“More than mother and son, they were accomplices in solitude.”
Source: One Hundred Years of Solitude
Gabriel José de la Concordia García Márquez was a Colombian novelist, short-story writer, screenwriter and journalist, known affectionately as Gabo [ˈɡaβo] or Gabito [ɡaˈβito] throughout Latin America. Considered one of the most significant authors of the 20th century and one of the best in the Spanish language, he was awarded the 1972 Neustadt International Prize for Literature and the 1982 Nobel Prize in Literature. He pursued a self-directed education that resulted in his leaving law school for a career in journalism. From early on, he showed no inhibitions in his criticism of Colombian and foreign politics. In 1958, he married Mercedes Barcha; they had two sons, Rodrigo and Gonzalo.García Márquez started as a journalist, and wrote many acclaimed non-fiction works and short stories, but is best known for his novels, such as One Hundred Years of Solitude , The Autumn of the Patriarch , and Love in the Time of Cholera . His works have achieved significant critical acclaim and widespread commercial success, most notably for popularizing a literary style known as magic realism, which uses magical elements and events in otherwise ordinary and realistic situations. Some of his works are set in the fictional village of Macondo , and most of them explore the theme of solitude.
Upon García Márquez’s death in April 2014, Juan Manuel Santos, the President of Colombia, called him "the greatest Colombian who ever lived."
Wikipedia
“More than mother and son, they were accomplices in solitude.”
Source: One Hundred Years of Solitude
Source: Ojos de perro azul
“Old people, with other old people, are not so old.”
Source: Love in the Time of Cholera
“but he only found her in the image that saturated his private and terrible solitude.”
Source: One Hundred Years of Solitude
“I live in fear of being alive.”
Source: Of Love and Other Demons
Source: Love in the Time of Cholera
“The fact is that being seductive is an addiction that can never be satisfied.”
Source: Strange Pilgrims
“… my unhealthy timidity might be a great obstacle to me in my life.”
Living to Tell the Tale (2002)
Source: One Hundred Years of Solitude (1967), p. 104, Referring to Arcadio
Source: The Paris Review interview (1981), p. 324
“… no sooner had you done something than someone else appeared who threatened to do it better.”
Living to Tell the Tale (2002)
“Ultimately, literature is nothing but carpentry.”
Source: The Paris Review interview (1981), p. 325
Source: One Hundred Years of Solitude (1967), p. 148, referring to Aureliano José
Source: The Paris Review interview (1981), p. 338
“The anxiety of falling in love could not find repose except in bed.”
Source: One Hundred Years of Solitude (1967), p. 269
Speaking of nuclear weapons in “The Cataclysm of Damocles” (1986)
“Now you don't have to say yes because your heart is saying it for you.”
Living to Tell the Tale (2002)
“… nothing was easy, least of all surviving Sunday afternoons without love.”
Living to Tell the Tale (2002)
“Before adolescence, memory is more interested in the future than the past…”
Living to Tell the Tale (2002)
Source: The Paris Review interview (1981), p. 322
Living to Tell the Tale (2002)
Source: The Paris Review interview (1981), p. 339
Last Paragraph
One Hundred Years of Solitude (1967)
Source: One Hundred Years of Solitude (1967), p. 404
Chronicle of a Death Foretold (1981), trans. Gregory Rabassa [Ballantine, 1984, ISBN 0-345-31002-0], p. 47
Source: The Paris Review interview (1981), p. 337
“Because for you, quitting smoking would be like killing someone you love.”
Living to Tell the Tale (2002)
“Nostalgia, as always, had wiped away bad memories and magnified the good ones.”
Living to Tell the Tale (2002)
Source: One Hundred Years of Solitude (1967), p. 166
“Children's lies are signs of great talent.”
Living to Tell the Tale (2002)
Source: The Paris Review interview (1981), p. 336
Source: One Hundred Years of Solitude (1967), p. 119