heavy armored cars. The problem is, they are being used to transfer rolls of coins and checks written in crayon by people on park benches to merchants doing business in cardboard boxes from beneath highway bridges.”

Gene Spafford (1956) American computer scientist

Web Security & Commerce (O'Reilly, 1997, S. Garfinkel & G. Spafford), pp 9.
Context: Secure web servers are the equivalent of heavy armored cars. The problem is, they are being used to transfer rolls of coins and checks written in crayon by people on park benches to merchants doing business in cardboard boxes from beneath highway bridges. Further, the roads are subject to random detours, anyone with a screwdriver can control the traffic lights, and there are no police.