“IF YOU ever drop your keys into a river of molten lava, let 'em go, because man, they're gone.”
Deeper Thoughts : All New, All Crispy (1993), Hachette Books, ISBN 1-56282-840-1
A collection of quotes on the topic of lava, time, timing, down.
“IF YOU ever drop your keys into a river of molten lava, let 'em go, because man, they're gone.”
Deeper Thoughts : All New, All Crispy (1993), Hachette Books, ISBN 1-56282-840-1
Source: Sandman Slim
Spectrum: From Right to Left in the World of Ideas (2005), Ch. 11. "Atlas of the Family, Göran Therborn" (2005)
The Churchyard from The London Literary Gazette (3rd January 1829)
The Vow of the Peacock (1835)
How Many People Can Live on Planet Earth? (BBC Horizon, 2009)
in a letter to Alfred H. Barr, Jr. 6 November, 1955; as quoted in Abstract Expressionism, Barbara Hess, Taschen, Köln, 2006, p. 34
Baziotes' quote is referring to his painting 'Pompeii', Baziotes painted in 1955
1950s
Statement made in 1962, as quoted in the Boise Weekly Vol. 7, No. 39 (8 April 1999) http://www.thesandpebbles.com/mckenna/richard_mckenna.html
Rooster Teeth Podcast #256 https://www.youtube.com/watch?v=J4WrYoNduq0. youtube.com. February 4, 2014. Retrieved June 10, 2014.
Source: Love and Will (1969), Ch. 1 : Introduction : Our Schizoid World, p. 32
1945 - 1970, A Report on the Wall' 1970
Review http://www.rogerebert.com/reviews/rollerball-2002 of the 2002 film Rollerball (8 February 2002)
Reviews, Half-star reviews
1840s, Heroes and Hero-Worship (1840), The Hero as Divinity
Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book II, Chapter VIII, Sec. 4
Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book II, Chapter VII, Sec. 1
Context: The stone in quarries is found to be of different and unlike qualities. In some it is soft... in others it is medium... in still others it is hard as in lava quarries. There are also numerous other kinds: for instance, in Campania, red and black tufas; in Umbria, Picenum, and Venetia, white tufa which can be cut with a toothed saw like wood.
“It carried the same name. It was similar in appearance. It also ended at a lava brink.”
Autobiography of Values (1978)
Context: I know myself as mortal, but this raises the question: "What is I?" Am I an individual, or am I an evolving life stream composed of countless selves? … As one identity, I was born in AD 1902. But as AD twentieth-century man, I am billions of years old. The life I consider as myself has existed though past eons with unbroken continuity. Individuals are custodians of the life stream — temporal manifestations of far greater being, forming from and returning to their essence like so many dreams. … I recall standing on the edge of a deep valley in the Hawaiian island of Maui, thinking that the life stream is like a mountain river — springing from hidden sources, born out of the earth, touched by stars, merging, blending, evolving in the shape momentarily seen. It is molecules probing through time, found smooth-flowing, adjusted to shaped and shaping banks, roiled by rocks and tree trunks — composed again. Now it ends, apparently, at a lava brink, a precipitous fall.
Near the fall's brink, I saw death as death cannot be seen. I stared at the very end of life, and at life that forms beyond, at the fact of immortality. Dark water bent, broke, disintegrated, transformed to apparition — a tall, stately ghost soul emerged from body, and the finite individuality of the whole becomes the infinite individuality of particles. Mist drifted, disappeared in air, a vanishing of spirit. Far below in the valley, I saw another river, reincarnated from the first, its particles reorganized to form a second body. It carried the same name. It was similar in appearance. It also ended at a lava brink. Flow followed fall, and fall followed flow as I descended the mountainside. The river was mortal and immortal as life, as becoming.
“The afternoon moved like lava.”
Source: The 'Arturo Bandini' novels, The Road to Los Angeles (written 1935; published in 1985), Ch.20 - p.371