Quotes about pedal

A collection of quotes on the topic of pedal, down, likeness, foot.

Quotes about pedal

“Can you drive any faster?" Tohr demanded.
"I got the pedal to the medal" The angel looked back. "And I don't care what I have to mow over”

Jessica Bird (1969) U.S. novelist

Source: Lover Reborn

Angels

Robertson Davies (1913–1995) Canadian journalist, playwright, professor, critic, and novelist

The Table Talk of Samuel Marchbanks (1949)

Exercises, Girl, Wedding, Time

“My main orientation is harmonic. Bill, besides having the harmonic structures that he did, had a control of the dynamic level of the piano and pedaling, which is ridiculously fantastic. I never saw a man make so many gradations from pianissimo to piano in my life. I can't do that. On the other hand, I think that what I do harmonically is somewhere other than where he was.”

Clare Fischer (1928–2012) American keyboardist, composer, arranger, and bandleader

Radio interview, circa 1985, by Ben Sidran, as quoted in Talking Jazz With Ben Sidran, Volume 1: The Rhythm Section https://books.google.com/books?id=O3hZDQAAQBAJ&pg=PT453 (1992, 2006, 2014)

Life, Thinking

“He is a dissimulator, a back-pedaler, a coward, and a self-serving ignoramus. In other words, he’s a politician.”

Jerry Coyne (1949) American biologist

" Another billboard kerfuffle http://whyevolutionistrue.wordpress.com/2013/12/22/another-billboard-kerfuffle/" December 22, 2013

“Therein lay the secret to all fads: the herd instinct. People wanted to look like everybody else. That was why they bought white bucks and pedal pushers and bikinis. But someone had to be the first one to wear platform shoes, to bob their hair, and that took the opposite of herd instinct.”

Connie Willis Bellwether

Source: Bellwether (1996), Chapter 2 “Bubblings”, Section 3 (p. 63)

People, Secret, Shoe

“Poverty is a soft pedal upon the branches of human activity, not excepting the spiritual.”

H.L. Mencken (1880–1956) American journalist and writer

Source: 1910s, A Book of Prefaces (1917), Ch. 4

“Because of the limited keyboard. This is a very strange thing. When I play the piano, I get clear down to the left edge of the piano. Now, unlike Art Tatum, I don't take runs that go up, that always end up on the extreme high "C". But I really do like the low end. Even as an organist, it has bothered me that the keyboards are five octaves and stop at "C". I've always wished that my pedal board went down to "F". My harmonic thinking gets involved clear down to that "F" and to be cut off at the "C". I can't explain it. It's as if somebody were standing right next to you while you were playing and you just kept having the feeling like: "I can't go there; I can't go there."”

Clare Fischer (1928–2012) American keyboardist, composer, arranger, and bandleader

It does something to me. Whereby [sic] having the full keyboard just opens up a world of things to me. <br class="br">On his preference for Yamaha's 88-key PF-15 piano over the then prevalent DX7; radio interview, circa 1985, by Ben Sidran, as quoted in Talking Jazz With Ben Sidran, Volume 1: The Rhythm Section https://books.google.com/books?id=O3hZDQAAQBAJ&pg=PT457&dq=%22because+of+the+limited+keyboard%22&hl=en&sa=X&ved=0ahUKEwjOhaCoxMXRAhXB5iYKHcvbBykQ6AEIGjAA#v=onepage&q&f=false (1992, 2006, 2014)

World, Art, Feeling, Thinking

“Her dress, swimsuit-tight, leotard-tight, her pantyhose run with women pedaling bicycles going nowhere at a thousand calories an hour.”

Chuck Palahniuk book Haunted

Haunted (2005)

Women

“I was born a rebel
Down in Dixie on a Sunday morning.
Yeah, with one foot in the grave,
And one foot on the pedal.
I was born a rebel.”

Tom Petty (1950–2017) American musician

Rebels
Lyrics, Southern Accents (1985)

“We lived one year in a suburb so new it was still being built in fields of red clay: a neat grid of streets named after songbirds was being dropped like a lattice of dough over a pie. Up and down Robin and Tanager and Bluebird I raced my bike; in a storm I pedaled so fast I hoped to catch up with the wind-driven rain. As I sped into the riddling wet warmth I shook my right hand according to a magical formula of my own. The universe, signaled by its master, groaned, revolved, released a flash of lightning. At last the imagination, like a mold on an orange, was covering the globe of my mind.”

Edmund White book A Boy's Own Story

Source: A Boy's Own Story (1982), Chapter Three (p. 81).

Hope, Imagination, Universe

“He was picking speed as the city spread its twinkling lights below him.
But he paid no heed as the shivering thoughts of the nights
delights went through him.
His foot nudged the brakes to slow him down.
But the pedal floored easy without a sound.
He said "Christ!"
It was funny how he had named the only man who could save him now.
He was trapped inside a dead-end hellslide,
riding on his fear-hunched back
was every one of those yellow green
I'm telling you thirty thousand pounds of bananas.
Yes, there were thirty thousand pounds of bananas.”

Harry Chapin (1942–1981) American musician

30,000 Pounds of Bananas
Song lyrics, Verities & Balderdash (1974)

Fear, Light, Christ, Speed

“Look around you. Everywhere. They are there. In every home - lurking in dark corners … small, bi-pedal entities with almost human brains play their games in which adults are the pawns. They play and wait for the time when they will take over the world!”

John Blair Moore (1948–2018) American comic book writer

(on children), Invaders from Home Book 1 of 6, Piranha Press (1990).

World, Home, Game, Time

“I've always dreamed that love would be effortless
Like a pedal falling to the ground; a dreamer following his dream.”

Kelly Clarkson (1982) American singer-songwriter, actress

Where Is Your Heart?
Lyrics, Breakaway (2004)

Love, Dreams

“The original 1954 Japanese film, Gojira was iconic, and only made a couple mistakes of any significance. (1)They killed him in the end, and we saw his body turned to skeleton. Not the best way to begin 60 years worth of sequels. (2) Godzilla was depicted as a dinosaur, and was associated with living trilobites. Even if there was some sort of ‘realm that time forgot’ out in the Pacific somewhere, Trilobites were already extinct before the first dinosaurs, and Godzilla was clearly no dinosaur. The conceptual artists reportedly referenced illustrations of dinosaurs, but that’s not what they rendered. All bi-pedal dinosaurs [Therapods] were digigrade, walking on their toes, like birds, and usually only three or four digits. Godzilla was plantigrade and pentadactyle, (having five digits and walking on the whole foot) just like lizards. It even looks like a lizard, apart from the fact that no reptile has an actual nose or external ears. In a sense, what Toho pictures created was actually an oriental dragon. These tend to mix reptilian and mammalian traits. Amusingly in 1954, Toho made a giant lizard and called it a dinosaur. In 1998, Tristar re-designed Godzilla as a dinosaur, but called it a lizard. Of course that wasn’t the only thing Tristar did wrong. They tried to ruin the monster completely. They took away the only thing that worked in decades of sequels, the look of the monster itself. Then they took away everything that made Godzilla appealing to Kaiju fans, then they tied it down and shot it. Such disrespect. If you’re going to make a movie that already has a fan-base, and they are the ones who will decide whether your film will pay off, respect those fans and the story they’re paying to see.”

Aron Ra (1962) Aron Ra is an atheist activist and the host of the Ra-Men Podcast

Patheos, Weighing in on Godzilla http://www.patheos.com/blogs/reasonadvocates/2014/06/08/weighing-in-on-godzilla/ (June 8, 2014)

Way, Bird, Sense, Time

“In the piano writing of the Romantic generation of the 1830s, in fact, a fully pedalled sonority becomes the norm: the piano is expected to vibrate fairly constantly, and an unpedalled sonority is an exception, almost a special effect. Furthermore, the phrase is now shaped at least partially by changes in this full vibration. The change of pedal is crucial to the conception of rhythmic movement and to the sustaining of the melodic line over the bass.”

Charles Rosen (1927–2012) American pianist and writer on music

Source: The Romantic Generation (1995), Ch. 1 : Music and Sound

Change

“At first we got along very well. Esipova even boasted outside the class that she had pupils who wrote sonatas (I completed Sonata, Op. 1, and played it to Esipova, who took it home and inserted pedaling). But before long trouble began. Esipova’s method of teaching was to try to fit everyone into a standard pattern. True, it was a very elaborate pattern, and if the pupil’s temperament coincided with her own, the results were admirable. But if the pupil happened to be of an independent cast of mind Esipova would do her best to suppress his individuality instead of helping to develop it. Moreover, I had great difficulty in ridding myself of careless playing, and the Mozart, Schubert and Chopin which she insisted on were somehow not in my line. At that period I was too preoccupied with the search for a new harmonic idiom to understand how anyone could care for the simple harmonies of Mozart.”

Anna Yesipova (1851–1914) Russian pianist

Sergei Prokofiev, Autobiography

Home, Search, Understanding, Help

“Telephone, pedal washbasin, white refrigerators gleaming with Ripolin [French paint], bidet, small phonograph.... objects of authentic and pure poetry (MPC p. 11).... The Parthenon was not built as a ruin. It was built on a new surface without patina, like our automobiles. / we will not always bear on our shoulders the weight of our father's corpse.”

Salvador Dalí (1904–1989) Spanish artist

Quote, 1920's; MPC p. 13; as quoted in Dali and Me, Catherine Millet, - translation Trista Selous -, Scheidegger & Spiess AG, 8001 Zurich Switzerland, p. 28
Quotes of Salvador Dali, 1920 - 1930

Painting

“She put her foot down on the oscillation pedal, she was a transdimensional speeder… ~ Terra Nova Cain”

Steve Kilbey (1954) British artist

Lyrics

“If car manufacturers made cars according to spec the same way software vendors make software according to spec, all five wheels would be of widely differing sizes, it would take one person to steer and another to work the pedals and yet another to operate the user-friendly menu-driven dashboard, and if it would not drive straight ahead without a lot of effort, civil engineers would respond by building spiraling roads around each city.”

Erik Naggum (1965–2009) Norwegian computer programmer

Re: What obstacles do Common Lisp programmers face? http://groups.google.com/group/comp.lang.lisp/msg/47a3832fab496eda (Usenet article). <br class="br">Usenet articles, Miscellaneous

Cars, Way, Effort, Personality

“The psychedelic community has not yet recognized or named itself as a community. We are well behind gays and black people and all those other mi-… we are still trying to figure out if we are a community. And if we are a community, and we have a domain of action, I think where it lies - it's not that we are all supposed to become dope dealers, it's that we are all supposed to become artists; that the transformation of culture through art is the proper understanding of what you can do with psychedelics besides blow your own mind. And I really think, you know, what we need to do is put the art-pedal to the floor, and understand that this is art - we are involved in some kind of enormous piece of performance art called Western civilization and, you know, it's been a C-minus performance so far… And they are just about to reach out with the hook and drag us offstage, unless we begin pulling rabbits out of the hat pretty furiously.”

Terence McKenna (1946–2000) American ethnobotanist

Global Perspectives and Psychedelic Poetics (1994)

People, Art, Communication, Understanding

“Pedal faster! Come on, there are crocodiles in this water and I hear they'll eat anything - even plastic!”

Chris Pontius (1974) American actor

[Prostitute Boatrace- Jackass Episodes]

Water

“It's the inspired student that continues to learn on their own. That's what separates the real achievers in the world from those who pedal along, finishing assignments.”

Neil deGrasse Tyson (1958) American astrophysicist and science communicator

Global Ideas from Pluto's Challenger (May 21, 2009)
Context: The best educators are the ones that inspire their students. That inspiration comes from a passion that teachers have for the subject they're teaching. Most commonly, that person spent their lives studying that subject, and they bring an infectious enthusiasm to the audience.I think many people have that enthusiasm, but they are prevented from being teachers because they didn't go through the teacher mill. Now you have teachers who have been through the teacher mill, yet they have no capacity to inspire anyone at all. It's the inspired student that continues to learn on their own. That's what separates the real achievers in the world from those who pedal along, finishing assignments.

World, Learning

“The sweat—great slithering streams of it—pours down you. It runs down your legs, down the leg that is pedalling the sostenuto pedal, down the other leg. It oozes out all over your chest, flows down the binding around your middle where your full-dress pants soak it up. It flows everywhere, down your arms, down your hands.”

George Antheil (1900–1959) American avant-garde composer, pianist, author and inventor

“Go ahead and take your foot off the “civility” gas pedal for all I care. We should all be replacing it with “honesty”.”

Steven Crowder (1987) American actor