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Letitia Elizabeth Landon cytaty
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Letitia Elizabeth Landon – angielska pisarka i poetka epoki romantyzmu. Była autorką, a później redaktorką Literary Gazette. Swoje utwory podpisywała zwykle inicjałami L.E.L. Do jej najbardziej znanych utworów należy

monolog The Improvisatrice i cykl oparty na motywach biblijnych The Easter Gift . Wikipedia  

✵ 14. Sierpień 1802 – 15. Październik 1838
Letitia Elizabeth Landon Fotografia
Letitia Elizabeth Landon: 785   Cytatów 0   Polubień

Letitia Elizabeth Landon: Cytaty po angielsku

“There is no denying the fact, that in all sudden emergencies a woman has ten times the presence of mind, or, to use the common expression, her wits more about her than a man.”

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Letitia Elizabeth Landon

Heath's book of Beauty, 1833 (1832)

“Now, bitter, but useful, mortification is the steppingstone to knowledge, even in a child.”

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Letitia Elizabeth Landon

Traits and Trials of Early Life (1836)

“That charm of genius, triumph of high art;
Poetry's divination, which reveals
All nature's secrets, such as influence
The heart of man.”

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Letitia Elizabeth Landon

Translations, From the French

“Night came—the deep and purple time
Of summer in a southern clime.”

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Letitia Elizabeth Landon

The Vow of the Peacock (1835)

“[Julian - disguised]
Oh, jealousy is but
A shadow cast from vanity, which lain
Would take the shape of love to hide its own
Selfish deformity!”

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Letitia Elizabeth Landon

The London Literary Gazette, 1821-1822

“While we are laid on the battle plain,
Drenched to the skin by the midnight rain,
Pleasant dreams may thy slumber crown,
As thou sinkest to rest amid silk and down :
But shame beside thy pillow stand!
A German maid shall kiss thee not,
A German song rejoice thee not,
And German wine shall warm thee not!
He who has strength to wield a brand,
Let him draw it now for his father-land!”

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Letitia Elizabeth Landon

The London Literary Gazette (3rd January 1835) Versions from the German (First Series.) - 'The Gathering' — Koerner.
Translations, From the German

“It was hidden in a wild wood
Of the larch and pine;
It had been unto his childhood
Solitude and shrine, —
There he dream'd the hours away.”

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Letitia Elizabeth Landon

(1836-2) (Vol.47) Subjects for Pictures. III. Rienzi Showing Nina the Tomb of his Brother
The Monthly Magazine

“She leant her head upon her hand : “I know not which to choose—
Alas! whichever choice I make, the other I must lose.””

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Letitia Elizabeth Landon

The Choice
Heath's book of Beauty, 1833 (1832)

“I do not agree with Goethe, who says that every man has that hidden in the secret recesses of his bosom, which, if known, would cause his fellow men to turn from him with hatred; on the contrary, I firmly believe that were the workings of the heart known, they would rather win for us favour and affection.”

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Letitia Elizabeth Landon

Literary Remains

“Are we not like that actor of old time,
Who wore his mask so long his face took
Its likeness?”

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Letitia Elizabeth Landon

A Summer Evening’s Tale
The Venetian Bracelet (1829)

“There are always an ample sufficiency of compassionate neighbours ready to console one who, by common consent, is styled "the disconsolate widower.””

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Letitia Elizabeth Landon

Traits and Trials of Early Life (1836)

“Thy voice is sweet, as if it took
Its music from thy face.
And word and mien, and step and look,
Are perfect in their grace.”

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Letitia Elizabeth Landon

Poetical Portrait V
The Venetian Bracelet (1829)

“But the tyranny of custom, like all other tyrannies, when grown quite unbearable—for it is wonderful what people will endure-; had already sown the seeds of its own dissolution. Out of the hardship had grown the repining, and to repine at the exercise of an alleged right is soon to question its authority, and the first question asked shakes the whole ancient and time-honoured fabric of privilege.”

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Letitia Elizabeth Landon

Other Gift Books

“Gentlest one, I bow to thee,
Rose-lipp'd queen of poesy,
Sweet Erato, thou whose chords
Waken but for love-touched words!”

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Letitia Elizabeth Landon

(9th August 1823) Poetical Catalogue of Pictures. Stothard’s Erato
23rd August 1823) Change see The Improvisatrice (1824
30th August, 6th and 13th September 1823) The Bayadere see The Improvisatrice (1824
The London Literary Gazette, 1823

“Let the rose fall, another rose
Will bloom upon the self-same tree;
Let the bird die, ere evening close
Some other bird will sing for me.
It is for the beloved to love,
'Tis for the happy to be kind;
Sorrow will more than death remove
The associate links affections bind.”

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Letitia Elizabeth Landon

(2nd April 1831) Lines Supposed to be the Prayer of the Supplicating Nymph in Mr. Lawrence Macdonald’s Exhibition of Sculptures
The London Literary Gazette, 1831

“Oh, there are evil moments in our life,
When but a thought, a word, a look, has power
To dash the cup of happiness aside,
And stamp us wretched!”

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Letitia Elizabeth Landon

The Vow of the Peacock (1835)

“Love has no power to look forward — the delicious consciousness of the present, a faint but delightful shadow of the past, form its eternity.”

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Letitia Elizabeth Landon

(18th August 1822) These from a prose sketch - Isadore
The London Literary Gazette, 1821-1822

“Farewell, and when to-morrow
Seems little, like to-day,
And we find life's deepest sorrow
Melts gradual away;
Yet do not quite forget me.”

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Letitia Elizabeth Landon

(1837 1) (Vol. 49) Songs - I.
The Monthly Magazine

“And you, my fine poet, who thought that the earth
To another such minstrel could never give birth,
Already your works are all thrown on the shelf,
And their author condemn'd as an ignorant elf.—
Yes; look thro' the world, and this truth you will find
That, once out of sight, you are soon out of mind.”

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Letitia Elizabeth Landon

Fable (Imitated from the French of La Motte.)
The Fate of Adelaide (1821)

“The clouds, and not the stars, to them
The omen and the sign be given—
The clouds, the vapours of our soil,
Not stars, whose element is heaven.
The deepening shade, the flitting light,
Mark what each coming month will know—
The passing joy, the constant care,
Of life's sad pilgrimage below.”

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Letitia Elizabeth Landon

The London Literary Gazette, 1833-1835

“There is no tie
Like that last holiest link of love, which binds
The lonely child to its more lonely parent.”

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Letitia Elizabeth Landon

(5th July 1823) A Tale Founded on Fact
12th July 1823) Glencoe see The Vow of the Peacock (1835
(19th July 1823) Execution of Crescentius see The Improvisatrice (1824) Crescentius
The London Literary Gazette, 1823

“Many a head that down had lain,
Impatient with its twelve hours' pain,
And wishing that the bed it prest,
Were, as the grave's, a long last rest,
Has sprung again at morning's call,
Forgiving, or forgetting all;
Lighting the weary weight of thought
With colours from the day-break brought,
Reading new promise in the sky,
And hearing Hope, the lark on high.”

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Letitia Elizabeth Landon

The Vow of the Peacock (1835)

“In the very lowest class it is well to be bred up amid those scenes wherein our future is cast; nothing ever supplies the place of those early associations — nothing ever knits the heart to the place of its birth like the remembrances of childhood — nothing can give the entire knowledge of a people, but having been brought up among them.”

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Letitia Elizabeth Landon

No.19. The Abbot — MARY QUEEN OF SCOTS.
Literary Remains

“Ah! love and song are but a dream,
A flower's faint shade on life's dark stream.”

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Letitia Elizabeth Landon

All from The Vow of the Peacock (Title Poem - Introduction)
The Vow of the Peacock (1835)

“THE fountain's low singing is heard on the wind,
Like a melody bringing sweet fancies to mind;
Some to grieve, some to gladden: around them they cast
The hopes of the morrow, the dreams of the past.
Away in the distance is heard the vast sound,
From the streets of the city that compass it round,
Like the echo of mountains, or ocean's deep call;
Yet that fountain's low singing is heard over all.”

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Letitia Elizabeth Landon

The Middle Temple Gardens
The Vow of the Peacock (1835)

“Oh, what am I, and what are they?
Masquers but striving to deceive
Themselves and others; and believe
It is enough, if none shall know
The covered mass of care below.”

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Letitia Elizabeth Landon

The Golden Violet - title poem - introduction
The Golden Violet (1827)

“He who seeks pleasure with reference to himself, not others, will ever find that pleasure is only another name for discontent.”

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Letitia Elizabeth Landon

Heath's book of Beauty, 1833 (1832)

“The sudden start, the rapid step once more,
As if it would annihilate the time:
But who may paint the solitude of crime?”

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Letitia Elizabeth Landon

Title poem, section IX.
The Venetian Bracelet (1829)

“Literature soon becomes a power, not what it once was, a passion; but literary success, like all others, is only to be obtained, and retained, by labour — and labour and inclination do not always go together. Take all our most eminent writers, and the quantity of work, hard work, they have got through, will be found enormous and perpetual. Literature, as a profession, allows little leisure, and less indulgence.”

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Letitia Elizabeth Landon

The Monthly Magazine

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