Quotes about sequel (40 quotes) | Quotes of famous people

“What is at first small is often extremely large in the end. And so it happens that whoever deviates only a little from truth in the beginning is led farther and farther afield in the sequel, and to errors which are a thousand times as large.”

Franz Brentano (1838–1917) Austrian philosopher

Was klein ist im Beginn wird oft am Ende überaus groß sein. Und so geschieht es, das wer im Anfange auch nur um ein Weniges von der Wahrheit abweicht, im Verlauf immer weiter und weiter und zu tausendmal größern Irrthümer fortgeführt wird.
On the Several Senses of Being in Aristotle (1862)

Truth , Error , Time

“They are working on The Fantastic Four, The Silver Surfer, Iron Man, Dr. Strange, The Hulk— they're doing a sequel to Spider-Man, a sequel to X-Men, and probably a third sequel to Blade. They still haven't gotten around to Nick Fury, Agent of S. H. I. E. L. D.”

Stan Lee (1922–2018) American comic book writer

they have to do the Ghost Rider.
On characters he created in comic books which are being used as the basis of movies. Interview at the DareDevil movie premiere (February 2003).

Men

“Happiness can not come to any man capable of enjoying true happiness unless it comes as the sequel to duty well and honestly done.”

Theodore Roosevelt (1858–1919) American politician, 26th president of the United States

1900s, Address at the Prize Day Exercises at Groton School (1904)
Context: If there ever was a pursuit which stultified itself by its very conditions, it is the pursuit of pleasure as the all-sufficing end of life. Happiness can not come to any man capable of enjoying true happiness unless it comes as the sequel to duty well and honestly done. To do that duty you need to have more than one trait.

Happiness

“Akmon squealed with delight. “I knew you were as smart as Hercules! I will call you Black Bottom, the Sequel!”

Rick Riordan book The House of Hades

Source: The House of Hades

“All novels are sequels; influence is bliss.”

Michael Chabon (1963) Novelist, short story writer, essayist

“She had been forced into prudence in her youth, she learned romance as she grew older: the natural sequel of an unnatural beginning.”

Jane Austen book Persuasion

Source: Persuasion

Youth , Nature , Learning

“Every beginning, after all, is nothing but a sequel, and the book of events is always open in the middle.”

Wisława Szymborska (1923–2012) Polish writer

Books

“Donegan Bane and Gracious O'Callahan - the Monster Hunters. Adventurers, inventors, authors ofand it's sequels, and”

Derek Landy (1974) Irish children's writer

Source: The Maleficent Seven: From the World of Skulduggery Pleasant

“It. Is. Not. Ended. There was just the trace of a humourless smile on his face; and more than a trace of menace. As if he meant something more than that there was a sequel to this scene; but that the whole Nazi weltanschaaung to be, resurrected and realised. He was an impressively iron man…”

John Fowles book Daniel Martin

Daniel Martin (1977)

Smile

“Now there’s document on a subject of states' rights and states' sovereignty which is very seldom cited but which is absolutely fundamental to understanding the status of sovereignty under the Constitution: the letter that George Washington wrote transmitting the new Constitution to the Congress on September 17, 1787. And among the ironies of this letter is the fact that John C. Calhoun in his Discourse on the Constitution and Government of the United States, the sequel to his Disquisition on Government, cites the words that Washington used to support his position that this was a federal government, and that “federal” meant one in which the constituent parts retains complete sovereignty. And he refers to the fact that Washington refers to “the federal government of these States.””

Harry V. Jaffa (1918–2015) American historian and collegiate professor

2000s, The Real Abraham Lincoln: A Debate (2002), Rebuttal

Understanding , Support , Parting

“After a few seconds, he said, “You’re devout, aren’t you? Some species of Christian, I imagine?”
She smiled faintly. “Yes.”
“I would say that was a mark against your intelligence, but since you’re both nice girls, I won’t say it. But you assume a sequel to this life, one in which noble sacrifices are rewarded, or at least noted. I’m convinced that no note is taken at all, and that, as far as any one of us is concerned, the universe comes to an end at the moment of his death.””

Tim Powers (1952) American writer

Part 2, Chapter 2 (p. 264)
Hide Me Among the Graves (2012)

Life , Death , Smile , Imagination

“It's rare that the sequel to a good movie lives up to expectations. Such is the case with Die Hard 2, the somewhat-muddled but still entertaining return of Bruce Willis' John McClane. Fortunately, the original Die Hard was good enough that there's room for the second installment to be enjoyable while still not matching the pace or possessing the flair of its predecessor.”

James Berardinelli (1967) American film critic

Review http://www.reelviews.net/movies/d/die_hard2.html of Die Hard 2: Die Harder (1990).
Three-and-a-half star reviews

“The film studios learned to our dismay but to their pleasure that if they spent $200 million making a film they could make half a billion on it. So they were not interested anymore in quality films… They can’t afford to be that risky at those prices. Consequently you’re getting a lot of remakes, sequels, dopey comedies full of toilet jokes…”

Woody Allen (1935) American screenwriter, director, actor, comedian, author, playwright, and musician

BBC radio interview (2011) http://www.youtube.com/watch?v=Ef-JHO9BoJM.

Pleasure , Learning

“The momentous meaning of this occasion impressed me deeply. I resolved to mark it by some token of recognition, which could be no other than a salute of arms. Well aware of the responsibility assumed, and of the criticisms that would follow, as the sequel proved, nothing of that kind could move me in the least. The act could be defended, if needful, by the suggestion that such a salute was not to the cause for which the flag of the Confederacy stood, but to its going down before the flag of the Union. My main reason, however, was one for which I sought no authority nor asked forgiveness. Before us in proud humiliation stood the embodiment of manhood: men whom neither toils and sufferings, nor the fact of death, nor disaster, nor hopelessness could bend from their resolve; standing before us now, thin, worn, and famished, but erect, and with eyes looking level into ours, waking memories that bound us together as no other bond;—was not such manhood to be welcomed back into a Union so tested and assured? Instructions had been given; and when the head of each division column comes opposite our group, our bugle sounds the signal and instantly our whole line from right to left, regiment by regiment in succession, gives the soldier's salutation, from the "order arms" to the old "carry"—the marching salute. Gordon at the head of the column, riding with heavy spirit and downcast face, catches the sound of shifting arms, looks up, and, taking the meaning, wheels superbly, making with himself and his horse one uplifted figure, with profound salutation as he drops the point of his sword to the boot toe; then facing to his own command, gives word for his successive brigades to pass us with the same position of the manual, honor answering honor. On our part not a sound of trumpet more, nor roll of drum; not a cheer, nor word nor whisper of vain-glorying, nor motion of man standing again at the order, but an awed stillness rather, and breath-holding, as if it were the passing of the dead!”

Joshua Lawrence Chamberlain (1828–1914) Union Army general and Medal of Honor recipient

The Passing of the Armies: An account of the Army of the Potomac, based upon personal reminiscences of the Fifth Army Corps (1915), p. 260

Death , Men , Forgiveness , Suffering

“Sequels and remakes are just a part of the business- it's not something that ruins that whole thing. Once in a while we see a movie that surprises us- you can say that American is contaminated with remakes and sequels, but I think that's what makes the whole machinery keep going. I'm not a fan of sequels or remakes but I think it doesn't damage.”

Andy Muschietti (1973) Argentine film director and screenwriter

Mama: Interview With Director Andrés Muschietti http://whatculture.com/film/mama-interview-with-director-andres-muschietti (June 8, 2013)

Business , Thinking , Parting

“The latest chapter of the venerable slasher film saga represents the tenth movie to use the title (although only the ninth with Myers); it's a sequel to the remake but not necessarily a remake of the sequel. It is also a complete and utter abomination. The film is so bad that it may make me rethink my stance on installment #6 (The Curse of Michael Myers) as the worst entry. That one, at least by all accounts, was severely compromised as a result of distributor interference. This one represents Rob Zombie's "vision."”

James Berardinelli (1967) American film critic

That being the case, he's blind.
Review http://www.reelviews.net/php_review_template.php?identifier=1780 of Halloween II (2009).
Half-star reviews

““But differ greatly in the sequel.” --Fisher Ames, when confronted with the declaration that all men are created equal”

Fisher Ames (1758–1808) American politician

Attributed

Men

“With The Dark Knight you had to strike a balance of familiarity with the audience. It is a sequel, and they want familiar elements, things they liked from the first film. But you always have to be very aware that the audience is extremely ruthless in its demand for newness, novelty and freshness. At script stage, we really tried to thrash that out—are we striking that right balance?”

Christopher Nolan (1970) British–American film director, screenwriter, and producer

Chris Nolan Q&A About 'Inception' http://deadline.com/2011/01/oscar-christopher-nolan-qa-inceptions-writer-director-is-a-hollwood-original-94704

“I truly wanted to be a character actor. People ask me, ‘When are you going to get the lead?’ and I say, ‘I don’t want the lead.’ I always use John Carradine – I don’t know why – but John Carradine to me was more of the classic character actor who would literally show up and do three lines in a big Hollywood movie and then have a bigger part in the sequel to The Invisible Man. That career is so great. That is part of my… I don’t know if it’s a set plan, but I always seem to follow that course.”

Kevin J. O'Connor (actor) (1963) American actor

Exclusive Interview: Kevin J O'Connor http://www.chud.com/14305/exclusive-interview-kevin-j-oconnor-there-will-be-blood-dvd/ (April 8, 2008)

People , Parting

“Dalissem chuckled. It felt like being grinned at by a big mountain cat—delightful for the beauty of the animal, disturbing for the possible sequel.”

Michael Shea book Nifft the Lean

Part 1, Chapter 2 (p. 27)
Nifft the Lean (1982)

Beauty , Mountain , Cats , Animals

“One hopeful sign that the filmmakers can learn and grow is that the sequel does not contain a single pie, if you know what I mean.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/american-pie-2-2001 of American Pie 2 (10 August 2001)
Reviews, Three star reviews

Hope , Learning

“The instinctive Indian sense that nothing begins and nothing ends. We are all living in an eternal present in which what was and what will be is contained in what is, or to put it in a more contemporary idiom, that life is a series of sequel to history.”

Shashi Tharoor book The Great Indian Novel

The Great Indian Novel (1989)

Life , History , Sense

“The characters in this movie should be arrested for loitering with intent to moan. Never have teenagers been in greater need of a jump-start. Granted some of them are more than 100 years old, but still: their charisma is by Madame Tussaud. The Twilight Saga: New Moon takes the tepid achievement of Twilight (2008), guts it, and leaves it for undead. You know you're in trouble with a sequel when the word of mouth advises you to see the first movie twice instead. Obviously the characters all have. Long opening stretches of this film make utterly no sense unless you walk in knowing the first film, and hopefully both Stephanie Meyer novels, by heart. Edward and Bella spend murky moments glowering at each other and thinking, So, here we are again.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/the-twilight-saga-new-moon-2009 of The Twilight Saga: New Moon (18 November 2009)
Reviews, One-star reviews

Thinking , Sense , Heart

“With Batman & Robin, the fourth entry in the recent Batman movie series, the profitable franchise appears poised to take a nosedive. This film, which places yet another actor in the batsuit, has all the necessary hallmarks of a sorry sequel — pointless, plodding plotting; asinine action; clueless, comatose characterization; and dumb dialogue. … Batman & Robin moves at a dizzying pace, yet goes absolutely nowhere.”

James Berardinelli (1967) American film critic

Review http://www.reelviews.net/movies/b/batman4.html of Batman & Robin (1997).
Two star reviews

Appearance

“The term "godawful" should be used sparingly in connection with motion pictures. With Angels & Demons, however, it seems oddly appropriate. Not only does this prequel-turned-sequel to The Da Vinci Code make its predecessor seem like a masterwork of pacing and plotting, but it may represent a nadir for director Ron Howard and is probably the worst instance of acting from star Tom Hanks since back in the days when he was struggling out from under the shadow of Bosom Buddies.”

James Berardinelli (1967) American film critic

Review http://www.reelviews.net/php_review_template.php?identifier=1637 of Angels & Demons (2009).
One-and-a-half star reviews

Angels , Star

“Twenty years ago, the business world was taken by surprise when the work pyramid was up-ended. Suddenly customers were on top and a flattened corporate hierarchy made front-line workers responsible for understanding and satisfying the customer’s every whim. Today, we’re poised for the natural sequel to that revolution. It’s time to focus on keeping workers satisfied — or at least engaged in their work.”

Adrian Slywotzky (1951) American economist

Source: Profit Patterns (1999), p. 2.

World , Understanding , Business , Nature

“I guess it's a sequel to our story
From the journey 'tween heaven and hell
With half the time thinking of what might have been
and half thinkin' just as well.
I guess only time will tell.”

Harry Chapin (1942–1981) American musician

Sequel
Song lyrics, Sequel (1981)

Hell , Thinking , Time

“If there was ever an action movie that didn't warrant a sequel, it's Speed. However, the film grossed enough money to be numbered among the big summer hits of 1994, and the unfortunate result is this film, which reunites director Jan de Bont with leading lady Sandra Bullock, while leaving Keanu Reeves somewhere safe and dry, "working on his music" with his band, Dogstar. Considering the dubious quality of the final product, this may be the wisest decision of the young actor's career. Speed 2 can be numbered among the worst second chapters ever made.”

James Berardinelli (1967) American film critic

Review http://www.reelviews.net/php_review_template.php?identifier=291 of Speed 2: Cruise Control (1997).
One-and-a-half star reviews

Money , Music , Decision , Summer

“Attack of the Clones displays some similarities to The Empire Strikes Back, but, overall, it is not as effective a piece of cinema (although the 2002 era special effects make it far more pleasing to the eye). Both films contain romantic subplots and are darker in tone than their predecessors. Both develop a number of unresolved plot elements. And both end on a note that incorporates hope with ambiguity. There is, however, one major difference. The Empire Strikes Back includes a shocking revelation. Nothing of that sort is present in Attack of the Clones. In terms of its plotting, this film is relatively straightforward. There's nothing wrong with that — in fact, it works. In a time when, more often than not, sequels disappoint, it's refreshing to uncover something this high-profile that fulfills the promise of its name and adds another title to a storied legacy.”

James Berardinelli (1967) American film critic

Review http://www.reelviews.net/movies/s/sw2002.html of Star Wars Episode II: Attack of the Clones (2002).
Three-and-a-half star reviews

Hope , Disappointment , Time

“I think that the best science fiction is where the story is fiction but the science is real, or at least as real as possible. If you’re going to write a good sci-fi, and you want me to believe the one wholly implausible idea that your story is about, then every other aspect of the film should be as seemingly reasonable as it possibly can be. That’s what Jurassic Park tried to do. If I am to believe that an impossibly huge reptilian monster is destroying the city, then the back story of it’s origin ought to sound realistic enough to counter-balance that. That’s what the first Godzilla movie tried to do. After that, filmmakers adopted the opposite strategy; so that everything else in the subsequent sequels had so many outrageous absurdities, each so insanely stupid, that the monster in the middle was the most reasonable element by comparison.”

Aron Ra (1962) Aron Ra is an atheist activist and the host of the Ra-Men Podcast

Patheos, Weighing in on Godzilla http://www.patheos.com/blogs/reasonadvocates/2014/06/08/weighing-in-on-godzilla/ (June 8, 2014)

Stupidity , Idea , Thinking , Science

“The original 1954 Japanese film, Gojira was iconic, and only made a couple mistakes of any significance. (1)They killed him in the end, and we saw his body turned to skeleton. Not the best way to begin 60 years worth of sequels. (2) Godzilla was depicted as a dinosaur, and was associated with living trilobites. Even if there was some sort of ‘realm that time forgot’ out in the Pacific somewhere, Trilobites were already extinct before the first dinosaurs, and Godzilla was clearly no dinosaur. The conceptual artists reportedly referenced illustrations of dinosaurs, but that’s not what they rendered. All bi-pedal dinosaurs [Therapods] were digigrade, walking on their toes, like birds, and usually only three or four digits. Godzilla was plantigrade and pentadactyle, (having five digits and walking on the whole foot) just like lizards. It even looks like a lizard, apart from the fact that no reptile has an actual nose or external ears. In a sense, what Toho pictures created was actually an oriental dragon. These tend to mix reptilian and mammalian traits. Amusingly in 1954, Toho made a giant lizard and called it a dinosaur. In 1998, Tristar re-designed Godzilla as a dinosaur, but called it a lizard. Of course that wasn’t the only thing Tristar did wrong. They tried to ruin the monster completely. They took away the only thing that worked in decades of sequels, the look of the monster itself. Then they took away everything that made Godzilla appealing to Kaiju fans, then they tied it down and shot it. Such disrespect. If you’re going to make a movie that already has a fan-base, and they are the ones who will decide whether your film will pay off, respect those fans and the story they’re paying to see.”

Aron Ra (1962) Aron Ra is an atheist activist and the host of the Ra-Men Podcast

Patheos, Weighing in on Godzilla http://www.patheos.com/blogs/reasonadvocates/2014/06/08/weighing-in-on-godzilla/ (June 8, 2014)

Way , Bird , Sense , Time

“Not long after his (Justinian) accession, he reaffirmed the penalties which previous Emperors had enacted against the pagans, and forbade all donations or legacies for the purpose of maintaining "Hellenic impiety,"… by making the profession of (Christian) orthodoxy a necessary condition for public teaching Justinian accelerated the extinction of "Hellenism."… This event had a curious sequel. Some of the philosophers whose occupation was gone resolved to cast the dust of the Christian Empire from their feet and migrate.”

J. B. Bury (1861–1927) Irish historian and freethinker

History of the Later Roman Empire,

Penalty

“This sequel to The Female Eunuch is the book I said I would never write.”

Germaine Greer (1939) Australian feminist author

"Recantation"
The Whole Woman (1999)

Books

“As you get all this money out there, there’s a tendency for more conservatism and sequelization. So we’re doing ‘Madden 38,’ but now the shoelaces have shadows! And when you step on the turf, the grass is just pressed a little bit, and springs back in just a couple of seconds. Unfortunately, it’s kind of the death of creativity when you make a big deal about really trivial features.”

Eugene Jarvis (1955) American game designer and game programmer

"Newcity Chicago," April 2008 http://www.newcitychicago.com/chicago/7612.html

Death , Money , Spring , Grass

“The thing about the Star Wars expanded universe that most impresses me is how the need for endless sequels has taken what was way back in the late Disco a fairly upbeat series where the good guys eventually prevailed and turned into a crapsack setting that's grimmer than the disintegration of Yugoslavia, Congo Wars I & II and the Mongol Conquests combined.”

James Nicoll (1961) Canadian fiction reviewer

Bujold list message http://lists.herald.co.uk/pipermail/lois-bujold/2011-February/070018.html (2011)
2010s

War , Way , Guy , Star

“It was not a very white jacket, but white enough, in all conscience, as the sequel will show.
The way I came by it was this…”

Herman Melville book White-Jacket

Source: White-Jacket (1850), Ch. 1, First lines

Way

“More Tales of Boss Ket: An Informal and Unpublished Sequel to the Book, "Professional Amateur, the Biography of Charles Franklin Kettering", Thomas Alvin Boyd, 1969”

Charles Kettering (1876–1958) American inventor, engineer, businessman, and the holder of 140 patents

References

Books

“Of love that never found his earthly close,
What sequel?”

Alfred, Lord Tennyson (1809–1892) British poet laureate

" Love and Duty http://www.readbookonline.net/read/4310/14259/", l. 1- 21 (1842)
Context: Of love that never found his earthly close,
What sequel? Streaming eyes and breaking hearts?
Or all the same as if he had not been?
Not so. Shall Error in the round of time
Still father Truth? O shall the braggart shout
For some blind glimpse of freedom work itself
Thro' madness, hated by the wise, to law
System and empire? Sin itself be found
The cloudy porch oft opening on the Sun?
And only he, this wonder, dead, become
Mere highway dust? or year by year alone
Sit brooding in the ruins of a life,
Nightmare of youth, the spectre of himself!
If this were thus, if this, indeed, were all,
Better the narrow brain, the stony heart,
The staring eye glazed o'er with sapless days,
The long mechanic pacings to and fro,
The set gray life, and apathetic end.
But am I not the nobler thro' thy love?
O three times less unworthy! likewise thou
Art more thro' Love, and greater than thy years.

Love

“I’ve never believed in doing sequels. I didn’t want to waste the time I have doing a sequel; I’d rather be using that time doing something new and different ”

Walt Disney (1901–1966) American film producer and businessman

Time

“But differ greatly in the sequel.”

Fisher Ames (1758–1808) American politician

--Fisher Ames, when confronted with the declaration that all men are created equal
Attributed