Quotes from work
Isle of the Dead

Roger Zelazny

Isle of the Dead is a science fiction novel by American writer Roger Zelazny, published in 1969 with cover art by Leo and Diane Dillon. It was nominated for the Nebula Award for Best Novel in 1969, and won the French Prix Apollo in 1972. The title refers to the several paintings by Swiss-German painter Arnold Böcklin. In the novel, Francis Sandow refers to “that mad painting by Boecklin, The Isle of the Dead.” Böcklin created at least five paintings with that title, each depicting an oarsman and a standing figure in a small boat, crossing dark water toward a forbidding island. A later Ace books edition featured a cover painting by Dean Ellis that was deliberately reminiscent of Böcklin's work.As to the novel's inspiration, Zelazny noted, “This was a spin-off from the novelette I did called ‘This Moment of the Storm.’ Actually, it wasn't the guy I was interested in, at first. I wanted somebody that was born in the twentieth century, who had made it aboard one of these generation starships where he'd been frozen and spent generations getting to this new planet which proved habitable. By the time he got there, they’d invented a faster-than-light drive, because several centuries had gone by and they’d become more sophisticated. Earth had much higher technology, and he had the means of going back fast if he wanted to, but he didn't. He wasn't sure he was happy on the world he'd reached, though, and decided to go out and try a few others, since it was easy to do. There were still time dilation effects and, through making a few sharp investments here and there, with so much time passing, he became quite wealthy. He also happened to become the oldest human in the galaxy, and because of the fancy new medicine he was in very good shape. He also just happened to have been through the initiation ritual which would make him a god in this other religion, even though he didn't believe in it wholeheartedly. But it was the concept of the big expanse of time that interested me."

“I watched the spinning stars, grateful, sad and proud, as only a man who has outlived his destiny and realizes he might yet forge himself another, can be.”

Roger Zelazny Isle of the Dead

Source: Isle of the Dead (1969), Chapter 1 (pp. 29-30)

“For me, I have seen worlds and people begin and end, actually and metaphorically, and it will always be the same. It’s always fire and water.
No matter what your scientific background, emotionally you’re an alchemist. You live in a world of liquids, solids, gases and heat-transfer effects that accompany their changes of state. These are the things you perceive, the things you feel. Whatever you know about their true natures is rafted on top of that. So, when it comes to the day-to-day sensations of living, from mixing a cup of coffee to flying a kite, you treat with the four ideal elements of the old philosophers: earth, air, fire, water.
Let’s face it, air isn’t very glamorous, no matter how you look at it. I mean, I’d hate to be without it, but it’s invisible and so long as it behaves itself it can be taken for granted and pretty much ignored. Earth? The trouble with earth is that it endures. Solid objects tend to persist with a monotonous regularity.
Not so fire and water, however. They’re formless, colorful, and they’re always doing something. While suggesting you repent, prophets very seldom predict the wrath of the gods in terms of landslides and hurricanes. No. Floods and fires are what you get for the rottenness of your ways. Primitive man was really on his way when he learned to kindle the one and had enough of the other nearby to put it out. It is coincidence that we’ve filled hells with fires and oceans with monsters? I don’t think so. Both principles are mobile, which is generally a sign of life. Both are mysterious and possess the power to hurt or kill. It is no wonder that intelligent creatures the universe over have reacted to them in a similar fashion. It is the alchemical response.”

Roger Zelazny Isle of the Dead

Source: Isle of the Dead (1969), Chapter 6 (pp. 137-138)

“The stars blazed like the love of God, cold and distant.”

Roger Zelazny Isle of the Dead

Source: Isle of the Dead (1969), Chapter 4 (p. 87)

“Nick swore he’d die with this boots on, on some exotic safari, but he found his Kilimanjaro in a hospital on Earth, where they’d cured everything that was bothering him, except for the galloping pneumonia he’d picked up in the hospital. That had been, roughly, two hundred and fifty years ago. I’d been a pallbearer.”

Roger Zelazny Isle of the Dead

Source: Isle of the Dead (1969), Chapter 2 (pp. 58-59)

“I had wanted to go after her, to explain my part in what had happened. But I knew it would do no good, so why lose face? When a fairy tale blows up and the dream dust settles and you find yourself standing there, knowing that the last line will never be written, why not omit any exercises in futility?”

Roger Zelazny Isle of the Dead

Source: Isle of the Dead (1969), Chapter 8 (p. 187)

“Dwelling beside a body of water is tonic for the weary psyche. Sea smells, sea birds, seawrack, sands—alternately cool, warm, moist and dry—a taste of brine and the presence of the rocking, slopping bluegraygreen spit-flecked waters, has the effect of rinsing the emotions, bathing the outlook, bleaching the conscience.”

Roger Zelazny Isle of the Dead

Source: Isle of the Dead (1969), Chapter 5 (pp. 119-120)

“I was born on the planet Earth, into the middle of the twentieth century, that period in the history of the race when man succeeded in casting off many of the inhibitions and taboos laid upon him by tradition, reveled for a brief time, and then discovered that it didn’t make a bloody bit of difference that he had. He was still just as dead when he died, and he was still faced with every life-death problem that had confronted him before, compounded by the fact that Malthus was right.”

Roger Zelazny Isle of the Dead

Source: Isle of the Dead (1969), Chapter 4 (p. 72)

“Even if they had been real gods, what did it matter? What was it to me? Here I was still, right where I was born a thousand or so years before, in the middle of the human condition—namely, rubbish and pain. If the gods were real, their only relationship with us was to use us to play their games. Screw them all.”

Roger Zelazny Isle of the Dead

Source: Isle of the Dead (1969), Chapter 8 (p. 174)

“I was cruising along on Tokyo Bay, and suddenly this was the answer, looming, the heaped remains of everything that goes down and does not come again to shore, life’s giant kitchen-midden, the rubbish heap that remains after all things pass, the place that stands in testament to the futility of all ideals and intentions, good or bad, the rock that smashes values, there, signalizing the ultimate uselessness of life itself, which must one day be broken upon it, not to rise, no, never, not ever, again.”

Roger Zelazny Isle of the Dead

Source: Isle of the Dead (1969), Chapter 7 (p. 154)

“Symbols, by their very nature, conceal as well as indicate, damn them!”

Roger Zelazny Isle of the Dead

Source: Isle of the Dead (1969), Chapter 1 (p. 29)

“At one time, tips were given only for things you logically would want to have done efficiently and promptly, and they served to supplement a lower payscale for certain classes of employment. This was understood, accepted. It was tourism, back in the century of my birth, cluing in the underdeveloped countries to the fact that all tourists are marks, that set the precedent, which then spread to all countries, even back to the tourists’ own, of the benefits which might be gained by those who wear uniforms and render the undesired and the unrequested with a smile. This is the army that conquered the world. After their quiet revolution in the twentieth century, we all became tourists the minute we set foot outside our front doors, second-class citizens, to be ruthlessly exploited by the smiling legions who had taken over, slyly, completely.”

Roger Zelazny Isle of the Dead

Source: Isle of the Dead (1969), Chapter 2 (p. 45)

““Could Yarl the Omnipotent create a stone so heavy he couldn’t lift it?” Green Green asked him.
”No,” said Courtcour.
”Why not?”
”He would not.”
”That is no answer.”
”Yes, it is. Think about it. Would you?””

Roger Zelazny Isle of the Dead

Source: Isle of the Dead (1969), Chapter 7 (p. 157)

“I’d lived far too long, and with every day that passed the odds kept growing against my lasting much longer. Although they didn’t put it quite that way when giving the sales pitch, my insurance company’s attitude is reflected in the size of the premiums involved.”

Roger Zelazny Isle of the Dead

Source: Isle of the Dead (1969), Chapter 7 (pp. 147-148)

“The dead are too much with us.”

Roger Zelazny Isle of the Dead

Source: Isle of the Dead (1969), Chapter 2 (p. 59)

“May the blind things at the bottom of the great sea, whose bellies are circles of light,” he said, “recall with pleasure the flavor of your marrow.”

Roger Zelazny Isle of the Dead

Source: Isle of the Dead (1969), Chapter (p. 125)

“There comes a time in the history of all bureaucracies when they must inevitably parody their own functions.”

Roger Zelazny Isle of the Dead

Source: Isle of the Dead (1969), Chapter 3 (p. 62)

“This added the element of mystery that made the comparison inevitable: life is a thing that reminds me quite a bit of the beaches around Tokyo Bay. Anything goes. Strange and unique things are being washed up all the time. I’m one of them and so are you. We spend some time on the beach, maybe side by side, and then that slopping, smelling, chilly thing rakes it with the liquid fingers of a crumbling hand and some of the things are gone again.”

Roger Zelazny Isle of the Dead

Source: Isle of the Dead (1969), Chapter 1 (p. 6)

“Then I could turn around and justify that, by saying that it isn’t really paranoia if there really are people out to get you.”

Roger Zelazny Isle of the Dead

Source: Isle of the Dead (1969), Chapter 1 (p. 22)

“Everything that’s miserable in the world,” Nick the dwarf once said to me, “is because of beauty.”
“Not truth or goodness?” I’d asked.
“Oh, they help. But beauty is the culprit, the real principle of evil.”
“Not wealth?”

Roger Zelazny Isle of the Dead

“Money is beautiful.”
Source: Isle of the Dead (1969), Chapter 2 (p. 56)

“Of all the things a man may do, sleep probably contributes most to keeping him sane. It puts brackets about each day. If you do something foolish or painful today, you get irritated if somebody mentions it, today. If it happened yesterday, though, you can nod or chuckle, as the case may be. You’ve crossed through nothingness or dream to another island in Time.”

Roger Zelazny Isle of the Dead

Source: Isle of the Dead (1969), Chapter 5 (p. 101)

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