Quotes about clockwork (22 quotes) | Quotes of famous people

“I cannot imagine how the clockwork of the universe can exist without a clockmaker.”

Voltaire (1694–1778) French writer, historian, and philosopher

As attributed in More Random Walks in Science : An Anthology (1982) by Robert L. Weber, p. 65
Attributed

Imagination , Universe

“I cannot imagine how the clockwork of the universe can exist without a clockmaker. ”

Voltaire (1694–1778) French writer, historian, and philosopher

Imagination , Universe

“Where do I come into all of this? Am I just some animal or dog?' And that started them off govoreeting real loud and throwing slovos at me. So I creeched louder still, creeching: 'Am I just to be like a clockwork orange?”

Anthony Burgess book A Clockwork Orange

Source: A Clockwork Orange

Dogs , Animals

“If he can only perform good or only perform evil, then he is a clockwork orange—meaning that he has the appearance of an organism lovely with colour and juice but is in fact only a clockwork toy to be wound up by God or the Devil.”

Anthony Burgess book A Clockwork Orange

Source: A Clockwork Orange

Love , God , Appearance , Evil

“Look well on this, my son," said the green-skinned man, "for one day I shall rule a clockwork kingdom of such beings, and you shall be its prince.”

Cassandra Clare book Clockwork Prince

Source: Clockwork Prince

“They lay there for a few seconds, in the dark, in the future, listening to the fabulous clockwork of their hearts and lungs, and loving each other”

Michael Chabon book The Amazing Adventures of Kavalier & Clay

Source: The Amazing Adventures of Kavalier & Clay

Love , Future , Heart

“Strangely the tumescence began to subside, the flesh at his neck to pale. Any sovereign or broken yo-yo must feel after a short time lying inert, rolling, falling: suddenly to have its hands it cannot escape. Hands it doesn’t want to escape. Know that the simple clockwork of itself has no more need for symptoms of inutility, lonesomeness, directionlessness, because now it has a path marked out for it over which it has no control. That’s what the feeling would be, if there were such things as animate yo-yos.”

Thomas Pynchon book V.

Source: V. (1963), Chapter Eight

Feeling , Lying , Time , Animals

“Nothing ever begins.
There is no first moment; no single word or place from which this or any other story springs.
The threads can always be traced back to some earlier tale, and to the tales that preceded that: though as the narrator’s voice recedes the connections will seem to grow more tenuous, for each age will want the tale told as if it were of its own making.
Thus the pagan will be sanctified, the tragic become laughable; great lovers will stoop to sentiment, and demons dwindle to clockwork toys.
Nothing is fixed. In and out the shuttle goes, fact and fiction, mind and matter woven into patterns that may have only this in common: that hidden amongst them is a filigree which will with time become a world.
It must be arbitrary then, the place at which we chose to embark.
Somewhere between a past half forgotten and a future as yet only glimpsed.”

Clive Barker (1952) author, film director and visual artist

Part One “Wild Blue Yonder”, Chapter i “Homing”, Section 1 (p. 19; opening words)
(1987), BOOK ONE: IN THE KINGDOM OF THE CUCKOO

Age , World , Spring , Lovers

“Consider, for example, the mechanical precision with which many of our institutions are expected to operate. Organizational life is often routinized with the precision demanded of clockwork. People are frequently expected to arrive at work at a given time, perform a predetermined set of activities, rest at appointed hours, and then resume their tasks until work is over. In many organizations, one shift of workers replaces another in methodical fashion so that work can continue uninterrupted twenty-four hours a day every day of the year. Often, the work is very mechanical and repetitive. Anyone who has observed work in the mass-production factory or in any of the large “office factories” processing paper forms such as insurance claims, tax returns, or bank checks will have noticed the machine-like way in which such organizations operate. They are designed like machines, and their employees are in essence expected to behave as if they were parts of machines.”

Gareth Morgan book Images of Organization

Source: Images of Organization (1986), p. 20; As cited in as Vivien Martin -(2003) Leading change in health and social care. p. 157: About the organization as machine:

Life , People , Way , Fashion

“At the movies, we are gradually being conditioned to accept violence as a sensual pleasure. The directors used to say they were showing us its real face and how ugly it was in order to sensitize us to its horrors. You don't have to be very keen to see that they are now in fact desensitizing us. They are saying that everyone is brutal, and the heroes must be as brutal as the villains or they turn into fools. There seems to be an assumption that if you're offended by movie brutality, you are somehow playing into the hands of the people who want censorship. But this would deny those of us who don't believe in censorship the use of the only counterbalance: the freedom of the press to say that there's anything conceivably damaging in these films — the freedom to analyze their implications. If we don't use this critical freedom, we are implicitly saying that no brutality is too much for us — that only squares and people who believe in censorship are concerned with brutality. Actually, those who believe in censorship are primarily concerned with sex, and they generally worry about violence only when it's eroticized. This means that practically no one raises the issue of the possible cumulative effects of movie brutality. Yet surely, when night after night atrocities are served up to us as entertainment, it's worth some anxiety. We become clockwork oranges if we accept all this pop culture without asking what's in it. How can people go on talking about the dazzling brilliance of movies and not notice that the directors are sucking up to the thugs in the audience?”

Pauline Kael book Deeper into Movies

"Stanley Strangelove" (January 1972) http://www.visual-memory.co.uk/amk/doc/0051.html, review of A Clockwork Orange
Deeper into Movies (1973)

People , Pleasure , Fools , Sex

“I witnessed the gruesome workings of the machinery of death; gear meshed with gear, like clockwork. It was the biggest and most enormous dance of death of all times.”

Adolf Eichmann (1906–1962) German Nazi SS-Obersturmbannführer

CBC report (2000)

Death , Time , Dance

“Order is not universal. In fact, many chaologists and physicists posit that universal laws are more flexible than first realized, and less rigid—operating in spurts, jumps, and leaps, instead of like clockwork. Chaos prevails over rules and systems because it has the freedom of infinite complexity over the known, unknown, and the unknowable.”

L. K. Samuels (1951) American writer

Source: In Defense of Chaos: The Chaology of Politics, Economics and Human Action, (2013), p. 9

Law , Freedom , Universe

“DIRECTIONS FOR USING:
For THINKING: Wind the Clockwork Man under his left arm, (marked No. 1).
For SPEAKING:--Wind the Clockwork Man under his right arm, (marked No. 2).
For WALKING and ACTION: Wind Clockwork Man in the middle of his back, (marked No. 3).
N. B. This Mechanism is guaranteed to work perfectly for a thousand years.”

L. Frank Baum book Tik-Tok of Oz

Tik-Tok of Oz, Ch. 7 : Polychrome's Pitiful Plight
Plate on the back of Tik-Tok
Later Oz novels

Thinking

“We'll probably be debating A Clockwork Orange for a long time — a long, weary and pointless time. The New York critical establishment has guaranteed that for us. They missed the boat on 2001, so maybe they were trying to catch up with Kubrick on this one. Or maybe the news weeklies just needed a good movie cover story for Christmas.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/a-clockwork-orange-1972 of A Clockwork Orange (11 February 1972)
Reviews, Two star reviews

Time , Christmas

“I myself was, for nearly six years, in such close touch with the Malay language that it affected my English and still affects my thinking. When I wrote a novel called A Clockwork Orange, no European reader saw that the Malay word for "man" – orang – was contained in the title (Malay students of English invariably write "orang squash"…”

Anthony Burgess (1917–1993) English writer

Non-Fiction, Joysprick: An Introduction to the Language of James Joyce (1973)

Thinking

“Einstein entertained counterintuitive notions that allowed him to pull physics from the mechanistic, clockwork universe of the eighteenth century up into the twentieth century.”

John Moffat book Reinventing Gravity

Source: Reinventing Gravity (2008), Chapter 2, Einstein, p. 25

Universe

“Biological systems are dynamical, not easily predicted, and are creative in many ways… In the old equilibrium worldview, ideas about change were dominated by the action-reaction formula. It was a clockwork world, ultimately predictable in boring ways.”

Christopher Langton (1949) American computer scientist

Christopher Langton in: Roger Lewin (1990) Complexity: Life at the Edge of Chaos New York, Macmillan. p. 190 as cited in: Sohail Inayatullah (1994) " Evolution and Complexity http://www.metafuture.org/Articles/evolution-complexity.htm#_edn1"

World , Way , Idea , Change

“The home life of the English seems to me to be about as perfect as anything can be. Everything moves like clockwork.”

Booker T. Washington (1856–1915) African-American educator, author, orator, and advisor

Source: 1900s, Up From Slavery (1901), Chapter XVI: Europe
Context: In one thing, at least, I feel sure that the English are ahead of Americans, and that is, they have learned how to get more out of life. The home life of the English seems to me to be about as perfect as anything can be. Everything moves like clockwork. I was impressed, too, with the deference that the servants show to their "masters" and "mistresses" - terms which I suppose would not be tolerated in America. The English servant expects, as a rule, to be nothing but a servant, and so he perfects himself in the art to a degree that no class of servants in America has yet reached. In our country the servant expects to become, in a few years, a "master" himself. Which system is preferable? I will not venture an answer.

Life , Home , Perfection

“The movements of the mind don’t follow any linear pattern, they can’t be explained with a mechanistic, clockwork view.”

Alan Moore (1953) English writer primarily known for his work in comic books

De Abaitua interview (1998)
Context: I have a more fractal way of working, if you like, it is more like the way most people’s minds actually work. They don’t work in any linear way. When your mind wanders if you ever pay attention to some of the paths it takes, you generally find it’s these paths of association that can link all over the place. …The movements of the mind don’t follow any linear pattern, they can’t be explained with a mechanistic, clockwork view. You could find quantum models of how the mind works that might fit.

“In the eighteenth century it was often convenient to regard man as a clockwork automaton.”

Thomas Pynchon book V.

Source: V. (1963), Chapter Ten, Part II
Context: In the eighteenth century it was often convenient to regard man as a clockwork automaton. In the nineteenth century, with Newtonian physics pretty well assimilated and a lot of work in thermodynamics going on, man was looked on as a heat engine, about 40 per cent efficient. Now in the twentieth century, with nuclear and subatomic physics a going thing, man had become something which absorbs X-rays, gamma rays and neutrons.

“The whole universe is similar to a clockwork with all its wheels in mesh and interdependent from each other. Even the idea of the Godhead as the highest comprehensible entity may be divided in aspects analogous to the elements. Details about it are found in the chapter concerning the God-idea.”

Franz Bardon book Initiation Into Hermetics

Source: Initiation Into Hermetics (1956), p. 10

Universe , Idea , God

“When we look back over the course of our nation’s history, what we see again and again almost like clockwork are these predictable efforts by the wealthy elite to use race as a wedge. To pit poor whites against poor people of color for the benefit of the ruling elite. Many people don’t realize that even slavery as an institution—the emergence of an all-Black system of slavery—was to a large extent the result of plantation owners deliberately trying to pit poor whites against poor Blacks. And ensure that poor whites would not join in any kind of resistance, movement, struggle, or revolt with poor Blacks…”

Michelle Alexander (1967) American lawyer, civil rights activist and writer

On the elite’s influence on the poor in in “The struggle for racial justice has a long way to go” https://isreview.org/issue/84/struggle-racial-justice-has-long-way-go in the International Socialist Review (May 2012)

Color , People , History , Effort