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Gabriel García Márquez Quotes
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Gabriel José de la Concordia García Márquez was a Colombian novelist, short-story writer, screenwriter and journalist, known affectionately as Gabo [ˈɡaβo] or Gabito [ɡaˈβito] throughout Latin America. Considered one of the most significant authors of the 20th century and one of the best in the Spanish language, he was awarded the 1972 Neustadt International Prize for Literature and the 1982 Nobel Prize in Literature. He pursued a self-directed education that resulted in his leaving law school for a career in journalism. From early on, he showed no inhibitions in his criticism of Colombian and foreign politics. In 1958, he married Mercedes Barcha; they had two sons, Rodrigo and Gonzalo.García Márquez started as a journalist, and wrote many acclaimed non-fiction works and short stories, but is best known for his novels, such as One Hundred Years of Solitude , The Autumn of the Patriarch , and Love in the Time of Cholera . His works have achieved significant critical acclaim and widespread commercial success, most notably for popularizing a literary style known as magic realism, which uses magical elements and events in otherwise ordinary and realistic situations. Some of his works are set in the fictional village of Macondo , and most of them explore the theme of solitude.

Upon García Márquez’s death in April 2014, Juan Manuel Santos, the President of Colombia, called him "the greatest Colombian who ever lived." Wikipedia  

✵ 6. March 1927 – 17. April 2014  •  Other names Gabriel José García Márquez
Gabriel García Márquez photo
Gabriel García Márquez: 218 quotes52 likes

Gabriel García Márquez Quotes

“More than mother and son, they were accomplices in solitude.”

Gabriel García Márquez book One Hundred Years of Solitude

Source: One Hundred Years of Solitude

“Why were you so old when we met? I answered with the truth: Age isn't how old you are but how old you feel.”

Gabriel García Márquez

“He said that love was an emotion contra natura that condemned two strangers to a base and unhealthy dependence, and the more intense it was, the more ephemeral.”

Gabriel García Márquez book Of Love and Other Demons

Source: Of Love and Other Demons

“Don't open that door," she said. "The hallway is full of difficult dreams." And I asked her: "How do you know?" And she told me: "Because I was there a moment ago and I had to come back when I discovered I was sleeping on my heart.”

Gabriel García Márquez book Olhos de Cão Azul

Source: Ojos de perro azul

“But he could not renounce his infinite capacity for illusion at the very moment he needed it most… he saw fireflies where there were none.”

Gabriel García Márquez book The General in His Labyrinth

Source: The General in His Labyrinth

“The children would remember for the rest of their lives the august solemnity with which their father, devastated by his prolonged vigil and by the wraith of his imagination, revealed his discovery to them: 'The world is round, like an orange.”

Gabriel García Márquez

“It was then that she realized that the yellow butterflies preceded the appearances of Mauricio Babilonia.”

Gabriel García Márquez

“Old people, with other old people, are not so old.”

Gabriel García Márquez book Love in the Time of Cholera

Source: Love in the Time of Cholera

“but he only found her in the image that saturated his private and terrible solitude.”

Gabriel García Márquez book One Hundred Years of Solitude

Source: One Hundred Years of Solitude

“In her final years she would still recall the trip that, with the perverse lucidity of nostalgia, became more and more recent in her memory.”

Gabriel García Márquez book Love in the Time of Cholera

Source: Love in the Time of Cholera

“The truth is that the first changes are so slow they pass almost unnoticed, and you go on seeing yourself as you always were, from the inside, but others observe you from the outside.”

Gabriel García Márquez

“I live in fear of being alive.”

Gabriel García Márquez book Of Love and Other Demons

Source: Of Love and Other Demons

“It is easier to start a war than to end it.”

Gabriel García Márquez

“Courage did not come from the need to survive, or from a brute indifference inherited from someone else, but from a driving need for love which no obstacle in this world or the next world will break.”

Gabriel García Márquez book Love in the Time of Cholera

Source: Love in the Time of Cholera

“The fact is that being seductive is an addiction that can never be satisfied.”

Gabriel García Márquez book Strange Pilgrims

Source: Strange Pilgrims

“… my unhealthy timidity might be a great obstacle to me in my life.”

Gabriel García Márquez book Living to Tell the Tale

Living to Tell the Tale (2002)

“It was impossible to conceive of two creatures so different who got along so well and loved each other so much.”

Gabriel García Márquez book Living to Tell the Tale

Living to Tell the Tale (2002)

“He imposed obligatory military service for men over eighteen, declared to be public property any animals walking the streets after six in the evening, and made men who were overage wear red armbands. He sequestered Father Nicanor in the parish house under pain of execution and prohibited him from saying mass or ringing the bells unless it was for a Liberal victory. In order that no one would doubt the severity of his aims, he ordered a firing squad organized in the square and had it shoot a scarecrow. At first no one took him seriously.”

Gabriel García Márquez book One Hundred Years of Solitude

Source: One Hundred Years of Solitude (1967), p. 104, Referring to Arcadio

“Interviewer: You describe seemingly fantastic events in such minute detail that it gives them their own reality. Is this something you have picked up from journalism?
García Márquez: That's a journalistic trick which you can also apply to literature. If you say that there are elephants flying in the sky, people are not going to believe you. But if you say that there are four hundred and twenty-five elephants in the sky, people will probably believe you.”

Gabriel García Márquez

Source: The Paris Review interview (1981), p. 324

“… no sooner had you done something than someone else appeared who threatened to do it better.”

Gabriel García Márquez book Living to Tell the Tale

Living to Tell the Tale (2002)

“Ultimately, literature is nothing but carpentry.”

Gabriel García Márquez

Source: The Paris Review interview (1981), p. 325

“Until I discovered the miracle that all things that sound are music, including dishes and silverware in the dishwasher, as long as they fulfill the illusion of showing us where life is heading.”

Gabriel García Márquez book Living to Tell the Tale

Living to Tell the Tale (2002)

“He had not stopped desiring her for a single instant. He found her in the dark bedrooms of captured towns, especially in the most abject ones, and he would make her materialize in the smell of dry blood on the bandages of the wounded, in the instantaneous terror of the danger of death, at all times and in all places. He had fled from her in an attempt to wipe out her memory, not only through distance but by means of a muddled fury that his companions at arms took to be boldness, but the more her image wallowed in the dunghill of war, the more the war resembled Amaranta. That was how he suffered in exile, looking for a way of killing her with his own death.”

Gabriel García Márquez book One Hundred Years of Solitude

Source: One Hundred Years of Solitude (1967), p. 148, referring to Aureliano José

“I can't think of any one film that improved on a good novel, but I can think of many good films that came from very bad novels.”

Gabriel García Márquez

Source: The Paris Review interview (1981), p. 338

“The anxiety of falling in love could not find repose except in bed.”

Gabriel García Márquez book One Hundred Years of Solitude

Source: One Hundred Years of Solitude (1967), p. 269

“Since the appearance of visible life on Earth, 380 million years had to elapse in order for a butterfly to learn how to fly; 180 million years to create a rose with no other commitment than to be beautiful; and four geological eras in order for us human beings to be able to sing better than birds, and to be able to die from love. It is not honorable for the human talent, in the golden age of science, to have conceived the way for such an ancient and colossal process to return to the nothingness from which it came through the simple act of pushing a button.”

Gabriel García Márquez

Speaking of nuclear weapons in “The Cataclysm of Damocles” (1986)

“Now you don't have to say yes because your heart is saying it for you.”

Gabriel García Márquez book Living to Tell the Tale

Living to Tell the Tale (2002)

“But I believe without any doubt at all that our greatest good fortune was that even in the most extreme difficulties we might lose our patience but never our sense of humor.”

Gabriel García Márquez book Living to Tell the Tale

Living to Tell the Tale (2002)

“I couldn't tell you because even I don't know who I am yet.”

Gabriel García Márquez book Living to Tell the Tale

Living to Tell the Tale (2002)

“… nothing was easy, least of all surviving Sunday afternoons without love.”

Gabriel García Márquez book Living to Tell the Tale

Living to Tell the Tale (2002)

“Before adolescence, memory is more interested in the future than the past…”

Gabriel García Márquez book Living to Tell the Tale

Living to Tell the Tale (2002)

“In the end all books are written for your friends. The problem after writing One Hundred Years of Solitude was that now I no longer know whom of the millions of readers I am writing for; this upsets and inhibits me. It's like a million eyes are looking at you and you don't really know what they think.”

Gabriel García Márquez

Source: The Paris Review interview (1981), p. 322

“From the time they turned one they were tossed from the balconies of the kitchens, first with life preserves so they would lose their fear of the water, and then without life preservers so they would lose their respect for death.”

Gabriel García Márquez book Living to Tell the Tale

Living to Tell the Tale (2002)

“I was asked the other day if I would be interested in the Nobel Prize, but I think that for me it would be an absolute catastrophe. I would certainly be interested in deserving it, but to receive it would be terrible. It would just complicate even more the problems of fame. The only thing I really regret in life is not having a daughter.”

Gabriel García Márquez

Source: The Paris Review interview (1981), p. 339

“… the city of mirrors (or mirages) would be wiped out by the wind and exiled from the memory of men at the precise moment when Aureliano Babilonia would finish deciphering the parchments, and that everything written on them was unrepeatable since time immemorial and forever more, because races condemned to one hundred years of solitude did not have a second opportunity on earth.”

Gabriel García Márquez book One Hundred Years of Solitude

Last Paragraph
One Hundred Years of Solitude (1967)

“In that Macondo forgotten even by the birds, where the dust and the heat had become so strong that it was difficult to breathe, secluded by solitude and love and by the solitude of love in a house where it was almost impossible to sleep because of the noise of the red ants, Aureliano, and Amaranta Úrsula were the only happy beings, and the most happy on the face of the earth.”

Gabriel García Márquez book One Hundred Years of Solitude

Source: One Hundred Years of Solitude (1967), p. 404

“There are no two men in this world more similar than you and him," she told me. "And that's the worst thing for having a conversation.”

Gabriel García Márquez book Living to Tell the Tale

Living to Tell the Tale (2002)

“Santiago Nasar had often told me that the smell of closed-in flowers had an immediate relation to death for him.”

Gabriel García Márquez book Chronicle of a Death Foretold

Chronicle of a Death Foretold (1981), trans. Gregory Rabassa [Ballantine, 1984, ISBN 0-345-31002-0], p. 47

“… for an instant I thought about stopping the cab to say goodbye, but I preferred not to defy again a destiny as uncertain and persistent as mine.”

Gabriel García Márquez book Living to Tell the Tale

Living to Tell the Tale (2002)

“A famous writer who wants to continue writing has to be constantly defending himself against fame. I don't really like to say this because it never sounds sincere, but I would really have liked for my books to have been published after my death, so I wouldn't have to go through all this business of fame and being a great writer. In my case, the only advantage to fame is that I have been able to give it a political use. Otherwise, it is quite uncomfortable. The problem is that you're famous for twenty-four hours a day, and you can't say, "Okay, I won't be famous until tomorrow," or press a button and say, "I won't be famous here or now."”

Gabriel García Márquez

Source: The Paris Review interview (1981), p. 337

“Because for you, quitting smoking would be like killing someone you love.”

Gabriel García Márquez book Living to Tell the Tale

Living to Tell the Tale (2002)

“Nostalgia, as always, had wiped away bad memories and magnified the good ones.”

Gabriel García Márquez book Living to Tell the Tale

Living to Tell the Tale (2002)

“Lost in the solitude of his immense power, he began to lose direction. He was bothered by the people who cheered him in neighboring villages, and he imagined that they were the same cheers they gave the enemy. Everywhere he met adolescents who looked at him with his own eyes, who spoke to him with his own voice, who greeted him with the same mistrust with which he greeted them, and who said they were his sons. He felt scattered about, multiplied, and more solitary than ever. He was convinced that his own officers were lying to him. He fought with the Duke of Marlborough. "The best friend a person has," he would say at that time, "is one who has just died."”

Gabriel García Márquez book One Hundred Years of Solitude

Source: One Hundred Years of Solitude (1967), p. 166

“Children's lies are signs of great talent.”

Gabriel García Márquez book Living to Tell the Tale

Living to Tell the Tale (2002)

“I would like for my books to have been recognized posthumously, at least in capitalist countries, where they turn you into a kind of merchandise.”

Gabriel García Márquez

Source: The Paris Review interview (1981), p. 336

“In the shattered schoolhouse where for the first time he had felt the security of power, a few feet from the room where he had come to know the uncertainty of love, Arcadio found the formality of death ridiculous. Death really did not matter to him but life did and therefore the sensation he felt when they gave their decision was not a feeling of fear but of nostalgia. He did not speak until they asked him for his last request.”

Gabriel García Márquez book One Hundred Years of Solitude

Source: One Hundred Years of Solitude (1967), p. 119