Famous Pablo Picasso Quotes
“Every child is an artist. The problem is how to remain an artist once he grows up.”
Quote attributed to Picasso in TIME, October 4, 1976, Modern Living: Ozmosis in Central Park http://quoteinvestigator.com/2015/03/07/child-art/ http://content.time.com/time/magazine/article/0,9171,918412,00.html
Disputed
Variant: All children are artists. The problem is how to remain an artist once he grows up.
Pablo Picasso Quotes about painting
“It took me four years to paint like Raphael, but a lifetime to paint like a child.”
Quoted in: Peter Erskine, Rick Mattingly (1998), Drum Perspective, p. 73.
Alternative forms:
"At eight, I was Raphael", he used to say. "It took me a whole lifetime to paint like a child"
From Picasso, my grandfather, Marina Picasso (2001).
Attributed from posthumous publications
Pablo Picasso Quotes about art
“Art is not made to decorate rooms. It is an offensive weapon in the defense against the enemy.”
La peinture n'est pas faite pour décorer des appartements. C'est un instrument de guerre offensive et défensive contre l'ennemi.
La pintura no se ha inventado para adornar las habitaciones. La pintura es un arma ofensiva, en la defensa contra el enemigo.
Les lettres françaises (1943-03-24).
Quotes, 1940's
“Art washes away from the soul the dust of everyday life.”
Quoted in: LIFE http://books.google.com/books?id=9EgEAAAAMBAJ&pg=PA9, Vol. 57, nr. 11 (11 September 1964). p. 9.
1960s
1950s
Source: Sergei Eisenstein (1957), Film form [and]: The film sense, p. 127.
L'art n'est pas chaste [...], on devrait l’interdire aux ignorants innocents, ne jamais mettre en contact avec lui ceux qui y sont insuffisamment préparés. Oui, l'art est dangereux. Ou s'il est chaste, ce n'est pas de l'art.
Quote by Antonina Vallentin (1963 [1957]), Picasso, p. 168.
1960s
Pablo Picasso: Trending quotes
Pablo Picasso Quotes
Quoted in: Ingo F. Walther (1996), Picasso, p. 67.
Attributed from posthumous publications
As quoted in Life with Picasso, by François Gilot, 1964, p. 60
1940s
“I am always doing that which I can not do, in order that I may learn how to do it.”
Attributed in Civilization's Quotations : Life's Ideal (2002) by Richard Alan Krieger, p. 132, and many places on the internet, this was actually stated by Vincent van Gogh in a letter to Anthon van Rappard http://en.wikipedia.org/wiki/Anthon_van_Rappard (18 August 1885) http://vangoghletters.org/vg/letters/let528/letter.html, also rendered "I keep on making what I can’t do yet in order to learn to be able to do it."
Misattributed
Variant: I am always doing that which I cannot do, in order that I may learn how to do it.
“For me, there are two kinds of women — goddesses and doormats.”
Quoted in: Briton Hadden, Henry Robinson Luce (1969), Time, Vol. 93. p. 66.
1960s
Yo no busco, yo encuentro. Quoted in Graham Sutherland, "A Trend in English Draughtsmanship", Signature, III (1936), pp. 7-13.
Disputed
Variant: I do not seek. I find.
“Others have seen what is and asked why. I have seen what could be and asked why not.”
Source: Pablo Picasso: Metamorphoses of the Human Form : Graphic Works, 1895-1972

“It takes a very long time to become young.”
On met très longtemps à devenir jeune.
As quoted by Jean Cocteau The Hand of a Stranger (Journal d'un Inconnu). Horizon Press. 1959 [1953]. http://books.google.com/books?id=HxBJAQAAIAAJ
1950s
“Inspiration exists, but it has to find you working.”
La inspiración existe, pero tiene que encontrarte trabajando.
Attributed from posthumous publications
Source: Tomás R. Villasante (1994), Las ciudades hablan: identidades y movimientos sociales en seis metrópolis latinoamericanas. p. 264.
“Bad artists copy. Good artists steal.”
Compare: "Immature poets imitate; mature poets steal." T. S. Eliot, in Philip Massinger, in The Sacred Wood (1920)
Disputed
Variant: Good artists copy, great artists steal.
Source: 1920s, "Picasso Speaks" (1923), p. 315.
Herschel Browning Chip (1968, p. 270).
Other translation:
Abstract art is only painting. And what's so dramatic about that? There is no abstract art. One must always begin with something. Afterwards one can remove all semblance of reality.
Richard Friedenthal (1968, p. 256-7).
Longer version:
Abstract art is only painting. And what's so dramatic about that? There is no abstract art. One must always begin with something. Afterwards one can remove all semblance of reality; there is no longer any danger as the idea of the object has left an indelible imprint. It is the object which aroused the artist, stimulated his ideas and set of his emotions. These ideas and emotions will be imprisoned in his work for good.. .Whether he wants it or not, man is the instrument of nature; she imposes on him character and appearance. In my paintings of Dinard, as in my paintings of Purville, I have given expression to more or less the same vision.. .. You cannot go against nature. She is stronger than the strongest of men. We can permit ourselves some liberties, but in details only (Boisgeloup, winter 1934).
As quoted in Futurism, ed. Didier Ottinger; Centre Pompidou / 5 Continents Editions, Milan, 2008, p. 313
Quotes, 1930's, "Conversations avec Picasso," 1934–35
Context: Abstract art is only painting. What about drama?
There is no abstract art. You always start with something. Afterward you can remove all traces of reality.
“[Speaking of computers] But they are useless. They can only give you answers.”
As discussed in this entry from Quote Investigator http://quoteinvestigator.com/2011/11/05/computers-useless/#more-2932, the origin seems to be the article "Pablo Picasso: A Composite Interview" by William Fifield which appeared in The Paris Review 32, Summer-Fall 1964, and collected a number of interviews Fifield had done with Picasso.
Common later variant: "Computers are useless. They can only give you answers." This variant seems to have arisen in the 1980s, the earliest known appearance in a book is Herman Feshbach, "Reflections on the Microprocessor Revolution: A Physicist's Viewpoint", in Man and Technology (1983), ed. Bruce M. Adkins, where the attribution is described as "rumoured". http://books.google.com/books?id=9EohAQAAIAAJ&q=Picasso
1960s
Picasso quoted in 'TIME'; quoted in: The Atlantic, Vol. 214 (1964), p. 97.
Picasso commented on his ambiguous style, or use of multiple styles.
1960s
“When I don't have red, I use blue.”
Pablo Picasso (1953); quoted in: Kilkenny (2004), Doomsday Marauders, p. 83.
1950s
Quoted in: Ann Livermore (1988), Artists and Aesthetics in Spain. p. 154
Attributed from posthumous publications
Quoted in Letters of the great artists – from Blake to Pollock, Richard Friedenthal, Thames and Hudson, London, 1963, p. 258 (translation Daphne Woodward)
1960s
“The smell of opium is the least stupid smell in the world.”
Quote, attributed to Picasso in: Jean Cocteau (1932), Opium: The Diary of an Addict. p. 63
Quotes, 1930's
The original quote attributed to Picasso in 1951 quotes him as saying that 'even if he were imprisoned, he would draw on the dust-covered prison walls and on the floor, with his fingers dripped in his own spit' (see above). This expansion appears to derive from an interview given by actor Dustin Hoffman to the L.A. Times in 2001.
http://articles.latimes.com/2001/mar/04/entertainment/ca-32985
Disputed