Quotes about kick-off (12 quotes) | Quotes of famous people

“Every day brings a chance for you to draw in a breath, kick off your shoes, and dance.”

Oprah Winfrey (1954) American businesswoman, talk show host, actress, producer, and philanthropist

“It’s going to mean that people who need medical services in Australia are going to be displaced from those services. Because if you bring hundreds and hundreds of people from Nauru and Manus down to our country, they are going to go into the health network, I don’t want to see Australians who are in waiting lines in public hospitals kicked off those waiting lines because people off Nauru and Manus are now going to access those health services.”

Peter Dutton (1970) Australian politician

1 March 2019

https://www.news.com.au/finance/work/leaders/peter-duttons-claim-asylum-seekers-will-clog-up-hospital-system-slammed/news-story/f750ebcf7be5a13793e2def310a50f8d

Waiting, People, Health, Country

“When the war kicks off in Iran, I will be there. People ask me "Whose side are you going to fight on?" To these people I say "Fight? I'm not going to fight! I'm going to entertain!" Because let's face it, when they see my comedy, they won't have the will to fight. When the American and Iranian troops see the comedy of Omid Djalili, they won't have the will to live! The Daily Mail.”

Omid Djalili (1965) Iranian-British stand-up comedian

No Agenda (2007)

War, People, Fight

“Soon, many European elites insinuated that the jihadist attacks had some moral justification. These anti-American views began to circulate well before the campaign to dislodge the Taliban kicked off on October 7. The bombing which became the most frequently invoked reason to take sides against the U. S. had not yet even begun.”

Jean-François Revel (1924–2006) French writer and philosopher

2000s, Europe's Anti-American Obsession (2003)

“I became aware of Louise Bourgeois in my first or second year at Brighton Art College. One of my teachers, Stuart Morgan, curated a small retrospective of her work at the Serpentine, and both he and another teacher, Edward Allington, saw something in her, and me, and thought I should be aware of her. I thought the work was wonderful. It was her very early pieces, The Blind Leading the Blind, the wooden pieces and some of the later bronze works. Biographically, I don't really think she has influenced me, but I think there are similarities in our work. We have both used the home as a kind of kick-off point, as the space that starts the thoughts of a body of work. I eventually got to meet Louise in New York, soon after I made House. She asked to see me because she had seen a picture of House in the New York Times while she was ironing it one morning, so she said. She was wonderful and slightly kind of nutty; very interested and eccentric. She drew the whole time; it was very much a salon with me there as her audience, watching her. I remember her remarking that I was shorter than she was. I don't know if this was true but she was commenting on the physicality of making such big work and us being relatively small women. When you meet her you don't know what's true, because she makes things up. She has spun her web and drawn people in, and eaten a few people along the way.”

Rachel Whiteread (1963) British sculptor

Rachel Whiteread, " Kisses for Spiderwoman http://www.theguardian.com/artanddesign/2007/oct/14/art2," The Guardian, 14 Oct. 2007: on Louise Bourgeois

Women, People, Art, Way

“Our hero came from Nowhere — he wasn't going Anywhere and he got kicked off Somewhere.”

Buster Keaton (1895–1966) American actor and filmmaker

The High Sign (1921, co-written with Edward F. Cline)

“(On fun-sized chocolates) I don't know why they're called fun-sized; I mean, if I called a midget fun-sized, they'd kick off”

Karl Pilkington (1972) English television personality, social commentator, actor, author and former radio producer

Happyslapped by a Jellyfish
On Little People

“Way back in the early 80s, when I was first kicking off writing V for Vendetta for the English magazine Warrior, the story was very much a result of me actually sitting down and thinking about what the real extreme poles of politics were. Because it struck me that simple capitalism and communism were not the two poles around which the whole of political thinking revolved. It struck me that two much more representative extremes were to be found in fascism and anarchy.”

Alan Moore (1953) English writer primarily known for his work in comic books

Alan Moore on Anarchism (2009)

Way, Communication, Thinking

“I became aware of Louise Bourgeois in my first or second year at Brighton Art College. One of my teachers, Stuart Morgan, curated a small retrospective of her work at the Serpentine, and both he and another teacher, Edward Allington, saw something in her, and me, and thought I should be aware of her. I thought the work was wonderful. It was her very early pieces, The Blind Leading the Blind, the wooden pieces and some of the later bronze works. Biographically, I don't really think she has influenced me, but I think there are similarities in our work. We have both used the home as a kind of kick-off point, as the space that starts the thoughts of a body of work. I eventually got to meet Louise in New York, soon after I made House. She asked to see me because she had seen a picture of House in the New York Times while she was ironing it one morning, so she said. She was wonderful and slightly kind of nutty; very interested and eccentric. She drew the whole time; it was very much a salon with me there as her audience, watching her. I remember her remarking that I was shorter than she was. I don't know if this was true but she was commenting on the physicality of making such big work and us being relatively small women. When you meet her you don't know what's true, because she makes things up. She has spun her web and drawn people in, and eaten a few people along the way.”

Louise Bourgeois (1911–2010) American and French sculptor

Rachel Whiteread, " Kisses for Spiderwoman http://www.theguardian.com/artanddesign/2007/oct/14/art2," The Guardian, 14 Oct. 2007:

Women, People, Art, Way

“At a given moment there comes a time that you kick off everything, the whole mess and relieved you are walking further the path. Then the temptations come: Shouldn't I do this in another way, shall I go back and start to accept that I am a fool. Then bite your teeth firmly and say to yourself: no, stupid fool, don't go back, because what you will lose is profit.”

Hendrik Werkman (1882–1945) Dutch artist

version in original Dutch (origineel citaat van Hendrik Werkman, in het Nederlands): Er komt dan op een gegeven ogenblik een tijd dat je alles, de hele rotzooi van je aftrapt en opgelucht de verdere weg bewandelt. Dan krijg je de verleidingen: zal ik dat toch maar niet anders doen, zal ik omkeren en gaan inzien dat ik een stommeling ben. Bijt dan maar op de tanden en zeg tegen jezelf: nee, stommeling, niet terug, wat je verliest is winst.
Quote of Werkman, 1940's; as cited in 'Kwartierstaat', ed. Hartog, Van der Ley and Poortinga, Archief 3, Gebroeders & Cie, Amsterdam, (transl: Fons Heijnsbroek) unpaged
1940's

Stupidity, Fools, Way, Time

“The document normally kicks off with a lengthy description of current industry conditions and the competitive situation. Next is a discussion of how to increase market share, capture new segments, or cut costs, followed by an outline of numerous goals and initiatives. A full budget is almost invariably attached, as are lavish graphs and a surfeit of spreadsheets. The process usually culminates in the preparation of a large document culled from a mishmash of data provided by people from various parts of the organization who often have conflicting agendas… Executives are paralyzed by the muddle. Few employees deep down in the company even know what the strategy is.”

W. Chan Kim book Blue Ocean Strategy

Description of how an average strategic plan is being created. Kim further explains, that "... a closer look reveals that most plans don’t contain a strategy at all but rather a smorgasbord of tactics that individually make sense but collectively don’t add up to a unified, clear direction that sets a company apart—let alone makes the competition irrelevant. [p. 84]"
Source: Blue Ocean Strategy, 2005, p. 83-84 (2016 extended edition) As cited in: Paul R. Niven (2010). Balanced Scorecard Step-by-Step. p. 99

People, Parting

“In American culture the coin toss is the paradigm of the random event. A coin toss decides who kicks off the Super Bowl. Looked at another way, a coin toss is not random at all. It is physics.”

William Poundstone (1955) American writer

Part One, Entropy, Toy Room, p. 46
Fortune's Formula (2005)

Way