“.. but also for the person who is visiting Paris later in his life for the very first time, something unusual will happen.... then there appears for the man of age a light - a light in which he sees the dreamy images of his life transforming into more tangible and more solid forms. Because that city has created our modern culture, and the movements of life in most countries are just a reflex of those which are starting in France's capital.”
translation from the original Dutch, Fons Heijnsbroek
version in original Dutch (citaat van Breitner's brief, in het Nederlands:) Maar ook voor hem die Parijs op latere leeftijd voor het eerst betreedt, gebeurt er iets ongewoons in zijn leven.. ..er gaat voor de mensch van leeftijd een licht op, een licht waarin hij de droomgestalten van zijn leven tot meer tastbare vastere vormen ziet verwezenlijkt. Want die stad heeft onze moderne cultuur geschapen en de bewegingen van het leven in de meeste landen een reflex van die, welke in Frankrijks hoofdstad een aanvang nemen.
Quote of Breitner, after 1884 (when he visited Paris); as cited by Frans Erens, in Vervlogen jaren; De Arbeiderspers, Zwolle 1958, p. 98
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George Hendrik Breitner 31
Dutch painter and photographer 1857–1923Related quotes
Original: (de) Die tiefsten Probleme des modernen Lebens quellen aus dem Anspruch des Individuums, die Selbständigkeit und Eigenart seines Daseins gegen die Übermächte der Gesellschaft, des geschichtlich Ererbten, der äußerlichen Kultur und Technik des Lebens zu bewahren - die letzterreichte Umgestaltung des Kampfes mit der Natur, den der primitive Mensch um seine leibliche Existenz zu führen hat.
Source: The Metropolis and Mental Life (1903), p. 409

Indira Gandhi, the former Prime Minister of India quoted in [Cahn, R.W., The Coming of Materials Science, http://books.google.com/books?id=CCmJMr_K5NIC&pg=PA234, 16 March 2001, Elsevier, 978-0-08-052942-4, 272]

Yam Gruel (1916), in Rashomon and Other Stories https://books.google.it/books?id=DYHQAgAAQBAJ&pg=PT29 (Tuttle, 2011).

Preface to the Treatise on Vacuum (c.1651)

"The Greatest of the Monsters", p. 247
Forewords and Afterwords (1973)
Context: I said earlier that I do not believe an artist's life throws much light upon his works. I do believe, however, that, more often than most people realize, his works may throw light upon his life. An artist with certain imaginative ideas in his head may then involve himself in relationships which are congenial to them.

[Baqir Sharīf al-Qurashi, The life of Imam Muhammad al-Jawad, Wonderful Maxims and Arts, 2005]