Quotes about plate
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H. Rider Haggard photo

“There are things and there are faces which, when felt or seen for the first time, stamp themselves upon the mind like a sun image on a sensitized plate and there remain unalterably fixed.”

H. Rider Haggard (1856–1925) English writer of adventure novels

Colonel Quaritch, V. C.: A Tale of Country Life (1888), CHAPTER I, HAROLD QUARITCH MEDITATES

Vitruvius photo
Haruki Murakami photo
Stephen King photo

“He was waiting to choke you on a marble, to smother you with a dry-cleaning bag, to sizzle you into eternity with a fast and lethal boogie of electricity- Available At Your Nearest Switch plate Or Vacant Light Socket Right Now. There was death in a quarter bag of peanuts, an aspirated piece of steak, the next pack of cigarettes. He was around all the time, he monitored all the checkpoints between the mortal and the eternal. Dirty needles, poison beetles, downed live wires, forest fires. Whirling roller skates that shot nerdy little kids into busy intersections. When you got into the bathtub to take a shower, Oz got right in there too- Shower With A Friend. When you got on an airplane, Oz took your boarding pass. He was in the water you drank, the food you ate. Who's out there? you howled in the dark when you were all frightened and all alone, and it was his answer that came back: Don't be afraid, it's just me. Hi, howaya? You got cancer of the bowel, what a bummer, so solly, Cholly! Septicemia! Leukemia! Atherosclerosis! Coronary thrombosis! Encephalitis! Osteomyelitis! Hey-ho, let's go! Junkie in a doorway with a knife. Phone call in the middle of the night. Blood cooking in battery acid on some exit ramp in North Carolina. Big handfuls of pills, munch em up. That peculiar cast of the fingernails following asphyxiation- in its final grim struggle to survive the brain takes all oxygen that is left, even that in those living cells under the nails. Hi, folks, my name's Oz the Gweat and Tewwible, but you can call me Oz if you want- hell, we're old friends by now. Just stopped by to whop you with a little congestive heart failure or a cranial blood clot or something; can't stay, got to see a woman about a breech birth, then I've got a little smoke-inhalation job to do in Omaha.”

Pet Sematary (1983)

Ogden Nash photo
Herm Edwards photo
John Fante photo
Ray Harryhausen photo
Tenzin Gyatso photo

“Thousands — millions and billions — of animals are killed for food. That is very sad. We human beings can live without meat, especially in our modern world. We have a great variety of vegetables and other supplementary foods, so we have the capacity and the responsibility to save billions of lives. I have seen many individuals and groups promoting animal rights and following a vegetarian diet. This is excellent. Certain killing is purely a "luxury." … But perhaps the saddest is factory farming. The poor animals there really suffer. I once visited a poultry farm in Japan where they keep 200,000 hens for two years just for their eggs. During those two years, they are prisoners. Then after two years, when they are no longer productive, the hens are sold. That is really shocking, really sad. We must support those who are attempting to reduce that kind of unfair treatment. An Indian friend told me that his young daughter has been arguing with him that it is better to serve one cow to ten people than to serve chicken or other small animals, since more lives would be involved. In the Indian tradition, beef is always avoided, but I think there is some logic to her argument. Shrimp, for example, are very small. For one plate, many lives must be sacrificed. To me, this is not at all delicious. I find it really awful, and I think it is better to avoid these things. If your body needs meat, it may be better to eat bigger animals. Eventually you may be able to eliminate the need for meat. I think that our basic nature as human beings is to be vegetarian — making every effort not to harm other living beings. If we apply our intelligence, we can create a sound, nutritional program. It is very dangerous to ignore the suffering of any sentient being.”

Tenzin Gyatso (1935) spiritual leader of Tibet

Interview in Worlds in Harmony: Dialogues on Compassionate Action, Berkeley: Parallax Press, 1992, pp. 20-21.

Vladimir Lenin photo
Cees Nooteboom photo
Brooks D. Simpson photo
Rembrandt van Rijn photo

“The Ground of Rinebrant of Rine: Take half an ounce of Expoltum burnt of Amber, one ounce of Virgin's was, half an ounce of Mastick, then take the Mastick and Expoltum, and beat them severally very fine in a Mortar; this being done, take a new earthen pot and set upon it a charcoal-fire, then shake into it the Mastick and Expoltum by degrees, stirring the Wax about till they be thoroughly mingled, then pour it forth into fair water and make a ball of it, and use it as before mentioned, but be sure you do not heat the plate too hot when you lay the ground upon it, this is the only way of Rinebrant.”

Rembrandt van Rijn (1606–1669) Dutch 17th century painter and etcher

Rembrandt's etching recipe http://remdoc.huygens.knaw.nl/#/document/remdoc/e12885, in 'The Whole Art of Drawing', Alexander Browne, London 1660, p. 106
Strauss & Van der Meulen 1979, p. 476, RD 1660/29: 'This recipe, specifically attributed to Rembrandt, for preparing the ground of a plate for etching is given by Alexander Brown in 'The Whole of Drawing'
1640 - 1670

The Mother photo

“It is in accordance with the impression that the plate ought to be painted; it gives you an impact, you translate the impact, and it is this which is truly artistic. It is like this that modern art began. And note that he was right. His plates were not round, but he was right in principle.”

The Mother (1878–1973) spiritual collaborator of Sri Aurobindo

As quoted in "Paris (1897-1904)", and in The Mother on Art http://www.motherandsriaurobindo.org/Content.aspx?ContentURL=/_staticcontent/sriaurobindoashram/-02%20the%20mother/the%20mother%20as%20an%20artist/-05%20mother%20on%20art.htm

Ursula K. Le Guin photo

“Summon up a supper,” he said. “Oh, I could. On golden plates, if you like. But that’s illusion, and when you eat illusions you end up hungrier than before.”

Ursula K. Le Guin (1929–2018) American writer

Source: Earthsea Books, The Tombs of Atuan (1971), Chapter 11, "The Western Mountains"

Neal D. Barnard photo
Francisco De Goya photo

“Caption, plate 43 of Los Caprichos etching and aquatint, 1796-97; Museo Nacional del Prado, Madrid; Robert Hughes: in Goya. Borzoi Book - Alfred Knopf, New York, 2003, p. 73”

Francisco De Goya (1746–1828) Spanish painter and printmaker (1746–1828)

El sueño de la razón produce monstruos.
The 'monsters' in this etching are bats and owls, flying around the sleeper in his dream
1790s

Heidi Klum photo
Lois McMaster Bujold photo

“From fried witchetty grubs to gold-plated turnips, when you're a writer you never know what's going to appear on your plate next. It keeps a woman alert, it does.”

Lois McMaster Bujold (1949) Science Fiction and fantasy author from the USA

"Publishing, Writing, and Authoring", p. 75
The Vorkosigan Companion (2008)

Anthony Burgess photo
Jerome K. Jerome photo

“When we look at the age in which we live—no matter what age it happens to be—it is hard for us not to be depressed by it. The taste of the age is, always, a bitter one. “What kind of a time is this when one must envy the dead and buried!” said Goethe about his age; yet Matthew Arnold would have traded his own time for Goethe’s almost as willingly as he would have traded his own self for Goethe’s. How often, after a long day witnessing elementary education, School Inspector Arnold came home, sank into what I hope was a Morris chair, looked ’round him at the Age of Victoria, that Indian Summer of the Western World, and gave way to a wistful, exacting, articulate despair!
Do people feel this way because our time is worse than Arnold’s, and Arnold’s than Goethe’s, and so on back to Paradise? Or because forbidden fruits—the fruits forbidden to us by time—are always the sweetest? Or because we can never compare our own age with an earlier age, but only with books about that age?
We say that somebody doesn’t know what he is missing; Arnold, pretty plainly, didn’t know what he was having. The people who live in a Golden Age usually go around complaining how yellow everything looks. Maybe we too are living in a Golden or, anyway, Gold-Plated Age, and the people of the future will look back at us and say ruefully: “We never had it so good.” And yet the thought that they will say this isn’t as reassuring as it might be. We can see that Goethe’s and Arnold’s ages weren’t as bad as Goethe and Arnold thought them: after all, they produced Goethe and Arnold. In the same way, our times may not be as bad as we think them: after all, they have produced us. Yet this too is a thought that isn’t as reassuring as it might be.”

Randall Jarrell (1914–1965) poet, critic, novelist, essayist

“The Taste of the Age”. pp. 16–17; opening
A Sad Heart at the Supermarket: Essays & Fables (1962)

“And as for their piety towards God, it is very extraordinary; for before sun-rising they speak not a word about profane matters, but put up certain prayers which they have received from their forefathers, as if they made a supplication for its rising. After this every one of them are sent away by their curators, to exercise some of those arts wherein they are skilled, in which they labor with great diligence till the fifth hour. After which they assemble themselves together again into one place; and when they have clothed themselves in white veils, they then bathe their bodies in cold water. And after this purification is over, they every one meet together in an apartment of their own, into which it is not permitted to any of another sect to enter; while they go, after a pure manner, into the dining-room, as into a certain holy temple, and quietly set themselves down; upon which the baker lays them loaves in order; the cook also brings a single plate of one sort of food, and sets it before every one of them; but a priest says grace before meat; and it is unlawful for any one to taste of the food before grace be said. The same priest, when he hath dined, says grace again after meat; and when they begin, and when they end, they praise God, as he that bestows their food upon them; after which they lay aside their [white] garments, and betake themselves to their labors again till the evening; then they return home to supper, after the same manner; and if there be any strangers there, they sit down with them. Nor is there ever any clamor or disturbance to pollute their house, but they give every one leave to speak in their turn; which silence thus kept in their house appears to foreigners like some tremendous mystery; the cause of which is that perpetual sobriety they exercise, and the same settled measure of meat and drink that is allotted them, and that such as is abundantly sufficient for them.”

Jewish War

Linda McQuaig photo
Michael Porter Jr. photo
Kristen Bell photo

“I have always been an animal lover. I had a hard time disassociating the animals I cuddled with—dogs and cats, for example—from the animals on my plate, and I never really cared for the taste of meat. I always loved my Brussels sprouts!”

Kristen Bell (1980) American actress

Responding to the question "What prompted you to go vegetarian?", in "peta2 Chats With Kristen Bell", in peta2.com (18 July 2011) http://www.peta2.com/heroes/peta2-chats-with-kristen-bell/

Alfred Hitchcock photo
Henrietta Swan Leavitt photo

“The range of H 1255 is only four tenths of a magnitude, and on account of its brightness it is difficult to observe on all plates except those taken with the 1-inch Cooke lens. It seemed necessary, therefore, to take unusual precautions in order to secure accurate observations, and to give each one its full weight. Accordingly, one hundred and thirty six photographs were selected, including nearly all of those taken with the Cooke lens, and also those taken with the 8 inch Bache Telescope on which the variable was certainly faint. Four independent estimates of brightness were made on each plate, and means were taken, thus reducing the probable error one half. The phase was computed for each observation, thus covering all parts of the light curve. …H 1255 and H 1303 differ from the other variables in a marked degree as in each case the duration of the phase of minimum is very long in proportion to the length of the period. This fact led to considerable difficulty in determining their periods as they were apparently at their minimum brightness for some time before and after the actual minima occurred. In H 1255, the change in brightness is obviously continuous throughout the period, although it is much more rapid near minimum than near maximum. This is clearly seen in Plate IV, Figs. 5 and 6.”

Henrietta Swan Leavitt (1868–1921) astronomer

"Ten Variable Stars of the Algol Type" http://books.google.com/books?id=UkdWAAAAYAAJ&pg=PA87 (1908) Annals of the Astronomical Observatory of Harvard College Vol.60. No.5

Johannes Grenzfurthner photo
Ellen DeGeneres photo

“I personally chose to go vegan because I educated myself on factory farming and cruelty to animals, and I suddenly realized that what was on my plate were living things, with feelings. And I just couldn’t disconnect myself from it any longer.”

Ellen DeGeneres (1958) American stand-up comedian, television host, and actress

From her website; quoted in "Why Ellen Went Vegan", in peta.org (9 November 2009) https://www.peta.org/blog/ellen-went-vegan/

Bill Nye photo

“Evolution is the fundamental idea in all of life science, in all of biology. It's like, it's very much analogous to trying to do geology without believing in tectonic plates. You're just not gonna get the right answer. Your whole world is just gonna be — a mystery. Instead of an exciting place.”

Bill Nye (1955) American science educator, comedian, television host, actor, writer, scientist and former mechanical engineer

Bill Nye: Creationism Is Not Appropriate For Children http://youtube.com/watch?v=gHbYJfwFgOU on YouTube (23 August 2012)

Alfredo Di Stéfano photo
Paul Cézanne photo
Roberto Clemente photo

“I hit the ball and I slip at home plate and they fine me $650. First time up I hit a homer one-handed. I just limped around the bases.”

Roberto Clemente (1934–1972) Puerto Rican baseball player

As paraphrased and quoted in "Clemente Back, Lashes Out at Writers; Buc Explodes Over 'Team Player' Image" https://news.google.com/newspapers?id=LJxRAAAAIBAJ&sjid=02wDAAAAIBAJ&pg=7083%2C4907609
Baseball-related, <big><big>1960s</big></big>, <big>1969</big>
Context: The 100 grand right fielder revealed that Danny Murtaugh once fined him $650 when he did not run after hitting a ball to the shortstop. He never explained how Murtaugh reached the $650 figure. "I hit the ball and I slip at home plate and they fine me $650. First time up I hit a homer one-handed. I just limped around the bases."

“I got madder and madder as we drove along, and just as we drove by the Chelsea Hotel I did something. I've never done anything to hurt anyone, and yet I was so furious that I pressed the button and rolled down the window screen - the glass plate between the front and back seats - and I told the chauffeur that the man in the back was molesting me; he was a junkie! I was so horrified by what I'd said, so flipped out by that, that I jumped out of the car into the path of the oncoming traffic, certain that my head would be crushed.”

Edie Sedgwick (1943–1971) Socialite, actress, model

Edie describing a low point in her relationship with Bob Neuwirth
Edie : American Girl (1982)
Context: It was really sad - Bobby's and my affair. The only true, passionate, and lasting love scene, and I practically ended up in the psychopathic ward. I had really learned about sex from him, making love, loving, giving. It just completely blew my mind - it drove me a little insane. I was like a sex slave to this man. I could make love for forty-eight hours, forty-eight hours, without getting tired. But the minute he left me alone, I felt so empty and lost that I would start popping pills. He had more or less quit using drugs... When I first knew him, a friend of his used to come up with him to my apartment and they'd do a number in the bathroom. This guy eventually died of a heroin overdose, and Bobby left drugs alone after that. But if I wasn't practically in the act of lovemaking, I would be thinking of how to get hold of drugs. I really loved this man.... What happened was that Bobby said, "Let's go to a party. They're making an underground movie," and he said that I, the Warhol heiress, queen, star, socialite, blah, should be there. Bobby really wanted to go. I had a bad scene with him. I pulled out a knife and I wasn't going to let him out the door until he made love to me. I always get really dreadful. But we finally went. I went through it all. I was furious - this after about two years of our continuing relationship. Finally I said, "Now I'm going to leave this party. I'm fed up." He said that was all right: he'd met all the people he wanted to meet, and he'd watched the film begin shot. So we got into my limousine and he said, "Where would you like to eat?" I thought I was going to explode. Where would I like to eat? I screeched at him, "Why the hell can't you make up your own mind where we're going to eat? Why do I have to make all the decisions?" I was just livid, out of hand. I got madder and madder as we drove along, and just as we drove by the Chelsea Hotel I did something. I've never done anything to hurt anyone, and yet I was so furious that I pressed the button and rolled down the window screen - the glass plate between the front and back seats - and I told the chauffeur that the man in the back was molesting me; he was a junkie! I was so horrified by what I'd said, so flipped out by that, that I jumped out of the car into the path of the oncoming traffic, certain that my head would be crushed. All that happened was the I got bruised, badly bruised, but no broken bones. I mean, I was conscious, not destroyed at all. But I'd done such a terrible thing! I couldn't reconcile that. I had been about to explode. The hotel people came out, and they and Bobby carried me in. I had to pretend I was unconscious because I couldn't comprehend the fact that I had tried to get him busted, to hurt him seriously. He was the only person I had ever gotten violent about. I take out whatever violence comes into my system much more heavily on myself than on anyone else. But that was a pretty tight squeeze. I really craved making love to him.

Robert G. Ingersoll photo

“Who would fill the contribution boxes and plates, and who (most serious of all questions) would pay the salaries?”

Robert G. Ingersoll (1833–1899) Union United States Army officer

"The Brooklyn Divines." Brooklyn Union (Brooklyn, NY), 1883.
Context: These “worldly” people have cleared the forests, plowed the land, built the cities, the steamships, the telegraphs, and have produced all there is of worth and wonder in the world. Yet the preachers denounce them. Were it not for “worldly” people how would the preachers get along? Who would build the churches? Who would fill the contribution boxes and plates, and who (most serious of all questions) would pay the salaries?

Mark W. Clark photo
Doris Veillette photo

“Funny time when most of the poor and disinherited parts of the world could live what the other party leaves on his plate … And we continue to sing the joy, the peace, the love … do we really believe?”

Doris Veillette (1935–2019) Quebec journalist

Chronicle "Interdit aux hommes" (Forbidden to men), by Doris Veillette-Hamel, Journal Le Nouvelliste, December 22, 1973, page 37.
Chronicle "Forbidden to men", 1973

Charles Stross photo

“Suppose rather than passing the plate in church, they get a radio show and pass the plate and half a million listeners donate. Isn’t that going to convince a preacher that it’s all true? Wealth comes to the faithful, that’s the message they’re going to take. An’ I never yet met a con man who wasn’t the better at the job for believing his own spiel.”

“That’s not…untrue. But money corrupts. Almost invariably, powers that arise around money are corrupted by it. He might have started out as a true believer, but money has a way of taking over. A church is a business, after all, and those employees or executives who are good at raising money are promoted by their fellows.”
Source: The Laundry Files, The Apocalypse Codex (2012), Chapter 7, “Communion” (p. 126)

Herm Edwards photo

“I did a lot of preaching this week. I had my sermons ready. The good part is the congregation was listening. I wish I had passed the collection plate. I would’ve made a lot of money. But I did it for free.”

Herm Edwards (1954) American football player, coach and analyst

Edwards, following a win against the Chargers in 2006.
With Kansas City
Source: Schraeger, Peter. Get ready to meet Herm http://web.archive.org/web/20070930032843/http://msn.foxsports.com/nfl/story/6915026 FOXSports.com, 13 June 2007.

Sarojini Naidu photo

“Sarojini Naidu writes instant poetry where images and metaphors come rolling ready on the hot plates of imagination. Her poetry is intensely emotionally, at times passionate to the point of eroticism and always has a spring.”

Sarojini Naidu (1879–1949) Indian politician, governor of the United Provinces of Agra and Oudh from 1947 to 1949

View by H.R. Prasad quoted in [Critical Response To Indian Poetry In English, http://books.google.com/books?id=4NcHdrqUJpYC&pg=PA11, 1 January 2008, Sarup & Sons, 978-81-7625-825-8, 11–]

Jim Butcher photo
Willie Mays photo
Anthony Burgess photo

“East? They wouldn’t know the bloody East if they saw it. Not if you was to hand it to them on a plate would they know it was the East. That’s where the East is, there.”

Anthony Burgess (1917–1993) English writer

He waved his hand wildly into the black night. 'Out there, west. You wasn’t there, so you wouldn’t know. Now I was. Palestine Police from the end of the war till we packed up. That was the East. You was in India, and that’s not the East any more than this is. So you know nothing about it either. So you needn’t be talking.'
Fiction, Time for a Tiger (1956)

Chuck Palahniuk photo
T.S. Eliot photo
Warren Buffett photo
Margaret Cho photo
James D. Watson photo

“Sure enough, the notion of decoding their personal DNA appealed to more than a few well-off individuals, even if it amounted to the scientific equivalent of purchasing a vanity license plate.”

James D. Watson (1928) American molecular biologist, geneticist, and zoologist.

Source: DNA: The Story of the Genetic Revolution (2003/2017), Chapter 8, “Personal Genetics: The First of the Rest of Us” (p. 205)

Ben Aaronovitch photo
Ramakrishna photo