Variant: I have a scholar's love of silence and solitude. To sit and pass hour after hour in idle chatter with a roomful of strangers is to me the worst sort of torment.
Source: Jonathan Strange & Mr Norrell
This Business of Living (1935-1950)
Interview for French TV (1998)
“I like work: it fascinates me. I can sit and look at it for hours.”
Variant: I like work; it fascinates me. I can sit and look at it for hours.
Source: Three Men in a Boat (1889), Ch. 15.
Context: It always does seem to me that I am doing more work than I should do. It is not that I object to the work, mind you; I like work: it fascinates me. I can sit and look at it for hours. I love to keep it by me: the idea of getting rid of it nearly breaks my heart.
“Methinks, I see the wanton houres flee,
And as they passe, turne back and laugh at me.”
As quoted in The Encyclopædia Britannica (1910)
An explanation of relativity which he gave to his secretary Helen Dukas to convey to non-scientists and reporters, as quoted in Best Quotes of '54, '55, l56 (1957) by James B. Simpson; also in Expandable Quotable Einstein (2005) edited by Alice Calaprice
William Hermanns recorded a series of four conversations he had with Einstein and published them in his book Einstein and the Poet (1983), quoting Einstein saying this variant in a 1948 conversation: "To simplify the concept of relativity, I always use the following example: if you sit with a girl on a garden bench and the moon is shining, then for you the hour will be a minute. However, if you sit on a hot stove, the minute will be an hour." ( p. 87 http://books.google.com/books?id=QXCyjj6T5ZUC&lpg=PP1&pg=PA87#v=onepage&q&f=false)
In the 1985 book Einstein in America, Jamie Sayen wrote "Einstein devised the following explanation for her [Helen Dukas] to give when asked to explain relativity: An hour sitting with a pretty girl on a park bench passes like a minute, but a minute sitting on a hot stove seems like an hour." ( p. 130 http://books.google.com/books?ei=yma3TsDWK8WciQL63smAAQ&ct=book-thumbnail&id=vs3aAAAAMAAJ&dq=sayen+%22einstein+in+america%22&q=pretty+girl#search_anchor)
Attributed in posthumous publications
Variant: When you are courting a nice girl an hour seems like a second. When you sit on a red-hot cinder a second seems like an hour. That's relativity.
“in this room
the hours of love
still make shadows.”
Source: The Pleasures of the Damned
“They [the hours] pass by, and are put to our account.”
Nobis pereunt et imputantur.
V, 20, line 13; this phrase is often found as an inscription on sundials.
Epigrams (c. 80 – 104 AD)
Golden Sayings of Epictetus
Context: It is hard to combine and unite these two qualities, the carefulness of one who is affected by circumstances, and the intrepidity of one who heeds them not. But it is not impossible: else were happiness also impossible. We should act as we do in seafaring: “What can I do?”—Choose the master, the crew, the day, the opportunity. Then comes a sudden storm. What matters it to me? my part has been fully done. The matter is in the hands of another—the Master of the ship. The ship is foundering. What then have I to do? I do the only thing that remains to me—to be drowned without fear, without a cry, without upbraiding God, but knowing that what has been born must likewise perish. For I am not Eternity, but a human being—a part of the whole, as an hour is part of the day. I must come like the hour, and like the hour must pass! (186).
Fiction, Hypnos (1922)
Context: Among the agonies of these after days is that chief of torments — inarticulateness. What I learned and saw in those hours of impious exploration can never be told — for want of symbols or suggestions in any language. I say this because from first to last our discoveries partook only of the nature of sensations; sensations correlated with no impression which the nervous system of normal humanity is capable of receiving. They were sensations, yet within them lay unbelievable elements of time and space — things which at bottom possess no distinct and definite existence. Human utterance can best convey the general character of our experiences by calling them plungings or soarings...
