Quotes about rediscovery

A collection of quotes on the topic of rediscovery, difference, use, world.

Quotes about rediscovery

“I won a nickname, "The Great Communicator." But I never thought it was my style or the words I used that made a difference: It was the content. I wasn't a great communicator, but I communicated great things, and they didn't spring full bloom from my brow, they came from the heart of a great nation — from our experience, our wisdom, and our belief in principles that have guided us for two centuries. They called it the Reagan revolution. Well, I'll accept that, but for me it always seemed more like the great rediscovery, a rediscovery of our values and our common sense.”

Ronald Reagan (1911–2004) American politician, 40th president of the United States (in office from 1981 to 1989)

1980s, Second term of office (1985–1989), Farewell Address (1989)

Wisdom, Spring, Communication, Sense

“The rediscovery of Spinoza by the Germans contributed to the shaping of the cultural destinies of the German people for almost two hundred years. Just as at the time of the Reformation no other spiritual force was as potent in German life as the Bible, so during the eighteenth and nineteenth centuries no other intellectual force so dominated German life as Spinozism. Spinoza became the magnet to German steel. Except for Immanuel Kant and Herbart, Spinoza attracted every great intellectual figure in Germany during the last two centuries, from the greatest, Goethe, to the purest, Lessing.”

Baruch Spinoza (1632–1677) Dutch philosopher

S. M. Melamed, Spinoza and Buddha: Visions of a Dead God (Chicago: University of Chicago Press, 1933)
M - R

Life, Time, People

“To-morrow the rediscovery of romantic love,
The photographing of ravens; all the fun under
Liberty's masterful shadow;
To-morrow the hour of the pageant-master and the musician, The beautiful roar of the chorus under the dome;
To-morrow the exchanging of tips on the breeding of terriers,
The eager election of chairmen
By the sudden forest of hands. But to-day the struggle.To-morrow for the young the poets exploding like bombs,
The walks by the lake, the weeks of perfect communion;
To-morrow the bicycle races
Through the suburbs on summer evenings. But to-day the struggle.”

W. H. Auden book Spain

Source: Spain (1937), Lines 81–92

Love, Beauty, Summer, Perfection

“I too was filled with a sort of shyness and fear, as I was called to leave 'the world of will and idea' in which I had lived and created, and in whose reality I had believed. But the happy liberating touch of non-objectivity drew me out into the 'desert' where only feeling is real.... and so feeling became the content of my life. It was no 'empty square' I had exhibited but the feeling of non-objectivity. I perceived that the 'thing' and the 'idea' were taken to be equivalents of feeling, and understood the lie of the world of will and idea. Is the milk bottle the symbol of milk? Suprematism is the rediscovery of that pure art which in the course of time, and by an accretion of 'things', had been lost to sight.”

Kazimir Malevich (1879–1935) Russian and Soviet artist of polish descent

As quoted in Artists on Art; from the 14th – 20th centuries, ed. by Robert Goldwater and Marco Treves; Pantheon Books, 1972, London, p. 453
1921 - 1930

Life, Lie, World, Fear

“For a thousand years, the Bible was almost the only book people read, if they could read at all. The stories that were officially told and portrayed were Biblical and religious stories. That other fount of Western civilization as we know it today — the Greek classics — went largely unknown until the Renaissance. For our purposes, there's a noteworthy difference between these two literatures: in the Bible people are hardly ever said to be mad as such, whereas in Greek drama they go off their rockers with alarming frequency. It was the rediscovery of the classics that stimulated the long procession of literary madpeople of the past four hundred years.”

Margaret Atwood (1939) Canadian writer

Ophelia Has a Lot to Answer For (1997)

People, Books, Literature, Reading

“Disco is a major influence in the world of fashion. It is a dynamic factor in contemporary advertising. It is a message from every consumer that there has been a rediscovery of America's greatest by-product: fun.”

Neil Bogart (1943–1982) American music executive

Neil Bogart at the 1977 Disco Forum.

World, Fashion

“It is fitting that a discourse on Romantic music should commence with a meditation on the art of Bach. The Bach revival is still sometimes considered an early nineteenth-century phenomenon, although this is hardly tenable: in the 1780s Mozart was deeply affected by Bach, and at the same time Beethoven was being brought up on the Well-Tempered Keyboard. Bach was well known to European musicians as a composer of keyboard music through manuscript copies of this work long before systematic publication began in 1800. The "revival" of Bach in the Romantic period was basically a rediscovery of his choral works and a new evaluation of his technique: his art was no longer simply a model for the fugue, as it had been in the eyes of Mozart, but for the art of music as a whole. The new approach to Bach and to Baroque music in general, however, did not extend to the sound of that music on the original instruments. Few musicians in the 1820s and '30s 'had the slightest interest in the sonority of old harpsichords or Baroque organs (Ignaz Moscheles was an engaging exception). What they saw, and needed to see, in Bach was the achievement of an ideal.”

Charles Rosen (1927–2012) American pianist and writer on music

Source: The Romantic Generation (1995), Ch. 1 : Music and Sound

Art, Music, Time

“Feminism, for all its boasts, has not found a single major female painter or sculptor to add to the canon. It did revive the reputations of many minor women, like Frida Kahlo or Romaine Brooks. Mary Cassatt, Georgia O'Keeffe, and Helen Frankenthaler were already known and did not need rediscovery. Artemisia Gentileschi was simply a polished, competent painter in a Baroque style created by men.”

Camille Paglia (1947) American writer

Source: Vamps and Tramps (1994), "The New Sexism: Liberating Art and Beauty", p. 115

Women, Men

“Many innovations of current history and philosophy of science were, in fact, anticipated in Neurath’s oeuvre. The rediscovery of Neurath was therefore not merely a phenomenon of academic nostalgia, but itself constitutes research into the conditions and possibilities of changing a paradigm in the philosophy of science.”

Friedrich Stadler (1951) Austrian historian

Friedrich Stadler (1996). "Otto Neurath—encyclopedia and utopia." In: E. Nemeth & F. Stadler (Eds.). Encyclopedia and utopia: The life and work of Otto Neurath (1882–1945), Boston: Kluwer. Stadler, 1996, p. 3

History, Nostalgia, Science, Change

“For four or five centuries, Islam was the most brilliant civilization in the Old World. (…) At its higher level the golden age of Muslim civilization was both an immense scientific success and a exceptional revival of ancient philosophy. These was not its only triumphs; literature was another: but they eclipse the rest. First, science: it was there that the Saracens (…) made the most original contributions. These, in brief, were nothing less than trigonometry and algebra (with its significantly Arab name). (…) Equally distinguished were Islam's mathematical geographers, its astronomical observatories and instruments (…). The Muslims also deserve high marks for optics, for chemistry (…) and for pharmacy. More than half the remedies and healing aids used by the West came from Islam (…). Muslim medical skill was incontestable. (…) In the field of philosophy, what took place was rediscovery - a return, essentially of the peripatetic philosophy. The scope of this rediscovery, however, was not limited to copying and handling on, valuable as that undoubtely was. It also involved continuing, elucidating and creating.”

Fernand Braudel (1902–1985) French historian and a leader of the Annales School

A History of Civilizations , Penguin, 1995, p. 73-81

Age, World, Literature, Mathematics

“Artistic responsibility? (Schliessmann answers using Bach performance as his example): After the rediscovery of Bach by Mendelssohn, Bach was interpreted in a very romantic style. This had nothing to do with Bach. Leopold Stokowski made arrangements for orchestra. O. K., the public had a chance to know the works, but it also had nothing to do with Bach. So Tureck and Gould - despite their substantial differences - came and made something completely radical. Only in this way was there a chance to ‘correct’ the ‘picture’ of interpretation and move in the right direction.”

Burkard Schliessmann classical pianist

Talkings about Chopin and Schumann

Way, Chance

“Any loss of identity prompts people to seek reassurance and rediscovery of themselves by testing, and even by violence. Today, the electric revolution, the wired planet, and the information environment involve everybody in everybody to the point of individual extinction.”

Marshall McLuhan (1911–1980) Canadian educator, philosopher, and scholar-- a professor of English literature, a literary critic, and a …

Letter to Clare Westcott, November 26 1975. Letters of Marshall McLuhan, p. 514
1970s

People, Loss

“The new historiography on Logical Empiricism sets in with the rediscovery of Ernst Mach (1838-1916) as a precursor of Gestalt theory, evolutionary epistemology, (possibly radical) constructivism and the modern historically oriented philosophy of science. But already in Mach’s reception of the Vienna Circle one can see not only a certain pluralism of views but also a polarization of the various positions (Mach’s influence on Carnap’s Aufbau / Logical Construction, the critical distancing to “psychologism” in the manifesto, the alternative to the principle of economy in Karl Menger, etc.) Nevertheless, this research program, which was interpreted differently by the Vienna Circle, actually represented a sort of prototype for Logical Empiricism in the interwar years – irrespective of whether one backs the bold claim as to the existence of a “typical Austrian philosophy” (as opposed to German idealism).”

Friedrich Stadler (1951) Austrian historian

Source: "What is the Vienna Circle?" 2006, p. xiii

Science

“To approach Bach, one has to realize that 100 years after Bach’s death, Bach and his music totally had been forgotten. Even while he was still alive, Bach himself believed in the polyphonic power and the resulting symmetric architectures of well-proportioned music. But this had been an artificial truth - even for him. Other composers, including his sons, already composed in another style, where they found other ideals and brought them to new solutions. The spirit of the time already had changed while Bach was still alive. A hundred years later, it was Mendelssohn who about 1850 discovered Bach anew with the performance of the St. Matthew Passion. Now a new renaissance began, and the world learned to know the greatness of Bach. To become acquainted with Bach, many transcriptions were done. But the endeavors in rediscovering Bach had been - stylistically - in a wrong direction. Among these were the orchestral transcriptions of Leopold Stokowski, and the organ interpretations of the multitalented Albert Schweitzer, who, one has to confess, had a decisive effect on the rediscovery of Bach. All performances had gone in the wrong direction: much too romantic, with a false knowledge of historic style, the wrong sound, the wrong rubato, and so on. The necessity of artists like Rosalyn Tureck and Glenn Gould - again 100 years later - has been understandable: The radicalism of Glenn Gould pointed out the real clarity and the internal explosions of the power-filled polyphony in the best way. This extreme style, called by many of his critics refrigerator interpretations, however really had been necessary to demonstrate the right strength to bring out the architecture in the right manner, which had been lost so much before. I’m convinced that the style Glenn Gould played has been the right answer. But there has been another giant: it was no less than Helmut Walcha who, also beginning in the 1950, started his legendary interpretations for the DG-Archive productions of the complete organ-work cycle on historic organs (Silbermann, Arp Schnitger). Also very classical in strength of speed and architectural proportions, he pointed out the polyphonic structures in an enlightened but moreover especially humanistic way, in a much more smooth and elegant way than Glenn Gould on the piano. Some years later it was Virgil Fox who acquainted the U. S. with tours of the complete Bach cycle, which certainly was effective in its own way, but much more modern than Walcha. The ranges of Bach interpretations had become wide, and there were the defenders of the historical style and those of the much more modern romantic style. Also the performances of the orchestral and cantata Bach had become extreme: on one side, for example, Karl Richter, who used a big and rich-toned orchestra; on the other side Helmut Rilling, whose Bach was much more historically oriented.”

Burkard Schliessmann classical pianist

Talkings on Bach

Death, Truth, World, Music

“In science by a fiction as remarkable as any to be found in law, what once been published even though it be in the Russian language, is spoken of as known, and it is too often forgotten that the rediscovery in the library may be a more difficult and uncertain process than the first discovery in the laboratory.”

John Strutt, 3rd Baron Rayleigh (1842–1919) English physicist

Lord Rayleigh (1884) as cited in: Brian Vickery (1958) Classification and indexing in science. Preface

Law, Science

“Many of the core ideas of cybernetics have been assimilated by other disciplines, where they continue to influence scientific developments. Other important cybernetic principles seem to have been forgotten, though, only to be periodically rediscovered or reinvented in different domains. Some examples are the rebirth of neural networks, first invented by cyberneticists in the 1940's, in the late 1960's and again in the late 1980's; the rediscovery of the importance of autonomous interaction by robotics and AI in the 1990's; and the significance of positive feedback effects in complex systems, rediscovered by economists in the 1990's. Perhaps the most significant recent development is the growth of the complex adaptive systems movement, which, in the work of authors such as John Holland, Stuart Kauffman and Brian Arthur and the subfield of artificial life, has used the power of modern computers to simulate and thus experiment with and develop many of the ideas of cybernetics. It thus seems to have taken over the cybernetics banner in its mathematical modelling of complex systems across disciplinary boundaries, however, while largely ignoring the issues of goal-directedness and control.”

Francis Heylighen (1960) Belgian cyberneticist

Source: Cybernetics and Second-Order Cybernetics (2001), p.5 : About the state of the art of contemporary cybenetics

Mathematics, Idea

“We must rediscover the daimonic in a new form which will be adequate to our own predicament and fructifying for our own day. And this will not be a rediscovery alone but a recreation of the reality of the daimonic.”

Rollo May book Love and Will

Source: Love and Will (1969), p. 126
Context: We must rediscover the daimonic in a new form which will be adequate to our own predicament and fructifying for our own day. And this will not be a rediscovery alone but a recreation of the reality of the daimonic.
The daimonic needs to be directed and channeled. Here is where human consciousness becomes so important. We initially experience the daimonic as a blind push. It is impersonal in the sense that it makes us nature's tool. … consciousness can integrate the daimonic, make it personal.

Reality