Roger Zelazny Quotes

Roger Joseph Zelazny was an American poet and writer of fantasy and science fiction short stories and novels, best known for The Chronicles of Amber. He won the Nebula Award three times and the Hugo Award six times , including two Hugos for novels: the serialized novel ...And Call Me Conrad , subsequently published under the title This Immortal and then the novel Lord of Light . Wikipedia  

✵ 13. May 1937 – 14. June 1995   •   Other names როჯერ ჟელიაზნი

Works

Isle of the Dead
Roger Zelazny
Jack of Shadows
Jack of Shadows
Roger Zelazny
This Immortal
This Immortal
Roger Zelazny
He Who Shapes
Roger Zelazny
Lord of Light
Lord of Light
Roger Zelazny
Today We Choose Faces
Roger Zelazny
Roadmarks
Roadmarks
Roger Zelazny
The Courts of Chaos
Roger Zelazny
Unicorn Variation
Roger Zelazny
The Guns of Avalon
Roger Zelazny
Knight of Shadows
Knight of Shadows
Roger Zelazny
Sign of the Unicorn
Roger Zelazny
The Dream Master
The Dream Master
Roger Zelazny
Nine Princes in Amber
Roger Zelazny
Prince of Chaos
Prince of Chaos
Roger Zelazny
Frost & Fire
Roger Zelazny
Roger Zelazny: 112   quotes 2   likes

Famous Roger Zelazny Quotes

“Death is the only god that comes when you call.”

24 Views of Mt. Fuji, by Hokusai (1985) - Review of 24 views, with images http://www.stmoroky.com/reviews/gallery/hokusai/24views.htm
Source: Frost & Fire

“Good-bye and hello, as always.”

Source: The Courts of Chaos

Roger Zelazny Quotes about time

Roger Zelazny: Trending quotes

“The fact remains that you would be dealing, and dealing constantly, with the abnormal.”

He Who Shapes (1965)
Context: The fact remains that you would be dealing, and dealing constantly, with the abnormal. The power of a neurosis is unimaginable to ninety-nine point et cetera percent of the population, because we can never adequately judge the intensity of our own — let alone those of others, when we only see them from the outside. That is why no neuroparticipant will ever undertake to treat a full­blown psychotic. The few pioneers in that area are all themselves in therapy today. It would be like driving into a maelstrom. If the therapist loses the upper hand in an intense session he becomes the Shaped rather than the Shaper. The synapses respond like a fission reaction when ner­vous impulses are artificially augmented. The transference effect is almost instantaneous.

“You don’t know what it’s like to be cut off from a whole area of stimuli!”

He Who Shapes (1965)
Context: You don’t know what it’s like to be cut off from a whole area of stimuli! To know that a Mongoloid idiot can experience something you can never know — and that he cannot appreciate it because, like you, he was condemned before birth in a court of biological happenstance, in a place where there is no justice — only fortuity, pure and simple.

“I don't know what I'll be writing a few years from now. I have some ideas — I have lots of different things I want to try. I almost don't really care what history thinks. I like the way I'm being treated right now.”

On how he would like to be remembered (1994)
Context: Oh, I don't know — that's a hell of a question — I don't tend to look at my stuff that way. I just look at it a book at a time. Something like the Amber books are in a different class. I try not to anticipate. I don't know what I'll be writing a few years from now. I have some ideas — I have lots of different things I want to try. I almost don't really care what history thinks. I like the way I'm being treated right now.

Roger Zelazny Quotes

“Yeah, the mythology is kind of a pattern. I'm very taken by mythology. I read it at a very early age and kept on reading it. Before I discovered science fiction I was reading mythology. And from that I got interested in comparative religion and folklore and related subjects. And when I began writing, it was just a fertile area I could use in my stories.”

"A Conversation With Roger Zelazny" (8 April 1978), talking with Terry Dowling and Keith Curtis in Science Fiction Vol. 1, #2 (June 1978) http://web.archive.org/web/20070701010155/zelazny.corrupt.net/19780408int.html#2
Context: Yeah, the mythology is kind of a pattern. I'm very taken by mythology. I read it at a very early age and kept on reading it. Before I discovered science fiction I was reading mythology. And from that I got interested in comparative religion and folklore and related subjects. And when I began writing, it was just a fertile area I could use in my stories.
I was saying at the convention in Melbourne that after a time I got typed as a writer of mythological science fiction, and at a convention I'd go to I'd invariably wind up on a panel with the title "Mythology and Science Fiction". I felt a little badly about this, I was getting considered as exclusively that sort of writer. So I intentionally tried to break away from it with things like Doorways in the Sand and those detective stories which came out in the book My Name Is Legion, and other things where I tried to keep the science more central.
But I do find the mythological things are creeping in. I worked out a book which I thought was just straight science fiction -- with everything pretty much explained, and suddenly I got an idea which I thought was kind of neat for working in a mythological angle. I'm really struggling with myself. It would probably be a better book if I include it, but on the other hand I don't always like to keep reverting to it. I think what I'm going to do is vary my output, do some straight science fiction and some straight fantasy that doesn't involve mythology, and composites.

“I think what I'm going to do is vary my output, do some straight science fiction and some straight fantasy that doesn't involve mythology, and composites.”

"A Conversation With Roger Zelazny" (8 April 1978), talking with Terry Dowling and Keith Curtis in Science Fiction Vol. 1, #2 (June 1978) http://web.archive.org/web/20070701010155/zelazny.corrupt.net/19780408int.html#2
Context: Yeah, the mythology is kind of a pattern. I'm very taken by mythology. I read it at a very early age and kept on reading it. Before I discovered science fiction I was reading mythology. And from that I got interested in comparative religion and folklore and related subjects. And when I began writing, it was just a fertile area I could use in my stories.
I was saying at the convention in Melbourne that after a time I got typed as a writer of mythological science fiction, and at a convention I'd go to I'd invariably wind up on a panel with the title "Mythology and Science Fiction". I felt a little badly about this, I was getting considered as exclusively that sort of writer. So I intentionally tried to break away from it with things like Doorways in the Sand and those detective stories which came out in the book My Name Is Legion, and other things where I tried to keep the science more central.
But I do find the mythological things are creeping in. I worked out a book which I thought was just straight science fiction -- with everything pretty much explained, and suddenly I got an idea which I thought was kind of neat for working in a mythological angle. I'm really struggling with myself. It would probably be a better book if I include it, but on the other hand I don't always like to keep reverting to it. I think what I'm going to do is vary my output, do some straight science fiction and some straight fantasy that doesn't involve mythology, and composites.

“So I sat down and made a list of everything I felt I should know more about. Astrophysics, oceanography, marine biology, genetics… Then when I'd finished the list I read one book in each of these areas. When I'd finished I went back and read a second book until I'd read ten books in each area. I thought that it wouldn't turn me into a terrific, fantastic expert but I'd at least have enough material there to know if I was saying something wrong.”

Phlogiston interview (1995)
Context: When I started writing my first novel,... And Call Me Conrad, they always say: "Write about what you know" and I said "Well, if I get a nice sort of combination SF and Fantasy with these resonances from Greek Mythology it might be pretty good. It would also give me a chance to start filling in my background on all those things I don't know much about but should if I want to be an SF writer."
So I sat down and made a list of everything I felt I should know more about. Astrophysics, oceanography, marine biology, genetics... Then when I'd finished the list I read one book in each of these areas. When I'd finished I went back and read a second book until I'd read ten books in each area. I thought that it wouldn't turn me into a terrific, fantastic expert but I'd at least have enough material there to know if I was saying something wrong. And I'd also know where to turn to get the information I want to make it right.
While I was doing this, to keep the words and cheques flowing I wrote books involving mythology. And once I started picking up things involving astrophysics I'd write stories that played with those sorts of things. So that's why I started out with mythology.

“I try to write every day. I used to try to write four times a day, minimum of three sentences each time. It doesn't sound like much but it's kinda like the hare and the tortoise. If you try that several times a day you're going to do more than three sentences, one of them is going to catch on. You're going to say "Oh boy!"”

and then you just write. You fill up the page and the next page. But you have a certain minimum so that at the end of the day, you can say "Hey I wrote four times today, three sentences, a dozen sentences. Each sentence is maybe twenty word long. That's 240 words which is a page of copy, so at least I didn't goof off completely today. I got a page for my efforts and tomorrow it might be easier because I've moved as far as I have".
Phlogiston interview (1995)

“Oh, I don't know — that's a hell of a question — I don't tend to look at my stuff that way. I just look at it a book at a time.”

On how he would like to be remembered (1994)
Context: Oh, I don't know — that's a hell of a question — I don't tend to look at my stuff that way. I just look at it a book at a time. Something like the Amber books are in a different class. I try not to anticipate. I don't know what I'll be writing a few years from now. I have some ideas — I have lots of different things I want to try. I almost don't really care what history thinks. I like the way I'm being treated right now.

“I'd read SF steadily from when I was eleven until I started college. When I started college I said, "I'm not going to read that while I'm here, I'm going to learn poetry and other things of that sort" in fact I wrote a lot of poetry then.”

Phlogiston interview (1995)
Context: Well, I decided that as a teenager that I really didn't know enough to describe character well and I was wasting my time. I'd learned as much as I could about story telling techniques and it wasn't a matter of technique any more. It was a matter of substance. As a result I said I was going to wait until I was a lot older and had more experience. So it was that after I got out of college I'd been away from SF for about four years. I'd read SF steadily from when I was eleven until I started college. When I started college I said, "I'm not going to read that while I'm here, I'm going to learn poetry and other things of that sort" in fact I wrote a lot of poetry then.

“Nobody steals books but your friends.”

Source: The Guns of Avalon

“Love is a negative form of hatred.”

Source: This Immortal

“I'm a lost soul. Wewail.”

Source: Jack of Shadows

“For me, I have seen worlds and people begin and end, actually and metaphorically, and it will always be the same. It’s always fire and water.
No matter what your scientific background, emotionally you’re an alchemist. You live in a world of liquids, solids, gases and heat-transfer effects that accompany their changes of state. These are the things you perceive, the things you feel. Whatever you know about their true natures is rafted on top of that. So, when it comes to the day-to-day sensations of living, from mixing a cup of coffee to flying a kite, you treat with the four ideal elements of the old philosophers: earth, air, fire, water.
Let’s face it, air isn’t very glamorous, no matter how you look at it. I mean, I’d hate to be without it, but it’s invisible and so long as it behaves itself it can be taken for granted and pretty much ignored. Earth? The trouble with earth is that it endures. Solid objects tend to persist with a monotonous regularity.
Not so fire and water, however. They’re formless, colorful, and they’re always doing something. While suggesting you repent, prophets very seldom predict the wrath of the gods in terms of landslides and hurricanes. No. Floods and fires are what you get for the rottenness of your ways. Primitive man was really on his way when he learned to kindle the one and had enough of the other nearby to put it out. It is coincidence that we’ve filled hells with fires and oceans with monsters? I don’t think so. Both principles are mobile, which is generally a sign of life. Both are mysterious and possess the power to hurt or kill. It is no wonder that intelligent creatures the universe over have reacted to them in a similar fashion. It is the alchemical response.”

Source: Isle of the Dead (1969), Chapter 6 (pp. 137-138)

“The stars blazed like the love of God, cold and distant.”

Source: Isle of the Dead (1969), Chapter 4 (p. 87)

“So do not speak to me of souls when you have never seen one, man.”

Source: Jack of Shadows (1971), Chapter 6 (p. 63)

“Symbols, by their very nature, conceal as well as indicate, damn them!”

Source: Isle of the Dead (1969), Chapter 1 (p. 29)

“I have noted, too, that when it comes to matters of security the laws are considerably relaxed.”

Source: Jack of Shadows (1971), Chapter 8 (p. 85)

“Never trust a cat, anyway. All they’re good for is stringing tennis racquets.”

October 6 (p. 28)
A Night in the Lonesome October (1993)

Similar authors

Robert A. Heinlein photo
Robert A. Heinlein 557
American science fiction author
David Foster Wallace photo
David Foster Wallace 185
American fiction writer and essayist
Ray Bradbury photo
Ray Bradbury 401
American writer
Frank Herbert photo
Frank Herbert 158
American writer
Isaac Asimov photo
Isaac Asimov 303
American writer and professor of biochemistry at Boston Uni…
Arthur C. Clarke photo
Arthur C. Clarke 207
British science fiction writer, science writer, inventor, u…
William Faulkner photo
William Faulkner 214
American writer
Richard Bach photo
Richard Bach 154
American spiritual writer
Elias Canetti photo
Elias Canetti 43
Bulgarian-born Swiss and British jewish modernist novelist,…
Pearl S.  Buck photo
Pearl S. Buck 95
American writer