Quotes about footage

A collection of quotes on the topic of footage, use, film, time.

Quotes about footage

“Cherry: You know, I’ve been home now for 24 hours. I must’ve been asked 9,000 times about that incident, we don’t have it [the footage], but I want to talk about it. Figure it out: Here’s a guy who gets eight stitches, eight stitches in his chin. What happened? Who did it? Nobody knows, ok? Nobody knows, ok, so here’s what happens. The referee calls the guy over and he says ‘Did you see what happened?’, ‘Whoaa, not my side’ ‘Did you see what happened?’ ‘Well wait a minute if I tell you, that means five-minute major.’ If the linesman says five-minute major…”

Don Cherry (1934) ice hockey coach, television commentator

Guy, Home, Time, Waiting

“I watched the footage of Saddam being executed, and it really made me think…is there nothing on the internet that I won’t masturbate to?”

Frankie Boyle (1972) Scottish comedian

Frankie Boyle Live (2008)

Thinking

“I decided not to score GODZILLA VS. SPACE GODZILLA (1994) when I read the script for the film. The atmosphere was very different. However, when I read the screenplay for GODZILLA VS. DESTROYER, I discovered that it was directly related to GODZILLA - KING OF THE MONSTERS. There was even going to be footage from GODZILLA - KING OF THE MONSTERS in the movie! I felt that since I'd been involved in Godzilla's birth, it was fitting for me to be involved in his death.”

Akira Ifukube (1914–2006) Japanese composer

As quoted by David Milner, "Akira Ifukube Interview III" http://www.davmil.org/www.kaijuconversations.com/ifukub3.htm, Kaiju Conversations (December 1995)

Death, Birth, Reading

“The tragedy of Africa seemingly has no end. Viewing it from afar, the casual Western onlooker can be forgiven if the scenes begin to meld: Ethiopian famine in 1987, Somalian civil war and ensuing famine in 1992, and now Central Africa in 1997. The pictures and footage assume the role of media footnotes: snapshots of hopelessness, disaster, and death that seem as far away as the moon and as unrealistic as some science fiction film. Yet, like the African crises before it, the tragedy of Central Africa is very real and, in a global age, perhaps not as distant as some would like to think. With a foreign policy appropriately rooted in some sense of humanitarian decency, the Central African crisis will not be easily ignored by American policymakers. It screams for remedy.”

Michael Johns (1964) American businessman

"Africa Deserves a Closer Look," The World and I, February 1997, by Michael Johns.

Death, War, Age, Thinking

“Josh (footage): Y'all ready to see Foo Fighters?
Nick Oliveri (footage): God damn, I thought they were here to see us!
Josh (footage): Well, I thought they were too! Well, not yet. You got a minute, you're a little early.
Troy Van Leeuwen: Sorry I'm late, I was just getting beer.
Josh: But they were early.
Josh (footage): Oh yeah… I'll see you all wherever you are. Uhhhh…
Josh: No, I'm not high there. Not at all.”

Josh Homme (1973) American musician

Over the Years and Through the Woods, ("How to Handle a Rope") commentary footage (2005)
Over the Years and Through the Woods

God, Beer

“The total turtle count - two hundred and thirty species - doesn't seem like an irresistible horde compared to the several thousand mammals in today's global ecosystem. However, turtles have scored quite an impressive ecological triumph in one very important role, that of freshwater predator-omnivore… All through the Temperate Zone, otters delight the naturalist and the lay public. But how many other freshwater, semi-aquatic mammal predators can you name? Mink, of course. Relatives of otters on one hand, land weasels on the other, mink do hunt in streams. How many others? If you caught the excellent BBC series "Life on Earth", you saw footage of the swimming shrew, the Desman of the Pyrenees, a molelike furball that dives for aquatic worms and other freshwater small fry. Our own New England star-nosed mole goes hunting in water, using its starburst-shaped snout tip to feel out wriggling prey. Andean streams flowing through Preu are host to the fish-spearing mouse, Ichthyomys, that impales prey on its projecting front teeth. But if we go to a tropical lake or sluggish river, is it full of otters, mink, and paddling shrews? No, it is full of turtles.”

Robert T. Bakker book The Dinosaur Heresies

The Dinosaur Heresies: A Revolutionary View of Dinosaurs (1986), Longman Scientific & Technical, p. 57
The Dinosaur Heresies (1986)

Life, Feeling, Star, Fish

“[Talking about Richard Hammond's high-speed dragster crash] That should be the anti-speeding advert. It should be footage of Richard Hammond trying to remember his own wedding day. [Mimicking Richard Hammond] "She was wearing black… or was it red? Am I married?"”

Frankie Boyle (1972) Scottish comedian

Mock the Week

Wedding, Speed

“More and more film scores are being recorded the way television scores are recorded. The performers are not shown any footage. I personally don't like working that way because if you do not allow the members of the orchestra to see footage on a big screen, they will tend to perform as if they are in a concert hall. They will try not to stand out. They will try to perform as members of an orchestra. What is needed when scoring a movie such as GODZILLA VS. MECHAGODZILLA is playing that is much more aggressive. No matter how much you explain the character of Godzilla to the performers and urge them to play aggressively, they still will play as if they are in a concert hall. However, if you show the performers footage of Godzilla, their playing will dramatically change. That is why I insisted on being allowed to show footage to the performers before I agreed to score GODZILLA VS. GHIDRAH.”

Akira Ifukube (1914–2006) Japanese composer

As quoted by David Milner, "Akira Ifukube Interview II" http://www.davmil.org/www.kaijuconversations.com/ifukub2.htm, Kaiju Conversations (December 1993)

Way, Change, Personality

“Today, the Israelis tightened the noose on the mass media in northern occupied Palestine and occupied Palestine. No one can report any news or broadcast any footage. [News reports] are subject to the Israeli censorship which permits and disseminates them. Even you at Al-Jazeera Channel were subjected to arrests, interrogation, restricted activities, and the like. Why do the Israelis resort to concealing the truth on the other side? Why? Do they do that only because they accuse the media outlets of setting the coordinates? This is nonsense. We have the coordinates of these Israeli settlements and military positions in the north, centre, or in any part of occupied Palestine. We do not need anybody to give us information, images, or the like. In that case, they want to conceal the true scene of the war on the other side because it will have definite impact on the Israeli street and media and the morale of the Israelis.”

Hassan Nasrallah (1960) Secretary General of Hezbollah

Hassan Nasrallah, Al-Jazeera interviews Hezbollah chief http://www.globalresearch.ca/index.php?context=viewArticle&code=AL-20060722&articleId=2790 Al-Jazeera 20 July 2006 <br class="br">Quote, 2006

War, Truth, Parting

“With one exception, the following quotes are taken directly from archival footage shot by VRS military cameramen. The arrival of the Bosnian Serb army is covered, as well as their subsequent rush to Potočari, the site of the Dutch base where tens of thousands of Bosnian Muslim refugees had taken cover, seeking protection from the United Nations.”

Ratko Mladić (1943) Commander of the Bosnian Serb military

Krle, Krstić, come on. Record that flag. Tear that flag down so it doesn't fly any more. Pull it down. Bravo! Towards Potočari! Towards Potočari and Bratunac! Don't stop, come on! Go in front of me the whole way, come on. Come on, boys, forward!
Here we are, on the eleventh of July of the year 1995, in Serbian Srebrenica. On the eve of yet another great Serb holiday we present this town as a gift to the Serb nation. The moment has finally arrived that, after the revolt against the Dahijas, we will have vengeance against the turks in this place."
There are so many! It is going to be a feast. There will be blood up to your knees. Nedzida Sadikovic, as quoted by Roy Gutman, Newsday News Service, August 9, 1995.
"Don't be afraid of anything, just take it easy, easy. Let the women and children go first. Thirty buses are coming, we're send you off toward Kladanj. Don't be afraid of anything, nobody is going to do anything to you. Thank you, thank you. Thanks, be safe. Nobody knows anything. Everything is done on my order."
Srebrenica Massacre

Quotes

“Have full-blown contact now. [The ongoing contacts] have been well documented here with multiple eyewitnesses as well as day and night footage with sound of the ships. Can provide all the eyewitnesses you wish. Two days ago I was hit with three balls of light within a stream of energy, after which a woman appeared to me with a strange headdress used for communication and other higher consciousness and energy works. The ship came in as a golden light from the north. It dropped down low and hovered. I have been [burnt] on my chest right over the heart. It has been photographed. These beings are extremely spiritual and technologically advanced. They have a message. This is not airy fairy, this is for real.”

James Gilliland (1952) American academic and author

James describing one of his close encounters.
Source: Montgomery, Christopher (2000), "Washington State UFO Hot Spot", UFO Magazine 15 (3): 36

Communication, Light, Appearance, Heart

“Many decry the loss of “real time” to capturing moments on-screen, claiming that the recording of memories as they happen threatens to replace the actual memories you have of that moment. I’ve read many articles in which parents bemoan the fact their kids were seeing family vacations through GoPro cameras, rather than actually living them. After a day on the ski slopes, they edit their raw footage into action-packed greatest moments and post it to social media, where it’s shared and commented on by their friends, hyperextending their time on the mountain. For a generation raised on reality TV to be able to replay those moments over and over through a mediated interface is a way of reliving an eternal present, loved for a moment then replaced by the next day’s upload. In this way, we’re simultaneously archiving and forgetting: archiving because we continuously upload media, and forgetting because we rarely go back to visit what we have uploaded. Today’s upload is the best upload and keeps us very much present and mindful in the here and now.”

Kenneth Goldsmith (1961) American writer

Wasting Time on the Internet, 2016

Love, Family, Way, Mountain

“Have you never seen human beings acting in a mob-frenzy? Have you never seen a religious rite that tipped people over the edge? Did you not see footage of the rock-and-roll music concerts they have in America?”

Adam Roberts book Twenty Trillion Leagues Under the Sea

Source: Twenty Trillion Leagues Under the Sea (2014), Chapter 14, “Confinement” (p. 131)

People, Music

“To my delight, Federico had seen Dans la ville blanche (1983) by Swiss director Alain Tanner. Enthusiastic about Bruno Ganz’s performance, he also was impressed by the film’s startling visual poetry of Lisbon achieved by transferring inferior film stock onto 35mm. It was exactly this kind of uncomplicated technical innovation that inspired Federico during the writing of Attore. Conceived in 1992, Attore focused on the craft and the psychology of actors. Having completed a film treatment with roles for Mastroianni, Giulietta Masina, and Paolo Villagio, Fellini was now wondering if he should provide Marcello with a home movie camera to be used in a loosely Shakespearian sense that all the world’s a film set. The 8mm footage of intimate memories of the theatre from his Rimini childhood would then be transferred to 35mm – a most intriguing idea that would have been a new departure for the Maestro had he lived to bring it to the screen.”

Damian Pettigrew Canadian filmmaker

On Fellini’s last film project, Attore
Federico Fellini: Sou um Grande Mentiroso (2008)

World, Home, Idea, Departure

“Short of climbing aboard a time capsule and peeling back eight and one-half decades, James Cameron's magnificent Titanic is the closest any of us will get to walking the decks of the doomed ocean liner. Meticulous in detail, yet vast in scope and intent, Titanic is the kind of epic motion picture event that has become a rarity. You don't just watch Titanic, you experience it — from the launch to the sinking, then on a journey two and one-half miles below the surface, into the cold, watery grave where Cameron has shot never-before seen documentary footage specifically for this movie.”

James Berardinelli (1967) American film critic

Review http://www.reelviews.net/movies/t/titanic.html of Titanic (1997). <br class="br">Four star reviews

Time

“Our Investigation has required EIGHT full time undercover investigative reporters embedded throughout the country from the bottom to the top of many political entities. Because we have hundreds of hours of footage, we needed to connect the dots and the scenes into a storyline that links it all together. It will be more impactful and more powerful instead of just putting it all out there at once or as soon as I got the video money shots individually. Long story short, everything you've heard about back room deals and smoke filled rooms are verified. We have smoking gun evidence and it is incredibly damning.”

James O'Keefe (1984) American conservative filmmaker

Reddit AMA https://www.reddit.com/r/The_Donald/comments/57jd2p/hi_im_james_okeefe_ask_me_anything/ (October 14, 2016)

Money, Time, Country

“The Exxon Corporation was, and is, working hard to take the lead in setting the standard for the environmental clean-up along the 1,200 miles of damaged Alaskan coastline. Yet, despite all their efforts they still hear cries of foul. News articles claim the corporation is falling short of its responsibilities. Video footage of out-of-work fishermen sitting in idle boats carries the depressing message that the fishing industry cannot provide a livelihood for several more years. Exxon has spent billions of dollars related to that tragic oil spill. In spite of their efforts they continue to pay the price in money, damaged reputation, and ill-will.”

Wheeler L. Baker (1938) President of Hargrave Military Academy

Source: Crisis Management: A Model For Managers (1993), p. 2

Money, Fish, Effort

“Rollerball is an incoherent mess, a jumble of footage in search of plot, meaning, rhythm and sense. There are bright colors and quick movement on the screen, which we can watch as a visual pattern that, in entertainment value, falls somewhere between a kaleidoscope and a lava lamp.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/rollerball-2002 of the 2002 film Rollerball (8 February 2002) <br class="br">Reviews, Half-star reviews

Color, Search, Sense

“[O]n surviving film footage of Eisner’s funeral we see Hitler with a few men from his unit walking behind Eisner’s coffin in the funeral procession of the Bavarian leader. We clearly see Hitler wearing two armbands: one black band to mourn the death of Eisner and the other a red armband in the colour of the Socialists revolution. Similarly, Hitler appears on one of Heinrich Hoffman’s photographs of the funeral process for Eisner.”

Thomas Weber (historian) (1974) German historian

Source: Hitler’s First War: Adolf Hitler, the Men of the List Regiment, and the First World War (2011), p. 251

Death, Men, Appearance

“I do not support pedophilia. Period. It is a vile and disgusting crime, perhaps the very worst. I did say that there are relationships between younger men and older men that can help a young gay man escape from a lack of support or understanding at home. That's perfectly true and every gay man knows it. But I was not talking about anything illegal and I was not referring to pre-pubescent boys. I said in the same "Drunken Peasants" podcast from which the footage is taken that I agree with the current age of consent. I shouldn't have used the word "boy" when I talked about those relationships between older men and younger gay men. (I was talking about my own relationship when I was 17 with a man who was 29. The age of consent in the UK is 16.) That was a mistake. Gay men often use the word "boy" when they refer to consenting adults. I understand that heterosexual people might not know that, so it was a sloppy choice of words that I regret.”

Milo Yiannopoulos (1984) British journalist

19 February 2017 on Facebook https://www.facebook.com/myiannopoulos/posts/851263248344905 <br class="br">2017

Men, People, Age, Home

“The first time I ever saw footage of a mother pig, in a more natural environment, making a nest for her babies, it brought me to tears realizing the frustration they must feel in farrowing crates.”

Lauren Ornelas American activist

"Some Pig" https://www.all-creatures.org/articles/ar-some-pig.html, All-Creatures.org (April 2013).

Making love, Feeling, Nature, Tear

“It is very difficult to edit something that I direct. It’s having to remake decisions that I’ve already made on set and now have to undo or reimagine. I always warn Directors sitting down with me to edit not to watch the film and footage too much. The ability to have fresh eyes and be able to watch the movie as a viewer is the most valuable tool a director has.”

Misty Talley American film director and editor

Source: The Shark Lady: An Interview with Misty Talley https://www.bigeasymagazine.com/2019/07/01/the-shark-lady-an-interview-with-misty-talley/ (July 1, 2019)

Decision