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George Eliot Quotes
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Mary Anne Evans , known by her pen name George Eliot, was an English novelist, poet, journalist, translator and one of the leading writers of the Victorian era. She is the author of seven novels, including Adam Bede , The Mill on the Floss , Silas Marner , Middlemarch , and Daniel Deronda , most of which are set in provincial England and known for their realism and psychological insight.

She used a male pen name, she said, to ensure that her works would be taken seriously. Female authors were published under their own names during Eliot's life, but she wanted to escape the stereotype of women's writing only lighthearted romances. She also wished to have her fiction judged separately from her already extensive and widely known work as an editor and critic. An additional factor in her use of a pen name may have been a desire to shield her private life from public scrutiny and to prevent scandals attending her relationship with the married George Henry Lewes, with whom she lived for over 20 years.

Eliot's Middlemarch has been described by Martin Amis and Julian Barnes as the greatest novel in the English language.

✵ 22. November 1819 – 22. December 1880  •  Other names Marian Evans
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George Eliot: 300 quotes53 likes

George Eliot Quotes

“The natur o' things doesn't change, though it seems as if one's own life was nothing but change. The square o' four is sixteen, and you must lengthen your lever in proportion to your weight, is as true when a man's miserable as when he's happy; and the best o' working is, it gives you a grip hold o' things outside your own lot.”

George Eliot book Adam Bede

Adam Bede (1859)

“That Spanish woman who lived three hundred years ago, was certainly not the last of her kind. Many Theresas have been born who found for themselves no epic life wherein there was a constant unfolding of far-resonant action; perhaps only a life of mistakes, the offspring of a certain spiritual grandeur ill-matched with the meanness of opportunity; perhaps a tragic failure which found no sacred poet and sank unwept into oblivion.”

George Eliot book Middlemarch

Prelude
Middlemarch (1871)

“She could not reconcile the anxieties of a spiritual life involving eternal consequences, with a keen interest in gimp and artificial protrusions of drapery. Her mind was theoretic, and yearned by its nature after some lofty conception of the world which might frankly include the parish of Tipton and her own rule of conduct there; she was enamoured of intensity and greatness, and rash in embracing whatever seemed to her to have those aspects; likely to seek martyrdom, to make retractations, and then to incur martyrdom after all in a quarter where she had not sought it. Certainly such elements in the character of a marriageable girl tended to interfere with her lot, and hinder it from being decided according to custom, by good looks, vanity, and merely canine affection.”

George Eliot book Middlemarch

Middlemarch (1871)

“He rushed before them to the glittering space,
And, with a strength that was but strong desire,
Cried, "I am Jubal, I!…. I made the lyre!"
The tones amid a lake of silence fell
Broken and strained, as if a feeble bell
Had tuneless pealed the triumph of a land
To listening crowds in expectation spanned.
Sudden came showers of laughter on that lake;
They spread along the train from front to wake
In one great storm of merriment, while he
Shrank doubting whether he could Jubal be…”

George Eliot

The Legend of Jubal (1869)

“Some set out, like Crusaders of old, with a glorious equipment of hope and enthusiasm and get broken by the way, wanting patience with each other and the world.”

George Eliot book Middlemarch

Middlemarch (1871)

“It was the last weakness he meant to indulge in; and a man never lies with more delicious languor under the influence of a passion than when he has persuaded himself that he shall subdue it to-morrow.”

George Eliot book Adam Bede

Adam Bede (1859)

“One can say everything best over a meal.”

George Eliot book Adam Bede

Adam Bede (1859)

“No radiant angel came across the gloom with a clear message for her. In those times, as now, there were human beings who never saw angels or heard perfectly clear messages. Such truth as came to them was brought confusedly in the voices and deeds of men not at all like the seraphs of unfailing wing and piercing vision—men who believed falsities as well as truths, and did the wrong as well as the right. The helping hands stretched out to them were the hands of men who stumbled and often saw dimly, so that these beings unvisited by angels had no other choice than to grasp that stumbling guidance along the path of reliance and action which is the path of life, or else to pause in loneliness and disbelief, which is no path, but the arrest of inaction and death.”

George Eliot book Romola

Volume II, Chapter XVI
Romola (1863)

“But veracity is a plant of paradise, and the seeds have never flourished beyond the walls.”

George Eliot book Romola

Volume II, Chapter XXV
Romola (1863)

“We mortals sometimes cut a pitiable figure in our attempts at display. We may be sure of our own merits, yet fatally ignorant of the point of view from which we are regarded by our neighbour. Our fine patterns in tattooing may be far from throwing him into a swoon of admiration, though we turn ourselves all round to show them.”

George Eliot book Felix Holt, the Radical

Source: Felix Holt, the Radical (1866), Chapter 11 (at page 117)

“Sudden and near the trumpet's notes out-spread,
And soon his eyes could see the metal flower,
Shining upturned, out on the morning pour
Its incense audible; could see a train
From out the street slow-winding on the plain
With lyres and cymbals, flutes and psalteries,
While men, youths, maids, in concert sang to these
With various throat, or in succession poured,
Or in full volume mingled. But one word
Ruled each recurrent rise and answering fall,
As when the multitudes adoring call
On some great name divine, their common soul,
The common need, love, joy, that knits them in one whole.
The word was "Jubal!"… "Jubal" filled the air,
And seemed to ride aloft, a spirit there,
Creator of the choir, the full-fraught strain
That grateful rolled itself to him again.
The aged man adust upon the bank
— Whom no eye saw — at first with rapture drank
The bliss of music, then, with swelling heart,
Felt, this was his own being's greater part,
The universal joy once born in him.”

George Eliot

The Legend of Jubal (1869)

“Opposition may become sweet to a man when he has christened it persecution.”

George Eliot book Scenes of Clerical Life

Janet's Repentance, Ch. 8
Scenes of Clerical Life (1858)

“Imagination is a licensed trespasser: it has no fear of dogs, but may climb over walls and peep in at windows with impunity.”

George Eliot book Adam Bede

Adam Bede (1859)

“An election is coming. Universal peace is declared, and the foxes have a sincere interest in prolonging the lives of the poultry.”

George Eliot book Felix Holt, the Radical

Felix Holt, the Radical (1866)

“Worldly faces, never look so worldly as at a funeral.”

George Eliot book Scenes of Clerical Life

"Janet's Repentance" Ch. 25
Scenes of Clerical Life (1858)

“Family likeness has often a deep sadness in it. Nature, that great tragic dramatist, knits us together by bone and muscle, and divides us by the subtler web of our brains; blends yearning and repulsion; and ties us by our heart-strings to the beings that jar us at every movement.”

George Eliot book Adam Bede

Adam Bede (1859)

“An accomplished woman almost always knows more than we men, though her knowledge is of a different sort. I am sure you could teach me a thousand things--as an exquisite bird could teach a bear if there were any common language between them. Happily, there is a common language between women and men, and so the bears can get taught.”

George Eliot book Middlemarch

Middlemarch (1871)

“Apropos of the "The Lifted Veil," I think it will not be judicious to reprint it at present. I care for the idea which it embodies, and which justifies its painfulness. A motto which I wrote on it yesterday perhaps is a sufficient indication of that idea: —
"Give me no light, great heaven, but such as turns
To energy of human fellowship;
No powers save the growing heritage
That makes complete manhood."
But it will be well to put the story in harness with some other productions of mine, and not send it forth in its dismal loneliness. There are many things in it which I would willingly say over again, and I shall never put them in any other form. But we must wait a little. The question is not in the least one of money, but of care for the best effect of writing, which often depends on circumstances, much as pictures depend on light and juxtaposition.”

George Eliot

Comments on The Lifted Veil with a motto for it used in the "Cabinet Edition" of her works (1878), in a letter to John Blackwood (28 February 1873), published in George Eliot's Life as Related in Her Letters and Journals (1885), Vol. 4

“Vanity is as ill at ease under indifference as tenderness is under a love which it cannot return...”

George Eliot book Daniel Deronda

Daniel Deronda (1876)

“The best augury of a man's success in his profession is that he thinks it the finest in the world.”

George Eliot book Daniel Deronda

Daniel Deronda (1876)

“I've never any pity for conceited people, because I think they carry their comfort about with them.”

George Eliot book The Mill on the Floss

The Mill on the Floss (1860)

“When Mrs. Casaubon was announced he started up as from an electric shock, and felt a tingling at his fingerends. Any one observing him would have seen a change in his complexion, in the adjustment of his facial muscles, in the vividness of his glance, which might have made them imagine that every molecule in his body had passed the message of a magic touch. And so it had. For effective magic is transcendent nature; and who shall measure the subtlety of those touches which convey the quality of soul as well as body, and make a man’s passion for one woman differ from his passion for another as joy in the morning light over valley and river and white mountain-top differs from joy among Chinese lanterns and glass panels? Will, too, was made of very impressible stuff. The bow of a violin drawn near him cleverly, would at one stroke change the aspect of the world for him, and his point of view shifted— as easily as his mood. Dorothea’s entrance was the freshness of morning.”

George Eliot book Middlemarch

Middlemarch (1871)

“It is the glory of the heritage
Thy life has left, that makes thy outcast age:
Thy limbs shall lie dark, tombless on this sod,
Because thou shinest in man's soul, a god,
Who found and gave new passion and new joy
That nought but Earth's destruction can destroy.
Thy gifts to give was thine of men alone:
'Twas but in giving that thou couldst atone
For too much wealth amid their poverty.”

George Eliot

The Legend of Jubal (1869)

“Better spend an extra hundred or two on your son's education, than leave it him in your will.”

George Eliot book The Mill on the Floss

The Mill on the Floss (1860)

“I should like to know what is the proper function of women, if it is not to make reasons for husbands to stay at home, and still stronger reasons for bachelors to go out.”

George Eliot book The Mill on the Floss

Book VI, ch. vi
The Mill on the Floss (1860)

“The mother's yearning, that completest type of the life in another life which is the essence of real human love, feels the presence of the cherished child even in the debased, degraded man.”

George Eliot book Daniel Deronda

Bk. 2, Ch. 13
Daniel Deronda (1876)

“I suppose a woman is never in love with any one she has always known— ever since she can remember; as a man often is. It is always some new fellow who strikes a girl.”

George Eliot book Middlemarch

Middlemarch (1871)

“It was entirely from worldly vanity that you destined him for the Church: with a family of three sons and four daughters, you were not warranted in devoting money to an expensive education which has succeeded in nothing but in giving him extravagant idle habits. You are now reaping the consequences.”

George Eliot book Middlemarch

Middlemarch (1871)

“She was perfectly quiet now, but not asleep — only soothed by sweet porridge and warmth into that wide-gazing calm which makes us older human beings, with our inward turmoil, feel a certain awe in the presence of a little child, such as we feel before some quiet majesty or beauty in the earth or sky — before a steady glowing planet, or a full-flowered eglantine, or the bending trees over a silent pathway.”

George Eliot

Source: Silas Marner: The Weaver of Raveloe (1861), Chapter 13 (at page 118)

“He seemed to weave, like the spider, from pure impulse, without reflection. Every man's work, pursued steadily, tends in this way to become an end in itself, and so to bridge over the loveless chasms of his life.”

George Eliot

Source: Silas Marner: The Weaver of Raveloe (1861), Chapter 2 (at page 16 – Page numbers as per the 1996 Penguin Classics Edition)

“There was no gleam, no shadow, for the heavens, too, were one still, pale cloud; no sound or motion in anything but the dark river that flowed and moaned like an unresting sorrow.”

George Eliot book The Mill on the Floss

The Mill on the Floss (1860)

“Twas easy following where invention trod
— All eyes can see when light flows out from God.
And thus did Jubal to his race reveal
Music their larger soul, where woe and weal
Filling the resonant chords, the song, the dance,
Moved with a wider-winged utterance.”

George Eliot

The Legend of Jubal (1869)

“More helpful than all wisdom is one draught of simple human pity that will not forsake us.”

George Eliot book The Mill on the Floss

The Mill on the Floss (1860)

“It is seldom that the miserable can help regarding their misery as a wrong inflicted by those who are less miserable.”

George Eliot

Source: Silas Marner: The Weaver of Raveloe (1861), Chapter 12 (at page 107)

“Her heart lived in no cherished secrets of its own, but in feelings which it longed to share with all the world.”

George Eliot book Adam Bede

Adam Bede (1859)

“Gossip is a sort of smoke that comes from the dirty tobacco-pipes of of those who diffuse it: it proves nothing but the bad taste of the smoker.”

George Eliot book Daniel Deronda

Daniel Deronda (1876)

“"Jubal," the face said, "I am thy loved Past,
The soul that makes thee one from first to last.
I am the angel of thy life and death,
Thy outbreathed being drawing its last breath.
Am I not thine alone, a dear dead bride
Who blest thy lot above all men's beside?”

George Eliot

The Legend of Jubal (1869)

“Do we not wile away moments of inanity or fatigued waiting by repeating some trivial movement or sound, until the repetition has bred a want, which is incipient habit?”

George Eliot

Source: Silas Marner: The Weaver of Raveloe (1861), Chapter 2 (at page 19)

“Why, what can a man do when he takes to adoring one of you mermaids? He only neglects his work and runs up bills.”

George Eliot book Middlemarch

Middlemarch (1871)

“… that modern sect of Flagellants who make a ritual of lashing — not themselves but — all their neighbours.”

George Eliot book Impressions of Theophrastus Such

Part 2
Impressions of Theophrastus Such (1879)

“... "there's allays two 'pinions; there's the 'pinion a man has of himsen, and there's the 'pinion other folks have on him. There'd be two 'pinions about a cracked bell, if the bell could hear itself."”

George Eliot

Source: Silas Marner: The Weaver of Raveloe (1861), Chapter 6 (at page 48)

“I think I should have no other mortal wants, if I could always have plenty of music. It seems to infuse strength into my limbs, and ideas into my brain. Life seems to go on without effort, when I am filled with music.”

George Eliot book The Mill on the Floss

The Mill on the Floss (1860)

“She nursed him, she read to him, she anticipated his wants, and was solicitous about his feelings; but there had entered into the husband’s mind the certainty that she judged him, and that her wifely devotedness was like a penitential expiation of unbelieving thoughts—was accompanied with a power of comparison by which himself and his doings were seen too luminously as a part of things in general. His discontent passed vaporlike through all her gentle loving manifestations, and clung to that unappreciative world which she had only brought nearer to him.”

George Eliot book Middlemarch

Middlemarch (1871)

“Perhaps the wind
Wails so in winter for the summers dead,
And all sad sounds are nature's funeral cries
For what has been and is not.”

George Eliot

Book 1
The Spanish Gypsy (1868)

“The miller's daughter of fourteen could not believe that high gentry behaved badly to their wives, but her mother instructed her — "Oh, child, men's men: gentle or simple, they're much of a muchness…"”

George Eliot book Daniel Deronda

Daniel Deronda (1876)

“There could have been no more complete answer than that silence, and Lydgate, forgetting everything else, completely mastered by the outrush of tenderness at the sudden belief that this sweet young creature depended on him for her joy, actually put his arms round her, folding her gently and protectingly— he was used to being gentle with the weak and suffering—and kissed each of the two large tears. This was a strange way of arriving at an understanding, but it was a short way.”

George Eliot book Middlemarch

Middlemarch (1871)

“Childhood has no forebodings; but then, it is soothed by no memories of outlived sorrow.”

George Eliot book The Mill on the Floss

The Mill on the Floss (1860)

“Our deeds are like children that are born to us; they live and act apart from our own will. Nay, children may be strangled, but deeds never: they have an indestructible life both in and out of our consciousness;”

George Eliot book Romola

Volume I, Chapter XVI
Romola (1863)

“It is in these acts called trivialities that the seeds of joy are forever wasted, until men and women look round with haggard faces at the devastation their own waste has made, and say, the earth bears no harvest of sweetness—calling their denial knowledge.”

George Eliot book Middlemarch

Middlemarch (1871)