"Free Hope" p. 128.
Summer on the Lakes, in 1843 (1844)
Context: I never lived, that I remember, what you call a common natural day. All my days are touched by the supernatural, for I feel the pressure of hidden causes, and the presence, sometimes the communion, of unseen powers. It needs not that I should ask the clairvoyant whether "a spirit-world projects into ours." As to the specific evidence, I would not tarnish my mind by hasty reception. The mind is not, I know, a highway, but a temple, and its doors should not be carelessly left open. Yet it were sin, if indolence or coldness excluded what had a claim to enter; and I doubt whether, in the eyes of pure intelligence, an ill-grounded hasty rejection be not a greater sign of weakness than an ill-grounded and hasty faith.
“Where his glowing eye−balls turn,
Thousand banners round him burn.
Where he points his purple spear,
Hasty, hasty Rout is there,
Marking with indignant eye
Fear to stop and shame to fly.
There Confusion, Terror's child,
Conflict fierce and Ruin wild,
Agony that pants for breath,
Despair and honourable Death.”
"The Triumphs of Owen. A Fragment", from Mr. Evans's Specimens of the Welch Poetry (1764)
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Thomas Gray 81
English poet, historian 1716–1771Related quotes
The Deserter from The London Literary Gazette (8th June 1822) Poetic Sketches. Second Series - Sketch the Sixth
The Improvisatrice (1824)
Song lyrics, Aerial (2005), A Sea of Honey (Disc 1)
“Oedipus had already probed his impious eyes with guilty hand and sunk deep his shame condemned to everlasting night; he dragged out his life in a long-drawn death. He devotes himself to darkness, and in the lowest recess of his abode he keeps his home on which the rays of heaven never look; and yet the fierce daylight of his soul flits around him with unflagging wings and the Avengers of his crimes are in his heart.”
Impia jam merita scrutatus lumina dextra
merserat aeterna damnatum nocte pudorem
Oedipodes longaque animam sub morte trahebat.
illum indulgentem tenebris imaeque recessu
sedis inaspectos caelo radiisque penates
seruantem tamen adsiduis circumuolat alis
saeva dies animi, scelerumque in pectore Dirae.
Source: Thebaid, Book I, Line 46
“Dire agonies, wild terrors swarm,
And Death glares grim in many a form.”
Source: Translations, The Aeneid of Virgil (1866), Book II, p. 55
Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 66.
“From where he was, the fear had stopped being an emotion and turned into an environment.”
Source: Cibola Burn (2014), Chapter 45 (p. 458)