Source: Wild Ducks Flying Backward
Quotes from book
Wild Ducks Flying Backward
Wild Ducks Flying Backward is a book by Tom Robbins, published on August 30, 2005. It is a collection of poems, short stories, essays, reviews, and other brief writings from Robbins' career.
“He who jokes in the executioners face can be destroyed, but never defeated.”
Source: Wild Ducks Flying Backward
Wild Ducks Flying Backward (2005)
Wild Ducks Flying Backward (2005)
“Nobody can say the word “naked” as nakedly as Cohen.”
Source: Wild Ducks Flying Backward (2005), Liner notes for the Leonard Cohen tribute album Tower of Song (1995).
Context: Nobody can say the word “naked” as nakedly as Cohen. He makes us see the markings where the pantyhose have been.
Source: Wild Ducks Flying Backward (2005), Liner notes for the Leonard Cohen tribute album Tower of Song (1995).
Context: It is their desire to honor L. Cohen, songwriter, that has prompted a delegation of our brightest artists to climb, one by one, joss sticks smoldering, the steep and salty staircase in the Tower of Song.
There is evidence that the honoree might be privy to the secret of the universe, which, in case you’re wondering, is simply this: everything is connected. Everything. Many, if not most, of the links are difficult to determine. The instrument, the apparatus, the focused ray that can uncover and illuminate those connections is language. And just as a sudden infatuation often will light up a person’s biochemical sky more pyrotechnically than any deep, abiding attachment, so an unlikely, unexpected burst of linguistic imagination will usually reveal greater truths than the most exacting scholarship. In fact, the poetic image may be the only device remotely capable of dissecting romantic desire, let alone disclosing the hidden mystical essence of the material world.
Cohen is a master of the quasi-surrealistic phrase, of the “illogical” line that speaks so directly to the unconscious that surface ambiguity is transformed into ultimate, if fleeting, comprehension: comprehension of the bewitching nuances of sex and the bewildering assaults of culture.
Source: Wild Ducks Flying Backward (2005), Liner notes for the Leonard Cohen tribute album Tower of Song (1995).
Context: It is their desire to honor L. Cohen, songwriter, that has prompted a delegation of our brightest artists to climb, one by one, joss sticks smoldering, the steep and salty staircase in the Tower of Song.
There is evidence that the honoree might be privy to the secret of the universe, which, in case you’re wondering, is simply this: everything is connected. Everything. Many, if not most, of the links are difficult to determine. The instrument, the apparatus, the focused ray that can uncover and illuminate those connections is language. And just as a sudden infatuation often will light up a person’s biochemical sky more pyrotechnically than any deep, abiding attachment, so an unlikely, unexpected burst of linguistic imagination will usually reveal greater truths than the most exacting scholarship. In fact, the poetic image may be the only device remotely capable of dissecting romantic desire, let alone disclosing the hidden mystical essence of the material world.
Cohen is a master of the quasi-surrealistic phrase, of the “illogical” line that speaks so directly to the unconscious that surface ambiguity is transformed into ultimate, if fleeting, comprehension: comprehension of the bewitching nuances of sex and the bewildering assaults of culture.
