Bertolt Brecht Quotes
102 Thought-Provoking Insights into Society, Politics, and the Human Condition

Explore the thought-provoking quotes of Bertolt Brecht, a renowned playwright and poet who challenges conventional thinking, inspires change, and offers powerful insights into the human condition, society, and politics. Gain a deeper understanding of the world through his perspective.

Bertolt Brecht, born Eugen Berthold Friedrich Brecht on February 10, 1898, was a German theatre practitioner, playwright, and poet. He rose to prominence during the Weimar Republic and collaborated with renowned composers such as Kurt Weill and Hanns Eisler. Deeply influenced by Marxist thought, he became known for his didactic Lehrstücke and his contributions to epic theatre. Brecht fled Nazi Germany and spent time in Scandinavia before moving to the United States during World War II, where he was closely monitored by the FBI. After being subpoenaed by the House Un-American Activities Committee, he returned to East Berlin after the war and founded the Berliner Ensemble theatre company with his wife Helene Weigel.

Born into a middle-class family in Augsburg, Germany, Brecht grew up with a strong influence from both Protestantism and Roman Catholicism. His upbringing exposed him to the Bible, which would profoundly impact his writing style. During World War I, he rebelled against nationalism and expressed anti-war sentiments in his writings. He enrolled in medical school at Munich University as a means of avoiding military conscription but soon began studying drama under Arthur Kutscher. In 1924, Brecht moved to Berlin and began working at Max Reinhardt's Deutsches Theater as an assistant dramaturg. Throughout his career, he collaborated with various artists and writers such as Lion Feuchtwanger and Erwin Piscator while developing his own distinct theatrical style.

Brecht's works often tackled socio-political issues, employing techniques like montage and alienation effects to distance audiences from emotional identification with characters. His most famous works include "The Threepenny Opera" and "Mother Courage and Her Children." Brecht's unique approach to theatre has had a lasting impact on the art form worldwide.

✵ 10. February 1898 – 14. August 1956   •   Other names Bertold Brecht, Бертольд Брехт
Bertolt Brecht photo

Works

The Threepenny Opera
The Threepenny Opera
Bertolt Brecht
Life of Galileo
Life of Galileo
Bertolt Brecht
The Mother
Bertolt Brecht
The Trial of Lucullus
Bertolt Brecht
Die Lösung
Bertolt Brecht
Threepenny Novel
Threepenny Novel
Bertolt Brecht
Bertolt Brecht: 102   quotes 16   likes

Famous Bertolt Brecht Quotes

“Art is not a mirror to hold up to society, but a hammer with which to shape it.”

Mistakenly attributed to Vladimir Mayakovsky in The Political Psyche (1993) by Andrew Samuels, p. 9; mistakenly attributed to Brecht in Paulo Freire: A Critical Encounter (1993) by Peter McLaren and Peter Leonard, p. 80; variant translation: "Art is not a mirror held up to society, but a hammer with which to shape it."
First recorded in Leon Trotsky, Literature and Revolution (1924; edited by William Keach (2005), Ch. 4: Futurism, p. 120): "Art, it is said, is not a mirror, but a hammer: it does not reflect, it shapes."
Disputed

“The man who laughs has simply not yet had the terrible news.”

"To Those Born Later", part of the Svendborg Poems (1939)
quoted in Poems, 1913-1956, p. 318
Variation: He who laughs last has not yet heard the bad news.
German: Wer jetzt noch lacht, hat die neuesten Nachrichten noch nicht gehört.
Poems, 1913-1956 (1976)

Bertolt Brecht Quotes about people

“A man who strains himself on the stage is bound, if he is any good, to strain all the people sitting in the stalls.”

"Emphasis on Sport" in the Berliner Börsen-Courier (6 February 1926), as quoted in Brecht on Theatre (1964) edited and translated by John Willett.

“Some party hack decreed that the people
had lost the government's confidence
and could only regain it with redoubled effort.
If that is the case, would it not be simpler,
If the government simply dissolved the people
And elected another?”

"The Solution" ["Die Lösung"] (c. 1953), as translated in Brecht on Brecht : An Improvisation (1967) by George Tabori, p. 17
Variant translation:
The Secretary of the Writers Union
Had flyers distributed in Stalin Way that said
That the People had frivolously
Thrown away the Government's Confidence
And that they could only regain it
Through Redoubled Work. But wouldn't it be
Simpler if the Government
Simply dissolved the People
And elected another?

Bertolt Brecht Quotes about war

“What if they gave a war and no one came? Then the war will come to you.”

Amalgamation of Carl Sandburg's quote "Sometime they’ll give a war and nobody will come" with a sentence from Brecht's Koloman Wallisch Kantate: "When the people are disarmed / War will come" ("Wenn das Volk entwaffnet ist / Kommt der Krieg"). - Source http://www.cyberussr.com/hcunn/q-war-nobody-came.html
Misattributed

“Even the most blockheaded bureaucrat,
Provided he loves peace,
Is a greater lover of the arts
Than any so-called art-lover
Who loves the arts of war.”

"Freedom for Whom", as translated in Brecht on Brecht : An Improvisation (1967) by George Tabori, p. 18
Context: Firebugs dragging their gasoline bottles
Are approaching the Academy of Arts, with a grin.
And so, instead of embracing them, Let us demand the freedom of the elbow
To knock the bottles out of their filthy hands.
Even the most blockheaded bureaucrat,
Provided he loves peace,
Is a greater lover of the arts
Than any so-called art-lover
Who loves the arts of war.

“War is like love, it always finds a way.”

The Chaplain, in Scene 6, p. 76
Mother Courage and Her Children (1939)

“Events cast long shadows before.
One such event would be a war.
But how are shadows to be seen
When total darkness fills the screen?”

"Alphabet" [Alfabet] from "Five Children's Songs" (1934), trans. John Willett in Poems, 1913-1956, p. 239
Poems, 1913-1956 (1976)

Bertolt Brecht: Trending quotes

“All the gang of those who rule us
Hope our quarrels never stop
Helping them to split and fool us
So they can remain on top.”

"Solidarity song" [Solidaritätslied] (1931), trans. John Willett in Poems, 1913-1956, p. 186
Poems, 1913-1956 (1976)

“General, man is very useful.
He can fly and he can kill.
But he has one defect:
He can think.”

"General, Your Tank Is a Powerful Vehicle", in "From a German War Primer", part of the Svendborg Poems (1939); as translated by Lee Baxandall in Poems, 1913-1956, p. 289
Poems, 1913-1956 (1976)

Bertolt Brecht Quotes

“Art and science coincide insofar as both aim to improve the lives of men and women.”

A Short Organum for the Theatre (1949)
Context: Art and science coincide insofar as both aim to improve the lives of men and women. The latter normally concerns itself with profit, the former with pleasure. In the coming age, art will fashion our entertainment out of new means of productivity in ways that will simultaneously enhance our profit and maximize our pleasure.

“The suffering of this or that person grips me because there is an escape for him. That's great art — nothing is self-evident. I am made to laugh about those who cry, and cry about those who laugh.”

"Entertainment or Education? (1936)
Context: The theater-goer in conventional dramatic theater says: Yes, I've felt that way, too. That's the way I am. That's life. That's the way it will always be. The suffering of this or that person grips me because there is no escape for him. That's great art — Everything is self-evident. I am made to cry with those who cry, and laugh with those who laugh. But the theater-goer in the epic theater says: I would never have thought that. You can't do that. That's very strange, practically unbelievable. That has to stop. The suffering of this or that person grips me because there is an escape for him. That's great art — nothing is self-evident. I am made to laugh about those who cry, and cry about those who laugh.

“Thus for art to be 'unpolitical' means only to ally itself with the 'ruling' group.”

¶ 55
A Short Organum for the Theatre (1949)
Context: Unless an actor is satisfied to be a parrot or a monkey he must master our period's knowledge of human social life by himself joining the war of the classes. Some people may feel this is degrading, because they rank art, once the money side has been settled, as one of the highest things; but mankind's highest decisions are in fact fought out on earth, not in the heavens; in the 'external world', not inside people's heads. Nobody can stand above the warring classes, for nobody can stand above the human race. Society cannot share a common communication system so long as it is split into warring classes. Thus for art to be 'unpolitical' means only to ally itself with the 'ruling' group.

“That's great art — Everything is self-evident. I am made to cry with those who cry, and laugh with those who laugh.”

"Entertainment or Education? (1936)
Context: The theater-goer in conventional dramatic theater says: Yes, I've felt that way, too. That's the way I am. That's life. That's the way it will always be. The suffering of this or that person grips me because there is no escape for him. That's great art — Everything is self-evident. I am made to cry with those who cry, and laugh with those who laugh. But the theater-goer in the epic theater says: I would never have thought that. You can't do that. That's very strange, practically unbelievable. That has to stop. The suffering of this or that person grips me because there is an escape for him. That's great art — nothing is self-evident. I am made to laugh about those who cry, and cry about those who laugh.

“Let nothing be called natural
In an age of bloody confusion”

The Exception and the Rule (1937), Prologue
Context: Let nothing be called natural
In an age of bloody confusion,
Ordered disorder, planned caprice,
And dehumanized humanity, lest all things
Be held unalterable!

“It is not enough to demand insight and informative images of reality from the theater. Our theater must stimulate a desire for understanding, a delight in changing reality.”

Essays on the Art of Theater (1954).
Context: It is not enough to demand insight and informative images of reality from the theater. Our theater must stimulate a desire for understanding, a delight in changing reality. Our audience must experience not only the ways to free Prometheus, but be schooled in the very desire to free him. Theater must teach all the pleasures and joys of discovery, all the feelings of triumph associated with liberation.

“Ah, what an age it is
When to speak of trees is almost a crime
For it is a kind of silence about injustice!”

A response to the Nazi book burnings, in "To Posterity" (1939) as translated by H. R. Hays (1947)
Context: Do not treat me in this fashion. Don't leave me out. Have I not
Always spoken the truth in my books? And now
You treat me like a liar! I order you:
Burn me!
Those who lead the country into the abyss
Call ruling too difficult
For ordinary men.
Ah, what an age it is
When to speak of trees is almost a crime
For it is a kind of silence about injustice!

“Show interest in her goodness — for no one can be good for long if goodness is not in demand.”

Bezeig du Interesse an ihrer Güte, denn keiner kann lang gut sein, wenn nicht Güte verlangt wird.
http://books.google.com/books?id=zEhJAAAAYAAJ&q=%22Bezeig+du+Interesse+an+ihrer+G%C3%BCte+denn+keiner+kann+lang+gut+sein+wenn+nicht+G%C3%BCte+verlangt+wird%22&pg=PA116#v=onepage
First God, in Scene 1a, p. 38
The Good Person of Sezuan (1943)

“You know what the trouble with peace is? No organization.”

The Sergeant, in Scene 1
Mother Courage and Her Children (1939)
Context: What they could do with round here is a good war. What else can you expect with peace running wild all over the place? You know what the trouble with peace is? No organization.

“Do not treat me in this fashion. Don't leave me out. Have I not
Always spoken the truth in my books?”

A response to the Nazi book burnings, in "To Posterity" (1939) as translated by H. R. Hays (1947)
Context: Do not treat me in this fashion. Don't leave me out. Have I not
Always spoken the truth in my books? And now
You treat me like a liar! I order you:
Burn me!
Those who lead the country into the abyss
Call ruling too difficult
For ordinary men.
Ah, what an age it is
When to speak of trees is almost a crime
For it is a kind of silence about injustice!

“And the shark he has his teeth and
There they are for all to see
And Macheath he has his knife but
No one knows where it may be.”

"The Moritat of Mackie the Knife" in Prologue, p. 3
Translation note: A "moritat" (a word meaning both "muderous deed" and "ballad") is a street song telling of murderous crimes.
Lotte Lenya, "Foreword", p. xii
Variant translation: Oh the shark has pretty teeth dear,
And he shows them pearly white
Just a jack-knife has Macheath dear
And he keeps it out of sight.
Marc Blitzstein translation; largely used for Louis Armstrong's and Bobby Darin's pop renditions of "The Ballad of Mack the Knife"
The Threepenny Opera (1928)

“In the dark times
Will there also be singing?
Yes, there will also be singing
About the dark times.”

In den finsteren Zeiten
Wird da auch gesungen werden?
Da wird auch gesungen werden.
Von den finsteren Zeiten.
"Motto to the 'Svendborg Poems' " [Motto der 'Svendborger Gedichte] (1939), trans. John Willett in Poems, 1913-1956, p. 320
Poems, 1913-1956 (1976)

“What is the burgling of a bank to the founding of a bank?”

Macheath, in Act 3, scene 3, p. 92
The Threepenny Opera (1928)

“Do not fear death so much, but rather the inadequate life”

Pelagea Vlasova in Scene 10
The Mother (1930)
Variant: Don't be afraid of death so much as an inadequate life.
Source: Jewish Wife and Other Short Plays: Includes: In Search of Justice; Informer; Elephant Calf; Measures Taken; Exception and the Rule; Salzburg Dance of Death

“Because things are the way they are, things will not stay the way they are.”

Weil die Dinge sind, wie sie sind, werden die Dinge nicht so bleiben wie sie sind.
As quoted in Dictionary of Contemporary Quotations (1976) by John Gordon Burke and Ned Kehde, p. 224, also in The Book of Positive Quotations (2007) by John Cook, p. 390

“Unhappy is the land that needs a hero.”

Scene 12, p. 115
Variant translations: Pity the country that needs heroes.
Unhappy the land that is in need of heroes
Source: Andrea: Unhappy is the land that breeds no hero.
Galileo: No, Andrea: Unhappy is the land that needs a hero. [Unglücklich das Land, das Helden nötig hat. ]

“To live means to finesse the processes to which one is subjugated.”

"Notes on Philosophy" in On Politics and Society (1941).

“Mixing one's wines may be a mistake, but old and new wisdom mix admirably.”

The Singer, in The Caucasian Chalk Circle (1944), Prologue

“Worship with fulness of heart the weak memory of heaven!
It cannot trace
Either your name or your face
Nobody knows you're still living.”

"Great hymn of thanksgiving" [Grosser Dankchoral] (1920) from The Devotions (1922-1927); trans. Karl Neumann in Poems, 1913-1956, p. 74
Poems, 1913-1956 (1976)

“But something's missing (Aber etwas fehlt).”

Jim[my] Mahoney, in Rise and Fall of the City of Mahagonny (1930)

“The more innocent they are, the more they deserve to be shot.”

On defendants in the Moscow Trials and on innocents betrayed by Communist Party members, as recounted by philosopher Sidney Hook, as quoted in Intellectuals (1990) by Paul Johnson, p. 190; though this might easily be interpreted as implying that anyone who had failed to conspire against Stalin deserved to be shot, Hook implies that he meant that the betrayal of innocents was justified. Henry Pachter is also quoted in Intellectuals as saying that Brecht had made similar remarks in his presence, and had added "Fifty years hence the communists will have forgotten Stalin, but I want to be sure that they will still read Brecht. Therefore I cannot separate myself from the Party."

“For once you must try not to shirk the facts:
Mankind is kept alive by bestial acts.”

"What Keeps Mankind Alive?" Act 2, sc. 6
The Threepenny Opera (1928)

“Come in, dear wind, and be our guest
You too have neither home nor rest.”

"Christmas legend" [Weinachtslegende] (1923) Berliner Börsen-Courier (25 December 1924); trans in Poems, 1913-1956, p. 100
Poems, 1913-1956 (1976)

“Come fishing with me, said the fisherman to the worm.”

Komm, geh mit angeln, sagte der Fischer zum Wurm.
Mutter Courage to the army recruiter when he tries to recruit her son in Scene 1
Mother Courage and Her Children (1939)

“On golden chairs
Sitting at ease, you paid for the songs which we chanted
To those less lucky. You paid us for drying their tears
And for comforting all those whom you had wounded.”

"Song of the cut-price poets" [Lied der preiswerten Lyriker] (1927/1933) from Songs Poems Choruses (1934); in Poems, 1913-1956, p. 161
Poems, 1913-1956 (1976)

“For the task assigned them
Men aren't smart enough or sly
Any rogue can blind them
With a clever lie.”

Polly Peachum, in "The Song of the Futility of All Human Endeavor"; Act 3, scene 1, p. 75
The Threepenny Opera (1928)

“And I always thought: the very simplest words
Must be enough. When I say what things are like
Everyone's heart must be torn to shreds.
That you'll go down if you don't stand up for yourself
Surely you see that.”

"And I always thought" [Und ich dachte immer] (c. 1956), trans. Michael Hamburger in Poems, 1913-1956, p. 452
Poems, 1913-1956 (1976)

“If art reflects life, it does so with special mirrors.”

¶ 73
A Short Organum for the Theatre (1949)

“Every day, to earn my daily bread
I go to the market where lies are bought
Hopefully
I take up my place among the sellers.”

"Hollywood" (1942)
quoted in Poems, 1913-1956, p. 382
Poems, 1913-1956 (1976)

“You may proclaim, good sirs, your fine philosophy
But till you feed us, right and wrong can wait!”

Macheath in "Second Threepenny-Finale"; Act 2, scene 3, p. 67
Variant translations:
However much you twist, whatever lies you tell
Food is the first thing, morals follow on.
Used by the Pet Shop Boys, in "What Keeps Mankind Alive?", Can You Forgive Her (1993 EP)
Food first, then morality.
The Threepenny Opera (1928)

“The rain
Never falls upwards.
When the wound
Stops hurting
What hurts is
The scar.”

"Poems Belonging to a Reader for Those who Live in Cities" [Zum Lesebuch für Städtebewohner gehörige Gedichte] (1926-1927), poem 10, trans. Frank Jones in Poems, 1913-1956, p. 148
Poems, 1913-1956 (1976)

“When evil-doing comes like falling rain, nobody calls out "stop!"When crimes begin to pile up they become invisible. When sufferings become unendurable the cries are no longer heard. The cries, too, fall like rain in summer.”

"When evil-doing comes like falling rain" [Wenn die Untat kommt, wie der Regen fällt] (1935), trans. John Willett in Poems, 1913-1956, p. 247
Poems, 1913-1956 (1976)

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