Jacques Derrida Quotes

Jacques Derrida was a French philosopher best known for developing a form of semiotic analysis known as deconstruction, which he discussed in numerous texts, and developed in the context of phenomenology. He is one of the major figures associated with post-structuralism and postmodern philosophy.

During his career Derrida published more than 40 books, together with hundreds of essays and public presentations. He had a significant influence upon the humanities and social sciences, including—in addition to philosophy and literature—law, anthropology, historiography, applied linguistics, sociolinguistics, psychoanalysis, political theory, religious studies, feminism, and gay and lesbian studies. His work still has a major influence in the academe of continental Europe, South America and all other countries where "continental philosophy" has been predominant, particularly in debates around ontology, epistemology , ethics, aesthetics, hermeneutics, and the philosophy of language. He also influenced architecture , music, art, and art criticism.

Particularly in his later writings, Derrida addressed ethical and political themes in his work. Some critics consider Speech and Phenomena to be his most important work. Others cite Of Grammatology, Writing and Difference, and Margins of Philosophy. These writings influenced various activists and political movements. He became a well-known and influential public figure, while his approach to philosophy and the notorious difficulty of his work made him controversial.

✵ 15. July 1930 – 9. October 2004
Jacques Derrida photo

Works

Specters of Marx
Specters of Marx
Jacques Derrida
Writing and Difference
Writing and Difference
Jacques Derrida
Positions
Positions
Jacques Derrida
Limited Inc
Limited Inc
Jacques Derrida
Jacques Derrida: 58   quotes 13   likes

Famous Jacques Derrida Quotes

“The age is off its hinges. Everything, beginning with time, seems out of kilter, unjust, dis-adjusted. The world is going very badly, it wears as it grows”

Wear and Tears (tableu of a ageless world)
Specters of Marx (1993)
Context: The time is out of joint. The world is going badly. It is worn but its wear no longer counts. Old age or youth-one no longer counts in that way. The world has more than one age. We lack the measure of the measure. We no longer realize the wear, we no longer take account of it as of a single age in the progress of history. Neither maturation, nor crisis, nor even agony. Something else. What is happening is happening to age itself, it strikes a blow at the teleological order of history. What is coming, in which the untimely appears, is happening to time but it does not happen in time. Contretemps. The time is out of joint. Theatrical speech, Hamlet's speech before the theater of the world, of history, and of politics. The age is off its hinges. Everything, beginning with time, seems out of kilter, unjust, dis-adjusted. The world is going very badly, it wears as it grows, as the Painter also says at the beginning of Timon of Athens (which is Marx's play, is it not). For, this time, it is a painter's speech, as if he were speaking of a spectacle or before a tableau: "How goes the world?-It wears, sir, as it grows.

“I speak only one language, and it is not my own.”

Source: Monolingualism of the Other: or, The Prosthesis of Origin

“I always dream of a pen that would be a syringe.”

Source: Jacques Derrida

Jacques Derrida: Trending quotes

“If,­ there is a tendency in all Western democracies no longer to respect the professional politician or even the party member as such, it is no longer only because of some personal insufficiency, some fault, or some incompetence, or because of some scandal that can now be more widely known, amplified, and in fact often produced, if not premeditated by the power of the media. Rather, it is because politicians become more and more, or even solely characters in the media's representation at the very moment when the transformation of the public space, precisely by the media, causes them to lose the essential part of the power and even of the competence they were granted before by the structures of parliamentary representation, by the party apparatuses that were linked to it, and so forth. However competent they may personally be, professional politicians who conform to the old model tend today to become structurally incompetent. The same media power accuses, produces, and amplifies at the same time this incompetence of traditional politicians: on the one hand, it takes aways from them the legitimate power they held in the former political space (party, parliament, and so forth), but, on the other hand, it obliges them to become mere silhouettes, if not marionettes, on the stage of televisual rhetoric. They were thought to be actors of politics, they now often risk, as everyone knows, being no more than TV actors.”

Wear and Tears (tableu of a ageless world)
Specters of Marx (1993)

Jacques Derrida Quotes

“No differeance without alterity, no alterity without singularity, no singularity without here-now.”

Injunctions of Marx, p,31
Specters of Marx (1993)

“The time is out of joint. The world is going badly. It is worn but its wear no longer counts. Old age or youth-one no longer counts in that way. The world has more than one age. We lack the measure of the measure. We no longer realize the wear, we no longer take account of it as of a single age in the progress of history. Neither maturation, nor crisis, nor even agony. Something else. What is happening is happening to age itself, it strikes a blow at the teleological order of history. What is coming, in which the untimely appears, is happening to time but it does not happen in time. Contretemps. The time is out of joint.”

Wear and Tears (tableu of a ageless world)
Specters of Marx (1993)
Context: The time is out of joint. The world is going badly. It is worn but its wear no longer counts. Old age or youth-one no longer counts in that way. The world has more than one age. We lack the measure of the measure. We no longer realize the wear, we no longer take account of it as of a single age in the progress of history. Neither maturation, nor crisis, nor even agony. Something else. What is happening is happening to age itself, it strikes a blow at the teleological order of history. What is coming, in which the untimely appears, is happening to time but it does not happen in time. Contretemps. The time is out of joint. Theatrical speech, Hamlet's speech before the theater of the world, of history, and of politics. The age is off its hinges. Everything, beginning with time, seems out of kilter, unjust, dis-adjusted. The world is going very badly, it wears as it grows, as the Painter also says at the beginning of Timon of Athens (which is Marx's play, is it not). For, this time, it is a painter's speech, as if he were speaking of a spectacle or before a tableau: "How goes the world?-It wears, sir, as it grows.

“Monsters cannot be announced. One cannot say: 'here are our monsters', without immediately turning the monsters into pets.”

Some Statements and Truisms about Neologisms, Newisms, Postisms, Parasitisms, and other small Seismisms, The States of Theory, ed. David Carroll, New York: Columbia University Press, 1989.

“"There is no outside-text." It is usually mistranslated as "There is nothing outside the text" by his opponents to make it appear that Derrida is claiming nothing exists beyond language (see Searle–Derrida debate). In French, that mistranslated phrase would actually read "Il n'y a rien en dehors du texte."”

il n'y a pas de hors-texte
"This question is therefore not only of Rousseau's writing but also of our reading. ...the writer writes <i>in</i> a language and <i>in</i> a logic whose proper system, laws, and life his discourse by definition cannot dominate absolutely. ...reading... cannot legitimately transgress the text toward something other than it... . <i>There is nothing outside of the text </i>[there is no outside-text; <i>il n'y a pas de hors-texte</i>]."
Specters of Marx (1993), 1960s

“The disciple must break the glass, or better the mirror, the reflection, his infinite speculation on the master. And start to speak.”

Cogito and The History of Madness, p.37 (Routledge classics edition)
Writing and Difference (1978)

“Amy Kofman: Have you read all the books in here?
Derrida: No, only four of them. But I read those very, very carefully.”

Derrida (2003 documentary), referring to his personal library
Specters of Marx (1993), 2000s

“In order to try to remove what we are going to say from what risks happening, if we judge by the many signs, to Marx's work today, which is to say also to his injunction. What risks happening is that one will try to play Marx off against Marxism so as to neutralize, or at any rate muffle the political imperative in the untroubled exegesis of a classified work. One can sense a coming fashion or stylishness in this regard in the culture and more precisely in the university. And what is there to worry about here? Why fear what may also become a cushioning operation? This recent stereotype would be destined, whether one wishes it or not, to depoliticize profoundly the Marxist reference, to do its best, by putting on a tolerant face, to neutralize a potential force, first of all by enervating a corpus, by silencing in it the revolt [the return is acceptable provided that the revolt, which initially inspired uprising, indignation, insurrection, revolutionary momentum, does not come back]. People would be ready to accept the return of Marx or the return to Marx, on the condition that a silence is maintained about Marx's injunction not just to decipher but to act and to make the deciphering [the interpretation] into a transformation that "changes the world. In the name of an old concept of reading, such an ongoing neutralization would attempt to conjure away a danger: now that Marx is dead, and especially now that Marxism seems to be in rapid decomposition, some people seem to say, we are going to be able to concern ourselves with Marx without being bothered-by the Marxists and, why not, by Marx himself, that is, by a ghost that goes on speaking. We'll treat him calmly, objectively, without bias: according to the academic rules, in the University, in the library, in colloquia! We'll do it systematically, by respecting the norms of hermeneutical, philological, philosophical exegesis. If one listens closely, one already hears whispered: "Marx, you see, was despite everything a philosopher like any other; what is more [and one can say this now that so many Marxists have fallen silent], he was a great-philosopher who deserves to figure on the list of those works we assign for study and from which he has been banned for too long.29 He doesn't belong to the communists, to the Marxists, to the parties-, he ought to figure within our great canon of Western political philosophy. Return to Marx, let's finally read him as a great philosopher."”

We have heard this and we will hear it again.
Injunctions of Marx
Specters of Marx (1993)

“Although Saussure recognized the necessity of putting the phonic substance between brackets ("What is essential in language, we shall see, is foreign to the phonic character of the linguistic sign" [p. 21]. "In its essence it [the linguistic signifier] is not at all phonic" [p. 164]), Saussure, for essential, and essentially metaphysical, reasons had to privilege speech, everything that links the sign to phone. He also speaks of the "natural link" between thought and voice, meaning and sound (p. 46). He even speaks of "thought-sound" (p. 156). I have attempted elsewhere to show what is traditional in such a gesture, and to what necessities it submits. In any event, it winds up contradicting the most interesting critical motive of the Course, making of linguistics the regulatory model, the "pattern" for a general semiology of which it was to be, by all rights and theoretically, only a part. The theme of the arbitrary, thus, is turned away from its most fruitful paths (formalization) toward a hierarchizing teleology:… One finds exactly the same gesture and the same concepts in Hegel. The contradiction between these two moments of the Course is also marked by Saussure's recognizing elsewhere that "it is not spoken language that is natural to man, but the faculty of constituting a language, that is, a system of distinct signs …," that is, the possibility of the code and of articulation, independent of any substance, for example, phonic substance.”

Source: Positions, 1982, p. 21

“I am one of those marranes who no longer say they are Jews even in the secret of their own hearts.”

"Circumfession." In Jacques Derrida, eds. G. Bennington & J. Derrida, trans. G. Bennington. Chicago: University of Chicago Press, 1993, p. 170

“No one can deny the suffering, fear, or panic, the terror or fright that can seize certain animals and that we humans can witness. … No doubt either, then, of there being within us the possibility of giving vent to a surge of compassion, even if it is then misunderstood, repressed, or denied, held at bay. … The two centuries I have been referring to somewhat casually in order to situate the present in terms of this tradition have been those of an unequal struggle, a war (whose inequality could one day be reversed) being waged between, on the one hand, those who violate not only animal life but even and also this sentiment of compassion, and, on the other hand, those who appeal for an irrefutable testimony to this pity. War is waged over the matter of pity. This war is probably ageless but, and here is my hypothesis, it is passing through a critical phase. We are passing through that phase, and it passes through us. To think the war we find ourselves waging is not only a duty, a responsibility, an obligation, it is also a necessity, a constraint that, like it or not, directly or indirectly, no one can escape. Henceforth more than ever. And I say “to think” this war, because I believe it concerns what we call “thinking.””

The animal looks at us, and we are naked before it. Thinking perhaps begins there.
Specters of Marx (1993), The Animal That Therefore I Am, 1997

“The end of man (as a factual anthropological limit) is announced to thought from the vantage of the end of man (as a determined opening or the infinity of a telos). Man is that which is in relation to his end, in the fundamentally equivocal sense of the word. Since always.”

"The Ends of Man," Margins of Philosophy, tr. w/ notes by Alan Bass. The University of Chicago Press. Chicago, 1982. (original French published in Paris, 1972, as Marges de la philosophie). p. 123

“Circumcision, that’s all I’ve ever talked about.”

"Circumfession." In Jacques Derrida, eds. G. Bennington & J. Derrida, trans. G. Bennington. Chicago: University of Chicago Press, 1993, p. 70

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