John Ruskin Quotes (133 quotes, page 2)

At the annual meeting of the Royal Society for the Prevention of Cruelty to Animals (1877), in Arrows of the Chase, vol. 2 (in The Complete Works of John Ruskin, vol. 23 https://books.google.it/books?hl=it&id=Gpc3AAAAYAAJ), p. 129.

Education , Animals , Perfection

“There is really no such thing as bad weather, only different kinds of good weather.”

John Ruskin

Quoted by John Lubbock, 1st Baron Avebury, The Use of Life, chapter IV: "Recreation" (1894).

Beauty , Peaceful , Weather

“The word "Blue" does not mean the sensation caused by a gentian on the human eye; but it means the power of producing that sensation: and this power is always there, in the thing, whether we are there to experience it or not, and would remain there though there were not a man left on the face of the earth.”

John Ruskin book Modern Painters

Volume III, part IV, chapter XII (1856).
Modern Painters (1843-1860)

“In all base schools of art, the craftsman is dependent for his bread on originality; that is to say, on finding in himself some fragment of isolated faculty, by which his work may be distinct from that of other men. We are ready enough to take delight in our little doings, without any such stimulus; — what must be the effect of the popular applause which continually suggests that the little thing we can separately do is as excellent as it is singular; and what the effect of the bribe, held out to us through the whole of life, to produce — it being also in our peril not to produce — something different from the work of our neighbors?”

John Ruskin

Lecture II, section 32.
The Eagle's Nest (1872)

Life , Men , School , Art

“We have much studied and much perfected, of late, the great civilized invention of the division of labour; only we give it a false name. It is not, truly speaking, the labour that it divided; but the men: — Divided into mere segments of men — broken into small fragments and crumbs of life; so that all the little piece of intelligence that is left in a man is not enough to make a pin, or a nail, but exhausts itself in making the point of a pin or the head of a nail. Now it is a good and desirable thing, truly, to make many pins in a day; but if we could only see with what crystal sand their points were polished, — sand of human soul, much to be magnified before it can be discerned for what it is — we should think that there might be some loss in it also. And the great cry that rises from our manufacturing cities, louder than their furnace blast, is all in very deed for this, — that we manufacture everything there except men; we blanch cotton, and strengthen steel, and refine sugar, and shape pottery; but to brighten, to strengthen, to refine, or to form a single living spirit, never enters into our estimate of advantages. And all the evil to which that cry is urging our myriads can be met only in one way: not by teaching nor preaching, for to teach them is but to show them their misery, and to preach at them, if we do nothing more than preach, is to mock at it. It can only be met by a right understanding, on the part of all classes, of what kinds of labour are good for men, raising them, and making them happy; by a determined sacrifice of such convenience or beauty, or cheapness as is to be got only by the degradation of the workman; and by equally determined demand for the products and results of healthy and ennobling labour.”

John Ruskin book The Stones of Venice

Volume II, chapter VI, section 16.
The Stones of Venice (1853)

Life , Men , Beauty , Way

“Of all the bête, clumsy, blundering, boggling, baboon-blooded stuff I ever saw on a human stage, that thing last night beat — as far as the acting and story went — and of all the affected, sapless, soulless, beginningless, endless, topless, bottomless, topsiturviest, tuneless and scrannelpipiest — tongs and boniest — doggerel of sounds I ever endured the deadliness of, that eternity of nothing was the deadliest, so far as the sound went. I never was so relieved, so far as I can remember in my life, by the stopping of any sound — not excepting railway whistles — as I was by the cessation of the cobbler’s bellowing.”

John Ruskin

On Richard Wagner's Die Meistersinger
Letter to Georgiana Burne-Jones (June 30, 1882).

Life , Night

“The zealous care with which J. M. W. Turner endeavoured to do his duty, is proved by a large existing series of drawings, exquisitely tinted, and often completely coloured, all by his own hand, of the most difficult perspective subjects—illustrating not only directions of line, but effects of light - with a care and completion which would put the work of any ordinary teacher to utter shame. In teaching generally — he would neither waste time nor spare it - he would look over a student's drawing at the Academy, point to a defective part, make a scratch on the paper at the side, say nothing. If the student saw what was wanted, and did it, Turner was delighted; but if the student could not follow. Turner left him.”

John Ruskin

Quote, c. 1850's; describing Turner's perspective lectures; as quoted in The life of J.M.W. Turner, Volume II, George Walter Thornbury; Hurst and Blackett Publishers, London, 1862, p. 108

Light , Teachers , Time , Parting

“In general, pride is at the bottom of all great mistakes.”

John Ruskin book Modern Painters

Volume IV, part V, chapter III, section 22 (1856).
Modern Painters (1843-1860)

“God is a kind Father. He sets us all in the place where He wishes us to be employed; and that employment is truly "our Father's business." He chooses work for every creature which will be delightful to them, if they do it simply and humbly. He gives us always strength enough, and sense enough, for what He wants us to do; if we either tire ourselves, or puzzle ourselves, it is our own fault. And we may always be sure, whatever we are doing, that we cannot be pleasing Him, if we are not happy ourselves.”

John Ruskin

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 123.

God , Business , Sense , Happiness

“It is only the basest writer who cannot speak of the sea without talking of "raging waves," "remorseless floods," "ravenous billows," etc.; and it is one of the signs of the highest power in a writer to check all such habits of thought, and to keep his eyes fixed firmly on the pure fact, out of which if any feeling comes to him or his reader, he knows it must be a true one.”

John Ruskin book Modern Painters

Volume III, part IV, chapter XII (1856).
Modern Painters (1843-1860)

Feeling , Rage , Sea

“For when we are interested in the beauty of a thing, the oftener we can see it the better; but when we are interested only by the story of a thing, we get tired of hearing the same tale told over and over again, and stopping always at the same point — we want a new story presently, a newer and better one — and the picture of the day, and novel of the day, become as ephemeral as the coiffure or the bonnet of the day. Now this spirit is wholly adverse to the existence of any lovely art. If you mean to throw it aside to-morrow, you can never have it to-day.”

John Ruskin

On the Condition of Modern Art, lecture (1867).

Love , Beauty , Art

“I do not believe that ever any building was truly great, unless it had mighty masses, vigorous and deep, of shadow mingled with its surface.”

John Ruskin book The Seven Lamps of Architecture

Source: The Seven Lamps of Architecture (1849), Chapter III: The Lamp of Power, section 13.

“A little group of wise hearts is better than a wilderness full of fools.”

John Ruskin

The Crown of Wild Olive, lecture III: War, section 114 (1866).

Fools , Heart

“For this dead Venice once taught us to be merchants, sailors and gentlemen; and this dying England taught the Americans all they have of speech, or thought, hitherto. What thoughts they have not learned from England are foolish thoughts; what words they have not learned from England, unseemly words; the vile among them not being able even to be humorous parrots, but only obscene mocking birds.”

John Ruskin book Fors Clavigera

Fors Clavigera,, letter xlii, ( 1 June 1874 https://archive.org/stream/forsclavigera02ruskiala#page/204/mode/2up; quoted by William Archer in America To-Day).
Fors Clavigera (1871-1878 and 1880-1884)

Bird , Learning , Dead

“Engraving is, in brief terms, the Art of Scratch.”

John Ruskin

Ariadne Florentina: Six Lectures on Wood and Metal Engraving, with Appendix, lecture I: Definition of the Art of Engraving, section 34 (1872).

Art

“And with respect to the mode in which these general principles affect the secure possession of property, so far am I from invalidating such security, that the whole gist of these papers will be found ultimately to aim at an extension in its range; and whereas it has long been known and declared that the poor have no right to the property of the rich, I wish it also to be known and declared that the rich have no right to the property of the poor.”

John Ruskin book Unto This Last

Essay III: "Qui Judicatis Terram," section 54.
Unto This Last (1860)

“The greatest efforts of the race have always been traceable to the love of praise, as its greatest catastrophes to the love of pleasure.”

John Ruskin

Sesame and Lilies, lecture I: Sesame. Of King's Treasuries, section 3 (1864-1865)

Love , Pleasure , Effort

“Christian faith is a grand cathedral, with divinely pictured windows. Standing without you see no glory, nor can possibly imagine any. Nothing is visible but the merest outline of dusky shapes. Standing within all is clear and denned; every ray of light reveals an army of unspeakable splendors.”

John Ruskin

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 134.

Faith , Imagination , Light

“Work first and then rest. Work first, and then gaze, but do not use golden ploughshares, nor bind ledgers in enamel.”

John Ruskin book The Seven Lamps of Architecture

Source: The Seven Lamps of Architecture (1849), Chapter IV: The Lamp of Beauty, section 19.

“In great states, children are always trying to remain children, and the parents wanting to make men and women of them. In vile states, the children are always wanting to be men and women, and the parents to keep them children.”

John Ruskin

Mornings in Florence, part III, section 49 (1875).

Women , Men , Children , Parent

“An unimaginative person can neither be reverent nor kind.”

John Ruskin book Fors Clavigera

Fors Clavigera, letter xxxiv (October 1873).
Fors Clavigera (1871-1878 and 1880-1884)

Personality

“What do you suppose makes all men look back to the time of childhood with so much regret (if their childhood has been, in any moderate degree, healthy or peaceful)? That rich charm, which the least possession had for us, was in consequence of the poorness of our treasures.”

John Ruskin

Lecture V, section 82.
The Eagle's Nest (1872)

Men , Peace , Time , Childhood

“Life without industry is guilt, and industry without art is brutality.”

John Ruskin

Lecture III
Lectures on Art (1870)

Life , Art

“Give an earnest-hearted, devoted girl any true work that will make her active in the dawn, and weary at night, with the consciousness that her fellow-creatures have indeed been the better for her day, and the powerless sorrow of her enthusiasm will transform itself into a majesty of radiant and beneficent peace.”

John Ruskin

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 122.

Peace , Girl , Heart , Night

“And thus, in full, there are four classes: the men who feel nothing, and therefore see truly; the men who feel strongly, think weakly, and see untruly (second order of poets); the men who feel strongly, think strongly, and see truly (first order of poets); and the men who, strong as human creatures can be, are yet submitted to influences stronger than they, and see in a sort untruly, because what they see is inconceivably above them. This last is the usual condition of prophetic inspiration.”

John Ruskin book Modern Painters

Volume III, part IV, chapter XII (1856).
Modern Painters (1843-1860)

Men , Feeling , Thinking , Strong

“The power which causes the several portions of the plant to help each other, we call life. Much more is this so in an animal. We may take away the branch of a tree without much harm to it; but not the animal's limb. Thus, intensity of life is also intensity of helpfulness — completeness of depending of each part on all the rest. The ceasing of this help is what we call corruption; and in proportion to the perfectness of the help, is the dreadfulness of the loss. The more intense the life has been, the more terrible is its corruption.”

John Ruskin book Modern Painters

Volume V, part VIII, chapter 1, section 4 (1860).
Modern Painters (1843-1860)

Life , Tree , Loss , Help

“It's unwise to pay too much, but it's worse to pay too little. When you pay too much, you lose a little money — that is all. When you pay too little, you sometimes lose everything, because the thing you bought was incapable of doing the thing it was bought to do. The common law of business balance prohibits paying a little and getting a lot — it can't be done. If you deal with the lowest bidder, it is well to add something for the risk you run, and if you do that you will have enough to pay for something better.”

John Ruskin

Known as the Common Law of Business Balance, this quotation has been widely attributed to Ruskin but has never been sourced to any of his works.
[Shapiro, Fred R., The Yale Book of Quotations, 2006, Yale University Press, New Haven, 657]
Disputed

Money , Law , Business

“I am far more provoked at being thought foolish by foolish people, than pleased at being thought sensible by sensible people; and the average proportion of the numbers of each is not to my advantage.”

John Ruskin book Fors Clavigera

Fors Clavigera, letter xxxvii, (1 January 1874).
Fors Clavigera (1871-1878 and 1880-1884)

People

“Levi's station in life was the receipt of custom; and Peter's, the shore of Galilee; and Paul's, the antechambers of the High- Priest,— which "station in life" each had to leave, with brief notice.”

John Ruskin

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 438.

Life

“Ask a great money-maker what he wants to do with his money, — he never knows. He doesn't make it to do anything with it. He gets it only that he may get it. "What will you make of what you have got?" you ask. "Well, I'll get more," he says. Just as at cricket, you get more runs. There's no use in the runs, but to get more of them than other people is the game. So all that great foul city of London there, — rattling, growling, smoking, stinking, — a ghastly heap of fermenting brickwork, pouring out poison at every pore, — you fancy it is a city of work? Not a street of it! It is a great city of play; very nasty play and very hard play, but still play.”

John Ruskin

The Crown of Wild Olive, lecture I: Work, sections 23-24 (1866).