Quotes about incandescence

A collection of quotes on the topic of incandescence, dark, darkness, mean.

Quotes about incandescence

“She incandesced as she sang. Her singing voice employed more than the process of phonation, more than the scope of the larynx.”

M. S. Subbulakshmi (1916–2004) singer,Carnatic vocalist

Gopal Gandhi in his book of "A Certain Age: Twenty Life Sketches", page=166
About M.S.

Singing

“The small wad of burning paper drew down to a wisp of flame and then died out leaving a faint pattern for just a moment in the incandescence like the shape of a flower, a molten rose. Then all was dark again.”

Cormac McCarthy book The Road

Source: The Road

Flowers

“You may only call me "Mrs. Darcy"… when you are completely, and perfectly, and incandescently happy.”

Jane Austen book Pride and Prejudice

Source: Pride and Prejudice

Happiness

“Slice a pear and you will find that its flesh is incandescent white. It glows with inner light. Those who carry a knife and a pear are never afraid of the dark.”

Yann Martel book Beatrice and Virgil

Source: Beatrice and Virgil

Light

“For the sake of one soul. For one loved one. For one life." I called power into my blasting rod, and its tip glowed incandescent white. "The way I see it, there's nothing else worth fighting a war for.”

Jim Butcher book Grave Peril

Source: Grave Peril

Love, Life, War, Way

“The world, although well-lighted with fluorescents and incandescent bulbs and neon, is still full of odd dark corners and unsettling nooks and crannies.”

Stephen King book Firestarter

Source: Firestarter

World, Light

“O Adolescence, O Adolescence
I wince before thine incandescence...
When anxious elders swarm about
Crying "Where are you going?", thou answerest "Out,"...
Strewn! All is lost and nothing found
Lord, how thou leavest things around!...”

Ogden Nash (1902–1971) American poet

"Tarkington, Thou Should'st Be Living in This Hour"
Versus (1949)

Cry

“These people [the Mason-family in Nova Scotia] have that sort of incandescence, which is peculiar to those who know the meaning of simplicity & humility. They are illumined from within makes them essentially mystical in their sense of life.”

Marsden Hartley (1877–1943) American artist

letter to A. Sieglitz, October 28, 1936, Hartley Archive, Yale University; as quoted in Marsden Hartley, by Gail R. Scott, Abbeville Publishers, Cross River Press, 1988, New York p. 111
1931 - 1943

Life, People, Family, Sense

“I think faith in each other is much harder than faith in God or faith in crystals. I very rarely have faith in God; I occasionally have little spasms of it, but they go away, if I think hard enough about it. I am incandescent with rage at the idea of horoscopes and of crystals and of the nonsense of 'New Age', or indeed even more pseudo-scientific things: self-help, and the whole culture of 'searching for answers', when for me, as someone brought up in the unashamed Western tradition of music and poetry and philosophy, all the answers are there in the work that has been done by humanity before us, in literature, in art, in science, in all the marvels that have created this moment now, instead of people looking away. The image to me... is gold does exist, and for 'gold' say 'truth', say 'the answer', say 'love', say 'justice', say anything: it does exist. But the only way in this world you can achieve gold is to be incredibly intelligent about geology, to learn what mankind has learnt, to learn where it might lie, and then break your fingers and blister your skin in digging for it, and then sweat and sweat in a forge, and smelt it. And you will have gold, but you will never have it by closing your eyes and wishing for it. No angel will lean out of the bar of heaven and drop down sheets of gold for you. And we live in a society in which people believe they will. But the real answer, that there is gold, and that all you have to do is try and understand the world enough to get down into the muck of it, and you will have it, you will have truth, you will have justice, you will have understanding, but not by wishing for it.”

Stephen Fry (1957) English comedian, actor, writer, presenter, and activist

From Radio 4's Bookclub http://www.bbc.co.uk/programmes/p00f8l3b <br class="br">2000s

Love, God, People, Truth

“It was not socialism or communism or Islamism. It was romanticism. There is no more incandescent passion than love in a time of revolution.”

Ian McDonald book The Dervish House

Source: The Dervish House (2010), Ch. 6, §8 (p. 223)

Love, Communication, Passion, Time

“Most human lives are forgotten after four generations. We build our splendid houses on the edge of the abyss then distract and dazzle ourselves with entertainers and sex while we slowly at first, then more rapidly, spin around the ever-thirsty plughole in the middle. My treasured possessions -- all the silly little mementoes and toys and special books I’ve carried with me for decades -- will wind up on flea market tables or rot on garbage heaps. Someone else will inhabit the rooms that were mine. Everything that was important to me will mean nothing to the countless generations that follow our own. In the grand sprawl of it all, I have no significance at all. I don’t believe a giant gaseous pensioner will reward or censure me when my body stops working and I don’t believe individual consciousness survives for long after brain death so I lack the consolations of religion. I wanted Annihilator to peek into that implacable moment where everything we are comes to an end so I had to follow the Black Brick Road all the way down and seriously consider the abject pointlessness of all human endeavours. I found these contemplations thrilling and I was drawn to research pure nihilism, which led me to Ray Brassier’s Nihil Unbound and back to Ligotti. I have a fundamentally optimistic and positive view of human existence and the future and I think it’s important to face intelligent, well-argued challenges to that view on a regular basis. While I agree with Ligotti that the universe is, on the face of it, a blind emergent process, driven by chance over billions of years of trial and error to ultimately produce creatures capable of little more than flamboyant expressions of the agonizing awareness of their own imminent deaths, I don’t share his slightly huffy disappointment at this state of affairs. If the universe is intrinsically meaningless, if the mindless re-arrangement of atomic debris into temporarily arising then dissipating forms has no point, I can only ask, why do I see meaning everywhere, why can I find a point in everything? Why do other human beings like me seem to see meaning in everything too? If the sun is only an apocalyptic series of hydrogen fusion reactions, why does it look like an angel and inspire poetry? Why does the flesh and fur-covered bone and jelly of my cat’s face melt my heart? Is all that surging, roaring incandescent meaning inside me, or is it out there? “Meaning” to me is equivalent to “Magic.” The more significance we bring to things, even to the smallest and least important things, the more special, the more “magical” they seem to become. For all that materialistic science and existential philosophy tells us we live in a chaotic, meaningless universe, the evidence of my senses and the accounts of other human beings seem to indicate that, in fact, the whole universe and everything in it explodes second-to-second with beauty, horror, grandeur and significance when and wherever it comes into contact with consciousness. Therefore, it’s completely down to us to revel in our ability to make meaning, or not. Ligotti, like many extreme Buddhist philosophers, starts from the position that life is an agonizing, heartbreaking grave-bound veil of tears. This seems to be a somewhat hyperbolic view of human life; as far as I can see most of us round here muddle through ignoring death until it comes in close and life’s mostly all right with just enough significant episodes of sheer joy and connection and just enough sh-tty episodes of pain or fear. The notion that the whole span of our lives is no more than some dreadful rehearsal for hell may resonate with the deeply sensitive among us but by and large life is pretty okay generally for most of us. And for some, especially in the developed countries, “okay” equals luxurious. To focus on the moments of pain and fear we all experience and then to pretend they represent the totality of our conscious experience seems to me a little effete and indulgent. Most people don’t get to be born at all, ever. To see in that radiant impossibility only pointlessness, to see our experience as malignantly useless, as Ligotti does, seems to me a bit camp.”

Grant Morrison (1960) writer

2014
http://www.blastr.com/2014-9-12/grant-morrisons-big-talk-getting-deep-writer-annihilator-multiversity
On life

Life, Death, Pain, People

“It doesn’t matter that the people of the UK voted for Brexit, and the people of the USA voted for Donald Trump — the anti-democrats of the left are incandescent with anger. Their programme of cultural destruction and managed decline of the West has fallen apart at the ballot box as the quiet, dignified conservative majority voted peacefully to take back control of their countries and reject mass immigration, radical Islam, and political correctness.”

David Kurten (1971) British politician

Left Rages Against Trump Tweets While Embracing Muslim MP Who Tweeted Grooming Victims Should ‘Shut Up for the Sake of Diversity’ http://www.breitbart.com/london/2017/12/06/left-rages-against-trump-tweets-embracing-politicians-grooming-victims-shut-up/ (December 6, 2017)

People, Anger, Country, Box

“Dots are just one example of an element in Lascaux art, and in all cave art… This is a profusion of nonrepresentational, geometric patterns. In addition to dots, there are grids and chevrons, curves and zigzags, and more. …The coincidence of these geometric motifs with representational images is one of the most puzzling aspects of Upper Paleolithic art. …images, six different kinds in all, are shimmering, incandescent, mercurial—and powerful. Called entoptic images—which means "within vision"—these phenomena are products of the basic neural architecture of the human brain.”

Richard Leakey (1944) Kenyan paleoanthropologist, conservationist, and politician

Origins Reconsidered: In Search of What Makes Us Human (1992)

Art

“The sun as it's halted
Miraculously exalted
Resumes its descent Incandescent.”

Stéphane Mallarmé (1842–1898) French Symbolist poet

Hérodiade (1898)

Sun

“Inventor of a new mythology and weaver of surprising folklore, Lord Dunsany stands dedicated to a strange world of fantastic beauty... unexcelled in the sorcery of crystalline singing prose, and supreme in the creation of a gorgeous and languorous world of incandescently exotic vision. No amount of mere description can convey more than a fraction of Lord Dunsany's pervasive charm.”

Lord Dunsany (1878–1957) Irish writer and dramatist

H. P. Lovecraft, quoted in the Del Rey edition of The Charwoman's Shadow
About

World, Beauty, Singing

“The average man looks up at night And sees thousands and thousands, of twinkling stars, Each different from the others. But a man of wisdom and achievement, Perceives the one light, Behind the dark dome of the night-sky, Whose incandescence peeps at us, Through all the holes in the night-dome!!”

Chinmayananda Saraswati (1916–1993) Indian spiritual teacher

Quotations from Gurudev’s teachings, Chinmya Mission Chicago

Wisdom, Star, Light, Night

“Where hunters and woodcutters once slept in their boots by the dying light of their thousand fires and went on, old teutonic forebears with eyes incandesced by the visionary light of a massive rapacity, wave on wave of the violent and the insane, their brains stoked with spoorless analogues of all that was, lean aryans with their abrogate semitic chapbook reenacting the dramas and parables therein and mindless and pale with a longing that nothing save dark's total restitution could appease.”

Cormac McCarthy book Suttree

page 4
Suttree (1979)

Light

“Legally Blonde 2 should never have been made. It is a cinematic abomination — a source of embarrassment for everyone involved. There have been worse films this year, but none has been marketed as this fun-loving and upbeat. Worthwhile moments are few and far between, and Reese Witherspoon's incandescent charm, which was one of the original Legally Blonde's saving graces, is so bright that it creates a glare. There's such a thing as being too perky.”

James Berardinelli (1967) American film critic

Review http://www.reelviews.net/php_review_template.php?identifier=1321 of Legally Blonde 2: Red, White & Blonde (2003). <br class="br">One-star reviews

Love