“Little changes are the enemies of great changes.”
"Quotation" [Zitat] (1930s), trans. Michael Morley in Poems, 1913-1956, p. 277
Poems, 1913-1956 (1976)
Bertolt Brecht:
102
quotes
16
likes
Bertolt Brecht Quotes
"General, Your Tank Is a Powerful Vehicle", in "From a German War Primer", part of the Svendborg Poems (1939); as translated by Lee Baxandall in Poems, 1913-1956, p. 289
Poems, 1913-1956 (1976)
“How long
Do works endure? As long
As they are not completed.”
Wie lange
Dauern die Werke? So lange
Als bis sie fertig sind.
"About the way to construct enduring works" [Über die Bauart langdauernder Werke] (1932), trans. Frank Jones in Poems, 1913-1956, p. 193
Poems, 1913-1956 (1976)
“The headlong stream is termed violent
But the river bed hemming it in is
Termed violent by no one.”
"On Violence" [Über die Gewalt] (1930s), trans. John Willett in Poems, 1913-1956, p. 276
Poems, 1913-1956 (1976)
Polly Peachum, in Act 3, scene 1, p. 74
Variant translation: The law was made for one thing alone, for the exploitation of those who don't understand it, or are prevented by naked misery from obeying it.
The Threepenny Opera (1928)
"This Summer's Sky" [Der Himmel dieses Sommers], (1953), trans. Michael Hamburger in Poems, 1913-1956, p. 444
Poems, 1913-1956 (1976)
“Their peace and their war
Are like wind and storm.War grows from their peace.”
"Those at the top say: peace and war" [Die Oberen sagen: Friede und Krieg] from "A German War Primer" [Deutsche Kriegsfibel] (1937), trans. Lee Baxendall in Poems, 1913-1956, p. 288
Poems, 1913-1956 (1976)
"Speech to Danish working-class actors on the art of observation" [Rede an dänische Arbeiterschauspieler über die Kunst der Beobachtung] (1934), from The Messingkauf Poems, published in Versuche 14 (1955); trans. John Willett in Poems, 1913-1956, p. 238
Poems, 1913-1956 (1976)
"Song about my mother" [Lied von meiner Mutter], from "Thirteen Psalms" (1920), trans. Christopher Middleton in Poems, 1913-1956, p. 40
Poems, 1913-1956 (1976)
"In Praise of the Fighters" (song)
Variant translation: There are men who struggle for a day and they are good.
There are men who struggle for a year and they are better.
There are men who struggle many years, and they are better still.
But there are those who struggle all their lives:
These are the indispensable ones.
As quoted in Democracy Unbound : Progressive Challenges to the Two Party System (1997) by David Reynolds; also quoted by Cuban musician and poet Silvio Rodríguez before his song "Sueño con serpientes".
Also quoted by Eduardo Galeano (Uruguayan writer) to describe Nestor Kirchner as he received the notice of his death.
The Mother (1930)
"Speech to Danish working-class actors on the art of observation" [Rede an dänische Arbeiterschauspieler über die Kunst der Beobachtung] (1934), from The Messingkauf Poems, published in Versuche 14 (1955); trans. John Willett in Poems, 1913-1956, pp. 235-236
Poems, 1913-1956 (1976)
“Spring is noticed, if at all
By people sitting in railway trains.”
"Concerning spring" [Über das Frühjahr] (1928), Uhu, Berlin, IV, 6 (March 1928); trans. Christopher Middleton in Poems, 1913-1956, p. 158
Poems, 1913-1956 (1976)
"To my mother" [Meiner Mutter] (May 1920), trans. John Willett in Poems, 1913-1956, p. 49
Poems, 1913-1956 (1976)
“Science has only one commandment: contribution.”
Andrea, in Scene 13, p. 122
As translated by Howard Brenton (1980)
Life of Galileo (1939)
Variant: Science knows only one commandment — contribute to science.
“People remain what they are even if their faces fall apart.”
Garga, in In the Jungle of Cities [Im Dickicht der Städte] (1923) , sc. 9; also translated as In the Swamp and Jungle of Cities.
As cited in Gregory Alexander Knott, Arnold Stadler: Heimat and Metaphysics http://books.google.gr/books?id=ylhXAAAAYAAJ&q=, Weidler Buchverlag, 2009, p. 30.
“The main objective is to learn to think crudely. Crude thinking is the great one’s thinking.”
Dreigroschenroman (1934), reprinted in Gesammelte Werke, vol. 13 (Frankfurt am Main: Suhrkamp, 1967), 916.
“The world of knowledge takes a crazy turn
When teachers themselves are taught to learn.”
Scene 6
Life of Galileo (1939)
"The Plum Tree" [Der Pfaumenbaum] (1934) from The Svendborg Poems [Svendborger Gedichte] (1939); in Poems, 1913-1956, p. 243
Poems, 1913-1956 (1976)
"Speech to Danish working-class actors on the art of observation" [Rede an dänische Arbeiterschauspieler über die Kunst der Beobachtung]] (1934), from The Messingkauf Poems, published in Versuche 14 (1955); trans. John Willett in Poems, 1913-1956, p. 235
Poems, 1913-1956 (1976)
"Christmas legend" [Weinachtslegende] (1923), Berliner Börsen-Courier (25 December 1924); trans. in Poems, 1913-1956, p. 99
Poems, 1913-1956 (1976)
“I see with sympathy
The swollen veins on his brow, showing
How exhausting it is to be evil.”
Mitfühlend sehe ich
Die geschwollenen Stirnadern, andeutend
Wie anstrengend es ist, böse zu sein.
"The Mask of Evil" ("Die Maske des Bösen"), as translated in Brecht on Brecht: An Improvisation (1967) by George Tabori, p. 14
“Those who lead the country into the abyss
Call ruling too difficult
For ordinary men.”
"From a German War Primer"
A response to the Nazi book burnings, "The Burning of the Books"
The Trial of Lucullus (1940), Brecht Collected Plays, vol. 4, p. 386.
Referring to Arturo Ui (representing Adolf Hitler), in The Resistible Rise of Arturo Ui (1941)
Aber etwas fehlt
Jim[my] Mahoney, in Rise and Fall of the City of Mahagonny (1930)
