Chris Cornell: Quotes about thinking

“I had a bad PCP [angel dust] experience when I was 14 and I got panic disorder. And of course, I wasn’t telling anyone the truth. It’s not like you go to your dad or your doctor and say, “Yeah, I smoked PCP and I’m having a bad time.” So I became more or less agoraphobic because I’d have flashbacks. From 14 to 16, I didn’t have any friends. I stayed home most of the time. Up till then life was pretty great. The world was big and I felt I could do anything I wanted. Suddenly, I felt like I couldn’t do anything. But in the isolation, my imagination really had time to run. I never did any drugs until my late 20s. Unfortunately, being a child of two alcoholics, I started drinking a lot, and that’s what eventually got me back into drugs. You often hear that pot leads to harder drugs. But I think alcohol is what leads you to everything, because it takes away the fear. The worst drug experimentation I ever did was because I was drunk and didn’t care.”

Chris Cornell

Talking about drugs, quoted in **
Audioslave Era

Life , Alcohol , Truth , World

“I think Euphoria Morning is an album you can always listen to, even in a couple of years; it isn't dated. That's what I was striving for with every Soundgarden album, something lasting, something you want to listen to, again and again. Since it was always part of my approach it wasn't too difficult to record an album like Euphoria Morning. I didn't have to re-invent myself.”

Chris Cornell

NYROCK: Interview with Chris Cornell, 1999-10-01 https://web.archive.org/web/20030919022841/http://www.nyrock.com/interviews/1999/cornell_int.asp,
Euphoria Morning Era

Thinking , Parting

“My first memory of Nirvana was getting a cassette of demos, which ended up becoming Bleach. Everybody's response was that this was an amazing band and these were amazing songs. It was another indication that the Northwest had something special that you couldn't argue with.
It was pretty shocking to see a threepiece that sounded like that, and trying to get inside the head of a guy who writes a song like "Floyd the Barber" – where does the kernel of a song like that start?
The Seattle scene benefitted from an MTV culture, and it was because of the way Nirvana looked and presented themselves that created this kind of unanimous support worldwide. Rock music had become kind of hedonistic – 35-year-old men taking a helicopter to the stage and dating supermodels, and going out of their way to separate themselves from their audience. Nirvana, more than any other band, rocked way harder, had significant originality, while looking like guys you went to high school with. I think that was their secret. There was an inclusion that was long overdue, and it was what rock was supposed to be about.
The legend isn't simply going to be the way that he took his life; I believe it will always be the songs.”

Chris Cornell

Soundgarden Era

Life , Men , Secret , School

“Yeah, especially this postmortem trip when people die and then everybody writes about what they felt that person is going through. It's really surprising to me that anyone can think that they have those kinds of insights or spend that much time really worrying about somebody else. I think they should spend more time trying to figure out who they are. That's my whole trip. I can't imagine anybody knowing me through my lyrics, because I don't particularly feel like I know myself. And I have more than the benefit of just lyrics to go on.”

Chris Cornell

On people thinking that they have a connection with a band or a person through their lyrics ** Interview with Request Magazine, October 1994 http://web.stargate.net/soundgarden/articles/request_10-94.shtml,
Soundgarden Era

People , Feeling , Imagination , Thinking

“I’ve lost a lot of young, brilliant friends. Andy Wood and Layne [Staley] and Jeff Buckley, who was a good friend, and Kurt [Cobain], and Shannon Hoon [of Blind Melon] was a friend, and Mike Starr [Alice In Chains] was a friend, the list can kind of go on if I sit here and try and remember. And they’re all young and these guys all had limitless potential in their lives in front of them. And I think there’s something so inspiring about that – that is like the miracle of youth. And to see that be the final chapter so young is a really hard thing to swallow every time.”

Chris Cornell

The Life & Times of Chris Cornell, Rolling Stone Australia, 17 September 2015 https://rollingstoneaus.com/music/post/the-life-and-times-of-chris-cornell/2273,
Solo career Era

Youth , Guy , Thinking , Time

“RockNet: Were you terribly uncomfortable at the recent Grammy Award Show?
Cornell: I don't know. It's just a strange subject. It's almost as if the music industry is patting itself on the back in a way. This was the seventh Grammy nomination for us and had we won one for our first nomination I would have had a really cool attitude about it because it would have meant that the people who were actually voting were paying attention to music for music's sake as opposed to some other reason.
I was happy that we were nominated because it was an independent record company and it was a low-profile record. We didn't win a Grammy until we'd sold several millions and it seems that what sells a lot is what wins, even though the record may or may not be any good, but that seems to be the requirement.
I'm not critical of the people who work in the music industry, and I appreciate the Grammy. (But) to me it's their party and it's not really mine. It's not for the musicians. It has more to do with the industry. You can tell after a Grammy period all the record labels and artists who won a bunch take out full-page ads in the trades gloating. That's fine. That's what they do, they sell records and they work really hard to develop careers. If they're into it, I'm not going to be disrespectful, but I'd hate for anyone to think that it's something that was a necessity for me or the rest of the band, or that it was a benchmark to us of legitimacy for us because it's not. It doesn't really matter that much to us. It seems like it's for someone else. I'd never get up and say that. If I was totally not into it, the best thing to do is to not show up.
Maybe ten years from now I'll reflect and say "wow, that happened and it was pretty unusual. Not every kid on the block gets to go up and pick up a Grammy Award."”

Chris Cornell

It's just one more thing to take the focus away from what we like to do, which is to write music and make records and try not to think about anything whether it's how many records we sell or what people think of us.
For us, I think the key to success for being a band and always making good records is always going to be forgetting about everything else outside our own little band.
RockNet Interview: Chris Cornell of Soundgarden, May 1, 1996 https://web.archive.org/web/19961114054327/http://www.rocknet.com/may96/soundgar.html,
Soundgarden Era

Hate , People , Music , Way

“Not really. I don't even have enough time to pursue everything I want to do musically. Also, there's a lot of people out there who spend a lot of time trying to act, so I think most of the good acting jobs should be reserved for those people.”

Chris Cornell

When asked if acting is something he would like to do more after his cameo in Singles ** Interview with Request Magazine, October 1994 http://web.stargate.net/soundgarden/articles/request_10-94.shtml,
Soundgarden Era

People , Music , Thinking , Time

“When you write your own lyrics, you tend to be over-analytical. One second everything you do is brilliant, and the next, everything is garbage, and I want to be able to express personal things without being made to feel stupid. One of the first times I remember writing something personal was on tour. I was feeling really freaky and down, and I looked in the mirror and I was wearing a red T-shirt and some baggy tennis shorts. I remember thinking that as bummed as I felt, I looked like some beach kid. And then I came up with that line—’I’m looking California / And feeling Minnesota,’ from the song ‘Outshined’—and as soon as I wrote it down, I thought it was the dumbest thing. But after the record came out and we went on tour, everybody would be screaming along with that particular line when it came up in the song. The was a shock. How could anyone know that that was one of the most personally specific things I had ever written? It was just a tiny line. But somehow, maybe because it was personal, it just pushed that button.”

Chris Cornell

Interview with Details Magazine, December 1996 https://pitchfork.com/features/article/10081-chris-cornell-searching-for-solitude/,
Soundgarden Era

Stupidity , Feeling , Thinking , Time

“We weren't that close. I'd had friends die before that. And even the way that he did it, it was kind of a twist, but other than that, I'd been through it before. But it's a shame, and it's a shame for his daughter, for one, and it's a shame for fans. But really it's a personal thing, and it was a drag. I wish it didn't happen. And I also think like if he had just kind of hung on for six months, who knows, six months later he could've been a completely different guy.”

Chris Cornell

When asked if he was close to Kurt Cobain and if his death affected him in a personal way - Howard Stern Show, June 2007 ** Chris Cornell on Pearl Jam, Eddie Vedder, Alice in Chains, Nirvana and Kurt Cobain https://www.youtube.com/watch?v=gQzyZfhutYk,
Solo career Era

Way , Guy , Thinking , Personality

“I remember seeing how Layne [Staley] reacted to Andy [Andrew Wood] dying from drugs, and I think that he was scared possibly. And I think he also reacted the same way when Kurt [Cobain] shot himself. They were really good friends. And yet it didn’t stop him. But for me, if I think about the evolution of my life as it appears in songs for example, Higher Truth is a great example of a record I wouldn’t have been able to write [when I was younger], and part of that is in essence because there was a period of time there where I didn’t expect to be here. And now not only do I expect to be here, and I’m not going anywhere, but I’ve had the last 12 years of my life being free of substances to kind of figure out who the substance-free guy is, because he’s a different guy. Just by brain chemistry, it can’t be avoided. I’m not the same, I don’t think the same, I don’t react the same. And my outlook isn’t necessarily the same. My creative endeavours aren’t necessarily the same. And one of the great things about that is it enabled me to kind of keep going artistically and find new places and shine the light into new corners where I hadn’t really gone before. And that feels really good. But it’s also bittersweet because I can’t help but think, what would Jeff be doing right now, what would Kurt be doing right now, what would Andy be doing? Something amazing, I’m sure of it. And it would be some music that would challenge me to lift myself up, something that would be continually raising the bar so that I would work harder too, in the same way they affected me when they were alive basically.”

Chris Cornell

When asked if there was a lesson to be learned from his friends' deaths caused by substance abuse and if it was not enough to scare everyone ** The Life & Times of Chris Cornell, Rolling Stone Australia, 17 September 2015 https://rollingstoneaus.com/music/post/the-life-and-times-of-chris-cornell/2273,
Solo career Era

Life , Truth , Music , Way

“Rolling Stone: What was your headspace at the time of Superunknown? A lot of the lyrics are dark.
Cornell: I don't know if I would say I was in a particularly dark or moody headspace more than other times. I feel the lyrics have to be born from the music. Or if I had a lyrical idea, separate from Soundgarden music, I knew if it would work with the band because it tended to reflect what the music was and what the feeling of the music was – which was usually somewhat dark and somber or moody, or over-the-top, visceral, aggressive angry.
Rolling Stone: So it wasn't an especially dark time?
Cornell: No, not that I remember. No more than usual. I think that I always struggled with depression and isolation, so those could come out. I think that the mood of Seattle to me, and the way that I always interpreted that mood was something that was always a little bit introspective and dark. And I wouldn't say "depressing," but introspective in a way that could be moodier and darker.”

Chris Cornell

Interview with Rolling Stone, 2014 https://www.rollingstone.com/music/features/soundgardens-chris-cornell-on-superunknown-depression-w483113,
On depression and suicide

Music , Way , Feeling , Idea

“Don't drink. And that's serious. For me, that's one, because I never wrote, I was never creative while drinking, and there were these periods of not drinking and just kind of white-knuckling it and writing and recording, and then drinking a lot and coming into the studio hung over and being in the studio drunk and never being able to do anything to the level or to the degree that I thought that I should be. I'm proud of everything that I did, but I think it was a lot more difficult than it needed to be.”

Chris Cornell

When asked what he would write in a letter to himself at the age of 18 ** What Would CHRIS CORNELL Tell Himself At 18? 'Don't Drink', Blabbermouth, 4 November 2011 http://www.blabbermouth.net/news/what-would-chris-cornell-tell-himself-at-18-don-t-drink/,
Soundgarden Era

Drink , Thinking

“It was given to me by the late Shannon Hoon, who fashioned it out of a fork he got in Denny's (a US fast food chain) on the first tour Blind Melon ever did, which was opening for us. I really liked it, but I stopped wearing it after he died. Because the other thing I wore was this ring that belonged to Andy Wood, who died. It's like, 'I don't wanna wear these f**king things from people who died.' A girl outside the hotel tonight had a similar fork, and I've had people throw them on-stage. I've seen hundreds of those forks, but it always reminds me of Shannon. They're making them cos they're thinking of me, but really it's him. Which is cool.”

Chris Cornell

When asked about the fork necklace that he wore for several years **
Soundgarden Era

People , Food , Girl , Fashion

“Yes. I battle with that all the time. "Let Me Drown" is probably one of the most disturbing songs I've ever written. Usually, if I write lyrics that are bleak or dark, it usually makes me feel better. That one didn't. It made me question whether it was a song that was all right to play. Should we even do this? It was so negative. But that's the only one I can think of that's like that. Otherwise, it's like watching a horror movie: It makes you feel better after feeling worse.”

Chris Cornell

When asked if he considers himself to be a pessimist and a cynic ** Interview with Request Magazine, October 1994 http://web.stargate.net/soundgarden/articles/request_10-94.shtml,
Soundgarden Era

Feeling , Question , Thinking , Time

“I don’t really remember writing it [The Day I Tried To Live]. I vaguely remember the verse. It was based on a tuning that Ben Shepherd had came up with. Lyrically, it was one of those songs that I thought everyone could connect with. ‘Fell On Black Days’ is maybe a sister song to it. It’s this feeling that could come over anyone, and has probably happened to everyone. ‘Fell On Black Days’ is the feeling of waking up one day and realizing you’re not happy with your life. Nothing happened, there was no emergency, no accident, you don’t know what happened. You were happy, and one day you just aren’t, and you have to try to figure that out.
With ‘The Day I Tried To Live,’ the attitude I was trying to convey was that thing that I think everyone goes through where you wake up in the morning and you just don’t know how you are going to get through the day, and you kind of just talk yourself into it. You may go through different moments of hopelessness and wanting to give up, or wanting to just get back into bed and say f— it, but you convince yourself you’re going to do it again. And maybe this is the last time you’re going to do it, but it’s once more around.”

Chris Cornell

Interview with Entertainment Weekly, June 3, 2014 http://ew.com/article/2014/06/03/soundgarden-superunknown-spoonman-black-hole-sun-stories/,
On depression and suicide

Life , Feeling , Thinking , Sister

“Request Magazine: And now we're back to suicide. Some months have passed now since Kurt [Cobain] killed himself. Judging from his suicide note, it seems as if he thought there was something that was being demanded of him by the music industry or fans or someone, that he either couldn't or didn't want to deliver.
Cornell: I wouldn't even bother trying to guess. I'm not going to understand it no matter how hard I try. I understand being suicidal, but not for the reasons that I ever would be, and it would likely have nothing to do with anybody else. Therefore, it just becomes a waste of time. I don't really think its going to help anything for people to sit around and theorize how this guy who really didn't talk much to anybody felt or why he did what he did. Maybe it had nothing to do with anything. Maybe it was just a smoke screen. Somebody who is going to be taking a lot of drugs and is going to be suicidal, you can bet there's going to be lots of smoke screens. Or maybe that's entirely what it was. We'll never know.”

Chris Cornell

Interview with Request Magazine, October 1994 http://web.stargate.net/soundgarden/articles/request_10-94.shtml,
On depression and suicide

People , Music , Guy , Understanding

“I think everybody, no matter how rich or poor, how young or old, has a phase in his life when he's depressive. It's reality. Not a lot of people want to talk about it. Most people rather hide that fact, but it's just one of the facts of life that absolutely fascinates me.”

Chris Cornell

NYROCK: Interview with Chris Cornell, October 1, 1999 https://web.archive.org/web/20030919022841/http://www.nyrock.com/interviews/1999/cornell_int.asp,
On depression and suicide

Life , People , Thinking , Reality

“I've had close friends who were on the verge of having nervous breakdowns or having one, and would walk into a room and be together. I think everyone struggles. And it's hard to be critical. I'm not somebody else, I'm not in anyone else's skin; I don't know what they are thinking or what they are going through or why they do what they do. I know what it feels like to be suicidal, and I know what it feels like to be hopeless. There is some point where I learnt enough about myself to know that I don't have the tolerance to create other hurdles as well. If I would have ever started taking drugs when I was younger, I would never have lived. I would have gone out quick. I don't have the tolerance to live in that emotional and physical pain and not have anything positive or good around me. I think that as far as the life that I have, I couldn't imagine it being any better. And even with that I still get down-spirited a lot, so… (laughs). If I look at it that way, I wouldn't want to make it any worse.”

Chris Cornell

Interview with Metal Hammer, October 1996 http://web.stargate.net/soundgarden/articles/hammer_10-96.shtml,
On depression and suicide

Life , Pain , Way , Feeling

“Every time I know we have to go out on tour, there’s about three or four weeks where I’m terrified—where I start thinking: That’s not me. I’m not Freddie Mercury. Then I go out onstage and it’s like diving into the cold Puget Sound after spending five weeks in Hawaii—there’s a shock to the system, but the fear goes away. You get used to it, which is pretty cool, because if I stopped performing, I could just disappear and end up being some weird chattering man that walks the streets in rags, staring only at the pavement. At first you rationalize that going to a club where people recognize you is a bad idea; then going to a neighborhood bar becomes a bad idea, too. Going to the grocery store becomes a bad idea. Answering the phone becomes a bad idea. Then every time the dog barks, you think the National Guard is on your roof ready to drill holes in the shingles and shoot at you. So I have to deal with the outside world on sort of a maintenance level—go out to a bar every so often and just be around people.”

Chris Cornell

On being anti-social

People , World , Fear , Dogs

“When Andy [Andrew Wood] died, I couldn't listen to his songs for about two years after that, and it was for that reason — his lyrics often seem as though they can tell that story. But then again, my lyrics often could tell the same one. In terms of seeing everything as a matter of life and death — if that's what you're feeling at the time, then that's what you're going to write. It's sort of a morbid exchange when somebody who is a writer like that dies, and then everyone starts picking through all their lyrics. In Kurt [Cobain]'s case, whatever he was thinking and whatever he was writing, there wasn't an arrow pointing at what his demise was. It's a stream of thought, it's a possibility — it's definitely something that somebody was feeling when they were writing. It doesn't mean that it's going to happen. But it doesn't necessarily mean that it isn't, either.”

Chris Cornell

Chris Cornell: The Rolling Stone Interview, Alec Foege, Rolling Stone, 29 December 1994 http://www.rollingstone.com/music/features/the-rolling-stone-interview-chris-cornell-19941229,
Soundgarden Era

Life , Death , Feeling , Thinking