André Breton cytaty (81 cytatów, strona 2)

André Breton: 81 cytatów3 Polubienia

André Breton słynne cytaty

„Okno wychodzące na wewnętrzny świat artysty.”

definicja obrazu.
Źródło: Maria Rzepińska, Siedem wieków malarstwa europejskiego, wyd. II, popr., Zakład Narodowy im. Ossolińskich, Wrocław 1986, s. 7.

„Piękno konwulsyjne będzie erotyczno-maskowane, wybuchowo-stabilne, magiczno-okolicznościowe, albo go wcale nie będzie.”

André Breton

La beauté convulsive sera érotique-voilée, explosante-fixe, magique-circonstancielle ou ne sera pas. (fr.)
Źródło: Piękno będzie konwulsyjne, albo wcale go nie będzie (1937), tłum. Adam Ważyk

„Człowiek, który przerywa swój sen, staje się przede wszystkim igraszką swojej pamięci.”

André Breton

Źródło: Monika Małkowska, Wykorzystane sny, „Kino”, tom 25, Wydawn. Czasopism RSW Prasa-Książka-Ruch, 1991, s. 328.

„Dzięki miłości, i tylko dzięki niej, dokonuje się najściślejsze zespolenie egzystencji i esencji, to jej udaje się pogodzić od razu, całkowicie harmonijnie i bez dwuznaczności, te dwa pojęcia, które poza nią pozostają zawsze niepewne i wrogie. Mówię oczywiści o miłości w pełni jej mocy, trwającej całe życie, takiej, która godzi się za swój przedmiot uznać tylko jedną istotę.”

André Breton książka Arcane 17

Źródło: Arcane 17, 1947

„Tymczasem w ciemnych lasach śląskich rozbudzała się świadomość, której rozmach przekracza w zasadzie świadomość artystyczną.”

André Breton

Geneza i perspektywy artystyczne surrealizmu

„Żeby otworzyć swobodnie swe okno na najpiękniejsze krajobrazy świata i inne, rozprowadź szerokim pędzlem, miejscami cieniej, miejscami grubiej, czarny gwasz na karcie białego papieru, nakrywając zaraz potem drugą kartą i naciskając umiarkowanie dłonią. Podnieś, nie spiesząc się, za brzeg górny kartę wierzchnią, tak jak to się robi z odbijankami, powtarzaj przykładanie i odrywanie aż prawie do zupełnego wyschnięcia. To, co otrzymasz, będzie może starym, paranoidalnym murem Vinciego, ale za to doprowadzonym do doskonałości. Wystarczy, dajmy na to, zatytułować otrzymany obraz stosownie do tego, czego się w nim, odczekawszy chwilę dopatrzysz, żeby być pewnym, że wypowiedziałeś się w sposób najbardziej osobisty i najsłuszniejszy.”

André Breton

Źródło: D’une decalcomanie sans objet préconçu, „Minotaure” nr 8, 1936, tłum. M. Porębski.

André Breton cytaty

„Tylko słowo wolność potrafi mnie jeszcze porwać.”

André Breton książka Manifest surrealizmu

Manifest surrealizmu

„Na miłość trzeba sobie zasłużyć.”

André Breton

Źródło: Krystyna Janicka, Surrealizm, Wydawnictwa Artystyczne i Filmowe, Warszawa 1985, s. 47.

„Surrealizm to czysty automatyzm psychiczny, który ma służyć do wyrażenia bądź w słowie, bądź w piśmie, bądź innym sposobem, rzeczywistego funkcjonowania myśli. Dyktowanie myśli wolne od wszelkiej kontroli umysłu, poza wszelkimi względami estetycznymi czy moralnymi.”

André Breton książka Manifest surrealizmu

Surréalisme, n.m. Automatisme psychique pur par lequel on se propose d’exprimer, soit verbalement soit par écrit, soit de toute autre manière, le fonctionnement réel de la pensée. Dictée par la pensée, en l’absence de tout contrôle exercé par la raison, en dehors de toute préocupation esthétique ou morale. (fr.)
Manifest surrealizmu

„Najprostszy akt surrealistyczny to wyjść na ulicę z rewolwerami w pięściach i strzelać w tłum na chybił trafił. Kto nie miał chociaż jeden raz w życiu ochoty skończyć w ten sposób z drobnym systemem zbydlęcenia i prawomocnego skretynienia, ten ma wyznaczone miejsce w tym tłumie z brzuchem na poziomie lufy.”

André Breton

Drugi manifest surrealizmu

„Nie, ani starość, ani nawet przewidująca dojrzałość nie będzie miała do was prawa: posunę się nawet do twierdzenia, że powinniście trzymać je w przyzwoitej odległości od siebie i przywoływać je do porządku, kiedy was zechcą oświecać.”

André Breton

Źródło: Sytuacja surrealizmu między dwiema wojnami

André Breton: Cytaty po angielsku

“There are fairy stories to be written for adults. Stories that are still in a green state.”

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André Breton książka Manifest surrealizmu

Źródło: Manifestoes of Surrealism

“Beloved imagination, what I most like in you is your unsparing quality. There remains madness, 'the madness that one locks up', as it has aptly been described. That madness or another..”

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André Breton

Le Manifeste du Surréalisme, Andre Breton (Manifesto of Surrealism; 1924)

“Surrealism, such as I conceive of it, asserts our complete nonconformism clearly enough so that there can be no question of translating it, at the trial of the real world, as evidence for the defense. It could, on the contrary, only serve to justify the complete state of distraction which we hope to achieve here below. Kant's absentmindedness regarding women, Pasteur's absentmindedness about 'grapes', Curies absentmindedness with respect to vehicles, are in this regard profoundly symptomatic. This world is only very relatively in tune with thought, and incidents of this kind are only the most obvious episodes of a war in which I am proud to be participating. 'Ce monde nest que très relativement à la mesure de la pensée et les incidents de ce genre ne sont que les épisodes jusquici les plus marquants dune guerre dindépendence à laquelle je me fais gloire de participer'. Surrealism is the 'invisible ray' which will one day enable us to win out over our opponents. 'You are no longer trembling, carcass.”

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André Breton

This summer the roses are blue; the wood is of glass. The earth, draped in its verdant cloak, makes as little impression upon me as a ghost. It is living and ceasing to live which are imaginary solutions. Existence is elsewhere.
The last sentences of the Surrealist Manifesto, 1924
Le Manifeste du Surréalisme, Andre Breton (Manifesto of Surrealism; 1924)

“Eyes exist in the savage state.”

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André Breton

L'œil existe à l'état sauvage.
Le Surréalisme et la Peinture, (1926) Andre Breton

“Oneiric values have definitely won out over the others, and I maintain that anyone who still refuses to see, for instance, a horse galloping on a tomato, must be an idiot. A tomato is also a child's balloon - Surrealism, again, having suppressed the word "like."”

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André Breton

https://books.google.co.uk/books?id=baKRHNX7eo0C&pg=PA43#v=onepage&q&f=false
from: Point du Jour (Break of Day; 1934)
Breton's quote is often misquoted as The man who can't visualize a horse galloping on a tomato is an idiot.
after 1930

“If the depths of our mind contain within it strange forces capable of augmenting those on the surface, or of waging a victorious battle against them, there is every reason to seize them - first to seize them, then, if need be, to submit them to the control of our reason. The analysts themselves have everything to gain by it. But it is worth noting that no means has been designated a priori for carrying out this undertaking, that until further notice it can be construed to be the province of poets as well as scholars, and that its success is not dependent upon the more or less capricious paths that will be followed.”

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André Breton

Le Manifeste du Surréalisme, Andre Breton (Manifesto of Surrealism; 1924)

“Surrealism will usher you into death, which is a secret society. It will glove your hand, burying therein the profound M with which the word Memory begins. Do not forget to make proper arrangements for your last will and testament: speaking personally, I ask that I be taken to the cemetery in a moving van. May my friends destroy every last copy of the printing of the Speech concerning the Modicum of Reality.”

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André Breton

Le Manifeste du Surréalisme, Andre Breton (Manifesto of Surrealism; 1924)

“What reason, I ask, a reason so much vaster than the other, makes dreams seem so natural and allows me to welcome unreservedly a welter of episodes so strange that they could confound me now as I write? And yet I can believe my eyes, my ears; this great day has arrived, this beast has spoken.”

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André Breton

Le Manifeste du Surréalisme, Andre Breton (Manifesto of Surrealism; 1924)

“Surrealist methods would, moreover, demand to be heard. Everything is valid when it comes to obtaining the desired suddenness from certain associations. The pieces of paper that Picasso and Braque (in this quote Breton refers to the early collage art of the two Cubists, ed.) insert into their work have the same value as the introduction of a platitude into a literary analysis of the most rigorous sort. It is even permissible to entitle POEM what we get from the most random assemblage possible (observe, if you will, the syntax) of headlines and scraps of headlines cut out of the newspapers.”

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André Breton

Le Manifeste du Surréalisme, Andre Breton (Manifesto of Surrealism; 1924)

“Quote of Breton, written in the prologue of The Diary of a Genius, Salvador Dali, London Pan Books, 1976, 1980 p. 35”

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André Breton

after 1930

“Why should I not expect from the sign of the dream more than I expect from a degree of consciousness which is daily more acute? Can’t the dream also be used in solving the fundamental questions of life? Are these questions the same in one case as in the other and, in the dream, do these questions already exist? Is the dream any less restrictive or punitive than the rest? I am growing old and, more than that reality to which I believe I subject myself, it is perhaps the dream, the difference with which I treat the dream, which makes me grow old.”

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André Breton

Le Manifeste du Surréalisme, Andre Breton (Manifesto of Surrealism; 1924)

“I was asked to make a report on the Italian situation to this special committee of the 'gas cell', which made it clear to me that I was to stick to the statistical facts (steel production etc.) and above all not to get involved with ideology. I couldn't do it.”

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André Breton

Quote of André Breton, from his Second Manifesto of Surrealism 1930; as quoted in Manifestos of Surrealism, trans. by Richard Seaver and Helen Lane; Ann Arbor 1972, p. 143
Breton was unable to join a worker's cell in Paris as part of his induction into the French Communist Party, as he admitted in 1929
1920's

“I have always been amazed at the way an ordinary observer lends so much more credence and attaches so much more importance to waking events than to those occurring in dreams. It is because man, when he ceases to sleep, is above all the plaything of his memory, and in its normal state memory takes pleasure in weakly retracing for him the circumstances of the dream, in stripping it of any real importance, and in dismissing the only determinant from the point where he thinks he has left it a few hours before: this firm hope, this concern. He is under the impression of continuing something that is worthwhile. Thus the dream finds itself reduced to a mere parenthesis, as is the night. And, like the night, dreams generally contribute little to furthering our understanding. This curious state of affairs seems to me to call for certain reflections.”

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André Breton

Le Manifeste du Surréalisme, Andre Breton (Manifesto of Surrealism; 1924)

“Freud very rightly brought his critical faculties to bear upon the dream. It is, in fact, inadmissible that this considerable portion of psychic activity (since, at least from man’s birth until his death, thought offers no solution of continuity, the sum of the moments of the dream, from the point of view of time, and taking into consideration only the time of pure dreaming, that is the dreams of sleep, is not inferior to the sum of the moments of reality, or, to be more precisely limiting, the moments of waking) has still today been so grossly neglected.”

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André Breton

Le Manifeste du Surréalisme, Andre Breton (Manifesto of Surrealism; 1924)

“Les valeurs oniriques l'ont définitivement emporté sur les autres et je demande à ce qu'on tienne pour un crétin celui qui se refuserait encore, par exemple, à voir un cheval galoper sur une tomate. Une tomate est aussi un ballon d'enfant, le surréalisme, je le répète, ayant supprimé le mot comme.”

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André Breton

http://www.persee.fr/docAsPDF/caief_0571-5865_1955_num_7_1_2063.pdf <br class="br">after 1930

“A story is told according to which Saint-Pol-Roux, in times gone by, used to have a notice posted on the door of his manor house in Camaret, every evening before he went to sleep, which read: ‘THE POET IS WORKING’.”

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André Breton

Le Manifeste du Surréalisme, Andre Breton (Manifesto of Surrealism; 1924)

“The mind of the man who dreams is fully satisfied by what happens to him. The agonizing question of possibility is no longer pertinent. Kill, fly faster, love to your heart's content. And if you should die, are you not certain of re-awaking among the dead? Let yourself be carried along, events will not tolerate your interference. You are nameless. The ease of everything is priceless.”

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André Breton

Le Manifeste du Surréalisme, Andre Breton (Manifesto of Surrealism; 1924)

“Art today can only be revolutionary, that is, it must aspire at the complete and radical reconstruction of society, even if for no other reason than to emancipate intellectual creation from the chains which obstruct it and to allow all mankind to rise to the heights that only geniuses could reach in the past.”

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André Breton

Quote of Breton, from La Clé des Champs (1953); as cited by Thomas Molnar, The Decline of the Intellectual (1961)
after 1930

“We are still living under the reign of logic: this, of course, is what I have been driving at. But in this day and age logical methods are applicable only to solving problems of secondary interest. The absolute rationalism that is still in vogue allows us to consider only facts relating directly to our experience. Logical ends, on the contrary, escape us. It is pointless to add that experience itself has found itself increasingly circumscribed. It paces back and forth in a cage from which it is more and more difficult to make it emerge. It too leans for support on what is most immediately expedient, and it is protected by the sentinels of common sense.”

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André Breton

Le Manifeste du Surréalisme, Andre Breton (Manifesto of Surrealism; 1924)

“It is not the fear of madness which will oblige us to leave the flag of imagination furled.”

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André Breton

Le Manifeste du Surréalisme, Andre Breton (Manifesto of Surrealism; 1924)

“As we liked to do as children, extracting from the soft forest floor the light chestnut trees only a few centimeters high at the base of which the chestnut continues to shine to the sun its clods of soil from the past, the chestnut conserving all of its presence and witnessing with its presence the power of green hands, of shadow, of airy white or pink pyramids of dances.... and of future chestnuts which, under new dust, would be discovered by the marveled sight of other children. It is in this perspective that the work of Arp, more than any other, should be situated. He found the most vital in himself in the secrets of this germinating life where the most minimal detail is of the greatest importance, where, on the other hand, the distinction between the elements becomes meaningless, adopting a peculiar under the rock humor permanently.”

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André Breton

Quote from Anthologie de l'humour noir, André Breton; as cited in Arp, ed. Serge Fauchereau, Ediciones Poligrafa S. A., Barcelona, Spain, 1988
after 1930

“Those who might dispute our right to employ the term SURREALISM in the very special sense that we understand it are being extremely dishonest, for there can be no doubt that this word had no currency before we came along. Therefore, I am defining it once and for all: SURREALISM, Psychic automatism in its pure state, by which one proposes to express – verbally, by means of the written word, or in any other manner–the actual functioning of thought. Dictated by the thought, in the absence of any control exercised by reason, exempt from any aesthetic or moral concern.”

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André Breton

Le Manifeste du Surréalisme, Andre Breton (Manifesto of Surrealism; 1924)

“I could spend my whole life prying loose the secrets of the insane. These people are honest to a fault, and their naivety has no peer but my own.”

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André Breton

Le Manifeste du Surréalisme, Andre Breton (Manifesto of Surrealism; 1924)

“So strong is the belief in life, in what is most fragile in life — real life, I mean — that in the end this belief is lost. Man, that inveterate dreamer, daily more discontent with his destiny, has trouble assessing the objects he has been led to use, objects that his nonchalance has brought his way, or that he has earned through his own efforts, almost always through his own efforts, for he has agreed to work, at least he has not refused to try his luck (or what he calls his luck!). At this point he feels extremely modest: he knows what women he has had, what silly affairs he has been involved in; he is unimpressed by his wealth or his poverty, in this respect he is still a new-born babe and, as for the approval of his conscience, I confess that he does very nicely without it. If he still retains a certain lucidity, all he can do is turn back toward his childhood which, however his guides and mentors may have botched it, still strikes him as somehow charming. There, the absence of any known restrictions allows him the perspective of several lives lived at once; this illusion becomes firmly rooted within him; now he is only interested in the fleeting, the extreme facility of everything.”

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André Breton

the first lines in 'Manifesto du Surréalisme', Andre Breton, 1924
Le Manifeste du Surréalisme, Andre Breton (Manifesto of Surrealism; 1924)

“Pure psychic automatism, by which one seeks to express, be it verbally, in writing, or in any other manner, (is) the real working of the mind. Dictated by the unconsciousness, in the absence of any control exercised by reason, and free from aesthetic or moral preoccupations.”

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André Breton

Quote from 'Manifesto du Surréalisme', André Breton, Paris, Editions KRA, 1929
1920's

“But it is true that we would not dare venture so far, it is not merely a question of distance. Threat is piled upon threat, one yields, abandons a portion of the terrain to be conquered. This imagination which knows no bounds is henceforth allowed to be exercised only in strict accordance with the laws of an arbitrary utility; it is incapable of assuming this inferior role for very long and, in the vicinity of the twentieth year, generally prefers to abandon man to his lusterless fate.”

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André Breton

Le Manifeste du Surréalisme, Andre Breton (Manifesto of Surrealism; 1924)

“Surrealism is only trying to rejoin the most durable traditions of mankind. Among the primitive peoples art always goes beyond what is conventionally and arbitrarily called the 'real'. The natives of the Northwest Pacific coast, the Pueblos, New Guinea, New Ireland, the Marquesas, among others, have made 'objets' [in the Collections of Max Ernst, C. Levy-Strauss, Andre Breton, Pierre Matisse, Carlbach, Segredakis] which Surrealists particularly appreciate.”

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André Breton

Quote of 1942, in the introduction of the Catalog 'First papers of surrealism: hanging by André Breton, his twine Marcel Duchamp'; exhibition at the Coordinating Council of French Relief Societies, Inc., New York, Oct. 14-Nov. 7, 1942
after 1930

“We all know, in fact, that the insane.... derive a great deal of comfort and consolation from their imagination, that they enjoy their madness sufficiently to endure the thought that its validity does not extend beyond themselves. And, indeed, hallucinations, illusions, etc., are not a source of trifling pleasure… These people are honest to a fault, and their 'naiveté' has no peer but my own. Christopher Columbus should have set out to discover America with a boatload of madmen. And note how this madness has taken shape, and endured.”

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André Breton

Le Manifeste du Surréalisme, Andre Breton (Manifesto of Surrealism; 1924)

“Under his [ Marc Chagall ] sole impulse metaphor made its triumphal entry into modern painting.”

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André Breton

Quote in Chagall – a biography, Jackie Wullschlagger, Knopf, Publisher, New York 2008, text from inside-cover
after 1930

“[T]his cancer of the mind which consists of thinking all too sadly that certain things 'are' while others, which well might be, 'are not.”

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André Breton

Quote from Deuxième Manifeste du Surréalisme, Andre Breton (Second Manifesto of Surrealism; 1930)
1920's