William Faulkner Quotes page 3

“I dont hate it he thought, panting in the cold air, the iron New England dark; I dont. I dont! I dont hate it! I dont hate it!”

“I am older at twenty than a lot of people who have died.”

The Mansion (1959)
Source: Absalom, Absalom!
Context: Or maybe married men dont even need reasons, being as they already got wives. Or maybe it's women that dont need reasons, for the simple reason that they never heard of a reason and wouldn't recognise it face to face, since they dont function from reasons but from necessities that couldn't nobody help nohow and that dont nobody but a fool man want to help in the second place, because he dont know no better; it aint women, it's men that takes ignorance seriously, getting into a skeer [scare] over something for no more reason than that they dont happen to know what it is.

V. K. Ratliff in Ch. 6

“Even sound seemed to fail in this air, like the air was worn out with carrying sounds so long.”

Source: Absalom, Absalom!

William Faulkner book The Sound and the Fury

Source: The Sound and the Fury

“The phenomenon of war is its hermaphroditism: the principles of victory and of defeat inhabit the same body and the necessary opponent, enemy, is merely the bed they self-exhaust each other on.”

William Faulkner book A Fable

Source: A Fable

“The sun, an hour above the horizon, is poised like a bloody egg upon a crest of thunderheads; the light has turned copper: in the eye portentous, in the nose sulphurous, smelling of lightning.”

“It's because I'm alone.. If I could just feel it, it would be different, because I would not be alone. But if I were not alone, everybody would know it. And he could do so much for me, and then I would not be alone. Then I could be all right alone.”

Source: As I Lay Dying

“Tell about the South. What's it like there. What do they do there. Why do they live there. Why do they live at all.”

Source: As I Lay Dying

“I was wrong. I admit it. I believed that there were things which still mattered just because they had mattered once. But I was wrong. Nothing matters but breath, breathing, to know and to be alive.”

Source: Absalom, Absalom!

“There is no such thing as bad whiskey. Some whiskeys just happen to be better than others. But a man shouldn’t fool with booze until he’s fifty; then he’s a damn fool if he doesn’t.”

Source: Absalom, Absalom!

“It was like something you have dreaded and feared and dodged for years until it seemed like all your life, then despite everything it happened to you and all it was was just pain, all it did was hurt and so it was all over, all finished, all right.”

William Faulkner book Intruder in the Dust

Source: Intruder in the Dust

“Though children can accept adults as adults, adults can never accept children as anything but adults too.”

“And he was not old enough to talk and say nothing at the same time.”

Source: Light in August

“Like a fellow running from or toward a gun ain't got time to worry whether the word for what he is doing is courage or cowardice.”

Source: Light in August

“Knowing not grieving remembers a thousand savage and lonely streets.”

Source: Light in August

“Did you ever have a sister? did you?”

Source: Light in August

William Faulkner book The Sound and the Fury

Source: The Sound and the Fury

“There is something about jumping a horse over a fence, something that makes you feel good. Perhaps it's the risk, the gamble. In any event it's a thing I need.”

“I believe in God, God. God, I believe in God.”

As quoted in "Visit to Two-Finger Typist" by Elliot Chaze in LIFE magazine (14 July 1961)

“One day I was talking to Cora. She prayed for me because she believed I was blind to sin, wanting me to kneel and pray too, because people to whom sin is just a matter of words, to them salvation is just words too.”

Source: As I Lay Dying

“There is no such thing as was—only is. If was existed, there would be no grief or sorrow.”

Source: As I Lay Dying

“… how false the most profound book turns out to be when applied to life.”

“Ever since then I have believed that God is not only a gentleman and a sport; he is a Kentuckian too.”

Source: Light in August

“The good artist believes that nobody is good enough to give him advice. He has supreme vanity. No matter how much he admires the old writer, he wants to beat him.”

“We shall not kill and maybe next time we even won't.”

William Faulkner book Intruder in the Dust

Source: Intruder in the Dust

“I would say that music is the easiest means in which to express, but since words are my talent, I must try to express clumsily in words what the pure music would have done better.”

“An artist is a creature driven by demons. He doesn’t
know why they choose him and he’s usually too busy to wonder
why. He is completely amoral in that he will rob, borrow, beg, or
steal from anybody and everybody to get the work done.”

“When I was little there was a picture in one of our books, a dark place into which a single weak ray of light came slanting upon two faces lifted out of the shadow.”

William Faulkner book The Sound and the Fury

Source: The Sound and the Fury

“That’s what they mean by the womb of time: the agony and the despair of spreading bones, the hard girdle in which lie the outraged entrails of events.”

“Who gathers the withered rose?”

Source: As I Lay Dying

William Faulkner book Soldiers' Pay

Source: Soldiers' Pay

“… surely there is something in madness, even the demoniac, which Satan flees, aghast at his own handiwork, and which God looks on in pity..”

“The young man or woman writing today has forgotten the problems of the human heart in conflict with itself which alone can make good writing because only that is worth writing about, worth the agony and the sweat.”

Source: Absalom, Absalom!

“You men,' she says. 'You durn men.”

Variant: the problems of the human heart in conflict with itself which alone can make good writing because only that is worth writing about, worth the agony and the sweat

“Man must have light. He must live in the fierce full constant glare of light, where all shadow will be defined and sharp and unique and personal: the shadow of his own singular rectitude or baseness. All human evils have to come out of obscurity and darkness, where there is nothing to dog man constantly with the shape of his own deformity.”

William Faulkner book The Mansion

Gavin Stevens in Ch. 6
The Mansion (1959)

“Art is not concerned with environment either; it doesn't care where it is … the best job that was ever offered to me was to become a landlord in a brothel. In my opinion it’s the perfect milieu for an artist to work in.”

“…innocence is innocent not because it rejects but because it accepts; is innocent not because it is impervious and invulnerable to everything, but because it is capable of accepting anything and still remaining innocent; innocent because it foreknows all and therefore doesn't have to fear or be afraid.”

Paris Review interview (1958)

“…between what did happen and what ought to happened, I dont never have trouble picking ought.”

Gavin Stevens in Ch. 15
The Town (1957)

“A gentleman can live through anything.”

V. K. Ratliff in Ch. 6
The Town (1957)

William Faulkner book The Reivers

The Reivers (1962)

“The poets are wrong of course. … But then poets are almost always wrong about facts. That's because they are not really interested in facts: only in truth: which is why the truth they speak is so true that even those who hate poets by simple and natural instinct are exalted and terrified by it.”

“Don Quixote — I read that every year, as some do the Bible.”

Gavin Stevens in Ch. 5
The Town (1957)

“…Stevens himself hating horses even more than dogs, rating the horse an unassailable first in loathing since though both were parasites, the dog at least had the grace to be a sycophant too; it at least fawned on you and so kept you healthily ashamed of the human race. But the real reason was, though neither the horse nor the dog ever forgot anything, the dog at least forgave you; and his, Stevens's, thought was that what the world needed was more forgiving.”

Paris Review interview (1958)

William Faulkner book The Mansion

Source: The Mansion (1959), Ch. 16

“The writer's only responsibility is to his art. He will be completely ruthless if he is a good one. He has a dream. It anguishes him so much that he can't get rid of it. He has no peace until then. Everything goes by the board: honor, pride, decency, security, happiness, all, to get the book written. If a writer has to rob his mother, he will not hesitate; the “Ode on a Grecian Urn” is worth any number of old ladies.”

“…women are not interested in truth or romance but only in facts whether they are true or not, just so they fit all the other facts.”

Paris Review interview (1958)

“…even in the folly of youth we know that nothing lasts, but … even in that folly we are afraid that maybe Nothing will last, that maybe Nothing will last forever, and anything is better than Nothing.… So now, as another poet sings, That Fancy passed me by And nothing will remain; which, praise the gods, is a damned lie since, praise, O gods! Nothing cannot remain anywhere since nothing is vacuum and vacuum is paradox and unbearable and we will have nothing of it even if we would, the damned-fool poet's Nothing.”

Gavin Stevens in Ch. 17; also in this chapter Gavin Stevens reflects — twice — that men are "interested in facts too".
The Town (1957)

“…women aren't interested in the romance of dreams; they are interested in the reality of facts, they don't care what facts, let alone whether they are true or not if they just dovetail with all the other facts without leaving a saw-tooth edge.”

Gavin Stevens in Ch. 8
The two lines quoted — not altogether accurately — are from A. E. Housman, A Shropshire Lad (1896), XVIII:<p>And now the fancy passes by
And nothing will remain.
The Town (1957)

“My own experience has been that the tools I need for my trade are paper, tobacco, food, and a little whisky.”

Gavin Stevens paraphrasing Eula Varner Snopes in Ch. 15
The Town (1957)

“People between twenty and forty are not sympathetic. The child has the capacity to do but it can’t know. It only knows when it is no longer able to do — after forty. Between twenty and forty the will of the child to do gets stronger, more dangerous, but it has not begun to learn to know yet. Since his capacity to do is forced into channels of evil through environment and pressures, man is strong before he is moral. The world’s anguish is caused by people between twenty and forty.”

Paris Review interview (1958)

“"You don't know very much about women, do you?" she said. "Women aren't interested in poets' dreams. They are interested in facts. It doesn't even matter whether the facts are true or not, as long as they match the other facts without leaving a rough seam."”

Paris Review interview (1958)