Quotes about boar

A collection of quotes on the topic of boar, wild, time, timing.

Quotes about boar

“I'm getting the impression that women, in any form, scare you."
He shrugged. "They're the more violent species. And unpredictable. I'd rather take on a wild boar. You can't shoot women.”

Maya Banks (1964) Author

Source: Hidden Away

Women

“No. really, what was the point? She could hardly top Version Fifteen, which had featured both vivisection and wild boar.”

Julia Quinn (1970) American novelist

Source: What Happens in London

“Let me clarify at the outset that this decision to permit hunting of wild boars and blue bull in the wild is not taken for the sake of farmers, but to benefit those private forest lodge operators who have clients from Middle East and other countries.”

Maneka Gandhi (1956) Indian politician and activist

Criticising Madhya Pradesh government's move to simply hunting rules, as quoted in "Maneka miffed with MP govt's move to simplify hunting rules" http://www.firstpost.com/india/maneka-miffed-with-mp-govts-move-to-simplify-hunting-rules-188695.html, First Post (20 January 2012) 2011-present

Decision, Country

“Dwell on her graciousness, dwell on her smiling,
Do not forget what flowers
The great boar trampled down in ivy time.
Her brow was creamy as the crested wave,
Her sea-blue eyes were wild
But nothing promised that is not performed.”

Robert Graves (1895–1985) English poet and novelist

"To Juan at the Winter Solstice," lines 37–42, from Poems 1938-1945 (1946).
Poems

Smile, Flowers, Time, Sea

“Dr. Kettle was wont to say that Seneca writes as a Boare does pisse, scilicet by jirkes.”

John Aubrey book Brief Lives

"Ralph Kettell"
Brief Lives

“I have very strongly of late the wish that others may be as sensitive as myself and the fear that they will not be. Colleague Sir Frank Adcock stumped by the sunset-portent unheeding. And I can't arge that I gain, or that others would gain, anything for humanity by observing and recording what went on for a few moments in the sky on Boar Race evening. I sometimes pretend to myself that I am public-spirited. I am not. I am an hedonist who wants pleasant sensations. On the other hand I am not the usual type of hedonist, for I want sensations to be had”

E.M. Forster (1879–1970) English novelist

if not by myself, then by someone else. The show shouldn't end with my death, which becomes a minor boo-hoo.

p. 211 (1959)
Commonplace Book (1985)

Death, Fear

“the streams buck like rams in a tent
whips crack and from the hills come the crookedly combed
shadows of the shepherds.
black eggs and fools' bells fall from the trees.
thunder drums and kettledrums beat upon the ears of the donkeys.
wings brush against flowers.
fountains spring up in the eyes of the wild boar.”

Hans Arp (1886–1966) Alsatian, sculptor, painter, poet and abstract artist

Dada poetry lines from his poem 'Der Vogel Selbdritt', Jean / Hans Arp - first published in 1920; as quoted in Gesammelte Gedichte I (transl. Herbert Read), p. 41
1910-20s

Fools, Spring, Flowers, Tree

“To win a boar’s head one must sacrifice the hounds.”

Wolfram von Eschenbach book Parzival

Bk. 3, st. 150, line 22; p. 86.
Parzival

“In all cases that have been investigated, the only time a state government gives permission for nilgai and wild boar shooting is when it is requested by vips, hotel and tourism people or friends of politicians.”

Maneka Gandhi (1956) Indian politician and activist

Criticising Punjab state for giving hunting licences to VIPs, as quoted in "VIP Hunters Get Licence To Kill In Punjab" http://archive.tehelka.com/story_main17.asp?filename=ts042206VIP_hunters.asp, Tehelka (22 April 2006) 2001-2010

People, Time

“We thought we were done with these things but we were wrong.
We thought, because we had power, we had wisdom.
We thought the long train would run to the end of Time.
We thought the light would increase.
Now the long train stands derailed and the bandits loot it.
Now the boar and the asp have power in our time.
Now the night rolls back on the West and the night is solid.
Our fathers and ourselves sowed dragon's teeth.
Our children know and suffer the armed men.”

Stephen Vincent Benét (1898–1943) poet, short story writer, novelist

Source: Litany for Dictatorships (1935)

Wisdom, Men, Children, Light

“With cruell tusks a savage boar imploys,
Who all king Œneus' fertile fields destroys:
The stately trees tore from their fiber'd roots,
Silver'd with blossoms of delicious fruits.”

John Ogilby (1600–1676) Scottish academic

Book IX
Homer His Iliads Translated (1660)

Tree

“Who hopes by strange variety to please,
Puts dolphins among forests, boars in seas.”

John Conington (1825–1869) British classical scholar

Source: Translations, The Satires, Epistles, and Art of Poetry of Horace (1869), Art of Poetry, p. 172

Hope, Sea

“The first class contains four, which, we are informed, may be properly called beasts for hunting; namely, the hare, the hart, the wolf, and the wild boar. The second class contains the names of the beasts of the chase, and they are five; that is to say, the buck, the doe, the fox, the martin, and the roe. In the third class we find three, that are said to afford "greate dysporte" in the pursuit, and they are denominated, the grey or badger, the wild-cat and the otter…The reader may possibly be surprised, when he casts his eye over the foregoing list of animals for hunting, at seeing the names of several that do not exist at this time in England, and especially of the wolf, because he will readily recollect the story so commonly told of their destruction during the reign of Edgar.”

Joseph Strutt (1749–1802) British engraver, artist, antiquary and writer

pg. 17
The Sports and Pastimes of the People of England (1801), Animals

Cats, Wolf, Time, Animals

“Goddess of woods, tremendous in the chase
To mountain boars, and all the savage race!
Wide o'er the ethereal walks extends thy sway,
And o'er the infernal mansions void of day!
Look upon us on earth! unfold our fate,
And say what region is our destined seat?
Where shall we next thy lasting temples raise?
And choirs of virgins celebrate thy praise?”
Diva potens nemorum terror silvestribus ac spes! Cui licet anfractus ire per ethereos, Infernasque domos terrestria iura resolve. Et dic quas terras nos habitare velis. Dic certam sedem qua te venerabor in euum. Qua tibi virgineis templa dicabo choris.

Geoffrey of Monmouth The History of the Kings of Britain

Diva potens nemorum terror silvestribus ac spes!
</ref>Cui licet anfractus ire per ethereos,
Infernasque domos terrestria iura resolve.
Et dic quas terras nos habitare velis.
Dic certam sedem qua te venerabor in euum.
Qua tibi virgineis templa dicabo choris.
Bk. 1, ch. 11; pp. 100-101.
Historia Regum Britanniae (History of the Kings of Britain)

Fate, Mountain

“[Describes visiting a factory farm shed where she saw a large male boar, ] his huge head hanging low towards the barren floor. As I came level with him he raised his head and dragged himself slowly towards me on lame legs. With deliberation he looked straight at me, staring directly into my eyes. It seemed to me that I saw in those sad, intelligent, penetrating eyes a plea, a question to which I had no answer: "Why are you doing this to me?"”

Juliet Gellatley British activist

The Silent Ark, cited in Jeffrey Moussaieff Masson, The Pig Who Sang to the Moon: The Emotional World of Farm Animals (New York: Ballantine Books, 2004), ch. 1, p. 23 https://books.google.it/books?id=RbxeFLpNnxUC&pg=PA23.

Sadness, Intelligence, Question

“Painting is the magic art, the fire set alight on the windows of the rich dwelling, as on those of the humble hovel, from the last rays of the setting sun, it is the long mark, the humid mark, the fluent and still mark that the dying wave etches on the hot sand, it is the darting of the immortal lizard on the rock burnt by the midday heat, it is the rainbow of conciliation, on sad May afternoons, after the storm has passed, down there, making a dark backdrop to the almond trees in flower, to the gardens with their washed colours, to the ploughmen's huts, smiling and tranquil, it is the livid cloud chased by the vehement blowing of Aeolus enraged, it is the nebulous disk of the fleeting moon behind the ripped-open funereal curtain of a disturbed sky in the deep of night, it is the blood of the bull stabbed in the arena, of the warrior fallen in the heat of battle, of Adonis' immaculate thigh wounded by the obstinate boar's curved tusk, it is the sail swollen with the winds of distant seas, it is the centuries-old tree browned in the autumn..”

Giorgio de Chirico (1888–1978) Italian artist

Quote from the first lines in De Cirico's essay 'Painting', 1938; from http://www.fondazionedechirico.org/wp-content/uploads/211_Painting_1938_Metaphysical_Art.pdf 'Painting', 1938 - G. de Chirico, presentation to the catalogue of his solo exhibition Mostra personale del pittore Giorgio de Chirico, Galleria Rotta, Genoa, May 1938], p. 211
1920s and later

Sadness, Smile, Art, Flowers

“The "time of grace" begins at Midsummer, and lasteth to Holyrood-day. The fox may be hunted from the Nativity to the Annunciation of our Lady; the roebuck from Easter to Michaelmas; the roe from Michaelmas to Candlemas; the hare from Michaelmas to Midsummer; the wolf as the fox; and the boar from the Nativity to the Purification of our Lady.”

Joseph Strutt (1749–1802) British engraver, artist, antiquary and writer

pg. 23
The Sports and Pastimes of the People of England (1801), Hunting

Wolf, Time

“Training of bulls, bears, horses, and other animals, for the purpose of baiting them with dogs, was certainly practiced by the jugglers; and this vicious pastime has the sanction of high antiquity. Fitz-Stephen, who lived in the reign of Henry II, tells us that, in the forenoon of every holiday, during the winter season, the young Londoners were amused with boars opposed to each other in battle, or with bulls and full-grown bears baited by dogs. This author makes no mention of horses; and I believe the baiting of these noble and useful animals was never a general practice: it was, however, no doubt, partially performed…Asses also were treated with the same inhumanity; but probably the poor beasts did not afford sufficient sport in the tormenting, and therefore were seldom brought forward as the objects of this barbarous diversion.”

Joseph Strutt (1749–1802) British engraver, artist, antiquary and writer

pg. 256
The Sports and Pastimes of the People of England (1801), Public entertainment

Sport, Dogs, Holiday, Season

“When beasts went together in companies, there was said to be a pride of lions; a lepe of leopards; an herd of harts, of bucks, and of all sorts of deer; a bevy of roes; a sloth of bears; a singular of boars; a sownder of wild swine; a dryft of tame swine; a route of wolves; a harras of horses; a rag of colts; a stud of mares; a pace of asses; a baren of mules, a team of oxen; a drove of kine; a flock of sheep; a tribe of goats; a sculk of foxes; a cete of badgers; a richess of martins; a fesynes of ferrets; a huske or a down of hares; a nest of rabbits; a clower of cats, and a kendel of young cats; a shrewdness of apes; and a labour of moles.”

Joseph Strutt (1749–1802) British engraver, artist, antiquary and writer

pg. 22
The Sports and Pastimes of the People of England (1801), Collective nouns

Cats, Horse, Swine