André Maurois: Man

André Maurois was French writer. Explore interesting quotes on man.

André Maurois: 404 quotes4 likes

“A man's power and intelligence are limited. He who wants to do everything will never do anything.”

Un Art de Vivre (The Art of Living) (1939), The Art of Working
Context: A man's power and intelligence are limited. He who wants to do everything will never do anything. Only too well do we know those people of uncertain ability who say: "I could be a great musician."..."Business would be easy for me."..."I could surely make success in politics." We may be certain that they will always be amateur musicians, failures in business, and beaten politicians. Napoleon held that the art of war consisted of making oneself strongest at a certain point; in life we must choose a point of attack and concentrate our forces there. The choice of a career must not be left to chance.

“The reputation of a Don Juan gives to a man the most dangerous power. Wise virgins resist it, but foolish virgins frequently yield to the desire to take a celebrated lover from a rival - even from a friend. This emotion is a complex one, mad up of vanity, respect for another woman's taste, and the need to establish self-assurance by winning a difficult victory. Don Juan chose his first mistresses; later he was chosen. Byron said that he had been raped oftener than anyone since the Trojan War.”

Un Art de Vivre (The Art of Living) (1939), The Art of Loving

“An unsatisfied woman requires luxury, but a woman who is in love with a man will lie on a board.”

Un Art de Vivre (The Art of Living) (1939), The Art of Happiness

“Almost all of our fellow-beings deceive us, but a few of us have known the joy of meeting a woman or a man whose sincerity and frankness were genuine, who in almost every situation has behaved according to our wishes, and who in our most difficult moments has not forsaken us. Those few are familiar with that marvelous feeling: confidence. With at least one person they are able for a little while each day to lift the heavy visor of their helmets, breathe freely, and show their faces and their hearts without fear.”

Un Art de Vivre (The Art of Living) (1939), The Art of Loving

“An exacting leader can always command more affection that one who is indifferent. The best way to impose severity is to have about one only those whose qualities one values. Any man ca easily endure criticism if his character and intelligence are clearly not called into question. To say quickly and forcefully what one feels strongly is the wise course. A sever reproach, if rapidly spoken, is less painful than hostile and sulky dissatisfaction. Subordinates must realize that if an order is not carried out they will suffer, but also that they will be exonerated if its execution leads to disaster. A true leader will always take full responsibility for his actions.”

Un Art de Vivre (The Art of Living) (1939), The Art of Leadership

“In every young government strength is worth more than ancestral wisdom, but no government can remain young. As it grows older there is more respect for mature men than for old men. The leader who has build his career upon a basis of youth, loses youth. Like the old wolf, he tries to hide his disgrace; he keeps himself fit and affects the fearlessness and excess of a young man; but sooner or later time will make him a senator, then a corpse.”

Un Art de Vivre (The Art of Living) (1939), The Art of Growing Old

“He who allows himself to be devoured will be devoured, and he will die before he has done his work. The man who has an ardent passion for work asks of others only what will help him. He shirks no work that ca be of use and that he ca do well, but he flies from conversations, meetings, talkfests, studios full of phrase-makers. Goethe even advises such a man to ignore daily events if he cannot do anything about them. If we spend an hour every morning informing ourselves about distant wars and another hour lamenting their possible consequences, when we are neither ministers, generals, nor journalists, nor anything, we render no service to our country and we waste the most irrecoverable of our possessions: our own short life.”

Un Art de Vivre (The Art of Living) (1939), The Art of Working

“There is no happiness without forgetfulness. I have never known a real man of action to be unhappy during action. How could he be? Like a child at play, he stops thinking of himself.”

Un Art de Vivre (The Art of Living) (1939), The Art of Happiness

“The man who truly loves his work returns to it after the briefest rest with a curious kind of voluptuousness. When he is completely absorbed in his job, the end of work seems like the end of life.”

Un Art de Vivre (The Art of Living) (1939), The Art of Working

“Old age is far more than white hair, wrinkles, the feeling that it is too late and the game finished, that the stage belongs to the rising generations. The true evil is not the weakening of the body, but the indifference of the soul. Upon crossing the shadow line, it is more the desire to act than the power to do so that is lost. Is it possible, after fifty years of experiences and disappointments, to retain the ardent curiosity of youth, the desire to know and understand, the power to love wholeheartedly, the certainty that beauty, intelligence, and kindness unite naturally, and to preserve faith in the efficacy of reason? Beyond the shadow line lies the realm of even, tempered light where the eyes, not being dazzled any more by the blinding sun of desire, can see things and people as they are. How is it possible to believe in the moral perfection of pretty women if you have loved one of them? How is it possible to believe in progress when you have discovered throughout a long and difficult life that no violent change can triumph over human nature and that it is only the most ancient customs and ceremonies that can provide people with the flimsy shelter of civilization? "What's the use?" says the old man to himself. This is perhaps the most dangerous phrase he can utter, for after having said: "What's the use of struggling?" he will say one day: "What's the use of going out?" then: "What's the use of leaving my room?" then: "What's the use of leaving my bed?" and at last comes "What's the use of living?"”

which opens the portals of death.
Un Art de Vivre (The Art of Living) (1939), The Art of Growing Old

“A man who works under orders with other men must be without vanity. If he has too strong a will of his own and if his ideas are in conflict with those of his chief, the execution of orders will always be uncertain because of his efforts to interpret them in his own way. Faith in the chief must keep the gang together. Obviously deference must not turn into servility. A chief of staff or a departmental head should be able, if it seems to him (rightly or wrongly) that his superior is making a serious mistake, to tell him so courageously. But this sort of collaboration is really effective only if such frankness has true admiration and devotion behind it. If the lieutenant does not admit that his chief is more experienced and has better judgment than he himself, he will serve him badly. Criticism of the chief by a subordinate must be accidental and not habitual. What must an assistant do if he is sure he is right and if his chief refuses to accept his criticisms? He must obey the order after offering his objections. No collective work is possible without discipline. If the matter is so serious that it can have a permanent effect upon the future of a country, an army, or a commercial enterprise, the critic may hand in his resignation. But this must be done only as a last resort; as long as a man thinks he can be useful he must remain at his post.”

Un Art de Vivre (The Art of Living) (1939), The Art of Working

“It only requires a glance at the advertisements in American magazines to understand how strong and how continuous is woman's preoccupation with her conquest of man.”

Un Art de Vivre (The Art of Living) (1939), The Art of Loving

“It is not events and the things one sees and enjoys that produce happiness, but a state of mind which can endow events with its own quality, and we must hope for the duration of this state rather than the recurrence of pleasurable events. Is this state actually an interior one, and can we recognize it otherwise than the by the changes it produces in all exterior things? If we exclude sensation and memory from our thoughts, there is nothing left but a wordless emptiness. Where can pure ecstasy and pure happiness be found? As certain phosphorescent fish see the deep water, the seaweed, and the other creatures of the sea light up at their approach but never perceive the movable source of this illumination because it is in themselves, so the happy man, though he is aware of his effect upon others, has difficulty in perceiving his happiness and even greater difficulty in predicting it.”

Un Art de Vivre (The Art of Living) (1939), The Art of Happiness

“All primitive people thought that a lunatic was possessed by a spirit. When his incoherent words more or less accord with the moral prejudices of the time, the spirit is a good one, and the man i s a saint. In the opposite case, the spirit is evil and the man must be suppressed. It is just according to the time and place and the doctors, whether a prophetess would be worshipped as a priestess or ducked as a witch. Innumerable violent lunatics have escaped the cells, thanks to the War, and their very violence has made heroes of them. And in every Parliament there are at least five or six undisputed idiots who got elected for their madness through the admiration of their constituents.”

Les silences du colonel Bramble (The Silence of Colonel Bramble)

“The desire for security, very marked in women, draws the weaker among them to men who, by their strength or ability, seem to offer protection and support. In time of war they count a warrior's scalps; in time of peace they hunt for genius or wealth. To the man in love the giving of gifts is a way of asserting his power. The penguin and the banker offer pebbles of varying brilliance to their respective loved ones. The finch presents twigs and leaves to its mate as the young man presents woolen threads in the form of carpets and curtains to his fiancee. The swallow and the woman begin to thing of the nest the moment they have chosen their males.”

Un Art de Vivre (The Art of Living) (1939), The Art of Loving

“To disgust men with their work is a serious blunder on the part of human society; what could be more natural than their liking for what they do? Work keeps off boredom, vice, and poverty. It is the remedy for all imagined evils. "The souls' joy lies in doing," said Shelly. Active work saves man from himself; indolence make shim a prey to useless regrets, dangerous reveries, enviousness, and hate. Also the first rule of the art of governing is, at all costs, to keep a nation at work. A bored nation is impossible to govern, but a nation occupied by work which it believes to be useful and accomplishes on its own initiative is already a happy one.”

Un Art de Vivre (The Art of Living) (1939), The Art of Working

“A true woman loves a strong man because she knows his weaknesses. She protects as much as she is protected.”

Un Art de Vivre (The Art of Living) (1939), The Art of Marriage

“A married man seeks to please his wife and not God.”

Les silences du colonel Bramble (The Silence of Colonel Bramble)

“The degree of our worthiness to become a free people shall be determined by our ability to respect a lawful leader, to agree to the existence of an opposition, to listen to its arguments, and especially to put the nation's good above all party prejudices and private interest. Liberty is not one of man's inalienable rights' it is a desirable but difficult acquisition, and must be contended for constantly.”

Un Art de Vivre (The Art of Living) (1939), The Art of Leadership

“A great man's manias must be respected, because the time required to combat them is too precious to waste. A departmental head and his chief reach a state of symbiosis; the clever official knows that words must never be spoken in the chief's presence because they stir up painful complexes or rouse his anger. He knows how to present a proposition so that the chief will be interested and give a favorable opinion. He is clearly aware of the latter's mistakes and weaknesses, respects him no less for them, but he does his best to make up for deficiencies.”

Un Art de Vivre (The Art of Living) (1939), The Art of Working